“You’re a poem?” I repeated.
She chewed her lower lip. “If you want. I am a poem, or I am a pattern, or a race of people whose world was swallowed by the sea.”
“Isn’t it hard to be three things at the same time?”
“What’s your name?”
“Enn.”
“So you are Enn,” she said. “And you are a male. And you are a biped. Is it hard to be three things at the same time?”
“But they aren’t different things. I mean, they aren’t contradictory.” It was a word I had read many times but never said aloud before that night, and I put the stresses in the wrong places. Contradictory.
She wore a thin dress made of a white, silky fabric. Her eyes were a pale green, a color that would now make me think of tinted contact lenses; but this was thirty years ago; things were different then. I remember wondering about Vic and Stella, upstairs. By now, I was sure that they were in one of the bedrooms, and I envied Vic so much it almost hurt.
Still, I was talking to this girl, even if we were talking nonsense, even if her name wasn’t really Triolet (my generation had not been given hippie names: all the Rainbows and the Sunshines and the Moons, they were only six, seven, eight years old back then). She said, “We knew that it would soon be over, and so we put it all into a poem, to tell the universe who we were, and why we were here, and what we said and did and thought and dreamed and yearned for. We wrapped our dreams in words and patterned the words so that they would live forever, unforgettable. Then we sent the poem as a pattern of flux, to wait in the heart of a star, beaming out its message in pulses and bursts and fuzzes across the electromagnetic spectrum, until the time when, on worlds a thousand sun systems distant, the pattern would be decoded and read, and it would become a poem once again.”
“And then what happened?”
She looked at me with her green eyes, and it was as if she stared out at me from her own Antigone half-mask; but as if her pale green eyes were just a different, deeper, part of the mask. “You cannot hear a poem without it changing you,” she told me. “They heard it, and it colonized them. It inherited them and it inhabited them, its rhythms becoming part of the way that they thought; its images permanently transmuting their metaphors; its verses, its outlook, its aspirations becoming their lives. Within a generation their children would be born already knowing the poem, and, sooner rather than later, as these things go, there were no more children born. There was no need for them, not any longer. There was only a poem, which took flesh and walked and spread itself across the vastness of the known.”
I edged closer to her, so I could feel my leg pressing against hers. She seemed to welcome it: she put her hand on my arm, affectionately, and I felt a smile spreading across my face.
“There are places that we are welcomed,” said Triolet, “and places where we are regarded as a noxious weed, or as a disease, something immediately to be quarantined and eliminated. But where does contagion end and art begin?”
“I don’t know,” I said, still smiling. I could hear the unfamiliar music as it pulsed and scattered and boomed in the front room.
She leaned into me then and—I suppose it was a kiss…. I suppose. She pressed her lips to my lips, anyway, and then, satisfied, she pulled back, as if she had now marked me as her own.
“Would you like to hear it?” she asked, and I nodded, unsure what she was offering me, but certain that I needed anything she was willing to give me.
She began to whisper something in my ear. It’s the strangest thing about poetry—you can tell it’s poetry, even if you don’t speak the language. You can hear Homer’s Greek without understanding a word, and you still know it’s poetry. I’ve heard Polish poetry, and Inuit poetry, and I knew what it was without knowing. Her whisper was like that. I didn’t know the language, but her words washed through me, perfect, and in my mind’s eye I saw towers of glass and diamond; and people with eyes of the palest green; and, unstoppable, beneath every syllable, I could feel the relentless advance of the ocean.
Perhaps I kissed her properly. I don’t remember. I know I wanted to.
And then Vic was shaking me violently. “Come on!” he was shouting. “Quickly. Come on!”
In my head I began to come back from a thousand miles away.
“Idiot. Come on. Just get a move on,” he said, and he swore at me. There was fury in his voice.
For the first time that evening I recognized one of the songs being played in the front room. A sad saxophone wail followed by a cascade of liquid chords, a man’s voice singing cut-up lyrics about the sons of the silent age. I wanted to stay and hear the song.
She said, “I am not finished. There is yet more of me.”
“Sorry love,” said Vic, but he wasn’t smiling any longer. “There’ll be another time,” and he grabbed me by the elbow and he twisted and pulled, forcing me from the room. I did not resist. I knew from experience that Vic could beat the stuffing out me if he got it into his head to do so. He wouldn’t do it unless he was upset or angry, but he was angry now.
Out into the front hall. As Vic pulled open the door, I looked back one last time, over my shoulder, hoping to see Triolet in the doorway to the kitchen, but she was not there. I saw Stella, though, at the top of the stairs. She was staring down at Vic, and I saw her face.
This all happened thirty years ago. I have forgotten much, and I will forget more, and in the end I will forget everything; yet, if I have any certainty of life beyond death, it is all wrapped up not in psalms or hymns, but in this one thing alone: I cannot believe that I will ever forget that moment, or forget the expression on Stella’s face as she watched Vic hurrying away from her. Even in death I shall remember that.
Her clothes were in disarray, and there was makeup smudged across her face, and her eyes—
You wouldn’t want to make a universe angry. I bet an angry universe would look at you with eyes like that.
We ran then, me and Vic, away from the party and the tourists and the twilight, ran as if a lightning storm was on our heels, a mad helter-skelter dash down the confusion of streets, threading through the maze, and we did not look back, and we did not stop until we could not breathe; and then we stopped and panted, unable to run any longer. We were in pain. I held on to a wall, and Vic threw up, hard and long, into the gutter.
He wiped his mouth.
“She wasn’t a—” He stopped.
He shook his head.
Then he said, “You know…I think there’s a thing. When you’ve gone as far as you dare. And if you go any further, you wouldn’t be you anymore? You’d be the person who’d done that? The places you just can’t go…. I think that happened to me tonight.”
I thought I knew what he was saying. “Screw her, you mean?” I said.
He rammed a knuckle hard against my temple, and twisted it violently. I wondered if I was going to have to fight him—and lose—but after a moment he lowered his hand and moved away from me, making a low, gulping noise.
I looked at him curiously, and I realized that he was crying: his face was scarlet; snot and tears ran down his cheeks. Vic was sobbing in the street, as unselfconsciously and heartbreakingly as a little boy. He walked away from me then, shoulders heaving, and he hurried down the road so he was in front of me and I could no longer see his face. I wondered what had occurred in that upstairs room to make him behave like that, to scare him so, and I could not even begin to guess.
The streetlights came on, one by one; Vic stumbled on ahead, while I trudged down the street behind him in the dusk, my feet treading out the measure of a poem that, try as I might, I could not properly remember and would never be able to repeat.
THE DAY THE SAUCERS CAME
That day, the saucers landed. Hundreds of them, golden,
Silent, coming down from the sky like great snowflakes,
And the people of Earth stood and stared as they descended,
Waiting, dry-mouthed, to find what waited inside for us
&nbs
p; And none of us knowing if we would be here tomorrow
But you didn’t notice it because
That day, the day the saucers came, by some coincidence,
Was the day that the graves gave up their dead
And the zombies pushed up through soft earth
or erupted, shambling and dull-eyed, unstoppable,
Came towards us, the living, and we screamed and ran,
But you did not notice this because
On the saucer day, which was the zombie day, it was
Ragnarok also, and the television screens showed us
A ship built of dead-men’s nails, a serpent, a wolf,
All bigger than the mind could hold, and the cameraman could
Not get far enough away, and then the Gods came out
But you did not see them coming because
On the saucer-zombie-battling-gods day the floodgates broke
And each of us was engulfed by genies and sprites
Offering us wishes and wonders and eternities
And charm and cleverness and true brave hearts and pots of gold
While giants feefofummed across the land, and killer bees,
But you had no idea of any of this because
That day, the saucer day the zombie day
The Ragnarok and fairies day, the day the great winds came
And snows, and the cities turned to crystal, the day
All plants died, plastics dissolved, the day the
Computers turned, the screens telling us we would obey, the day
Angels, drunk and muddled, stumbled from the bars,
And all the bells of London were sounded, the day
Animals spoke to us in Assyrian, the Yeti day,
The fluttering capes and arrival of the Time Machine day,
You didn’t notice any of this because
you were sitting in your room, not doing anything
not even reading, not really, just
looking at your telephone,
wondering if I was going to call.
SUNBIRD
They were a rich and a rowdy bunch at the Epicurean Club in those days. They certainly knew how to party. There were five of them:
There was Augustus TwoFeathers McCoy, big enough for three men, who ate enough for four men and who drank enough for five. His great-grandfather had founded the Epicurean Club with the proceeds of a tontine, which he had taken great pains, in the traditional manner, to ensure that he had collected in full.
There was Professor Mandalay, small and twitchy and gray as a ghost (and perhaps he was a ghost; stranger things have happened) who drank nothing but water, and who ate doll-portions from plates the size of saucers. Still, you do not need the gusto for the gastronomy, and Mandalay always got to the heart of every dish placed in front of him.
There was Virginia Boote, the food and restaurant critic, who had once been a great beauty but was now a grand and magnificent ruin, and who delighted in her ruination.
There was Jackie Newhouse, the descendant (on the left-handed route) of the great lover, gourmand, violinist, and duelist Giacomo Casanova. Jackie Newhouse had, like his notorious ancestor, both broken his share of hearts and eaten his share of great dishes.
And there was Zebediah T. Crawcrustle, who was the only one of the Epicureans who was flat-out broke: he shambled in unshaven from the street when they had their meetings, with half a bottle of rotgut in a brown paper bag, hatless and coatless and, too often, partly shirtless, but he ate with more of an appetite than any of them.
Augustus TwoFeathers McCoy was talking—
“We have eaten everything that can be eaten,” said Augustus TwoFeathers McCoy, and there was regret and glancing sorrow in his voice. “We have eaten vulture, mole, and fruitbat.”
Mandalay consulted his notebook. “Vulture tasted like rotten pheasant. Mole tasted like carrion slug. Fruitbat tasted remarkably like sweet guinea pig.”
“We have eaten kakopo, aye-aye, and giant panda—”
“Oh, that broiled panda steak,” sighed Virginia Boote, her mouth watering at the memory.
“We have eaten several long-extinct species,” said Augustus TwoFeathers McCoy. “We have eaten flash-frozen mammoth and Patagonian giant sloth.”
“If we had but gotten the mammoth a little faster,” sighed Jackie Newhouse. “I could tell why the hairy elephants went so fast, though, once people got a taste of them. I am a man of elegant pleasures, but after only one bite, I found myself thinking only of Kansas City barbecue sauce, and what the ribs on those things would be like, if they were fresh.”
“Nothing wrong with being on ice for a millennium or two,” said Zebediah T. Crawcrustle. He grinned. His teeth may have been crooked, but they were sharp and strong. “Even so, for real taste you had to go for honest-to-goodness mastodon every time. Mammoth was always what people settled for, when they couldn’t get mastodon.”
“We’ve eaten squid, and giant squid, and humongous squid,” said Augustus TwoFeathers McCoy. “We’ve eaten lemmings and Tasmanian tigers. We’ve eaten bower bird and ortolan and peacock. We’ve eaten the dolphin fish (which is not the mammal dolphin) and the giant sea turtle and the Sumatran rhino. We’ve eaten everything there is to eat.”
“Nonsense. There are many hundreds of things we have not yet tasted,” said Professor Mandalay. “Thousands, perhaps. Think of all the species of beetle there are, still untasted.”
“Oh Mandy,” sighed Virginia Boote. “When you’ve tasted one beetle, you’ve tasted them all. And we all tasted several hundred species. At least the dung-beetles had a real kick to them.”
“No,” said Jackie Newhouse, “that was the dung-beetle balls. The beetles themselves were singularly unexceptional. Still, I take your point. We have scaled the heights of gastronomy, we have plunged down into the depths of gustation. We have become cosmonauts exploring undreamed-of worlds of delectation and gourmanderie.”
“True, true, true,” said Augustus TwoFeathers McCoy. “There has been a meeting of the Epicureans every month for over a hundred and fifty years, in my father’s time, and my grandfather’s time, and my great-grandfather’s time, and now I fear that I must hang it up for there is nothing left that we, or our predecessors in the club, have not eaten.”
“I wish I had been here in the twenties,” said Virginia Boote, “when they legally had Man on the menu.”
“Only after it had been electrocuted,” said Zebediah T. Crawcrustle. “Half-fried already it was, all char and crackling. It left none of us with a taste for long pig, save one who was already that way inclined, and he went out pretty soon after that anyway.”
“Oh, Crusty, why must you pretend that you were there?” asked Virginia Boote, with a yawn. “Anyone can see you aren’t that old. You can’t be more than sixty, even allowing for the ravages of time and the gutter.”
“Oh, they ravage pretty good,” said Zebediah T. Crawcrustle. “But not as good as you’d imagine. Anyway there’s a host of things we’ve not eaten yet.”
“Name one,” said Mandalay, his pencil poised precisely above his notebook.
“Well, there’s Suntown Sunbird,” said Zebediah T. Crawcrustle. And he grinned his crookedy grin at them, with his teeth ragged but sharp.
“I’ve never heard of it,” said Jackie Newhouse. “You’re making it up.”
“I’ve heard of it,” said Professor Mandalay, “but in another context. And besides, it is imaginary.”
“Unicorns are imaginary,” said Virginia Boote, “but gosh, that unicorn flank tartare was tasty. A little bit horsy, a little big goatish, and all the better for the capers and raw quail eggs.”
“There’s something about the Sunbird in one of the minutes of the Epicurean Club from bygone years,” said Augustus TwoFeathers McCoy. “But what it was, I can no longer remember.”
“Did they say how it tasted?” asked Virginia.
“I do not believe that they did,” said Augustus, with a frown. “I would need to inspect t
he bound proceedings, of course.”
“Nah,” said Zebediah T. Crawcrustle. “That’s only in the charred volumes. You’ll never find out about it from there.”
Augustus TwoFeathers McCoy scratched his head. He really did have two feathers, which went through the knot of black-hair-shot-with-silver at the back of his head, and the feathers had once been golden although by now they were looking kind of ordinary and yellow and ragged. He had been given them when he was a boy.
“Beetles,” said Professor Mandalay. “I once calculated that, if a man such as myself were to eat six different species of beetle each day, it would take him more than twenty years to eat every beetle that has been identified. And over that twenty years enough new species of beetle might have been discovered to keep him eating for another five years. And in those five years enough beetles might have been discovered to keep him eating for another two and a half years, and so on, and so on. It is a paradox of inexhaustibility. I call it Mandalay’s Beetle. You would have to enjoy eating beetles, though,” he added, “or it would be a very bad thing indeed.”
“Nothing wrong with eating beetles if they’re the right kind of beetle,” said Zebediah T. Crawcrustle. “Right now, I’ve got a hankering on me for lightning bugs. There’s a kick from the glow of a lightning bug that might be just what I need.”
“While the lightning bug or firefly (Photinus pyralis) is more of a beetle than it is a glowworm,” said Mandalay, “it is by no stretch of the imagination edible.”
“They may not be edible,” said Crawcrustle. “But they’ll get you into shape for the stuff that is. I think I’ll roast me some. Fireflies and habañero peppers. Yum.”