Page 29 of Eyes of Prey


  The lights at right angles turned yellow, and Lucas took his foot off the brake, ready to let out the clutch. Still undecided. Left or right?

  “Flowers?” She was smiling, her face completely unaware as she took the box, showing no hint of apprehension. Bekker’s body glanced up and down the hall, then drew the pistol and pointed it at her forehead.

  “Inside,” he snapped, as her eyes widened. “Keep your mouth shut, or I swear to Christ I’ll blow your fuckin’ brains out,” Bekker’s body said, his mind applauding. Bekker’s body shoved her back with the left hand, holding the pistol with the right. She clutched the box in both hands, her mouth opening, and as she stepped back, he thought for an instant that she was about to scream. “Shut up,” he snarled. Saliva bubbled at his lips. “Shut the fuck up.”

  He was inside then, pulling the door closed behind himself, the gun no more than a foot from her forehead. “Back up, sit on the couch.”

  She dropped the box and he noticed the muscles in her arms. He wouldn’t want to fight her. She backed up until her legs touched the couch, and she half stumbled and sat down. “Don’t hurt me,” she stuttered. Her face was pale as paper.

  “I won’t, if you pay attention,” Bekker’s body said. His mind still floated, directing traffic. “I just need a place to hide for an hour or so.”

  “You’re not with Carlo?” Cassie asked, shrinking back into the couch.

  The question caught him, but the drug covered for him. His body was disassociated now, worked by his mind like a puppet on strings, his hands numb. “Who?”

  “You’re not with Carlo?”

  “I’m not with anybody, I’m just trying to hide until the cops get off the street,” Bekker said. His body was stiff as marble, betraying nothing, but his mind was working feverishly: They knew about Carlo. Christ, were they watching him? They must be. Bekker gestured with the tip of the barrel. “Lie down on the floor. On your stomach. Put your hands behind you.”

  “Don’t hurt me,” she said again. She slipped off the couch onto her knees, her eyes large. She was getting old, Bekker’s mind thought: she had tiny wrinkles around her eyes and on her forehead.

  “I’m not going to hurt you,” his body said woodenly. He’d thought about this, what to say. He wanted her reassured, he wanted her to go along. “I’m going to tape your hands behind you. If I were going to hurt you, if I were going to rape you, I wouldn’t do that . . . . I wouldn’t put your hands under you . . . .”

  She wanted to trust him. She turned, looking over her shoulder, and lay down. “Please . . .”

  “The gun will be pointing at your head,” he said. “I tried your neighbor first, but she wasn’t home—so I know I could get away with a shot, if I had to . . . . I don’t want to risk it, but I will if you try to fight. Do you understand what I’m saying?”

  “Yes.”

  “Then put your face down on the floor, straight down, and cross your hands. I’ll be taping with one hand. The gun’s still pointing at you.”

  She did it: the marvelous power of the gun. She rolled, her hands behind her, and he awkwardly turned a wrap of the two-inch plastic packaging tape around her wrists, then another, then a third.

  “Don’t move,” he said. He didn’t say it viciously, but his tongue was thick, slurring the words. That was more frightening than if he’d been screaming at her . . . . He did her ankles, more quickly now that her hands weren’t a threat, but still staying clear of a possible kick. When they were tight, he slipped the gun in his coat pocket and went back to her hands, added more tape, tighter now.

  “You’re hurting me,” she said.

  He grunted. No point in talking anymore. He had her. He walked around the couch, put one knee across her back to hold her flat, and slapped a palm-sized strip of tape across her mouth. She fought it, but he held her by the hair and wrapped more tape, tangling her hair across her face, plastering it to the sides of her head.

  “That should do it,” his body said, more to his mind than to her. The bottom part of her face had been encapsulated, leaving her nose and eyes uncovered. He put the tape in his pocket, grabbed her under the arms and dragged her to the bedroom. When she started struggling, he backhanded her across the nose, hard. “Don’t do that.”

  In the bedroom he laid her facedown on the bed and taped her feet to the endboard. He wrapped another length around her neck, once, twice, and led it to the headboard.

  “I’m going in the front room to watch television, see if the cops have figured me out,” he said. “I want you quiet as a mouse; you’re not hurt yet, but you will be if you cause me any trouble.”

  He closed the bedroom door and turned on the television. Now the tricky part.

  Cassie tried to fold her body against the tape. If she could get enough pressure, she might pull free . . . . If she could get up on her feet, even hobble, there were scissors in the bureau, and she might be able to cut the tape. And if her hands were free, she could push the bureau in front of the door and hold him off—throw something through the window, if necessary, scream for help . . . .

  But when she tried to fold herself, the tape around her neck threatened to strangle her. She pulled as long as she dared, then released the tension. The tape on her mouth kept her from gasping for the needed air and she strained to get it through her nose, her vision going red for a moment. No good.

  She lay still for a moment, calculating. Nobody coming over? No. If Davenport dropped in, like he had the day before . . . Fat chance. She’d have to do it on her own. She tried rolling, rocking back and forth. She was at it for a minute, two minutes, got over on her back, then another half-turn. Was the tape ripping? She couldn’t see. She pulled her arm in close to her body and tried to roll again . . . .

  Bekker left Cassie’s apartment door unlocked and padded down the hall to the stairs. On the way, he wrapped his right hand in a handkerchief. Druze was three floors down and the cops knew something. Bekker didn’t know how they knew, but they did, and they’d be watching.

  A camera in the corridor? Unlikely. If the cops were secretly watching Druze, they wouldn’t do anything that might call attention to themselves. His mind equivocated: the woman had seen him, so he’d have to do her. But he hadn’t exposed himself to any watching cops yet, and he might be about to do that. His mind worked at it, and finally told his body to go ahead. To risk it. There was no other way, if the cops were this close to Druze. He opened the door and peeked out: the third-floor corridor was empty. He pulled up his rain hood, hurried to Druze’s door and, about to knock, reconsidered. If the apartment was bugged . . .

  He scratched on the door. Heard movement inside. Scratched again. A moment later, the door opened a crack and Druze peered out. Bekker put a finger over his lips for silence and gestured for Druze to step into the hallway. Druze, frowning, followed, looking up and down the hall. Bekker, finger back on his lips, pointed to the door of the stairwell.

  “I can’t explain it all right now, but we got a problem,” he whispered when they were on the stairs. “I talked to Davenport and he said they had a suspect but no evidence. I asked how they were going to catch him, and he said, ‘We’ve got to catch him in the act.’ And the way he said it, it sounded like a pun he was making to himself . . . .”

  “Aw, shit,” Druze said, worried. “What happened to your hand?”

  “She bit me. Anyway, I thought I’d come over here, early enough to catch the girl, like we’d talked about . . . .”

  “We hadn’t talked about it for sure . . .” Druze said.

  “Something had to be done and I couldn’t risk calling you on the phone,” Bekker said. “You may be bugged.”

  “We don’t even know it’s me.”

  “We do now. I went up to her apartment, stuck a gun in her face and taped her up. I was planning to wait until you were at the theater, whack her on the head—you know, do it so they couldn’t separate that injury from the injuries in a fall—and then pitch her right out the window. You’d have an ali
bi, and nobody knows about me.”

  “What happened?”

  “The first thing she said was, ‘You’re not with Carlo?’ ” The honesty was there in his voice.

  “Aw, God damn it,” Druze said, running his fingers through his hair. “And you think the apartment may be bugged?”

  “I don’t know. But if this woman goes out the window while you’re at the theater, that’s one more piece of evidence on your side . . . . They’ll know you’re not involved, anyway . . . .”

  There was something wrong with the reasoning, but Druze, shocked, couldn’t figure it. And Bekker said, “Come on up to her apartment. You scare her. We need to find out what the cops know . . . .”

  “God, I kind of like her,” Druze said.

  “She doesn’t like you,” Bekker answered harshly. “She thinks you’re the killer.”

  • • •

  Bekker led the way quickly up the stairs, feeling the gun bang against his legs. All clear. In the apartment, he gestured at the bedroom and Druze walked back. Cassie was still facedown on the bed, but she had been struggling against the tape, which had been twisted between her legs and the bed.

  “Turn her over, so she can see you,” Bekker said, moving to Druze’s right side. Druze stooped and grabbed Cassie’s near shoulder and hip, to roll her over.

  His mind was clear as ice, his body moving with the precision of an industrial robot. Bekker pulled the pistol from his pocket—his mind watched it in slow motion, guiding each small movement of the drawing gesture—with the handkerchief-wrapped hand.

  In a single move, Bekker’s body put the muzzle an inch from Druze’s temple.

  Druze sensed the movement, started to turn his head, his mouth opening.

  Bekker pulled the trigger.

  Dropped the gun.

  Recoiled from the blast . . .

  The blast, confined in the small bedroom, was terrific, stunning. Bekker jerked back as Cassie arched up, twisting frantically at the tape.

  Druze simply collapsed, the gun disappearing beneath him.

  Cassie’s sweater was speckled with Druze’s blood and small amorphous shreds of bone and brain tissue.

  Bekker’s robot-controlled body touched Druze’s. Dead. No question of it. The drugs sang in his blood and he went away. He sighed, and came back: Jesus. He’d been gone. How long? He glanced at his watch. Four-twenty. Cassie was staring at him from the bed, her hands working frantically behind her back. He hadn’t been gone long, a few minutes at most. He listened. Anybody coming? Not so far. No knocks, no sound of running feet . . .

  He looked at Druze on the floor. He’d have to leave him like that, there might be some kind of blood pattern from the shot or something. He couldn’t do the eyes, of course. He worried about that, but there was nothing to be done. If Druze was going to take the blame . . .

  Cassie.

  She’d stopped fighting the tape, but her back was arched, her head turning, trying to see him. He had to hurry: he still had to stop at Druze’s apartment, to leave the photos. He started into the kitchen, when a door slammed down the hall, and he stopped. Listened.

  Was that a movement? Out in the hall. He strained, listening. The hall was carpeted, would muffle steps. He waited a minute, then a few more seconds.

  He couldn’t wait longer. He still had to visit Druze’s apartment. He patted his chest, confirming that the pictures were there. He’d cut the eyes out . . . .

  He’d have to be careful. If the cops had bugged Druze’s apartment and realized he was gone, but hadn’t left the building, they might be on the way. Maybe he shouldn’t try it. If he were caught in the apartment . . . that didn’t bear thinking about.

  Bekker, the PCP pounding in his blood, went into the kitchen and got a bread knife, the sharpest he could find.

  And there again . . . Movement? Somebody in the hall. He froze, listened . . . . No. He had to move.

  He didn’t do it well, and he didn’t do it quickly, but he did it: he cut Cassie’s throat from ear to ear, and sat with her, holding her green eyes open with his fingers, as she died.

  CHAPTER

  27

  Lucas spent ten minutes at the funeral home with a cheerful, round-faced mortician who wanted to talk golf.

  “Damn, Lucas, I already been out twice,” he said. He had a putter and was tapping orange balls across a plush carpet toward a coffee cup lying on its side. “It was a little muddy, but what the hell. In another two weeks, it’ll be every morning . . . .”

  “I need to know about the eyes . . . .”

  “So don’t talk to me about golf,” the mortician complained. He putted the last ball, and it bounced off the rim of the cup. “Nobody wants to talk golf. You know how hard it is to talk golf when you’re in the funeral business?”

  “I can guess,” Lucas said dryly.

  “So what exactly do you want to know?” the mortician asked, propping the putter against an easy chair.

  They were in a small apartment above the funeral home, where the night man stayed. A lot of people die at night, the mortician said, and if you’re not there, they might call somebody else. To the average, unknowledgeable member of the general public, one funeral home was as good as another.

  “What about the eyes? Do you leave them in or take them out, or what?”

  “Why’d we take them out?” the cheerful mortician asked, relishing the conversation. Lucas was uncomfortable, and he could see it.

  “I don’t know, I just . . . I don’t know. So you leave them in?”

  “Sure.”

  “Do you sew the eyelids shut or glue them shut or anything?”

  “No, no, once they’re shut, they stay that way.”

  “How about the viewings? Is there always somebody around?”

  “Well, there’s always somebody around, but not necessarily right there. We go by judgment. If we see a street person going into the viewing room, we’d go with him, of course—we don’t want to get any rings stolen, or whatever. But if the guy looks straight, if he’s a member of the family, then we pretty much let him go. We might check every couple of minutes, but a lot of people, when they’re saying good-bye, don’t like funeral-home people standing around staring at them. They feel like they’re being rushed, you know, like when a salesman stands right next to you in a department store. But it’s judgment. One time this whole family warned us about a particular guy, one of the grandfathers. The deceased had this gold plate, probably worth a couple hundred, and this old guy was a thief. So we hung on him. He was kneeling there praying, and he kept looking at us and then praying some more . . . . He must’ve prayed for half an hour. The family members said that was the longest prayer of his life, by about twenty-nine minutes.”

  “But theoretically, if somebody wanted to get in and touch a body, or look at its eyes . . . he could do it. If you didn’t have some warning.”

  The funeral home man shrugged. “No theory about it— sure he could. No problem. But what can you do to a dead man in two minutes?”

  Lucas kept a handset stashed under the seat, and Del caught him halfway back into the loop.

  “Something’s happened with Druze,” Del said. “He’s gone. The surveillance guys swear there was no way he got out of the building, but he doesn’t answer his phone and he’s late for rehearsal.”

  “What do you think? Check his apartment?”

  “I don’t know. I thought we’d wait a while longer . . . . We’ve been calling every two or three minutes, so it’s not like he’s on the can.”

  “Keep watching. I’ll come on up.”

  He didn’t think of her, not right away. The traffic was heavy on Minnehaha Avenue headed north and he was stuck for three blocks behind a dump truck that resisted all of his attempts to pass. Cursing, he finally got around it, and got the finger from a scowling, long-haired truck driver. He hit three red lights in a row, and then she popped up in his mind. Same building. A chill ran through him, and he picked up the handset and called through to Del.


  “I have a friend in that building. She’s an actress with the same theater Druze is at,” he said. “Would you call her?”

  “Sure . . .”

  Lucas could see the apartments along I-94, six blocks from the theater, when Del called back. “No answer.”

  “Shit.” Lucas glanced at his watch. She should be at the theater. “Could you call the theater, ask for her?”

  He was on Riverside, hurrying now, weaving through traffic. He jumped a light, scared a drunk and a student, saw the apartment building ahead.

  “Lucas, we called, and she hasn’t shown up.”

  “Ah, Jesus, listen, I gotta check on her. We’ve been talking about the case . . . .”

  “I’ll meet you out in front. I’ve talked to the manager a couple of times.”

  Del was walking across Riverside when Lucas arrived. Lucas dumped the car and met him on the sidewalk.

  “Anything?”

  “No. I called the manager, she should be . . . There she is.”

  The manager was holding the lobby door, and Del introduced Lucas. “This is not official,” Lucas said. “She’s a personal friend of mine, she’s had some serious problems, and she hasn’t shown up at work. We’re worried.”

  “Okay. Since you’re the police.”

  They rode up to the sixth floor in silence, listening to the elevator rattle against the sides of the shaft, watching the numbers click on the counter. There was nobody in the corridor outside Cassie’s apartment. Lucas knocked on her door. Nothing. Knocked again.

  “Open it,” he said to the manager, stepping back. She fitted her key to the lock and pushed the door open. Del shoved past Lucas. An odor filled the small front room . . . .

  “You stay right fuckin’ here, Lucas,” Del shouted. He grabbed him by the collar and pulled him out of the doorway, and held the woman back with the other hand. “You stay right fuckin’ here . . . .”