She had never discovered the words to use with that boy because there were none to find. He was not her future, as the children on the playground had not been. Then she went to the academy on Rixon, where Erwin Glastrip called on her to answer a question, and a galaxy of words welled up and flowed into the classroom between them. They spent hours in his office talking about fuel systems and thruster efficiency, their words weaving around each other and sometimes coinciding, both of them struck by the beauty of a new insight.
But away from the science, Ankti could find no words for him. No; she found a thousand words, but none of them cut true. She could afford no layer of debris to cloud her meaning, so she did not say hello when they passed in shops and cafés--she didn't even look at him. The words so crucial would not be hurried.
Ankti closed the last panel in her systems check and pushed against the shuttle wall to return to the console. Her fingers hooked empty air as her palm made contact with the top of the seat. She recovered quickly, bending her hand into a claw to catch the webbing before she grazed past it, then pulled herself in more awkwardly than she'd done in years.
What just happened?
Ankti eased back out of the webbing and pushed herself to the wall behind her chair; it took her a fraction longer than it should have. But she might be imagining that, now; she might be thinking too hard, seeing ghosts where there were none.
Slowly, to avoid imparting thrust to herself, she let go and counted to ten.
She opened her eyes and saw the wall receding. She was halfway to the console and picking up speed. This startled her so badly she lost seconds of reaction time; she impacted the top of the chair with the small of her back, propelling her into a backward flip that sent her legs arcing over the console. She grabbed the seat's front webbing with both hands and jerked her legs in before she could touch the droplet; the movement spun her back over the chair. She hung there awkwardly, short of breath and disoriented and feeling a relief so primal it was almost happiness.
Something had changed. Something that affected the speed with which she moved through the cabin. Just a little; just enough to put her a few centimeters farther than she'd expected to be.
Her engines were off, and when she got herself strapped in, the system told her she was traveling at the same 125 thousand kilometers per hour she had been traveling since the last burn. No acceleration to explain what just happened. No malfunctioning systems.
Only the growing droplet on her console.
Other women in her year had fancied their young instructor; she knew of two who'd made a pass. He said no to both. In the restroom between classes, one of them decided Erwin Glastrip must not like women. No, said the other, he's maintaining professional distance. Ankti had known the truth: they had spoken before they were ready, filling the connection with junk, closing off opportunity because they were unwilling to wait.
Ankti would wait. There was no rush; she had two more years at the academy, six hundred and twenty tomorrows. Time enough to find the perfect words.
Ankti reached a slow hand toward the droplet. Her fingers began to tingle, and the ganatite in her bracelet grew warm. Vindicated relief flooded her belly. She would have blown herself to kingdom come if she'd tried to wipe this droplet away.
Her shuttle had picked up a Kleisterman node.
It wasn't unheard of. There were six recorded cases. The first was how they'd discovered the exotic matter. Forty years later, Johannes Kleisterman succeeded in using a captive infant node to send a bit of information across spacetime at speeds faster than light. Then two bits, ten bits, twenty.
But outside Kleisterman’s controlled conditions, the nodes were unstable; four cargo vessels were blown to bits before engineers figured out how to reliably contain older nodes in the wild. The fifth and sixth ships survived, and despite the nodes’ relative rarity, the reduction protocol became required academy fare. Ankti had learned it in her fourth year. Again, that sense of vindication: she was probably the only of her classmates to have taken the training seriously, and now it was going to save her life.
Yet she made no move toward the reductor unit. Her mind sifted instead through lectures past, old textbooks, scrawled inkboard equations. The great physicist had installed his third-generation decoder at the academy, and Ankti had gone to view the tests almost every day, watching as the operator on duty parsed out the bits coming in. She had been there when the first message from the future arrived. Kleisterman had sussed it out a year later; his past self recognized it immediately.
If she had an encoder, she could send a message to her past self.
The idea was born of the pain she was feeling, maudlin and without technical merit. She knew she could build an encoder; but the enc-dec pair was a matched resonance. She'd have to have phase-tuned a decoder back then and carried the matching encoder with her ever since. There was no point in thinking about how to cannibalize her ship to build one.
Think of it as closure. As saying goodbye. I still have time for that.
One by one, the days had passed, and then her four years at the academy on Rixon had ended.
"Here," Berend said as he hugged her. "Your graduation present." It was a smoothly woven band of silver and ganatite. It fit her wrist perfectly.
"It's beautiful," she said. It was also clever: somehow Berend had talked a jeweler into using ganatite, a metal known primarily for its use in Kleisterman’s decoders and shuttle node reductors.
“I thought you’d like it.” Berend grinned. “Who knows, maybe you’ll start picking up messages now. Read what it says."
Ankti brought the bracelet close to her face. Venture it, in tiny woven strands of Ersetian gold. She looked over at Erwin Glastrip in his formal robes, momentarily alone by the punch table.
"You're graduating," Berend said, following her gaze. "What have you got to lose?"
The webbing bit into Ankti and her neck ached with the effort of keeping her head aligned with her body. Several wall panels had come unlatched and were standing at attention. Before her, clamped to the half-dismembered console with padded cargo ties, lay her graduation bracelet, mangled, stuck through with a grid of shuttle entrails. One longer wire snaked into the node; a second lay pinched between insulated pliers in her hand.
It had taken her longer than she'd wanted, longer than she had. Each second had led to another, each step a step closer to making it work. She'd lost track of time; then she'd deliberately ignored its passage. The node was too large to reduct now.
It frightened her less than she expected. Erwin Glastrip's marriage had put her endless supply of time to the guillotine and wiped clean her window to the world. She had misunderstood, deeply, vastly, terribly. There were no pellucid syllables to wait for. The message happened between the words, and there was never a moment of silence.
She had been speaking to him all the time. To everyone. And every second had screamed I don't want you.
She would have reached out to someone, now she knew what waiting had cost her. But she wanted to reach out to him. She wanted to know: could he have loved her? She wanted to erase the failure that would ride her back for the rest of her life, no matter what she did.
If her past self understood the bits of her hardcoded message, maybe she wouldn't be here to die. If not... well, her choice was made. The Ankti here, now, was gone either way.
Holding the pliers between her teeth, she clawed her way grip by grip to the PDU access hatch. The wire sparked when she touched it to the bus. Her message was on its way.
Ankti looked over at Erwin Glastrip in his formal robes, momentarily alone by the punch table.
"You're graduating," Berend said, following her gaze. "What have you got to lose?"
A searing pain made her cry out.
"You okay?"
She nodded and pulled at her new bracelet; it must have caught a hair. She lifted her arm to look. Her wrist was peppered with dots. Was she allergic to ganatite? Silver? Gold? She stared at the dots, trying
to discern which metal strands they matched. Then she saw it: the dots formed two lines, one high, one low.
The Kleisterman code for the word NOW.
Ankti brought her arm closer and studied the bracelet intently. The fine metal strands had melted and fused at the places where her wrist was burned. This wasn’t pulled hairs or an allergic reaction; this was a message. A message sent, not through the academy decoder, but through her own bracelet. A bracelet she'd had for less than five minutes.
A message from the future, then. Sent by herself to this precise moment. And the message she had sent herself was NOW.
She looked at Erwin Glastrip, then at Berend, terror bright in her eyes.
NOW.
She pulled air deep into her lungs and held it there, feeling the staccato beat of her heart in her temples. Anything she said to him would be meaningless debris. She had to wait. The words might come on her first cargo run between Rixon and Erseti, encouraged by solitude and weightlessness.
NOW.
Her future self was telling her not to wait. To say the wrong words. To ignore her understanding of the world and act in a way destined to fail.
NOW.
Her future self was telling her everything she understood was wrong. The air rushed out of Ankti's lungs and she reached out to touch her brother.
"Ankti?" Berend frowned and put an arm on her waist. "Are you all right?"
"Yes," she said. "No." Tears ran down the sides of her nose and pooled between her lips. She wiped them away.
"Do you want to sit down?"
She looked at Erwin Glastrip. He was no longer alone at the punch table.
"No." She shook her head. "I need to leave. I need to think."
Berend's hand pulled gently on her waist. "Don't you think you've done enough thinking? Venture it, Ankti. Venture it."
"I need to think," she said, more loudly than she intended. Several people turned to look at her. Ankti pulled away from her brother and ran out the door.
The air in the lobby was cooler, but she was beyond help. She vomited in the bathroom stall, heaving long after her stomach had emptied.
The wait for words was a lie. A lie her mind had been telling her heart since childhood. She had long decided he did not want her. Because if he had, he would have reached out to her.
And what if he had decided the same?
What if, all her life, people had been waiting for her to reach out?
Ankti rinsed her mouth and washed her face, then stared at herself in the bathroom mirror. NOW. Her future self had sent her the only word that mattered.
He was still in conversation when she walked up behind him. She stopped awkwardly, unsure whether to tap him on the shoulder or clear her throat. Then he turned, and her heart flipped over.
"Ankti," he said, and she heard surprise lift his voice.
A hundred tiny movements played across his face, resolving into a smile she had seen many times in his office. Now she saw what it meant: he was glad to see her. He always had been.
For the first time since she had met him, Ankti let herself smile back. Then she took a deep breath and spoke. “Hi. Erwin. I just… I wanted to say hello.”
© 2013 Grayson Bray Morris
Grayson Bray Morris was born and raised in eastern North Carolina. Since 2002 she has lived in the Netherlands with her husband and three children. She earned a BS in mathematics in 1989, then went on to study the technical side of computer graphics before leaving academia to program assembly on parallel digital signal processors. For the last ten years she has worked as a freelance translator. Visit her on the web at www.graysonbraymorris.com.
How did you come up with the story? What stages did you go through in the process of getting the idea down?
I wanted to try a ‘harder’ science fiction story for my next entry into the Writers of the Future contest, where I was having only middling luck. So I started with ‘spaceship, out in space, nuts and bolts and PHYSICS, something happens!’ and let my mind wander while I folded laundry, showered, made dinner, and so on. The first draft incorporated a lot of relativistic ideas, and drew heavily on closed timelike curves, Wheeler’s “it from bit” idea, and Everett’s ‘many universes’ interpretation of quantum mechanics. So a lot of the initial draft was me explaining all that to myself and the reader in the guise of a classroom conversation. Yawn, eh? I also wasn’t happy with the original ending, which involved the actual physical transfer of Ankti’s atoms back in time—something I don’t believe in. But the contest deadline loomed, so I sent it in (it didn’t win). Then I got feedback from other writers and redrafted it into essentially its current form.
How did your background in computer programming prepare you for tackling the concepts in the story? How has this background impacted upon you as a writer?
Well, I think my mathematics and physics background was more useful for this particular story. I still did a lot of reading and researching for the first version, but the basic concepts of relativity and so on were familiar to me, so I didn’t have to bend my brain around those first.
In general, my scientific background has made me very, very wary of writing ‘hard’ science fiction. I can’t finish stories that get existing science wrong, and the science of the universe is so broad and so complex that I don’t for a moment believe I’d get it all right. Fortunately, I am much more naturally a ‘social’ sf reader and writer; nuts-and-bolts stories tend to make me yawn, despite my love for science.
Despite my original intentions, I wouldn’t call this story hard sf, in fact, because I don’t think meaningful communication from future to past is possible. So, in that sense, it’s a fantasy story.
“The Message Between the Words” deals with the themes of regret, of choices, and the courage to make tough and timely decisions, among others. What other themes interest you personally in your writing or reading?
I’m a big fan of Ursula Le Guin and Octavia Butler, both of whom write (wrote, sadly, in Butler’s case) about diversity, tolerance, and prejudice. Those subjects fascinate me. You can’t grow up in the American South in the 1960s and 70s without being indelibly branded by those things. When I was younger I loved the “nondescript farm boy is actually heir to the throne” type of story, but as I’ve aged, I’ve become much more intrigued by the “ordinary people in extraordinary circumstances” story—such as Lilith Iyapo in Butler’s Xenogenesis trilogy, and Genly Ai in Le Guin’s Left Hand of Darkness. That said, I also have a very fond spot for Ender Wiggin.
Why write? Surely there are so many other, far easier, things you could be doing?
I don’t think easy has ever been one of my aspirations. Writing exhilarates me. I didn’t grow up planning to be a writer, but I have always written little stories and snippets. It was always just a side thing I did now and then, and I’d think, maybe after the kids leave home and I’m retired, I’ll see what I can make of this writing thing. After my eldest daughter died from brain cancer at 16, I reevaluated that timeline.
What are you working on at the moment? Where can our readers find more Grayson Bray Morris?
I’m working on my first novel, which is scheduled to come out at the end of 2013. It’s set in a very recessional America, with a protagonist who’s searching for the meaning of life amid recurring outbreaks of some strange infection.
Other short stories of mine are available in anthologies, which you can find on my Amazon author pages (yes, I have two, vexingly, because not every editor has used the triple-whammy version of my name). There’s also a story you can read online for free in the Daily Science Fiction archives. I blog extremely sporadically at midnightkisa.blogspot.com, and my author website is www.graysonbraymorris.com.
I wanted to try a ‘harder’ science fiction story for my next entry into the Writers of the Future contest, where I was having only middling luck. So I started with ‘spaceship, out in space, nuts and bolts and PHYSICS, something happens!’ and let my mind wander while I folded laundry, showered,
made dinner, and so on. The first draft incorporated a lot of relativistic ideas, and drew heavily on closed timelike curves, Wheeler’s “it from bit” idea, and Everett’s ‘many universes’ interpretation of quantum mechanics. So a lot of the initial draft was me explaining all that to myself and the reader in the guise of a classroom conversation. Yawn, eh? I also wasn’t happy with the original ending, which involved the actual physical transfer of Ankti’s atoms back in time—something I don’t believe in. But the contest deadline loomed, so I sent it in (it didn’t win). Then I got feedback from other writers and redrafted it into essentially its current form.