She'd get outside onto the street and start screaming her head off. Maybe there was no one to hear her pleas for help in the building. But there were plenty of neighbors.
Ten feet, five feet ...
Yes! She was going to--
But then fingers grabbed her ankles and she was falling to the lobby floor, with a cry. Her head bounced on the hardwood.
The knife went flying. Pam squirmed around and faced Billy, kicking furiously toward his groin.
His face was a mess - the image both pleased and shocked her. The gash began below his eye and continued to the middle of his cheek. She'd hoped to blind him but he could see all right, it seemed. Still, blood poured from his cheek and bubbled from his lips and she knew the blade had cut clean through to the inside of his mouth. She couldn't understand what he was saying. Threats, of course. Rage.
Blood flecked her jacket, her arm, her hand. The spray spattered her face.
The horrific expression revealed the pain he'd be feeling.
Good!
She gave up fighting. He was weakened but still much stronger than she was. Escape, she told herself. Just get the hell out!
Clawing at the floor, she managed to move a foot or so away from him, closer to the door.
But he stopped her and spun her onto her back, landing a blow in her solar plexus, knocking the air from her lungs again and doubling her over. She broke away momentarily - thanks to the slick blood, he'd lost his grip. She made it up on her knees. But fury possessed him. Billy planted his foot against the hallway wall and lunged forward, wrapping his sinewy hands around her throat. On her back again, gasping for air.
She kicked upward once more and connected, knee to groin. He gasped, inhaling hard, and began coughing blood. He reseated himself on top of her. His grip relaxed and he drew back and pounded her own cheek and jaw, sputtering words she couldn't understand, flecking her with more blood.
She tried to kick again, tried to punch, but she could get no leverage.
And all the while she was gasping, trying to draw air into her lungs and cry for help.
But nothing. Silence only.
The gash on his face was ghastly but the flow of blood was slowing, coagulating around the wound, dark and crisp as maroon-colored ice. Now she could hear: 'How could you do that?' More words but they snapped and sputtered and grew unintelligible once more. He spat blood. 'What a fool, Pam! You're beyond saving. I should have known.'
He leaned down and fixed his grip around her neck and began to tighten.
Pam's head throbbed even more, the agony increasing, as she struggled for breath. Trapped blood pulsed in her temple and face.
The hallway began to grow dark.
It's all right, she said to herself. Better this than going back to the militia. Living the way Billy would insist she live. Better than being 'his woman'.
She thought briefly of her mother, Charlotte, speaking to Pam when the girl was about four.
'We're going to New York to do something important, honey. It'll be like a game. I'm going to be Carol. If you hear somebody call me Carol, and you say, "That's not her name," I'll whip you within an inch of your life. Do you understand me, honey? I'll get the switch out. The switch then the closet.'
'Yes, Mommy. I'll be good, Mommy.'
Then Pam knew she was dying because all around her was light, brilliant light, ruddy light, blinding light. And she nearly laughed, thinking: Hey, maybe I got that God stuff wrong. I'm looking at the glow of heaven.
Or hell, or wherever.
Then she felt weightless, light as could be, as her soul began to rise.
But, no, no, no ... It was just that Billy was getting off her, rising, grabbing the box cutter and lifting it.
He was going to slash her throat.
He was mouthing something. She couldn't hear.
But she clearly heard the two, then three, huge explosions from the front doorway of the apartment building. She saw that the sun was the source of the light: the sun pouring onto her west-facing building. And saw two silhouettes, men holding guns. Looking then toward Billy she watched him stagger back, stumbling, clutching his chest. Torn mouth opening wide.
He looked down at her, dropped the box cutter, settled awkwardly into a sitting position, then eased to his side. He blinked, surprised, it seemed. He whispered something. His hands twitched.
Then the officers pushed into the hallway and had her by the arms, lifting her to her feet and pulling her toward the front door. Pam shook them off, though, apparently surprising them with her strength. 'No,' she whispered. She turned back and kept her eyes locked on Billy's until his gaze went unfocused and the pupils glazed. Inhaling hard, she waited a moment longer and then turned and stepped outside, while the officers advanced to Billy's body, pistols forward and ready - which was, she guessed, procedure, even though it was clear, unquestionably clear, he was no longer a threat.
CHAPTER 73
The medics had finished tending to Pam Willoughby, who walked outside her town house onto the chill, bright street.
From a spot on the curb, where he sat in his rugged Merits wheelchair, Lincoln Rhyme noted that Amelia Sachs started to step forward, arms extending slightly - to embrace her - but then slowed to a stop. She eased back, lowering her hands, when Pam gave no response, other than a formal nod of greeting.
Rhyme asked, 'How are you feeling?'
'Getting by,' said the somber-faced young woman - Rhyme could no longer think of her as a girl. He heard how she'd fought the unsub and he was proud of her.
For some reason Pam kept brushing at her legs - the front of her thighs. It reminded him of the compulsive way Amelia Sachs sometimes touched or scratched her own body. She noted him looking and stopped. 'He tattooed me. But it wasn't poison. It was a real tat. He had part of his name and mine on his legs, he did the other part on mine.'
Splitters, Rhyme recalled TT Gordon telling them. Lovers who mark portions of their names on each other.
'I'm ...' She swallowed. 'I feel pretty creepy.'
'I know somebody who can get them removed. I've got his number.'
If TT Gordon knew how to ink he'd surely know how to de-ink.
Pam nodded and rubbed compulsively again. 'He was telling me all these terrible things. He was, it sounded like he was planning to be a new Hitler. He was going to kill his aunt and uncle and start his own militia movement. You know, Mom wasn't really all that smart. She'd ramble on and on and you couldn't take her seriously. But Billy, he was in a different league. He'd been to college. He was going to start schools and indoctrinate kids. He talked about the Rule of Skin. I could see he was obsessed with it. Racism, pure and simple.'
'Rule of Skin,' Rhyme mused. It certainly jibed with the manifesto they planned to leave at the site of poisoning at the water pipe. He thought back to what Terry Dobyns had told them.
If you can find out why he's so fascinated with skin, that's key to understanding the case ...
Pam continued, 'And he'd been obsessing about me all these years.' She explained about the betrothal, about Billy's coming here a year ago to start planning his attack on the city - and his seduction of her. Pam shivered.
'Do you want to get in the van?' Rhyme asked, nodding toward the accessible vehicle Thom had driven here. Her place was sealed for the crime scene search and Pam was clearly cold; her nose and eyes red, fingertips too.
'No,' Pam said quickly. She seemed more comfortable with the sunlight, despite the frigid air. 'You caught them all?'
'Everybody who was here in New York, it seems,' Rhyme explained. 'Matthew and Harriet Stanton. Their son, Joshua.'
The search team had found a real ID on the unsub's body. William Haven, twenty-five. A tattoo artist who lived in South Lakes, Illinois.
Rhyme continued, 'We have people going through all of their documents now, notes, phones, computers. We've got a few conspirators in Southern Illinois but there'll be others. The bombs weren't set to detonate but they were real: gunpowder, detonato
rs and cell phone triggers. Somebody who knew what they were doing put the IEDs together.'
'If they were anything like my mother's underground group, the Patriot Frontier, there'd be dozens of people involved. They were always meeting late at night, sitting in kitchens, drinking coffee, making their fucking little plans ...
Lincoln?' Pam asked.
He raised an eyebrow.
'How did you know? About Seth? To send the police here?'
'I didn't know. But I suspected it when it occurred to me: How did the unsub know about TT Gordon?'
'Who?'
'The tattoo artist that you and Seth met in my lab.'
'Oh, the guy with the weird beard and the piercings.'
'That's him. Billy broke into his shop, killed one of his associates. I think he wanted to kill TT but he was out. He might've found out about the tattoo artist some other way but that was the simplest explanation - seeing TT in my town house.
'Since we learned that the motive for the group was domestic terrorism and that there was a tentative connection with you and your mother - the Bone Collector - I just wondered if it wasn't too much of a coincidence that Seth had appeared in your life.
'Of course, the unsub had the tattoo of the centipede. Seth didn't seem to have any inkings; I'd seen him in a short-sleeve shirt. What to make of that? And then I remembered the waterproof ink - red ink - on one of the evidence bags. TT told us that some artists use washable pens like that to outline a tattoo first. Maybe that's what he'd done - a temporary tattoo on his arm to trick us.'
Pam nodded. 'Yes, exactly. He told me he'd draw it to make people think he was somebody else. Then wash it off when he was playing the role of Seth. It was a homeless man he tattooed with the centipede and paid to drill the hole. He was the one who died in the tunnel. He said he didn't trust you to turn off the water pressure. He wanted to be cautious.'
'Ah, so that's who it was.' Rhyme continued, 'Then he broke into my town house and tried to poison me. We thought he was an expert with lock picks; there was no sign of jimmying the lock. But of course--'
'He took the key to your town house off my keychain,' Pam said, grimacing. 'Had a copy made.'
'That's what I was thinking, yes. Was he the unsub? I couldn't say for sure, of course, but I wasn't going to take any chances. I called Dispatch and had some patrolmen get over here right away.'
Sachs said, 'And the attack here yesterday. He faked it.'
'Injected himself with a bit of propofol, then cuffed himself. He dropped the bottle of poison and the syringe on the floor and lay down to take a nap until the police showed up.'
'Why?' Pam asked.
Sachs added, 'Wanted to keep suspicion off him. What better way than becoming a victim himself?'
Rhyme said, 'And, I have to admit, our profilers contributed. Did some research that said centipedes in art and fiction represent an invasion of a safe, comfortable space. They lie in wait, invisible. That was Seth. Well, Billy.'
'Sure was.' Pam's still eyes swiveled back to her apartment. She frowned, pulled a tissue from her pocket and licked it. She scrubbed away a smear of blood on her cheek.
Sachs, the lead investigator on the case, now that Lon Sellitto was out of commission, spent about twenty minutes debriefing the girl, with Rhyme nearby. They learned that Billy, with Pam in tow, had planned to escape to a militia group in upstate New York, the Patriot Assembly, which Rhyme and Sachs had tangled with before.
Ron Pulaski finished walking the grid in Pam's apartment - even if you stop the perp in the most absolute sense possible, as here, you still go through the formalities. When he was finished he bundled up the evidence, signed the chain-of-custody cards and told Rhyme he'd get everything to the town house. The ME team carted away the body. With eyes cool as the air, Pam watched the gurney wheeled to the van.
Rhyme, then, was concentrating on Sachs. When she and Pam had been talking about what had just happened, the policewoman had occasionally tried to joke or offer words of sympathy. Pam responded with a formal smile that might as well have been a sneer. The expression cut Sachs deeply, it was clear.
A pause as Sachs stood, hands on hips, looking over the town house. She said to Pam, 'The scene's clear. Help you clean up, you want.'
Rhyme noted that she was hesitating, and the tone in her voice told him that she regarded this question as perilous.
'Think I'll just head over to the Olivettis, you know. And maybe sometime this week I'll borrow Howard's car, come over to the town house and pick up what's left. That okay, Lincoln?'
'Sure.'
'Wait,' Sachs said firmly.
Pam regarded her defiantly.
The detective continued, 'I want you to see somebody about this. Talk to them.' She dug into her purse. 'This's Terry Dobyns. He works for the NYPD but he can hook you up with somebody.'
'I don't--'
'Please. Do it.'
A shrug. The card disappeared into her back pocket, where her cell phone rested.
Sachs said, 'You need anything, give me a call. Anytime.' A whiff of desperation that was hard to hear.
The girl said nothing but walked inside and returned with a backpack and a computer bag. White wires ran from ears to iPod and were tucked up under a bulky hat.
The girl waved in the direction of Rhyme and Sachs but to neither in particular.
Sachs stared after her.
After a moment Rhyme said, 'People hate to be proven wrong, Sachs, even when it's for their own good. Especially then maybe.'
'So it seems.' In the cold she was rocking back and forth, watching Pam disappear in the distance. 'I broke it, Rhyme.'
It was moments like this when Rhyme detested his disability the most. He wanted nothing more than to walk up to Sachs and wrap his arms around her shivering shoulders, hold her as tightly as he could.
'How's Lon?' Rhyme asked.
'He came out of the crisis. But still unconscious. Rachel's in bad shape. Lon's son is there.'
'I talked to him,' Rhyme told her.
'He's a rock. Really come into his own.'
'Headed back to the town house?'
Sachs replied, 'In a bit. I've got to meet with a witness about the Metropolitan Museum investigation.'
Sellitto's other case, the break-in at the museum on Fifth Avenue. With the detective in the hospital, other Major Cases officers were taking over. Now that the AFFC terror plot had been stopped, it was time to resurrect the politically important, if mysterious, case.
Sachs walked to her Torino. The engine fired up with a blast of horsepower and she peeled away from the curb, raising smoke whose blue tint turned violet in the red light from the low sun.
CHAPTER 74
Lincoln Rhyme wasn't happy he'd missed the deduction about the identity of the unsub; it was a search of the body and Pam's explanation that were the source of information about Billy Haven.
'I should've guessed it, though,' he said to Cooper and Pulaski.
'What?' Pulaski set down the plastic bag from which he'd been tweezing evidence and turned to Rhyme.
'That Billy was somebody close to the Stantons. Harriet's reaction? When Amelia told her he was dead? She got hysterical. Which should have told me she knew him well. Very well. The son too, Joshua - I thought he was going to faint when he heard. I could have deduced that even if the unsub wasn't part of the immediate family, he was in the extended. We know he's the nephew, we know his name. But get the rest of the details on Mr William Haven, rookie. Stat.'
'Latin, from statim, meaning immediately,' Pulaski said.
'Ah, yes, that's right. You're a student of the classics. And, I remember, a student of crime films in which digressive banter is used to distract from faulty plotting and character development. E.g., those grammatically correct hit men you were referring to. So shall we get going on the task at hand?'
'Exempli gratia,' Pulaski muttered and began typing fast on his keyboard.
A few minutes later, he looked up from the computer scree
n. 'Negotium ibi terminetur,' he said with a tone of finality.
'The job is finished,' Rhyme translated. 'More elegant to say, "Factum est." Has a nicer ring. That's the problem with Latin. It sounds like you're chewing on rocks. Bless the Italians and Romanians for pulling the language out of the fire.'
Pulaski read from the screen. 'Matthew Stanton was an only child. But Harriet had a sister, Elizabeth. Married Ebbett Haven. They had a son, William Aaron. Ebbett was an elder with the AFFC but he and his wife died when the boy was young.' He looked up. 'In the Branch Davidian standoff. They were there to sell guns to the Davidians and got caught inside during the siege.
'William went to live with Aunt Harriet and Uncle Matthew. Went by Billy mostly. He's got a record - juvie, so there are no prints on record; it was sealed. The case was an assault charge. Hate crime. Billy beat up a Jewish boy at school. Then used an ice pick and ink to tattoo a swastika on the kid's forearm. He was ten. There's a picture. Check it out.'
The tattoo was pretty well done. Two color, shaded, razor-sharp lines, Rhyme noted.
'Then he studied art and political science at the University of Southern Illinois. Then, for some reason, opened a tattoo parlor.'
In Billy's backpack were receipts for two apartments in town. One was in Murray Hill, in the name of Seth McGuinn - Pam's boyfriend. The other, under the pseudonym Frank Samuels, was near Chinatown, off Canal Street. Crime Scene had searched both. Billy had largely scrubbed them but in the second place - a workshop - the teams had recovered equipment and a number of terrariums filled with the plants from which Billy had extracted and distilled the poisons he'd used in the murders.
These boxes and their eerie lights now sat in Rhyme's parlor, against the far wall. Well, all but one. That was the sealed terrarium that had housed the botulinum spores. The bio-chem folks from Fort Detrick had decided it was best to take control of that one. Normally possessive of evidence, Rhyme had not made an issue of that particular box being handed off.
The criminalist finished logging the plants into evidence - noting the hemlock was particularly lovely - and rang up Fred Dellray, the FBI agent, who would be handling the federal side of the investigation. He explained what they'd found. The eccentric agent muttered, 'If that don't beat all. I wondered where Hussein's WMDs got themselves to. And we finally found 'em about two blocks from my favorite Chinese restaurant. Happy Panda. The one on Canal. No, not the Happy Panda on Mott or the Happy Panda on Sixth. The original one and only Happy Panda. Yu-um. The jellyfish. No, no, 's better'n you think. Okay, call me when you got the report ready to go.'