Dear Madam,
I hope as you’ll forgive me writing this but I really don’t know what to do indeed I don’t and I never meant no harm. Dear madam, you’ll have seen the newspapers it was murder they say but it wasn’t me that did it, not really, because I would never do anything wicked like that and I know as how he wouldn’t either. Albert, I mean. I’m telling this badly, but you see we met last summer and was going to be married only Bert hadn’t got his rights, he’d been done out of them, swindled by this Mr. Fortescue who’s dead. And Mr. Fortescue he just denied everything and of course everybody believed him and not Bert because he was rich and Bert was poor. But Bert had a friend who works in a place where they make these new drugs and there’s what they call a truth drug you’ve read about it perhaps in the paper and it makes people speak the truth whether they want to or not. Bert was going to see Mr. Fortescue in his office on Nov. 5th and taking a lawyer with him and I was to be sure to give him the drug at breakfast that morning and then it would work just right for when they came and he’d admit as all what Bert said was quite true. Well, madam, I put it in the marmalade but now he’s dead and I think as how it must have been too strong but it wasn’t Bert’s fault because Bert would never do a thing like that but I can’t tell the police because maybe they’d think Bert did it on purpose which I know he didn’t. Oh, madam, I don’t know what to do or what to say and the police are here in the house and it’s awful and they ask you questions and look at you so stern and I don’t know what to do and I haven’t heard from Bert. Oh, madam, I don’t like to ask it of you but if you could only come here and help me they’d listen to you and you were always so kind to me, and I didn’t mean anything wrong and Bert didn’t either. If you could only help us. Yours respectfully,
Gladys Martin.
P. S.—I’m enclosing a snap of Bert and me. One of the boys took it at the camp and give it me. Bert doesn’t know I’ve got it—he hates being snapped. But you can see, madam, what a nice boy he is.
Miss Marple, her lips pursed together, stared down at the photograph. The pair pictured there were looking at each other. Miss Marple’s eyes went from Gladys’s pathetic adoring face, the mouth slightly open, to the other face—the dark handsome smiling face of Lance Fortescue.
The last words of the pathetic letter echoed in her mind:
You can see what a nice boy he is.
The tear rose in Miss Marple’s eyes. Succeeding pity, there came anger—anger against a heartless killer.
And then, displacing both these emotions, there came a surge of triumph—the triumph some specialist might feel who has successfully reconstructed an extinct animal from a fragment of jawbone and a couple of teeth.
About the Author
Agatha Christie is the most widely published author of all time and in any language, outsold only by the Bible and Shakespeare. Her books have sold more than a billion copies in English and another billion in a hundred foreign languages. She is the author of eighty crime novels and short-story collections, nineteen plays, two memoirs, and six novels written under the name Mary Westmacott.
She first tried her hand at detective fiction while working in a hospital dispensary during World War I, creating the now legendary Hercule Poirot with her debut novel The Mysterious Affair at Styles. With The Murder in the Vicarage, published in 1930, she introduced another beloved sleuth, Miss Jane Marple. Additional series characters include the husband-and-wife crime-fighting team of Tommy and Tuppence Beresford, private investigator Parker Pyne, and Scotland Yard detectives Superintendent Battle and Inspector Japp.
Many of Christie’s novels and short stories were adapted into plays, films, and television series. The Mousetrap, her most famous play of all, opened in 1952 and is the longest-running play in history. Among her best-known film adaptations are Murder on the Orient Express (1974) and Death on the Nile (1978), with Albert Finney and Peter Ustinov playing Hercule Poirot, respectively. On the small screen Poirot has been most memorably portrayed by David Suchet, and Miss Marple by Joan Hickson and subsequently Geraldine McEwan and Julia McKenzie.
Christie was first married to Archibald Christie and then to archaeologist Sir Max Mallowan, whom she accompanied on expeditions to countries that would also serve as the settings for many of her novels. In 1971 she achieved one of Britain’s highest honors when she was made a Dame of the British Empire. She died in 1976 at the age of eighty-five. Her one hundred and twentieth anniversary was celebrated around the world in 2010.
www.AgathaChristie.com
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THE AGATHA CHRISTIE COLLECTION
The Man in the Brown Suit
The Secret of Chimneys
The Seven Dials Mystery
The Mysterious Mr. Quin
The Sittaford Mystery
Parker Pyne Investigates
Why Didn’t They Ask Evans?
Murder Is Easy
The Regatta Mystery and Other Stories
And Then There Were None
Towards Zero
Death Comes as the End
Sparkling Cyanide
The Witness for the Prosecution and Other Stories
Crooked House
Three Blind Mice and Other Stories
They Came to Baghdad
Destination Unknown
Ordeal by Innocence
Double Sin and Other Stories
The Pale Horse
Star over Bethlehem: Poems and Holiday Stories
Endless Night
Passenger to Frankfurt
The Golden Ball and Other Stories
The Mousetrap and Other Plays
The Harlequin Tea Set
The Hercule Poirot Mysteries
The Mysterious Affair at Styles
The Murder on the Links
Poirot Investigates
The Murder of Roger Ackroyd
The Big Four
The Mystery of the Blue Train
Peril at End House
Lord Edgware Dies
Murder on the Orient Express
Three Act Tragedy
Death in the Clouds
The A.B.C. Murders
Murder in Mesopotamia
Cards on the Table
Murder in the Mews and Other Stories
Dumb Witness
Death on the Nile
Appointment with Death
Hercule Poirot’s Christmas
Sad Cypress
One, Two, Buckle My Shoe
Evil Under the Sun
Five Little Pigs
The Hollow
The Labors of Hercules
Taken at the Flood
The Underdog and Other Stories
Mrs. McGinty’s Dead
After the Funeral
Hickory Dickory Dock
Dead Man’s Folly
Cat Among the Pigeons
The Clocks
Third Girl
Hallowe’en Party
Elephants Can Remember
Curtain: Poirot’s Last Case
The Miss Marple Mysteries
The Murder at the Vicarage
The Body in the Library
The Moving Finger
A Murder Is Announced
They Do It with Mirrors
A Pocket Full of Rye
4:50 from Paddington
The Mirror Crack’d from Side to Side
A Caribbean Mystery
At Bertram’s Hotel
Nemesis
Sleeping Murder
Miss Marple: The Complete Short Stories
The Tommy and Tuppence Mysteries
The Secret Adversary
Partners in Crime
N or M?
By the Pricking of My Thumbs
Postern of Fate
Credits
Cover illustration and design by Sara Wood
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Copyright
This book is a work
of fiction. The characters, incidents, and dialogue are drawn from the author’s imagination and are not to be construed as real. Any resemblance to actual events or persons, living or dead, is entirely coincidental.
AGATHA CHRISTIE® MARPLE® MISS MARPLE® A POCKET FULL OF RYE™. Copyright © 2011 Agatha Christie Limited (a Chorion company). All rights reserved. A Pocket Full of Rye was first published in 1953.
A POCKET FULL OF RYE © 1954. Published by permission of G.P. Putnam’s Sons, a member of Penguin Group (USA) Inc. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
Library of Congress Cataloging-in-Publication Data is available upon request.
EPub Edition © 2011 ISBN 9780062113658
Version 06012012
ISBN 978-0-06-207365-5
11 12 13 14 15 DIX/RRD 10 9 8 7 6 5 4 3 2 1
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Agatha Christie, A Pocket Full of Rye
(Series: Miss Marple # 7)
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