Spencer was again drawn to that distant July night, like an asteroid captured by the greater gravity of the earth and doomed to a declining orbit that would end in impact.

  …it’s an owl perched on the roof, just above my open window, calling out in the night for whatever reason owls call out.

  In the humid dark, I get up from my bed and go to the bathroom, expecting the hooting to stop when the hungry owl takes wing and goes hunting for mice again. But even after I return to bed, he seems to be content on the roof and pleased by his one-word, one-note song.

  Finally, I go to the open window and quietly slide up the double-hung screen, trying not to startle him into flight. But when I lean outside, turning my head to look up, half expecting to see his talons hooked over the shingles and curled in toward the eaves, another and far different cry arises before I can say “Shoo” or the owl can ask “Who.” This new sound is thin and bleak, a fragile wail of terror from a far place in the summer night. I look out toward the barn, which stands two hundred yards behind the house, toward the moonlit fields beyond the barn, toward the wooded hills beyond the fields. The cry comes again, shorter this time, but even more pathetic and therefore more piercing.

  Having lived in the country since the day I was born, I know that nature is one great killing ground, governed by the cruelest of all laws—the law of natural selection—and ruled by the ruthless. Many nights, I’ve heard the eerie, quavery yawling of coyote packs chasing prey and celebrating slaughter. The triumphant shriek of a mountain lion after it has torn the life out of a rabbit sometimes echoes out of the highlands, a sound which makes it easy to believe that Hell is real and that the damned have flung open the gates.

  This cry that catches my attention as I lean out the window—and that silences the owl on the roof—comes not from a predator but from prey. It’s the voice of something weak, vulnerable. The forests and fields are filled with timid and meek creatures, which live only to perish violently, which do so every hour of every day without surcease, whose terror may actually be noticed by a god who knows of every sparrow’s fall but seems unmoved.

  Suddenly the night is profoundly quiet, uncannily still, as if the distant bleat of fear was, in fact, the sound of creation’s engines grinding to a halt. The stars are hard points of light that have stopped twinkling, and the moon might well be painted on canvas. The landscape—trees, shrubs, summer flowers, fields, hills, and far mountains—appears to be nothing but crystalized shadows in various dark hues, as brittle as ice. The air must still be warm, but I am nonetheless frigid.

  I quietly close the window, turn away from it, and move toward the bed again. I feel heavy-eyed, wearier than I’ve ever been.

  But then I realize that I’m in a strange state of denial, that my weariness is less physical than psychological, that I desire sleep more than I really need it. Sleep is an escape. From fear. I’m shaking but not because I’m cold. The air is as warm as it was earlier. I’m shaking with fear.

  Fear of what? I can’t quite identify the source of my anxiety.

  I know that the thing I heard was no ordinary wild cry. It reverberates in my mind, an icy sound that recalls something I’ve heard once before, although I can’t remember what, when, where. The longer the forlorn wail echoes in my memory, the faster my heart beats.

  I desperately want to lie down, forget the cry, the night, the owl and his question, but I know I can’t sleep.

  I’m wearing only briefs, so I quickly pull on a pair of jeans. Now that I’m committed to act, denial and sleep have no attraction for me. In fact, I’m in the grip of an urgency at least as strange as the previous denial. Bare-chested and barefoot, I’m drawn out of my bedroom by intense curiosity, by the sense of post-midnight adventure that all boys share—and by a terrible truth, which I don’t yet know that I know.

  Beyond my door, the house is cool, because my room is the only one not air-conditioned. For several summers, I’ve closed the vents against that chill flow because I prefer the benefits of fresh air even on a humid July night…and because, for some years, I’ve been unable to sleep with the hiss and hum that the icy air makes as it rushes through the ductwork and seethes through the vanes in the vent grille. I’ve long been afraid that this incessant if subtle noise will mask some other sound in the night that I must hear in order to survive. I have no idea what that other sound would be. It’s a groundless and childish fear, and I’m embarrassed by it. Yet it dictates my sleeping habits.

  The upstairs hallway is silvered with moonlight, which streams through a pair of skylights. Here and there along both walls, the polished-pine floor glimmers softly. Down the middle of the hall is an intricately patterned Persian runner, in which the curved and curled and undulant shapes absorb the radiance of the full moon and glow dimly with it: Hundreds of pale, luminous coelenterate forms seem to be not immediately under my feet but well below me, as if I am not on a carpet but am walking Christlike on the surface of a tidepool while gazing down at the mysterious denizens at the bottom.

  I pass my father’s room. The door is closed.

  I reach the head of the stairs, where I hesitate.

  The house is silent.

  I descend the stairs, quaking, rubbing my bare arms with my hands, wondering at my inexplicable fear. Perhaps even at that moment, I dimly realize that I am going down to a place from which I’ll never again quite be able to ascend….

  With the dog as his confessor, Spencer spun his story all the way through that long-ago night, to the hidden door, to the secret place, to the beating heart of the nightmare. As he recounted the experience, step by barefoot step, his voice faded to a whisper.

  When he finished, he was in a temporary state of grace that would burn away with the coming of the dawn, but it was even sweeter for being so tenuous and brief. Purged, he was at last able to close his eyes and know that dreamless sleep would come to him.

  In the morning he would begin to search for the woman.

  He had the uneasy feeling that he was walking into a living hell to rival the one that he had so often described to the patient dog. He could do nothing else. Only one acceptable road lay ahead of him, and he was compelled to follow it.

  Now sleep.

  Rain washed the world, and its susurration was the sound of absolution—though some stains could never be permanently removed.

  SIX

  In the morning, Spencer had a few tiny bruises and red marks on his face and hands, from the sting-grenade pellets. Compared with his scar, they would draw no comments.

  For breakfast, he had English muffins and coffee at his desk in the living room while he hacked into the county tax collector’s computer. He discovered that the bungalow in Santa Monica, where Valerie had been living until the previous day, was owned by the Louis and Mae Lee Family Trust. Property tax bills were mailed in care of something called China Dream, in West Hollywood.

  Out of curiosity, he requested a list of other properties—if any—owned by that trust. There were fourteen: five more homes in Santa Monica; a pair of eight-unit apartment buildings in Westwood; three single-family homes in Bel Air; and four adjacent commercial buildings in West Hollywood, including the address for China Dream.

  Louis and Mae Lee had done all right for themselves.

  After switching off the computer, Spencer stared at the blank screen and finished his coffee. It was bitter. He drank it anyway.

  By ten o’clock, he and Rocky were heading south on the Pacific Coast Highway. Traffic passed him at every opportunity, because he obeyed the speed limit.

  The storm had moved east during the night, taking every cloud with it. The morning sun was white, and in its hard light, the westward-tilting shadows had edges as sharp as steel blades. The Pacific was bottle green and slate gray.

  Spencer tuned the radio to an all-news station. He hoped to hear a story about the SWAT-team raid the night before and to learn who had been in charge of it and why Valerie was wanted.

  The news reader informed him that
taxes were going up again. The economy was slipping deeper into recession. The government was further restricting gun ownership and television violence. Robbery, rape, and homicide rates were at all-time highs. The Chinese were accusing us of possessing “orbiting laser death rays,” and we were accusing them of the same. Some people believed that the world would end in fire; others said ice; both were testifying before Congress on behalf of competing legislative agendas designed to save the world.

  When he found himself listening to a story about a dog show that was being picketed by protesters who were demanding an end to selective breeding and to the “exploitation of animal beauty in an exhibitionistic performance no less repugnant than the degrading of young women in topless bars,” Spencer knew that there would be no report of the incident at the bungalow in Santa Monica. Surely a SWAT-team operation would rate higher on any reporter’s agenda than unseemly displays of canine comeliness.

  Either the media had found nothing newsworthy in an assault on a private home by cops with machine guns—or the agency conducting the operation had done a first-rate job of misdirecting the press. They had turned what should have been a public spectacle into what amounted to a covert action.

  He switched off the radio and entered the Santa Monica Freeway. East by northeast, in the lower hills, the China Dream awaited them.

  To Rocky, he said, “What’s your opinion of this dog-show thing?”

  Rocky looked at him curiously.

  “You’re a dog, after all. You must have an opinion. These are your people being exploited.”

  Either he was a dog of extreme circumspection when it came to discussing current affairs or he was just a carefree, culturally disengaged mutt with no positions on the weightiest social issues of his time and species.

  “I would hate to think,” Spencer said, “that you are a dropout, resigned to the status of a lumpen mammal, unconcerned about being exploited, all fur and no fury.”

  Rocky peered forward at the highway again.

  “Aren’t you outraged that purebred females are forbidden to have sex with mongrels like you, forced to submit only to purebred males? Just to make puppies destined for the degradation of showrings?”

  The mutt’s tail thumped against the passenger door.

  “Good dog.” Spencer held the steering wheel with his left hand and petted Rocky with his right. The dog submitted with pleasure. Thump-thump went the tail. “A good, accepting dog. You don’t even think it’s strange that your master talks to himself.”

  They exited the freeway at Robertson Boulevard and drove toward the fabled hills.

  After the night of rain and wind, the sprawling metropolis was as free of smog as the seacoast from which they had traveled. The palms, ficuses, magnolias, and early-blooming bottlebrush trees with red flowers were so green and gleaming that they appeared to have been hand-polished, leaf by leaf, frond by frond. The streets were washed clean, the glass walls of the tall buildings sparkled in the sunshine, birds wheeled across the piercingly blue sky, and it was easy to be deceived into believing that all was right with the world.

  Thursday morning, while other agents used the assets of several law-enforcement organizations to search for the nine-year-old Pontiac that was registered to Valerie Keene, Roy Miro personally took charge of the effort to identify the man who had nearly been captured in the previous night’s operation. From his Westwood hotel, he drove into the heart of Los Angeles, to the agency’s California headquarters.

  Downtown, the volume of office space occupied by city, county, state, and federal governments was rivaled only by the space occupied by banks. At lunchtime the conversation in the restaurants was more often than not about money—massive, raw slabs of money—whether the diners were from the political or the financial community.

  In this opulent wallow, the agency owned a handsome ten-story building on a desirable street near city hall. Bankers, politicians, bureaucrats, and wine-swilling derelicts shared the sidewalks with mutual respect—except for those regrettable occasions when one of them suddenly snapped, screamed incoherent deprecations, and savagely stabbed one of his fellow Angelenos. The wielder of the knife (or gun or blunt instrument) frequently suffered delusions of persecution by extraterrestrials or the CIA and was more likely to be a derelict than a banker, or a politician, or a bureaucrat.

  Just six months ago, however, a middle-aged banker had gone on a killing spree with two 9mm pistols. The incident had traumatized the entire society of downtown vagrants and had made them more wary of the unpredictable “suits” who shared the streets with them.

  The agency’s building—clad in limestone, with acres of bronze windows as dark as any movie star’s sunglasses—did not bear the agency’s name. The people with whom Roy worked weren’t glory seekers; they preferred to function in obscurity. Besides, the agency that employed them did not officially exist, was funded by the clandestine redirection of money from other bureaus that were under the control of the Justice Department, and actually had no name itself.

  Over the main entrance, the street address gleamed in polished copper numbers. Under the numbers were four names and one ampersand, also in copper: CARVER, GUNMANN, GARROTE & HEMLOCK.

  A passerby, if he wondered about the building’s occupant, might think it was a partnership of attorneys or accountants. If he made inquiries of the uniformed guard in the lobby, he would be told that the firm was an “international property-management company.”

  Roy drove down a ramp to the underground parking facility. At the bottom of the ramp, the way was barred by a sturdy steel gate.

  He gained admittance neither by plucking a time-stamped ticket from an automatic dispenser nor by identifying himself to a guard in a booth. Instead, he stared directly into the lens of a high-definition video camera that was mounted on a post two feet from the side window of his car and waited to be recognized.

  The image of his face was transmitted to a windowless room in the basement. There, Roy knew, a guard at a display terminal watched as the computer dropped everything out of the image except the eyes, enlarged them without compromising the high resolution, scanned the striation and vessel patterns of the retinas, compared them with on-file retinal patterns, and acknowledged Roy as one of the select.

  The guard then pushed a button to raise the gate.

  The entire procedure could have been accomplished without the guard—if not for one contingency against which precautions had to be taken. An operative bent on penetrating the agency might have killed Roy, cut out his eyes, and held them up to the camera to be scanned. While the computer conceivably could have been deceived, a guard surely would have noticed this messy ruse.

  It was unlikely that anyone would go to such extremes to breach the agency’s security. But not impossible. These days, sociopaths of singular viciousness were loose in the land.

  Roy drove into the subterranean garage. By the time he parked and got out of the car, the steel gate had clattered shut again. The dangers of Los Angeles, of democracy run amok, were locked out.

  His footsteps echoed off the concrete walls and the low ceiling, and he knew that the guard in the basement room could hear them too. The garage was under audio as well as video surveillance.

  Access to the high-security elevator was achieved by pressing his right thumb to the glass face of a print scanner. A camera above the lift doors gazed down at him, so the distant guard could prevent anyone from entering merely by placing a severed thumb to the glass.

  No matter how smart machines eventually became, human beings would always be needed. Sometimes that thought encouraged Roy. Sometimes it depressed him, though he wasn’t sure why.

  He rode the elevator to the fourth floor, which was shared by Document Analysis, Substance Analysis, and Photo Analysis.

  In the Photo Analysis computer lab, two young men and a middle-aged woman were working at arcane tasks. They all smiled and said good morning, because Roy had one of those faces that encouraged smiles and familiarity.

/>   Melissa Wicklun, their chief photo analyst in Los Angeles, was sitting at the desk in her office, which was in a corner of the lab. The office had no windows to the outside but featured two glass walls through which she could watch her subordinates in the larger room.

  When Roy knocked on the glass door, she looked up from a file that she was reading. “Come in.”

  Melissa, a blonde in her early thirties, was at the same time an elf and a succubus. Her green eyes were large and guileless—yet simultaneously smoky, mysterious. Her nose was pert—but her mouth was sensuous, the essence of all erotic orifices. She had large breasts, a slim waist, and long legs—but she chose to conceal those attributes in loose white blouses, white lab coats, and baggy chinos. In her scuffed Nikes, her feet were no doubt so feminine and delicate that Roy would have been delighted to spend hours kissing them.

  He had never made a pass at her, because she was reserved and businesslike—and because he suspected that she was a lesbian. He had nothing against lesbians. Live and let live. At the same time, however, he was loath to reveal his interest only to be rejected.

  Melissa said crisply, “Good morning, Roy.”

  “How have you been? Good heavens, you know that I haven’t been in L.A., haven’t seen you since—”

  “I was just examining the file.” Straight to business. She was never interested in small talk. “We have a finished enhancement.”

  When Melissa was talking, Roy was never able to decide whether to look at her eyes or her mouth. Her gaze was direct, with a challenge that he found appealing. But her lips were so deliciously ripe.

  She pushed a photograph across the desk.

  Roy looked away from her lips.

  The picture was a drastically improved, full-color version of the shot that he had seen on his attaché case computer terminal the night before: a man’s head from the neck up, in profile. Shadows still dappled the face, but they were lighter and less obscuring than they had been. The blurring screen of rain had been removed entirely.