‘O friend and companion of night, thou who rejoicest in the baying of dogs (here a hideous howl bust forth) and spilt blood (here nameless sounds vied with morbid shriekings) who wanderest in the midst of shades among the tombs, (here a whistling sigh occurred) who longest for blood and bringest terror to mortals, (short, sharp cries from myriad throats) Gorgo, (repeated as response) Mormo, (repeated with ecstasy) thousand-faced moon, (sighs and flute notes) look favourably on our sacrifices!’
As the chant closed, a general shout went up, and hissing sounds nearly drowned the croaking of the cracked bass organ. Then a gasp as from many throats, and a babel of barked and bleated words – ‘Lilith, Great Lilith, behold the Bridegroom!’ More cries, a clamour of rioting, and the sharp, clicking footfalls of a running figure. The footfalls approached, and Malone raised himself to his elbow to look.
The luminosity of the crypt, lately diminished, had now slightly increased; and in that devil-light there appeared the fleeing form of that which should not flee or feel or breathe – the glassy-eyed, gangrenous corpse of the corpulent old man, now needing no support, but animated by some infernal sorcery of the rite just closed. After it raced the naked, tittering, phosphorescent thing that belonged on the carven pedestal, and still farther behind panted the dark men, and all the dread crew of sentient loathsomenesses. The corpse was gaining on its pursuers, and seemed bent on a definite object, straining with every rotting muscle toward the carved golden pedestal, whose necromantic importance was evidently so great. Another moment and it had reached its goal, whilst the trailing throng laboured on with more frantic speed. But they were too late, for in one final spurt of strength which ripped tendon from tendon and sent its noisome bulk floundering to the floor in a state of jellyish dissolution, the staring corpse which had been Robert Suydam achieved its object and its triumph. The push had been tremendous, but the force had held out; and as the pusher collapsed to a muddy blotch of corruption the pedestal he had pushed tottered, tipped, and finally careened from its onyx base into the thick waters below, sending up a parting gleam of carven gold as it sank heavily to undreamable gulfs of lower Tartarus. In that instant, too, the whole scene of horror faded to nothingness before Malone’s eyes; and he fainted amidst a thunderous crash which seemed to blot out all the evil universe.
VII
Malone’s dream, experienced in full before he knew of Suydam’s death and transfer at sea, was curiously supplemented by some odd realities of the case; though that is no reason why anyone should believe it. The three old houses in Parker Place, doubtless long rotten with decay in its most insidious form, collapsed without visible cause while half the raiders and most of the prisoners were inside; and of both the greater number were instantly killed. Only in the basements and cellars was there much saving of life, and Malone was lucky to have been deep below the house of Robert Suydam. For he really was there, as no one is disposed to deny. They found him unconscious by the edge of a night-black pool, with a grotesquely horrible jumble of decay and bone, identifiable through dental work as the body of Suydam, a few feet away. The case was plain, for it was hither that the smugglers’ underground canal led; and the men who took Suydam from the ship had brought him home. They themselves were never found, or at least never identified; and the ship’s doctor is not yet satisfied with the simple certitudes of the police.
Suydam was evidently a leader in extensive man-smuggling operations, for the canal to his house was but one of several subterranean channels and tunnels in the neighbourhood. There was a tunnel from this house to a crypt beneath the dance-hall church; a crypt accessible from the church only through a narrow secret passage in the north wall, and in whose chambers some singular and terrible things were discovered. The croaking organ was there, as well as a vast arched chapel with wooden benches and a strangely figured altar. The walls were lined with small cells, in seventeen of which – hideous to relate – solitary prisoners in a state of complete idiocy were found chained, including four mothers with infants of disturbingly strange appearance. These infants died soon after exposure to the light; a circumstance which the doctors thought rather merciful. Nobody but Malone, among those who inspected them, remembered the sombre question of old Delrio: ‘An sint unquam daemones incubi et succubae, et an ex tali congressu proles nasci queat?’
Before the canals were filled up they were thoroughly dredged, and yielded forth a sensational array of sawed and split bones of all sizes. The kidnapping epidemic, very clearly, had been traced home; though only two of the surviving prisoners could by any legal thread be connected with it. These men are now in prison, since they failed of conviction as accessories in the actual murders. The carved golden pedestal or throne so often mentioned by Malone as of primary occult importance was never brought to light, though at one place under the Suydam house the canal was observed to sink into a well too deep for dredging. It was choked up at the mouth and cemented over when the cellars of the new houses were made, but Malone often speculates on what lies beneath. The police, satisfied that they had shattered a dangerous gang of maniacs and man-smugglers, turned over to the Federal authorities the unconvicted Kurds, who befure their deportation were conclusively found to belong to the Yezidi clan of devil-worshippers. The tramp ship and its crew remain an elusive mystery. though cynical detectives are once more ready to combat its smugging and rum-running ventures. Malone thinks these detectives shew a sadly limited perspective in their lack of wonder at the myriad unexplainable details, and the suggestive obscurity of the whole case; though he is just as critical of the newspapers, which saw only a morbid sensation and gloated over a minor sadist cult which they might have proclaimed a horror from the universe’s very heart. But he is content to rest silent in Chepachet, calming his nervous system and praying that time may gradually transfer his terrible experience from the realm of present reality to that of picturesque and semi-mythical remoteness.
Robert Suydam sleeps beside his bride in Greenwood Cemetery. No funeral was held over the strangely released bones, and relatives are grateful for the swift oblivion which overtook the case as a whole. The scholar’s connexion with the Red Hook horrors, indeed, was never emblazoned by legal proof; since his death forestalled the inquiry he would otherwise have faced. His own end is not much mentioned, and the Suydams hope that posterity may recall him only as a gentle recluse who dabbled in harmless magic and folklore.
As for Red Hook – it is always the same. Suydam came and went; a terror gathered and faded; but the evil spirit of darkness and squalor broods on amongst the mongrels in the old brick houses, and prowling bands still parade on unknown errands past windows where lights and twisted faces unaccountably appear and disappear. Age-old horror is a hydra with a thousand heads, and the cults of darkness are rooted in blasphemies deeper than the well of Democritus, The soul of the beast is omnipresent and triumphant, and Red Hook’s legions of blear-eyed, pockmarked youths still chant and curse and howl as they file from abyss to abyss, none knows whence or whither, pushed on by blind laws of biology which they may never understand. As of old, more people enter Red Hook than leave it on the landward side, and there are already rumours of new canals running underground to certain centres of traffic in liquor and less mentionable things.
The dance-hall church is now mostly a dance-hall, and queer faces have appeared at night at the windows. Lately a policeman expressed the belief that the filled-up crypt has been dug out again, and for no simply explainable purpose. Who are we to combat poisons older than history and mankind? Apes danced in Asia to those horrors, and the cancer lurks secure and spreading where furtiveness hides in rows of decaying brick.
Malone does not shudder without cause – for only the other day an officer overheard a swarthy squinting hag teaching a small child some whispered patois in the shadow of an areaway. He listened, and thought it very strange when he heard her repeat over and over again,
‘O friend and companion of night, thou who rejoicest in the baying of dogs and spilt blood, wh
o wanderest in the midst of shades among the tombs, who longest for blood and bringest terror to mortals, Gorgo, Mormo, thousand-faced moon, look favourably on our sacrifices!’
He
by H. P. Lovecraft
Written 11 Aug 1925
Published September 1926 in Weird Tales, Vol. 8, No. 3, P. 373-80.
I saw him on a sleepless night when I was walking desperately to save my soul and my vision. My coming to New York had been a mistake; for whereas I had looked for poignant wonder and inspiration in the teeming labyrinths of ancient streets that twist endlessly from forgotten courts and squares and waterfronts to courts and squares and waterfronts equally forgotten, and in the Cyclopean modern towers and pinnacles that rise blackly Babylonian under waning moons, I had found instead only a sense of horror and oppression which threatened to master, paralyze, and annihilate me. The disillusion had been gradual. Coming for the first time upon the town, I had seen it in the sunset from a bridge, majestic above its waters, its incredible peaks and pyramids rising flowerlike and delicate from pools of violet mist to play with the flaming clouds and the first stars of evening. Then it had lighted up window by window above the shimmering tides where lanterns nodded and glided and deep horns bayed weird harmonies, and had itself become a starry firmament of dream, redolent of faery music, and one with the marvels of Carcassonne and Samarcand and El Dorado and all glorious and half-fabulous cities. Shortly afterward I was taken through those antique ways so dear to my fancy-narrow, curving alleys and passages where rows of red Georgian brick blinked with small-paned dormers above pillared doorways that had looked on gilded sedans and paneled coaches – and in the first flush of realization of these long-wished things I thought I had indeed achieved such treasures as would make me in time a poet.
But success and happiness were not to be. Garish daylight showed only squalor and alienage and the noxious elephantiasis of climbing, spreading stone where the moon had hinted of loveliness and elder magic; and the throngs of people that seethed through the flume-like streets were squat, swarthy strangers with hardened faces and narrow eyes, shrewd strangers without dreams and without kinship to the scenes about them, who could never mean aught to a blue-eyed man of the old folk, with the love of fair green lanes and white New England village steeples in his heart.
So instead of the poems I had hoped for, there came only a shuddering blackness and ineffable loneliness; and I saw at last a fearful truth which no one had ever dared to breathe before – the unwhisperable secret of secrets – the fact that this city of stone and stridor is not a sentient perpetuation of Old New York as London is of Old London and Paris of Old Paris, but that it is in fact quite dead, its sprawling body imperfectly embalmed and infested with queer animate things which have nothing to do with it as it was in life. Upon making this discovery I ceased to sleep comfortably; though something of resigned tranquillity came back as I gradually formed the habit of keeping off the streets by day and venturing abroad only at night, when darkness calls forth what little of the past still hovers wraith-like about, and old white doorways remember the stalwart forms that once passed through them. With this mode of relief I even wrote a few poems, and still refrained from going home to my people lest I seem to crawl back ignobly in defeat. Then, on a sleepless night’s walk, I met the man. It was in a grotesque hidden courtyard of the Greenwich section, for there in my ignorance I had settled, having heard of the place as the natural home of poets and artists. The archaic lanes and houses and unexpected bits of square and court had indeed delighted me, and when I found the poets and artists to be loud-voiced pretenders whose quaintness is tinsel and whose lives are a denial of all that pure beauty which is poetry and art, I stayed on for love of these venerable things. I fancied them as they were in their prime, when Greenwich was a placid village not yet engulfed by the town; and in the hours before dawn, when all the revellers had slunk away, I used to wander alone among their cryptical windings and brood upon the curious arcana which generations must have deposited there. This kept my soul alive, and gave me a few of those dreams and visions for which the poet far within me cried out.
The man came upon me at about two one cloudy August morning, as I was threading a series of detached courtyards; now accessible only through the unlighted hallways of intervening buildings, but once forming parts of a continuous network of picturesque alleys. I had heard of them by vague rumor, and realized that they could not be upon any map of today; but the fact that they were forgotten only endeared them to me, so that I had sought them with twice my usual eagerness. Now that I had found them, my eagerness was again redoubled; for something in their arrangement dimly hinted that they might be only a few of many such, with dark, dumb counterparts wedged obscurely betwixt high blank walls and deserted rear tenements, or lurking lamplessly behind archways unbetrayed by hordes of the foreign-speaking or guarded by furtive and uncommunicative artists whose practises do not invite publicity or the light of day.
He spoke to me without invitation, noting my mood and glances as I studied certain knockered doorways above iron-railed steps, the pallid glow of traceried transoms feebly lighting my face. His own face was in shadow, and he wore a wide-brimmed hat which somehow blended perfectly with the out-of-date cloak he affected; but I was subtly disquieted even before he addressed me. His form was very slight; thin almost to cadaverousness; and his voice proved phenomenally soft and hollow, though not particularly deep. He had, he said, noticed me several times at my wanderings; and inferred that I resembled him in loving the vestiges of former years. Would I not like the guidance of one long practised in these explorations, and possessed of local information profoundly deeper than any which an obvious newcomer could possibly have gained?
As he spoke, I caught a glimpse of his face in the yellow beam from a solitary attic window. It was a noble, even a handsome elderly countenance; and bore the marks of a lineage and refinement unusual for the age and place. Yet some quality about it disturbed me almost as much as its features pleased me – perhaps it was too white, or too expressionless, or too much out of keeping with the locality, to make me feel easy comfortable. Nevertheless I followed him; for in those dreary days my quest for antique beauty and mystery was all that I had to keep my soul alive, and I reckoned it a rare favor of Fate to fall in with one whose kindred seekings seemed to have penetrated so much farther than mine. Something in the night constrained the cloaked man to silence and for a long hour he led me forward without needless words; making only the briefest of comments concerning ancient names and dates and changes, and directing my progress very largely by gestures as we squeezed through interstices, tiptoed through corridors clambered over brick walls, and once crawled on hands and knees through a low, arched passage of stone whose immense length and tortuous twistings effaced at last every hint of geographical location I had managed to preserve. The things we saw were very old and marvelous, or at least they seemed so in the few straggling rays of light by which I viewed them, and I shall never forget the tottering Ionic columns and fluted pilasters and urn-headed iron fenceposts and flaring-linteled windows and decorative fanlights that appeared to grow quainter and stranger the deeper we advanced into this inexhaustible maze of unknown antiquity.
We met no person, and as time passed the lighted windows became fewer and fewer. The streetlights we first encountered had been of oil, and of the ancient lozenge pattern. Later I noticed some with candles; and at last, after traversing a horrible unlighted court where my guide had to lead with his gloved hand through total blackness to a narrow wooded gate in a high wall, we came upon a fragment of alley lit only by lanterns in front of every seventh house – unbelievably Colonial tin lanterns with conical tops and holes punched in the sides. This alley led steeply uphill – more steeply than I thought possible in this part of New York – and the upper end was blocked squarely by the ivy-clad wall of a private estate, beyond which I could see a pale cupola, and the tops of trees waving against a vague lightness in the sky. In this wall was a
small, low-arched gate of nail-studded black oak, which the man proceeded to unlock with a ponderous key. Leading me within, he steered a course in utter blackness over what seemed to be a gravel path, and finally up a flight of stone steps to the door of the house, which he unlocked and opened for me.
We entered, and as we did so I grew faint from a reek of infinite mustiness which welled out to meet us, and which must have been the fruit of unwholesome centuries of decay. My host appeared not to notice this, and in courtesy I kept silent as he piloted me up a curving stairway, across a hall, and into a room whose door I heard him lock behind us. Then I saw him pull the curtains of the three small-paned windows that barely showed themselves against the lightening sky; after which he crossed to the mantel, struck flint and steel, lighted two candles of a candelabrum of twelve sconces, and made a gesture enjoining soft-toned speech. In this feeble radiance I saw that we were in a spacious, well-furnished and paneled library dating from the first quarter of the Eighteenth Century, with splendid doorway pediments, a delightful Doric cornice, and a magnificently carved overmantel with scroll-and-urn top. Above the crowded bookshelves at intervals along the walls were well-wrought family portraits; all tarnished to an enigmatical dimness, and bearing an unmistakable likeness to the man who now motioned me to a chair beside the graceful Chippendale table. Before seating himself across the tahle from me, my host paused for a moment as if in embarrassment; then, tardily removing his gloves, wide-brimmed hat, and cloak, stood theatrically revealed in full mid-Georgian costume from queued hair and neck ruffles to knee-breeches, silk hose, and the buckled shoes I had not previously noticed. Now slowly sinking into a lyre-back chair, he commenced to eye me intently.
Without his hat he took on an aspect of extreme age which was scarcely visible before, and I wondered if this unperceived mark of singular longevity were not one of the sources of my disquiet. When he spoke at length, his soft, hollow, and carefully muffled voice not infrequently quavered; and now and then I had great difficulty in following him as I listened with a thrill of amazement and half-disavowed alarm which grew each instant. “You behold, Sir,” my host began, “a man of very eccentrical habits for whose costume no apology need be offered to one with your wit and inclinations. Reflecting upon better times, I have not scrupled to ascertain their ways, and adopt their dress and manners; an indulgence which offends none if practised without ostentation. It hath been my good fortune to retain the rural seat of my ancestors, swallowed though it was by two towns, first Greenwich, which built up hither after 1800, then New York, which joined on near 1830. There were many reasons for the close keeping of this place in my family, and I have not been remiss in discharging such obligations. The squire who succeeded to it in 1768 studied sartain arts and made sartain discoveries, all connected with influences residing in this particular plot of ground, and eminently desarving of the strongest guarding. Some curious effects of these arts and discoveries I now purpose to show you, under the strictest secrecy; and I believe I may rely on my judgement of men enough to have no distrust of either your interest or your fidelity.”