dder, and if you weren't careful, first thing you knew you had to be changing your clothes. It wasn't like her to be dirty, and so she came out here to squat six or seven times a day, and at night she kept the chamberpot beside the bed. Molly's Jim told her once that she was like a dog that couldn't pass a fireplug without at least lifting one leg to salute it, and that had made her laugh until tears spouted from her eyes and streamed down her cheeks. Molly's Jim was an advertising executive in Chicago and getting along a right smart ... had been, anyway. She supposed he was gone with the rest of them. Molly too. Bless their hearts, they were with Jesus now.
The last year or so, Molly and Jim were about the only ones who came out to the place to see her anymore. The rest seemed to have forgot she was alive, but she could understand that. She had lived past her time. She was like a dinosaur which had no business still wearing its flesh over its bones, a thing whose proper place was in a museum (or a graveyard). She could understand them not wanting to come see her, but what she couldn't understand was why they didn't want to come back and see the land. There wasn't much left, no; just a matter of acres out of the original large freehold. It was still theirs, however; still their land. But black folks didn't seem to care so much about land anymore. There were, in fact, those that actually seemed ashamed of it. They had gone off to make their way in the cities, and most of them, like Jim, came along real well ... but how it made her heart ache, to think of all those black folks with their faces set away from the land!
Molly and Jim had wanted to put in a flushing toilet for her the year before last, and had been hurt when she refused. She tried to explain so they could understand, but all Molly had been able to say, over and over again was, "Mother Abagail, you are a hundred and six years old. How do you think I feel, knowing you are going out there to squat down some days when it's only ten degrees above zero? Don't you know that the shock of the cold could do your heart in?"
"When the Lord wants me, the Lord will take me," Abagail said, and she was knitting, and so of course they thought that was what she was looking at and couldn't see the way they rolled their eyes at each other.
Some things you couldn't let go of. It seemed like that was another thing the young people didn't know. Now, back in '82, when she had turned a hundred, Cathy and David had offered her a TV set and she had taken them up on that one. The TV was a marvelous machine for passing the time when you were by your onesome. But when Christopher and Susy came and said they wanted to get her on the city water, she had turned them down just as she had turned down Molly and Jim on their kind offer of a flushing toilet. They had argued that her dug well was shallow, and it could go dry if there was another summer like 1988, when the drought came. It was true, but she just went on saying no. They thought she had flipped her wig, of course, that she was taking coat after coat of senility the way a floor takes varnish, but she herself believed her mind was pretty nigh as good as it had ever been.
She hoisted herself off the privy's seat, dusted lime down through the hole, and slowly let herself out into the sunlight again. She kept her privy sweet, but they were dank old places no matter how sweet they smelled.
It was as if the voice of God had been whispering in her ear when Chris and Susy offered to see that she was put on the city water ... the voice of God even way back when Molly and Jim wanted to get her that china throne with the flush-lever on the side. God did speak to folks; hadn't He talked to Noah about the ark, telling him how many cubits long and how many deep and how many wide? Yes. And she believed He had spoken to her as well, not from a burning bush or out of a pillar of fire, but in a still, small voice that said: Abby, you are going to need your hand-pump. You enjoy your lectricity all you want, Abby, but you keep those oil-lamps of yours full and keep the wicks trimmed. You keep the cold-pantry just the way your mother kept it before you. And mind you don't let any of the young folks talk you into anything you know to be against My will, Abby. They are your kin, but I am your Father.
She paused in the middle of the yard, looking out at the sea of corn, broken only by the dirt road going north toward Duncan and Columbus. Three miles up from her house it went to tar. The corn was going to be fine this year, and it was such a shame that no one would be around to harvest it but the rooks. It was sad to think that the big red harvesting machines were going to stay in their barns this September, sad to think there would be no husking bees and barn dances. Sad to think that, for the first time in the last one hundred and eight years, she would not be here in Hemingford Home to see the time of the change as summer gave in to pagan, jocund autumn. She would love this summer all the more because it was to be her last--she felt that clearly. And she would not be laid to rest here but farther west, in a strange country. It was bitter.
She shuffled over to the tire swing and set it to moving. It was an old tractor tire that her brother Lucas had hung here in 1922. The rope had been changed many times between then and now, but never the tire. Now the canvas showed through in many places, and on the inside rim there was a deep depression where generations of young buttocks had set themselves down. Below the tire was a deep and dusty groove in the earth where the grass had long since given up trying to grow, and on the limb where the rope was tied, the bark had been rubbed away to show the branch's white bone. The rope creaked slowly and this time she spoke aloud.
"Please, my Lord, my Lord, not unless I have to, I'd have you take this cup from my lips if You can. I'm old and I'm scared and mostly I'd just like to lie right here on the home place. I'm ready to go right now if You want me. Thy will be done, my Lord, but Abb's one tired shufflin old black woman. Thy will be done."
No sound but the creak of the rope against the branch and the crows off in the corn. She put her old seamed forehead against the old seamed bark of the apple tree her father had planted so long ago and she wept bitterly.
That night she dreamed she was mounting the steps to the Grange Hall stage again, a young and pretty Abagail, three months quick with child, a dusky Ethiopian jewel in her white dress, holding her guitar by the neck, climbing, climbing into that stillness, her thoughts a millrace, yet holding above all to one thought: I am Abagail Freemantle Trotts, and I play well and I sing well. I do not know these things because anyone told me.
In the dream she turned slowly, facing those white faces turned up to her like moons, faced the hall so richly alight with its lamps and the mellow glow thrown back from the darkened, slightly steamed windows and the red velvet swags with their gold ropes.
She held firmly to that one thought and began to play "Rock of Ages." She played and her voice came out, not nervous and restrained, but exactly as it had come out when she had been practicing, rich and mellow, like the yellow lamplight itself, and she thought: I am going to win them. With the help of God I am going to win them over. Oh my people, if you are thirsty, will I not bring water from the rock? I will win them over, and I will make David proud of me and Mamma and Daddy proud of me, I will make myself proud of myself, I will bring music from the air and water from the rock--
And that was when she saw him for the first time. He was standing far back in the corner, behind all the seats, his arms folded across his chest. He was wearing jeans and a denim jacket with buttons on the pockets. He was wearing dusty black boots with rundown heels, boots that looked as if they had walked many a dark and dusty mile. His forehead was white as gaslight, his cheeks red with jolly blood, his eyes blazing blue diamond chips, sparkling with infernal good cheer, as if the Imp of Satan had taken over the job of Kris Kringle. A hot and fleering grin had pulled his lips back from his teeth into something close to a snarl. The teeth were white and sharp and neat, like the teeth of a weasel.
He raised his hands out from his body. Both of them were curled into fists, as tight and hard as knots on an apple tree. His grin remained, jolly and utterly hideous. Drops of blood began to fall from his fists.
The words dried up in her mind. Her fingers forgot how to play; there was a final discordant jangle and then silence.
God! God! she cried, but God had turned His face away.
Then Ben Conveigh was standing up, his face red and flaming, his small pig's eyes glittering. Nigger bitch! he shouted. What's that nigger bitch doing up on our stage? No nigger bitch ever brought music from the air! No nigger bitch ever brought water from the rock!
Answering cries of savage agreement. People surging forward. She saw her husband stand up and attempt to mount the stage. A fist hit him in the mouth, bowling him over backward.
Get those dirty coons in the back of the hall! Bill Arnold hollered, and somebody pushed Rebecca Freemantle into the wall. Someone else-- Chet Deacon, by the looks--wrapped one of the red velvet window curtains around Rebecca and then tied her in with one of the gold ropes. He was yelling: Looka here! Dressed coon! Dressed coon!
Others rushed over to where Chet Deacon was, and they all began to punch and pummel the struggling woman under the velvet drape.
Mamma! Abby screamed.
The guitar was plucked from her nerveless fingers and smashed to strips and strings on the edge of the stage.
She looked wildly for the dark man at the back of the hall, but his engine had been set in motion and was running sweet and hot; he had gone on to some other place.
Mamma! she screamed again, and then rough hands were hauling her from the stage, they were under her dress, pawing her, tweaking her, pinching her bottom. Her hand was pulled sharply by someone, yanking her arm in her socket. It was put against something hard and hot.
Ben Conveigh's voice in her ear: How do you like MY rock of ages, you nigger slut?
The room was whirling. She saw her father struggling to get at the limp form of her mother, and she saw a white hand holding a bottle come down on the back of a folding camp chair. There was a rattle and a smash, and then the jagged neck of the bottle, twinkling in the warm glow of all those lamps, was thrust into her father's face. She saw his staring, bulging eyes pop like grapes.
She screamed and the force of her cry seemed to break the room apart, to let in darkness, and she was Mother Abagail again, one hundred and eight years old, too old, my Lord, too old (but let Thy will be done), and she was walking in the corn, the mystic corn that was rooted shallow in the earth but wide, lost in the corn that was silver with moonglow and black with shadow; she could hear the summer nightwind rustling gently through it, she could smell its growing, wholly alive smell as she had smelled it all her long, long life (and she had thought many times that this was the plant closest to all life, the corn, and its smell was the smell of life itself, the start of life, oh she had married and buried three husbands, David Trotts, Henry Hardesty, and Nate Brooks, and she had had three men in bed, had welcomed them as a woman must welcome a man, by giving way before him, and there had always been the yearning pleasure, the thought Oh my God how I love to be sexy with my man and how I love him to be sexy with me when he gets me what he gets me what he shoots in me and sometimes at the instant of her climax she would think of the corn, the bland corn with its roots planted not deep but wide, she would think of flesh and then the corn, when it was all over and her husband lay beside her the sex smell would be in the room, the smell of the spunk the man had shot into her, the smell of the juices she made to smooth his way, and it was a smell like husked corn, mild and sweet, a goodish smell).
And yet she was afraid, ashamed of this very intimacy with soil and summer and growing things, because she was not alone. He was here with her, two rows to the right or left, trailing just behind or ranging just ahead. The dark man was here, his dusty boots digging into the meat of the soil and throwing it away in clouts, grinning in the night like a stormlamp.
Then he spoke, for the first time he spoke aloud, and she could see his moonshadow, tall and hunched and grotesque, falling into the row she was walking. His voice was like the night wind that begins to moan through the old and fleshless cornstalks in October, like the very rattling of those old white infertile cornstalks themselves as they seem to speak of their end. It was a soft voice. It was the voice of doom.
It said: I have your blood in my fists, old Mother. If you pray to God, pray He takes you before you ever hear my feet coming up your steps. It was not you who brought music from the air, not you who brought water from the rock, and your blood is in my fists.
Then she was awake, awake in the hour before dawn, and at first she thought she had peed the bed, but it was only a night sweat, heavy as May dew. Her thin body was shuddering helplessly, and every part of her ached for rest.
My Lord, my Lord, take this cup from my lips.
Her Lord did not answer. There was only the light knocking of the early morning wind at the windowpanes, which were loose and rattling and in need of fresh putty. At last she got up and poked up the fire in her old woodburning stove and put on the coffee.
She had a great deal to do in the next few days, because she was going to have company. Dreams or not, tired or not, she had never been one to slight company and she didn't intend to start now. But she would have to go very slowly or she would get forgetting things--she forgot a lot these days--and misplacing things until she ended up chasing her own tail.
The first thing was to get down to Addie Richardson's henhouse, and that was a goodish way, four or five miles. She found herself wondering if the Lord was going to send her an eagle to fly her those four miles, or send Elijah in his fiery chariot to give her a lift.
"Blasphemy," she told herself complacently. "The Lord provides strength, not taxicabs."
When her few dishes were washed, she put on her heavy shoes and took her cane. Even now she rarely used the cane, but today she would need it. Four miles going, four miles coming back. At sixteen she could have dashed one way and trotted the other, but sixteen was far behind her now.
She set off at eight o'clock in the morning, hoping to reach the Richardson farm by noon and sleep through the hottest part of the day. In the late afternoon she would kill her chickens and then come home in the gloaming. She wouldn't arrive until after dark, and that made her think of her dream of the night before, but that man was still far away. Her company was much closer.
She walked very slowly, even more slowly than she felt she had to, because even at eight-thirty the sun was fat and powerful. She didn't sweat much--there wasn't enough excess flesh on her bones to wring the sweat out of--but by the time she'd reached the Goodells' mailbox, she had to rest a bit. She sat in the shade of their pepper tree and ate a few fig bars. Not an eagle or a taxicab in sight, either. She cackled a little at that, got up, brushed the crumbs off her dress, and went on. Nope, no taxicabs. The Lord helped those that helped themselves. All the same, she could feel all of her joints tuning up; tonight there would be a concert.
She hunched more and more over her cane as she went, even though her wrists began to be a misery to her. Her brogans with the yellow rawhide lacings shuffled in the dust. The sun beat down on her, and as the time passed, her shadow got shorter and shorter. She saw more wild animals that morning than she had seen since the twenties: fox, coon, porcupine, fisher. Crows were everywhere, squalling and cawing and circling in the sky. If she had been around to hear Stu Redman and Glen Bateman discussing the capricious--it had seemed capricious to them, anyhow--way the superflu had taken some animals while leaving others alone, she would have laughed. It had taken the domestic animals and left the wild ones alone, it was as simple as that. A few species of domestics had been spared, but as a general rule, the plague had taken man and man's best friends. It had taken the dogs but left the wolves, because the wolves were wild and the dogs weren't.
A red-hot sparkplug of pain had settled deep into each of her hips, behind each knee, in her ankles, in the wrists she was using to support herself on the cane. She walked and she talked to her God, sometimes silently, sometimes aloud, unaware of any difference between the two. And she fell to thinking about her own past again. 1902 had been the best year, all right. After that it seemed that time sped up, the pages of some big fat calendar ruffling over and over, hardly ever pausing. A body's life went by so fast ... how was it a body could get so tired of living it?
She'd had five children by Davy Trotts; one of them, Maybelle, had choked to death on a piece of apple in the back yard of the Old Place. Abby had been hanging clothes and she had turned around to see the baby lying on her back, clawing at her throat and turning purple. She had gotten the chunk of apple out at last, but by then little Maybelle had been still and cold, the only girl she had ever borne and the only one of her many children to die an accidental death.
Now she sat in the shade of an elm just inside the Nauglers' fence, and two hundred yards up the road she could see where dirt gave way to tar--this was the place where Freemantle Road became Polk County Road. The heat of the day made a shimmer over the tar, and at the horizon was quicksilver, shining like water in a dream. On a hot day you always saw that quicksilver just at the end of where your eye could see, but you never quite caught up to it. Or at least she never had.
David had died in 1913, of an influenza not so very different from this one, which had wiped out so many. In 1916, when she had been thirty-four, she had married Henry Hardesty, a black farmer from Wheeler County up north. He had come to court her special. Henry was a widower with seven children, all but two of them grown up and gone away. He was seven years older than Abagail. He had given her two boys before his tractor turned turtle on him and killed him in the late summer of 1925.
A year after that she had married Nate Brooks, and people had talked --oh yes, people talk, how people do love to talk, sometimes it seemed that was all they had to do. Nate had been Henry Hardesty's hired man, and he had been a good husband to her. Not as sweet as David, perhaps, and surely not as tenacious as Henry, but a good man who had pretty much done as she had told him. When a woman began to get a trifle along in years, it was a comfort to know who had the upper hand.
Her six boys had produced a crop of thirty-two grandchildren for her. Her thirty-two g