but his eyes wandered back to the monitor, and for a moment his mouth quivered infirmly. "I couldn't have done it without you."
"Well... we go back a country mile or three, Billy, don't we?"
"You can say that again, soldier. Now--listen. One thing is top priority. You've got to see Jack Cleveland, first chance you get. He knows who we've got behind both curtains, iron and bamboo. He knows how to get in touch with them, and he won't stick at what has to be done. He'll know it'll have to be quick."
"I don't understand, Billy."
"We have to assume the worst," Starkey said, and a queer grin came over his face. It lifted his upper lip and made it wrinkle like the snout of a dog protecting a farmyard. He pointed a finger at the sheets of yellow flimsy on the table. "It's out of control now. It's popped up in Oregon, Nebraska, Louisiana, Florida. Tentative cases in Mexico and Chile. When we lost Atlanta, we lost the three men best equipped to deal with the problem. We're getting exactly nowhere with Mr. Stuart 'Prince' Redman. Did you know they actually injected him with the Blue virus? He thought it was a sedative. He killed it, and no one has the slightest idea how. If we had six weeks, we might be able to turn the trick. But we don't. The flu story is the best one, but it is imperative--imperative-- that the other side never sees this as an artificial situation created in America. It might give them ideas.
"Cleveland has between eight and twenty men and women in the U.S.S.R. and between five and ten in each of the European satellite countries. Not even I know how many he has in Red China." Starkey's mouth was trembling again. "When you see Cleveland this afternoon, all you need tell him is Rome falls. You won't forget?"
"No," Len said. His lips felt curiously cold. "But do you really expect that they'll do it? Those men and women?"
"Our people got those vials one week ago. They believe they contain radioactive particles to be charted by our Sky-Cruise satellites. That's all they need to know, isn't it, Len?"
"Yes, Billy."
"And if things do go from bad to ... to worse, no one will ever know. Project Blue was uninfiltrated to the very end, we're sure of that. A new virus, a mutation... our opposite numbers may suspect, but there won't be time enough. Share and share alike, Len."
"Yes."
Starkey was looking at the monitors again. "My daughter gave me a book of poems some years ago. By a man named Yeets. She said every military man should read Yeets. I think it was her idea of a joke. You ever heard of Yeets, Len?"
"I think so," Creighton said, considering and rejecting the idea of telling Starkey the man's name was pronounced Yates.
"I read every line," Starkey said, as he peered into the eternal silence of the cafeteria. "Mostly because she thought I wouldn't. It's a mistake to become too predictable. I didn't understand much of it--I believe the man must have been crazy--but I read it. Funny poetry. Didn't always rhyme. But there was one poem in that book that I've never been able to get out of my mind. It seemed as if that man was describing everything I dedicated my life to, its hopelessness, its damned nobility. He said that things fall apart. He said the center doesn't hold. I believe he meant that things get flaky, Len. That's what I believe he meant. Yeets knew that sooner or later things get goddam flaky around the edges even if he didn't know anything else."
"Yes, sir," Creighton said quietly.
"The end of it gave me goosebumps the first time I read it, and it still does. I've got that part by heart. 'What rough beast, its hour come round at last, slouches towards Bethlehem to be born?' "
Creighton stood silent. He had nothing to say.
"The beast is on its way," Starkey said, turning around. He was weeping and grinning. "It's on its way, and it's a good deal rougher than that fellow Yeets ever could have imagined. Things are falling apart. The job is to hold as much as we can for as long as we can."
"Yes, sir," Creighton said, and for the first time he felt the sting of tears in his own eyes. "Yes, Billy."
Starkey put out his hand and Creighton took it in both of his own. Starkey's hand was old and cold, like the shed skin of a snake in which some small prairie animal has died, leaving its own fragile skeleton within the husk of the reptile. Tears overspilled the lower arcs of Starkey's eyes and ran down his meticulously shaved cheeks.
"I have business to attend to," Starkey said.
"Yes, sir."
Starkey slipped his West Point ring off his right hand and his wedding band off his left. "For Cindy," he said. "For my daughter. See that she gets them, Len."
"I will."
Starkey went to the door.
"Billy?" Len Creighton called after him.
Starkey turned.
Creighton stood ramrod straight, the tears still running down his own cheeks. He saluted.
Starkey returned it and then stepped out the door.
The elevator hummed efficiently, marking off the floors. An alarm began to hoot--mournfully, as if it somehow knew it was warning of a situation which had already become a lost cause--when he used his special key to open it at the top, so he could enter the motor-pool area. Starkey imagined Len Creighton watching him on a succession of monitors as he first picked out a jeep and then drove it across the desert floor of the sprawling test site and through a gate marked HIGH SECURITY ZONE NO ADMITTANCE WITHOUT SPECIAL CLEARANCE. The checkpoints looked like turnpike tollbooths. They were still manned, but the soldiers behind the yellowish glass were dead and rapidly mummifying in the dry desert heat. The booths were bulletproof, but they hadn't been germproof. Their glazed and sunken eyes stared vacantly at Starkey as he motored past, the only moving thing along the tangle of dirt roads among the Quonset huts and low cinderblock buildings.
He stopped outside a squat blockhouse with a sign reading ABSOLUTELY NO ADMITTANCE WITHOUT A-1-A CLEARANCE on the door. He used one key to get in, and another to summon the elevator. A guard, dead as a doornail and stiff as a poker, stared at him from the glass-encased security station to the left of the elevator doors. When the elevator arrived and the doors opened, Starkey stepped in quickly. He seemed to feel the gaze of the dead guard on him, a small weight of eyes like two dusty stones.
The elevator sank so rapidly his stomach turned over. A bell dinged softly when it came to a halt. The doors slid open, and the sweet odor of decay hit him like a soft slap. It wasn't too strong because the air purifiers were still working, but not even the purifiers could dispose of that smell completely. When a man has died, he wants you to know about it, Starkey thought.
There were almost a dozen bodies sprawled in front of the elevator. Starkey minced among them, not wanting to tread on a decaying, waxy hand or trip over an outstretched leg. That might make him scream, and he most definitely didn't want to do that. You didn't want to scream in a tomb because the sound of it might drive you mad, and that's exactly where he was: in a tomb. It looked like a well-financed scientific research project, but what it really was now was a tomb.
The elevator doors slid shut behind him; there was a hum as it began to go up automatically. It wouldn't come down again unless somebody else keyed it, Starkey knew; as soon as the installation's integrity had been breached, the computers had switched all the elevators to the general containment program. Why were these poor men and women lying here? Obviously they had been hoping the computers would fuck up the switch-over to the emergency procedures. Why not? It even had a certain logic. Everything else had fucked up.
Starkey walked down the corridor which led to the cafeteria, his heels clicking hollowly. Above, the fluorescents embedded in their long fixtures like inverted ice-cube trays threw a hard, shadowless light. There were more bodies. A man and a woman with their clothes off and holes in their heads. They screwed, Starkey thought, and then he shot her, and then he shot himself. Love among the viruses. The pistol, an army-issue .45, was still clutched in his hand. The tile floor was spotted with blood and gray stuff that looked like oatmeal. He felt a terrible and thankfully transient urge to bend down and touch the dead woman's breasts, to see if they were hard or flaccid.
Farther down the hall a man sat with his back propped against a closed door, a sign tied around his neck with a shoelace. His chin had fallen forward, obscuring what was written there. Starkey put his fingers under the man's chin and pushed his head back. As he did so, the man's eyeballs fell back into his head with a meaty little thud. The words on the sign had been written in red Magic Marker. NOW YOU KNOW IT WORKS, the sign said. ANY QUESTIONS?
Starkey let go of the man's chin. The head remained cocked at its stiff angle, the dark eye sockets staring raptly upward. Starkey stepped back. He was crying again. He suspected he was crying because he didn't have any questions.
The cafeteria doors were propped open. Outside them was a large cork bulletin board. There was to have been a league bowl-off on June 20, Starkey saw. The Grim Gutterballers vs. The First Strikers for the Project championship. Also, Anna Floss wanted a ride to Denver or Boulder on July 9. She would share driving and expenses. Also, Richard Betts wanted to give away some friendly pups, half collie and half St. Bernard. Also, there were weekly nondenominational religious services in the caf.
Starkey read every announcement on the bulletin board, and then he went inside.
The smell in here was worse--rancid food as well as dead bodies. Starkey looked around with dull horror.
Some of them seemed to be looking at him.
"Men--" Starkey said, and then choked. He had no idea what he had been about to say.
He walked slowly over to where Frank D. Bruce lay with his face in his soup. He looked down at Frank D. Bruce for several moments. Then he pulled Frank D. Bruce's head up by the hair. The soup-bowl came with him, still stuck on his face by soup which had long since congealed, and Starkey struck at it in horror, finally knocking it off. The bowl clunked to the floor, upside down. Most of the soup still clung to Frank D. Bruce's face like moldy jelly. Starkey produced his handkerchief and wiped off as much of it as he could. Frank D. Bruce's eyes appeared to be gummed shut by soup, but Starkey forbore to wipe the lids. He was afraid Frank D. Bruce's eyes would fall back into his skull, like the eyes of the man with the sign. He was even more afraid that the lids, freed of the glue which held them, might roll up like windowshades. He was mostly afraid of what the expression in Frank D. Bruce's eyes might be.
"Private Bruce," Starkey said softly, "at ease."
He put the handkerchief carefully over the face of Frank D. Bruce. It stuck there. Starkey turned and walked out of the cafeteria in long, even strides, as if on a parade ground.
Halfway back to the elevator he came to the man with the sign around his neck. Starkey sat down beside him, loosened the strap over the butt of his pistol, and put the barrel of the gun into his mouth.
When the shot came, it was muffled and undramatic. None of the corpses took the slightest notice. The air purifiers took care of the puff of smoke. In the bowels of Project Blue, there was silence. In the cafeteria, Starkey's handkerchief came unstuck from Private Frank D. Bruce's face and wafted to the floor. Frank D. Bruce did not seem to mind, but Len Creighton found himself looking into the monitor which showed Bruce more and more often, and wondering why in hell Billy couldn't have gotten the soup out of the man's eyebrows while he was at it. He was going to have to face the President of the United States soon, very soon, but the soup congealing in Frank D. Bruce's eyebrows worried him more. Much more.
CHAPTER 23
Randall Flagg, the dark man, strode south on US 51, listening to the nightsounds that pressed close on both sides of this narrow road that would take him sooner or later out of Idaho and into Nevada. From Nevada he might go anywhere. From New Orleans to Nogales, from Portland, Oregon, to Portland, Maine, it was his country, and none knew or loved it better. He knew where the roads went, and he walked them at night. Now, an hour before dawn, he was somewhere between Grasmere and Riddle, west of Twin Falls, still north of the Duck Valley Reservation that spreads across two states. And wasn't it fine?
He walked rapidly, rundown bootheels clocking against the paved surface of the road, and if car lights showed on the horizon he faded back and back, down over the soft shoulder to the high grass where the night bugs made their homes ... and the car would pass him, the driver perhaps feeling a slight chill as if he had driven through an air pocket, his sleeping wife and children stirring uneasily, as if all had been touched with a bad dream at the same instant.
He walked south, south on US 51, the worn heels of his sharp-toed cowboy boots clocking on the pavement; a tall man of no age in faded, pegged jeans and a denim jacket. His pockets were stuffed with fifty different kinds of conflicting literature--pamphlets for all seasons, rhetoric for all reasons. When this man handed you a tract you took it no matter what the subject: the dangers of atomic power plants, the role played by the International Jewish Cartel in the overthrow of friendly governments, the CIA-Contra-cocaine connection, the farm workers' unions, the Jehovah's Witnesses (If You Can Answer These Ten Questions "Yes," You Have Been SAVED!), the Blacks for Militant Equality, the Kode of the Klan. He had them all, and more, too. There was a button on each breast of his denim jacket. On the right, a yellow smile-face. On the left, a pig wearing a policeman's cap. The legend was written beneath in red letters which dripped to simulate blood: HOW'S YOUR PORK?
He moved on, not pausing, not slowing, but alive to the night. His eyes seemed almost frantic with the night's possibilities. There was a Boy Scout knapsack on his back, old and battered. There was a dark hilarity in his face, and perhaps in his heart, too, you would think--and you would be right. It was the face of a hatefully happy man, a face that radiated a horrible handsome warmth, a face to make waterglasses shatter in the hands of tired truck-stop waitresses, to make small children crash their trikes into board fences and then run wailing to their mommies with stake-shaped splinters sticking out of their knees. It was a face guaranteed to make barroom arguments over batting averages turn bloody.
He moved on south, somewhere on US 51 between Grasmere and Riddle, now closer to Nevada. Soon he would camp and sleep the day away, waking up as evening drew on. He would read as his supper cooked over a small, smokeless campfire, it didn't matter what: words from some battered and coverless paperback porno novel, or maybe Mein Kampf, or an R. Crumb comic book, or one of the baying reactionary position papers from the America Firsters or the Sons of the Patriots. When it came to the printed word, Flagg was an equal opportunity reader.
After supper he would commence walking again, walking south on this excellent two-lane highway cutting through this godforsaken wilderness, watching and smelling and listening as the climate grew more arid, strangling everything down to sagebrush and tumbleweed, watching as the mountains began to poke out of the earth like dinosaur spines. By dawn tomorrow or the day after that he would pass into Nevada, striking Owyhee first and then Mountain City, and in Mountain City there was a man named Christopher Bradenton who would see that he had a clean car and some clean papers and then the country would come alive in all its glorious possibilities, a body politic with its network of roads embedded in its skin like marvelous capillaries, ready to take him, the dark speck of foreign matter, anywhere or everywhere--heart, liver, lights, brain. He was a clot looking for a place to happen, a splinter of bone hunting a soft organ to puncture, a lonely lunatic cell looking for a mate--they would set up housekeeping and raise themselves a cozy little malignant tumor.
He hammered along, arms swinging by his sides. He was known, well known, along the highways in hiding that are traveled by the poor and the mad, by the professional revolutionaries and by those who have been taught to hate so well that their hate shows on their faces like harelips and they are unwanted except by others like them, who welcome them to cheap rooms with slogans and posters on the walls, to basements where lengths of sawed-off pipe are held in padded vises while they are stuffed with high explosives, to back rooms where lunatic plans are laid: to kill a Cabinet member, to kidnap the child of a visiting dignitary, or to break into a boardroom meeting of Standard Oil with grenades and machine guns and murder in the name of the people. He was known there, and even the maddest of them could only gaze upon his dark and grinning face at an oblique angle. The women he took to bed with him, even if they reduced intercourse to something as casual as getting a snack from the refrigerator, accepted him with a stiffening of the body, a turning away of countenance. They took him the way they might take a ram with golden eyes or a black dog--and when it was done they were cold, so cold, it seemed impossible they could ever be warm again. When he walked into a meeting the hysterical babble ceased--the backbiting, recriminations, accusations, the ideological rhetoric. For a moment there would be dead silence and they would start to turn to him and then turn away, as if he had come to them with some old and terrible engine of destruction cradled in his arms, something a thousand times worse than the plastic explosive made in the basement labs of renegade chemistry students or the black market arms obtained from some greedy army post supply sergeant. It seemed that he had come to them with a device gone rusty with blood and packed for centuries in the Cosmoline of screams but now ready again, carried to their meeting like some infernal gift, a birthday cake with nitroglycerine candles. And when the talk began again it would be rational and disciplined--as rational and disciplined as madmen can make it--and things would be agreed upon.
He rocked along, his feet easy in the boots, which were comfortably sprung in all the right places. His feet and these boots were old lovers. Christopher Bradenton in Mountain City knew him as Richard Fry. Bradenton was a conductor on one of the underground railway systems by which fugitives moved. Half a dozen different organizations, from the Weathermen to the Guevara Brigade, saw that Bradenton had money. He was a poet who sometimes taught Free University classes or traveled in the western states of Utah, Nevada, and Arizona, speaking to high school English classes, stunning middle-class boys and girls (he hoped) with the news that poetry was alive--narcoleptic, to be sure, but still possessed of a certain hideous vitality. He was in his late fif