Dedication

  In memory of Owen,

  whose knowledge and love of art and architecture

  enriched our visits to England and elsewhere,

  and whose affection, wit, and generosity

  enriched our lives

  Acknowledgments

  Thanks to:

  May Chen, my editor, for the inspiration, encouragement, and skill in guiding the fragile and sometimes wayward writer ego;

  Nancy Yost, my agent, for her enthusiasm, good humor, and phenomenal work ethic;

  Isabella Bradford, kindred spirit, for nerdy history co-­enabling, leadership through the shoals of social media, and excellent fashion sense;

  Bruce Hubbard, MD, friend and ER doc par excellence, for finding a way to not kill the nineteenth-­century patient, despite no antibiotics or, really, anything useful;

  Sherrie Holmes, horse and carriage expert, for answering my many questions with patience, humor, and splendid clarity;

  Colonial Williamsburg milliners and mantua makers and tailors, experts in historic dress, who continue to enlighten and often surprise me with historical matters sartorial;

  Paul and Carol, friends, who continue to offer the shelter and peace of a beautiful house on Cape Cod;

  Larry and Gloria, friends, who continue to offer a refuge from the winter in their beautiful house in Florida;

  My sisters Cynthia, Vivian, and Kathy for tactical and moral support, with bonus thanks to brainstorming partner and walking companion Cynthia, for all the brilliant ideas; and attorney Kathy, for advice about lawyers and how they think;

  Walter: the man in my life, for telling me to write faster and asking, “Is it done yet?” and taking me to beautiful places, even if it isn’t done yet.

  For flaws, faults, errors, and divers atrocities I take full credit.

  Contents

  Dedication

  Acknowledgments

  Prologue

  Chapter One

  Chapter Two

  Chapter Three

  Chapter Four

  Chapter Five

  Chapter Six

  Chapter Seven

  Chapter Eight

  Chapter Nine

  Chapter Ten

  Chapter Eleven

  Chapter Twelve

  Chapter Thirteen

  Chapter Fourteen

  Chapter Fifteen

  Chapter Sixteen

  Chapter Seventeen

  Chapter Eighteen

  Chapter Nineteen

  Chapter Twenty

  Chapter Twenty-one

  Postscript

  Endnote

  About the Author

  By Loretta Chase

  Copyright

  About the Publisher

  Prologue

  Muse make the man thy theme, for shrewdness famed

  And genius versatile.

  —­The Odyssey of Homer, translated by William Cowper, 1791

  Eton College

  Autumn 1817

  To begin with, he was obnoxious.

  Oliver Radford’s schoolfellows didn’t need more than a day or two after his arrival to discover this.

  They didn’t need much time, either, to administer the nickname “Raven,” though why they chose it was less obvious. Maybe his thick, black hair and too-­piercing grey eyes gave them the idea, or maybe it was his deep, husky voice, better suited to a grown man than a boy of ten. Or maybe they referred to his nose, although this, while by no means small, wasn’t as beaky as many others.

  Still, he did always have the nose in question in a book, and some—­one of his paternal cousins, in fact—­said that young Radford reminded him of “a raven poking into the guts of a carcass.”

  The cousin failed to mention or forgot or perhaps didn’t know—­not being observant or clever—­how extremely intelligent ravens were, for birds. Oliver Radford was extremely intelligent, for a boy. This was one reason he found the books vastly preferable to his schoolmates.

  Especially his unbelievably stupid cousins . . .

  At present he leaned against a wall at the edge of the playing fields, well away from the others, who were choosing sides for cricket. Unlikely and unwilling to be chosen, but required to be present at the character-­building proceedings, he had his nose in the pages of Homer’s Odyssey.

  A shadow fell over Oliver and a fat hand with grimy fingernails covered the page of Greek script. He did not look up. He was, like his father, more-­than-­average observant. He recognized the hand. He had good reason to.

  “Here he is, gentlemen,” said Cousin Bernard. “Spawn of the family’s laboring branch: our Raven.”

  Laboring was meant to disparage Oliver’s father. Since the eldest son inherited everything, the others and their offspring had to find rich wives and/or places in “gentlemanly” professions like the military, the church, or the law. George Radford, son of a duke’s younger son, had elected to become a barrister. He was successful as well as happily married.

  All that Oliver had observed told him the other Radfords had extremely small brains and marriages the antithesis of his parents’.

  That a boy of ten knew what antithesis meant was another reason to hate him.

  He didn’t help matters.

  “Naturally you find the law laborious,” Oliver said. “Firstly, it wants a mastery of Latin, and you barely comprehend English. Secondly—­”

  Bernard cuffed him lightly. “I’d hold my tongue if I was you, little Raven. Unless there’s tales you want told.”

  “Firstly, if you were me,” Oliver corrected. “Since you are patently not, you require the subjunctive. Secondly, tales is plural. Therefore you want the third person plural of the infinitive to be. The correct verb form is are.”

  Bernard cuffed him less lightly. “Best not to mind him too much,” he told the small crowd of his disciples, some of them cousins. “No manners. Can’t help himself. Mother not quite the thing, you know. Bit of a tart. But we don’t talk about it much.”

  George Radford’s family had made a fuss of some kind when he married, at age fifty, a divorced lady. But Oliver didn’t care what they thought. His father had prepared him for the vicissitudes of Eton and the less-­than-­likable relatives he could expect to encounter there.

  “You’re contradicting yourself,” Oliver said. “Again.”

  “No, I’m not, you little fart.”

  “You said we don’t talk about her but you did.”

  “Do you mind, little Raven?”

  “Not a bit,” Oliver said. “At least when my mother pushed me into the world, she contrived to keep my brain intact. The evidence shows the opposite result in your case.”

  Bernard yanked him away from the wall and threw him down. The book fell from Oliver’s hands and his head rang and he was aware of his heartbeat increasing and a wild panic. He shoved these sensations to the very back of his mind, and pretended the feelings were miles away. He pretended that what was happening to him happened to somebody quite separate, that what he felt was felt by another self, whom he observed with detachment.

  The panic vanished, the world came back into balance, and he could think.

  He rose onto his elbows. “I’m so sorry,” he said.

  “You ought to be,” Bernard said. “And I hope it’s a lesson—­”

  “I should have read it as ‘in an agony to redeem himself,’ rather than ‘anxious to save himself.’ ”

  Bernard looked blank, not an unusual expression for him.

  “Odysseus,” Oliver said patiently. He rose, picked up the book, and brushed away the dirt. “He strove in
vain for his fellows, whose own witlessness destroyed them. The witless destroy what they don’t understand.”

  Bernard’s face got very red. “Witless? I’ll teach you witless, you insolent little turd.”

  He leapt on Oliver, knocked him down, and started punching.

  The fight ended for Oliver with a black eye and a bloody nose and ringing ears.

  This wasn’t the first time. It wasn’t the last. But more of that anon.

  Royal Gardens, Vauxhall

  July 1822

  Oliver was baffled, an unusual condition for him.

  His experience with women was limited. Mothers didn’t count. His stepsisters were somebody else’s mothers already.

  The Earl of Longmore’s sister Lady Clara was, she had announced, eight and eleven-­twelfths years old.

  Though nursemaids abounded to look after the dizzying numbers of young Fairfaxes, Clara, according to Longmore, was usually let to tag after the boys. Her brothers treated her like a pet, perhaps because she was the first girl after three boys, and something of a curiosity. Then, too, the young Duke of Clevedon, whose guardian Longmore’s father was, doted on her.

  But tonight’s planned activity was not for girls. Cle­vedon was moving away, gesturing to Longmore to follow. The latter gave him a nod and told his little sister, “You’re not allowed to go in the boat with us.”

  She kicked him in the ankle. This only made her brother chuckle, but she must have hurt her toe, because her lower lip trembled.

  Then, for reasons unknown, Oliver heard himself saying, “Lady Clara, have you ever seen the Heptaplasiesoptron?”

  He was aware of Longmore throwing him a puzzled glance but more aware of the sister, who turned a sulky blue gaze upward to meet his. “What is it?”

  “It’s a sort of kaleidoscope room,” Oliver said. “It’s filled with looking glasses, and these reflect twining serpents and a fountain and palm trees and lamps of different colors and other things. It’s over there.” He pointed to the building containing the Rotunda and the Pillared Saloon. “Shall I take you to see it?”

  While Oliver was talking, Longmore slipped away.

  “I want to go in the boat,” she said.

  “I don’t,” Oliver said.

  She looked about and noticed her brother’s back retreating from view as he hurried to catch up with Clevedon. Her gaze came back to Oliver, eyes narrowed accusingly now.

  “Your brother doesn’t want you along,” he said. “He doesn’t want to worry about your being sick or falling out of the boat and drowning.”

  “I won’t,” she said. “I’m never sick.”

  “You will be if Longmore’s rowing,” he said. “Why do you think I’m not going?”

  She said, “That rhymes.”

  “So it does,” he said. “Shall I show you the Heptaplasiesoptron? I’ll wager anything you can’t say it. You’re only a girl, and girls aren’t very clever.”

  Her blue eyes flashed. “I can too say it!”

  “Go ahead, then.”

  She screwed up her eyes and mouth, concentrating. Her expression was so comical, he had all he could do not to laugh.

  Longmore and Clevedon had come to Eton the year after Oliver arrived. Very much to his surprise, they made a friend of him. This was more or less in the way they made a pet of Lady Clara. They’d dubbed him Professor Raven, which they soon whittled down to Professor.

  He’d come to Vauxhall’s Second Annual Juvenile Fête because Longmore’s father had sent an invitation to join a family excursion, and Oliver’s father said he must accept. Oliver had expected to be very bored and irritated, but Vauxhall turned out to be fascinating. It offered acrobats and rope dancers and trained monkeys and dogs, and all sorts of interesting optical illusions and devices, as well as music and fireworks. He didn’t at all mind not joining the other boys in the boat.

  He hadn’t planned on playing nursemaid to a little girl, certainly. But Lady Clara had turned out to be something out of the ordinary, rather like other Vauxhall wonders. She wasn’t nearly as stupid as one would expect, considering she was, firstly, a girl and, secondly, related to Longmore. No one had ever accused his lordship of intellectual prowess.

  She’d pronounced Heptaplasiesoptron correctly by the time they got to it. Equally important, she was perfectly willing to be taught about reflections and optical tricks.

  After exhausting the marvels of the Pillared Saloon, they walked on to the Submarine Cave. After her ladyship had her fill of that, they were moving on to the Hermitage when a disagreeably familiar voice called out, “That the best you can do, little cuz? She hasn’t even got bubbies yet.”

  He was distantly aware of his temperature rising and his heart beating hard and of seeing the world through a red veil. He heard himself speak as though from a great distance to Lady Clara. “Stay,” he said.

  He marched to his cousin Bernard and punched him in his fat gut.

  The fat must have been more solid than it looked, because Bernard only gave a baffled “Huh,” before punching back.

  Unprepared for the quick reaction, Oliver was an instant too slow to dodge, and the blow made him stumble. Bernard took advantage, hurling his great carcass at Oliver and knocking him down.

  The next he knew, Bernard was sitting on him.

  Oliver was aware of Lady Clara shouting something, but mainly he was aware of his ears ringing and trouble catching his breath.

  Bernard laughed.

  Oliver was trying to dislodge him when he heard a wild cry. Lady Clara launched herself at Bernard in a flurry of punching and kicking. This was so funny that for a moment Oliver forgot he couldn’t breathe.

  Then he saw her lunge at Bernard, and he saw Bernard throw his arm up to shield his face. Oliver wasn’t sure what happened next, but he deduced she’d run into his cousin’s knuckles or elbow, because she fell back, her hand over her mouth.

  Bernard leapt up and yelled, “I didn’t do anything!” And ran away.

  Oliver saw blood on her hand. He looked about, but Bernard had vanished. He’d picked his moment, as usual, when no adult witnesses were about.

  “The bastard,” he said. “The cowardly bastard. At least he could have asked if you were all right. Are you all right?”

  She took her hand away, then tested a tooth with her thumb. “Is it broken?” she said. She displayed her teeth. No blood there. It must be Bernard’s blood on her hand.

  Her teeth were impossibly white and even. Except for the left front incisor.

  “Did the one in front always have a chip in it?” he said.

  She shook her head.

  “It does now,” he said.

  She shrugged. “I hope the chip’s stuck in his elbow and stays there forever,” she said. Then, in a whisper she added, “The bastard.” And giggled.

  Perhaps Oliver fell in love with her then.

  Perhaps not.

  Whether he did or he didn’t, after that night he never saw Lady Clara Fairfax again.

  Until.

  Chapter One

  At the head of Whitehall-­street is the noted point of Charing cross; and immediately above it lately opened Trafalgar square, where is to be erected a splendid naval monument; and the new national gallery of the fine arts, now in building, is on the north side of the square.

  —­Calvin Colton, Four Years in Great Britain, 1831–35

  Environs of Covent Garden, London

  Wednesday 19 August 1835

  Stop it!” the girl cried. “Get off! I won’t go!”

  Lady Clara Fairfax, about to alight from her cabriolet, couldn’t hear what the boy said, but she heard him laugh and saw him grab Bridget Coppy’s arm and try to drag her away from the building she was about to enter. It housed the Milliners’ Society for the Education of Indigent Females.

  The horse safe
in her tiger’s keeping, her ladyship snatched up her whip, picked up her skirts, and ran toward the pair. She struck the boy’s arm with the whip’s butt end. He let out a high-­pitched oath.

  He was a mean-­looking boy, red-­haired, with a square, spotty face. He wore the cheap, showy coat she’d learned to associate with the strutting ne’er-­do-­wells who infested the neighborhood.

  “Get away from her, or you’ll get more of the same,” Clara said. “Leave this place. You’ve no business here. Be gone before I send for a constable.”

  The boy eyed her in an insolent manner. The effect was spoiled, however, by his having to stretch his head back and cast his beady-­eyed gaze upward a distance, for Clara was not petite and he was not tall. His gaze dropped to the whip in her hand, then to the dashing cabriolet behind her—­from which she didn’t doubt her maid Davis had descended, brandishing her umbrella.

  With a sneer, he said what sounded like, “You better hit harder’n that, you want me to feel it.” He didn’t wait for her to hit harder, but set his hat at a very sharp angle and sauntered off.

  “Are you all right?” she asked Bridget.

  “Yes, your ladyship, and thank you ever so,” the girl said. “I don’t know what was in his mind to come here. He oughter know his sort ain’t welcome here.”

  The Milliners’ Society for the Education of Indigent Females housed and educated girls determined, against prodigious odds, to be respectable.

  In the ordinary way of things, girls aiming to learn a trade became apprentices. But London’s dressmakers could pick and choose their apprentices, and the Milliners’ Society girls were outcasts or rejects for one reason or another: The majority were too old to be apprenticed and/or they were “fallen” or carried some other stigma.