Milly tried to be amused, so as not—it was too absurd—to be fairly frightened. Strange enough indeed—if not natural enough—that, late at night thus, in a mere mercenary house, with Susie away, a want of confidence should possess her. She recalled, with all the rest of it, the next day, piecing things together in the dawn, that she had felt herself alone with a creature who paced like a panther. That was a violent image, but it made her a little less ashamed of having been scared. For all her scare, none the less, she had now the sense to find words. “And yet without Susie I shouldn’t have had you.”
It had been at this point, however, that Kate flickered highest. “Oh you may very well loathe me yet!”16
Really at last, thus, it had been too much; as, with her own least feeble flare, after a wondering watch, Milly had shown. She hadn’t cared; she had too much wanted to know; and, though a small solemnity of remonstrance, a sombre strain, had broken into her tone, it was to figure as her nearest approach to serving Mrs. Lowder. “Why do you say such things to me?”
This unexpectedly had acted, by a sudden turn of Kate’s attitude, as a happy speech. She had risen as she spoke, and Kate had stopped before her, shining at her instantly with a softer brightness. Poor Milly hereby enjoyed one of her views of how people, wincing oddly, were often touched by her. “Because you’re a dove.” With which she felt herself ever so delicately, so considerately, embraced; not with familiarity or as a liberty taken, but almost ceremonially and in the manner of an accolade; partly as if, though a dove who could perch on a finger, one were also a princess with whom forms were to be observed. It even came to her, through the touch of her companion’s lips, that this form, this cool pressure, fairly sealed the sense of what Kate had just said. It was moreover, for the girl, like an inspiration: she found herself accepting as the right one, while she caught her breath with relief, the name so given her. She met it on the instant as she would have met revealed truth; it lighted up the strange dusk in which she lately had walked. That was what was the matter with her. She was a dove. Oh wasn’t she?—it echoed within her as she became aware of the sound, outside, of the return of their friends. There was, the next thing, little enough doubt about it after Aunt Maud had been two minutes in the room. She had come up, Mrs. Lowder, with Susan—which she needn’t have done, at that hour, instead of letting Kate come down to her; so that Milly could be quite sure it was to catch hold, in some way, of the loose end they had left. Well, the way she did catch was simply to make the point that it didn’t now in the least matter. She had mounted the stairs for this, and she had her moment again with her younger hostess while Kate, on the spot, as the latter at the time noted, gave Susan Shepherd unwonted opportunities. Kate was in other words, as Aunt Maud engaged her friend, listening with the handsomest response to Mrs. Stringham’s impression of the scene they had just quitted. It was in the tone of the fondest indulgence—almost, really, that of dove cooing to dove—that Mrs. Lowder expressed to Milly the hope that it had all gone beautifully. Her “all” had an ample benevolence; it soothed and simplified; she spoke as if it were the two young women, not she and her comrade, who had been facing the town together. But Milly’s answer had prepared itself while Aunt Maud was on the stair; she had felt in a rush all the reasons that would make it the most dovelike; and she gave it, while she was about it, as earnest, as candid. “I don’t think, dear lady, he’s here.”
It gave her straightway the measure of the success she could have as a dove: that was recorded in the long look of deep criticism, a look without a word, that Mrs. Lowder poured forth. And the word, presently, bettered it still. “Oh you exquisite thing!” The luscious innuendo of it, almost startling, lingered in the room, after the visitors had gone, like an oversweet fragrance. But left alone with Mrs. Stringham Milly continued to breathe it: she studied again the dovelike and so set her companion to mere rich reporting that she averted all enquiry into her own case.
That, with the new day, was once more her law—though she saw before her, of course, as something of a complication, her need, each time, to decide. She should have to be clear as to how a dove would act. She settled it, she thought, well enough this morning by quite readopting her plan in respect to Sir Luke Strett. That, she was pleased to reflect, had originally been pitched in the key of a merely iridescent drab; and although Mrs. Stringham, after breakfast, began by staring at it as if it had been a priceless Persian carpet suddenly unrolled at her feet, she had no scruple, at the end of five minutes, in leaving her to make the best of it. “Sir Luke Strett comes, by appointment, to see me at eleven, but I’m going out on purpose. He’s to be told, please, deceptively, that I’m at home, and you, as my representative, when he comes up, are to see him instead. He’ll like that, this time, better. So do be nice to him.” It had taken, naturally, more explanation, and the mention, above all, of the fact that the visitor was the greatest of doctors; yet when once the key had been offered Susie slipped it on her bunch, and her young friend could again feel her lovely imagination operate. It operated in truth very much as Mrs. Lowder‘s, at the last, had done the night before: it made the air heavy once more with the extravagance of assent. It might, afresh, almost have frightened our young woman to see how people rushed to meet her: had she then so little time to live that the road must always be spared her? It was as if they were helping her to take it out on the spot. Susie—she couldn’t deny, and didn’t pretend to—might, of a truth, on her side, have treated such news as a flash merely lurid; as to which, to do Susie justice, the pain of it was all there. But, none the less, the margin always allowed her young friend was all there as well; and the proposal now made her—what was it in short but Byzantine? The vision of Milly’s perception of the propriety of the matter had, at any rate, quickly engulfed, so far as her attitude was concerned, any surprise and any shock; so that she only desired, the next thing, perfectly to possess the facts. Milly could easily speak, on this, as if there were only one: she made nothing of such another as that she had felt herself menaced. The great fact, in fine, was that she knew him to desire just now, more than anything else, to meet, quite apart, some one interested in her. Who therefore so interested as her faithful Susan? The only other circumstance that, by the time she had quitted her friend, she had treated as worth mentioning was the circumstance of her having at first intended to keep quiet. She had originally best seen herself as sweetly secretive. As to that she had changed, and her present request was the result. She didn’t say why she had changed, but she trusted her faithful Susan. Their visitor would trust her not less, and she herself would adore their visitor. Moreover he wouldn’t—the girl felt sure—tell her anything dreadful. The worst would be that he was in love and that he needed a confidant to work it. And now she was going to the National Gallery.
—VII—
The idea of the National Gallery had been with her from the moment of her hearing from Sir Luke Strett about his hour of coming. It had been in her mind as a place so meagrely visited, as one of the places that had seemed at home one of the attractions of Europe and one of its highest aids to culture, but that—the old story—the typical frivolous always ended by sacrificing to vulgar pleasures. She had had perfectly, at those whimsical moments on the Brünig, the half-shamed sense of turning her back on such opportunities for real improvement as had figured to her, from of old, in connexion with the continental tour, under the general head of “pictures and things”; and at last she knew for what she had done so. The plea had been explicit—she had done so for life as opposed to learning; the upshot of which had been that life was now beautifully provided for. In spite of those few dips and dashes into the many-coloured stream of history for which of late Kate Croy had helped her to find time, there were possible great chances she had neglected, possible great moments she should, save for to-day, have all but missed. She might still, she had felt, overtake one or two of them among the Titians and the Turners; she had been honestly nursing the hour, and, once she was in the benignant halls, her
faith knew itself justified. It was the air she wanted and the world she would now exclusively choose; the quiet chambers, nobly overwhelming, rich but slightly veiled, opened out round her and made her presently say “If I could lose myself here!” There were people, people in plenty, but, admirably, no personal question. It was immense, outside, the personal question; but she had blissfully left it outside, and the nearest it came, for a quarter of an hour, to glimmering again into view was when she watched for a little one of the more earnest of the lady-copyists. Two or three in particular, spectacled, aproned, absorbed, engaged her sympathy to an absurd extent, seemed to show her for the time the right way to live. She should have been a lady-copyist—it met so the case. The case was the case of escape, of living under water, of being at once impersonal and firm. There it was before one—one had only to stick and stick.
Milly yielded to this charm till she was almost ashamed; she watched the lady-copyists till she found herself wondering what would be thought by others of a young woman, of adequate aspect, who should appear to regard them as the pride of the place. She would have liked to talk to them, to get, as it figured to her, into their lives, and was deterred but by the fact that she didn’t quite see herself as purchasing imitations and yet feared she might excite the expectation of purchase. She really knew before long that what held her was the mere refuge, that something within her was after all too weak for the Turners and Titians. They joined hands about her in a circle too vast, though a circle that a year before she would only have desired to trace. They were truly for the larger, not for the smaller life, the life of which the actual pitch, for example, was an interest, the interest of compassion, in misguided efforts. She marked absurdly her little stations, blinking, in her shrinkage of curiosity, at the glorious walls, yet keeping an eye on vistas and approaches, so that she shouldn’t be flagrantly caught. The vistas and approaches drew her in this way from room to room, and she had been through many parts of the show, as she supposed, when she sat down to rest. There were chairs in scant clusters, places from which one could gaze. Milly indeed at present fixed her eyes more than elsewhere on the appearance, first, that she couldn’t quite, after all, have accounted to an examiner for the order of her “schools,” and then on that of her being more tired than she had meant, in spite of her having been so much less intelligent. They found, her eyes, it should be added, other occupation as well, which she let them freely follow: they rested largely, in her vagueness, on the vagueness of her visitors; they attached themselves in especial, with mixed results, to the surprising stream of her compatriots. She was struck with the circumstance that the great museum, early in August, was haunted with these pilgrims, as also with that of her knowing them from afar, marking them easily, each and all, and recognising not less promptly that they had ever new lights for her—new lights on their own darkness. She gave herself up at last, and it was a consummation like another: what she should have come to the National Gallery for today would be to watch the copyists and reckon the Baedekers. That perhaps was the moral of a menaced state of health—that one would sit in public places and count the Americans. It passed the time in a manner; but it seemed already the second line of defence, and this notwithstanding the pattern, so unmistakeable, of her country-folk. They were cut out as by scissors, coloured, labelled, mounted; but their relation to her failed to act—they somehow did nothing for her. Partly, no doubt, they didn’t so much as notice or know her, didn’t even recognise their community of collapse with her, the sign on her, as she sat there, that for her too Europe was “tough.” It came to her idly thus—for her humour could still play—that she didn’t seem then the same success with them as with the inhabitants of London, who had taken her up on scarce more of an acquaintance. She could wonder if they would be different should she go back with this glamour attached; and she could also wonder, if it came to that, whether she should ever go back. Her friends straggled past, at any rate, in all the vividness of their absent criticism, and she had even at last the sense of taking a mean advantage.
There was a finer instant, however, at which three ladies, clearly a mother and daughters, had paused before her under compulsion of a comment apparently just uttered by one of them and referring to some object on the other side of the room. Milly had her back to the object, but her face very much to her young compatriot, the one who had spoken and in whose look she perceived a certain gloom of recognition. Recognition, for that matter, sat confessedly in her own eyes: she knew the three, generically, as easily as a school-boy with a crib in his lap would know the answer in class; she felt, like the school-boy, guilty enough—questioned, as honour went, as to her right so to possess, to dispossess, people who hadn’t consciously provoked her. She would have been able to say where they lived, and also how, had the place and the way been but amenable to the positive; she bent tenderly, in imagination, over marital, paternal Mr. Whatever-he-was, at home, eternally named, with all the honours and placidities, but eternally unseen and existing only as some one who could be financially heard from. The mother, the puffed and composed whiteness of whose hair had no relation to her apparent age, showed a countenance almost chemically clean and dry; her companions wore an air of vague resentment humanised by fatigue; and the three were equally adorned with short cloaks of coloured cloth surmounted by little tartan hoods. The tartans were doubtless conceivable as different, but the cloaks, curiously, only thinkable as one. “Handsome? Well, if you choose to say so.” It was the mother who had spoken, who herself added, after a pause during which Milly took the reference as to a picture: “In the English style.” The three, pair of eyes had converged, and their possessors had for an instant rested, with the effect of a drop of the subject, on this last characterisation—with that, too, of a gloom not less mute in one of the daughters than murmured in the other. Milly’s heart went out to them while they turned their backs; she said to herself that they ought to have known her, that there was something between them they might have beautifully put together. But she had lost them also—they were cold; they left her in her weak wonder as to what they had been looking at. The “handsome” disposed her to turn—all the more that the “English style” would be the English school, which she liked; only she saw, before moving, by the array on the side facing her, that she was in fact among small Dutch pictures. The action of this was again appreciable—the dim surmise that it wouldn’t then be by a picture that the spring in the three ladies had been pressed. It was at all events time she should go, and she turned as she got on her feet. She had had behind her one of the entrances and various visitors who had come in while she sat, visitors single and in pairs—by one of the former of whom she felt her eyes suddenly held.
This was a gentleman in the middle of the place, a gentleman who had removed his hat and was for a moment, while he glanced, absently, as she could see, at the top tier of the collection, tapping his forehead with his pocket-handkerchief. The occupation held him long enough to give Milly time to take for granted-and a few seconds sufficed—that his face was the object just observed by her friends. This could only have been because she concurred in their tribute, even qualified; and indeed “the English style” of the gentleman—perhaps by instant contrast to the American—was what had had the arresting power. This arresting power, at the same time—and that was the marvel—had already sharpened almost to pain, for in the very act of judging the bared head with detachment she felt herself shaken by a knowledge of it. It was Merton Densher’s own, and he was standing there, standing long enough unconscious for her to fix him and then hesitate. These successions were swift, so that she could still ask herself in freedom if she had best let him see her. She could still reply to this that she shouldn’t like him to catch her in the effort to prevent it; and she might further have decided that he was too preoccupied to see anything had not a perception intervened that surpassed the first in violence. She was unable to think afterwards how long she had looked at him before knowing herself as otherwise looked at; all she was
coherently to put together was that she had had a second recognition without his having noticed her. The source of this latter shock was nobody less than Kate Croy—Kate Croy who was suddenly also in the line of vision and whose eyes met her eyes at their next movement. Kate was but two yards off—Mr. Densher wasn’t alone. Kate’s face specifically said so, for after a stare as blank at first as Milly’s it broke into a far smile. That was what, wonderfully—in addition to the marvel of their meeting—passed from her for Milly; the instant reduction to easy terms of the fact of their being there, the two young women, together. It was perhaps only afterwards that the girl fully felt the connexion between this touch and her already established conviction that Kate was a prodigious person; yet on the spot she none the less, in a degree, knew herself handled and again, as she had been the night before, dealt with—absolutely even dealt with for her greater pleasure. A minute in fine hadn’t elapsed before Kate had somehow made her provisionally take everything as natural. The provisional was just the charm—acquiring that character from one moment to the other; it represented happily so much that Kate would explain on the very first chance. This left moreover—and that was the greatest wonder—all due margin for amusement at the way things happened, the monstrous oddity of their turning up in such a place on the very heels of their having separated without allusion to it. The handsome girl was thus literally in control of the scene by the time Merton Densher was ready to exclaim with a high flush or a vivid blush—one didn’t distinguish the embarrassment from the joy—“Why Miss Theale: fancy!” and “Why Miss Theale: what luck!”
Miss Theale had meanwhile the sense that for him too, on Kate’s part, something wonderful and unspoken was determinant; and this although, distinctly, his companion had no more looked at him with a hint than he had looked at her with a question. He had looked and was looking only at Milly herself, ever so pleasantly and considerately—she scarce knew what to call it; but without prejudice to her consciousness, all the same, that women got out of predicaments better than men. The predicament of course wasn’t definite nor phraseable—and the way they let all phrasing pass was presently to recur to our young woman as a characteristic triumph of the civilised state; but she took it for granted, insistently, with a small private flare of passion, because the one thing she could think of to do for him was to show him how she eased him off. She would really, tired and nervous, have been much disconcerted if the opportunity in question hadn’t saved her. It was what had saved her most, what had made her, after the first few seconds, almost as brave for Kate as Kate was for her, had made her only ask herself what their friend would like of her. That he was at the end of three minutes, without the least complicated reference, so smoothly “their” friend was just the effect of their all being sublimely civilised. The flash in which he saw this was, for Milly, fairly inspiring—to that degree in fact that she was even now, on such a plane, yearning to be supreme. It took, no doubt, a big dose of inspiration to treat as not funny—or at least as not unpleasant—the anomaly, for Kate, that she knew their gentleman, and for herself, that Kate was spending the morning with him; but everything continued to make for this after Milly had tasted of her draught. She was to wonder in subsequent reflexion what in the world they had actually said, since they had made such a success of what they didn’t say; the sweetness of the draught for the time, at any rate, was to feel success assured. What depended on this for Mr. Densher was all obscurity to her, and she perhaps but invented the image of his need as a short cut to accommodation. Whatever the facts, their perfect manners, all round, saw them through. The finest part of Milly’s own inspiration, it may further be mentioned, was the quick perception that what would be of most service was, so to speak, her own native wood-note. She had long been conscious with shame for her thin blood, or at least for her poor economy, of her unused margin as an American girl—closely indeed as in English air the text might appear to cover the page. She still had reserves of spontaneity, if not of comicality; so that all this cash in hand could now find employment. She became as spontaneous as possible and as American as it might conveniently appeal to Mr. Densher, after his travels, to find her. She said things in the air, and yet flattered herself that she struck him as saying them not in the tone of agitation but in the tone of New York. In the tone of New York agitation was beautifully discounted, and she had now a sufficient view of how much it might accordingly help her.