“I saw her once last summer in Southampton. She was buying a pair of tennis shoes. I wondered what a woman her age, she must be eighty, wanted with tennis shoes. She looked like … some very old goddess.”
“She is. That’s why Ann Hopkins got away with cold-blooded murder. Her mother-in-law is a Rhode Island goddess. And a saint.”
Ann Hopkins had lifted her veil and was now whispering to the priest, who, servilely entranced, was brushing a Gibson against his starved blue lips.
“But it could have been an accident. If one goes by the papers. As I remember, they’d just come home from a dinner party in Watch Hill and gone to bed in separate rooms. Weren’t there supposed to have been a recent series of burglaries thereabouts?—and she kept a shotgun by her bed, and suddenly in the dark her bedroom door opened and she grabbed the shotgun and shot at what she thought was a prowler. Only it was her husband. David Hopkins. With a hole through his head.”
“That’s what she said. That’s what her lawyer said. That’s what the police said. And that’s what the papers said … even the Times. But that isn’t what happened.” And Ina, inhaling like a skin diver, began: “Once upon a time a jazzy little carrot-top killer rolled into town from Wheeling or Logan—somewhere in West Virginia. She was eighteen, she’d been brought up in some country-slum way, and she had already been married and divorced; or she said she’d been married a month or two to a marine and divorced him when he disappeared (keep that in mind: it’s an important clue). Her name was Ann Cutler, and she looked rather like a malicious Betty Grable. She worked as a call girl for a pimp who was a bell captain at the Waldorf; and she saved her money and took voice lessons and dance lessons and ended up as the favorite lay of one of Frankie Costello’s shysters, and he always took her to El Morocco. It was during the war—1943—and Elmer’s was always full of gangsters and military brass. But one night an ordinary young marine showed up there; except that he wasn’t ordinary: his father was one of the stuffiest men in the East—and richest. David had sweetness and great good looks, but he was just like old Mr. Hopkins really—an anal-oriented Episcopalian. Stingy. Sober. Not at all café society. But there he was at Elmer’s, a soldier on leave, horny, and a bit stoned. One of Winchell’s stooges was there, and he recognized the Hopkins boy; he bought David a drink, and said he could fix it up for him with any one of the girls he saw, just pick one, and David, poor sod, said the redhead with the button nose and big tits was okay by him. So the Winchell stooge sends her a note, and at dawn little David finds himself writhing inside the grip of an expert Cleopatra’s clutch.
“I’m sure it was David’s first experience with anything less primitive than a belly rub with his prep-school roomie. He went bonkers, not that one can blame him; I know some very grown-up Mr. Cool Balls who’ve gone bonkers over Ann Hopkins. She was clever with David; she knew she’d hooked a biggie, even if he was only a kid, so she quit what she was doing and got a job in lingerie at Saks; she never pressed for anything, refused any gift fancier than a handbag, and all the while he was in the service she wrote him every day, little letters cozy and innocent as a baby’s layette. In fact, she was knocked up; and it was his kid; but she didn’t tell him a thing until he next came home on leave and found his girl four months pregnant. Now, here is where she showed that certain venomous élan that separates truly dangerous serpents from mere chicken snakes: she told him she didn’t want to marry him. Wouldn’t marry him under any circumstances because she had no desire to lead a Hopkins life; she had neither the background nor innate ability to cope with it, and she was sure neither his family nor friends would ever accept her. She said all she would ever ask would be a modest amount of child support. David protested, but of course he was relieved, even though he would still have to go to his father with the story—David had no money of his own.
“It was then that Ann made her smartest move; she had been doing her homework, and she knew everything there was to know about David’s parents; so she said: ‘David, there’s just one thing I’d like. I want to meet your family. I never had much family of my own, and I’d like my child to have some occasional contact with his grandparents. They might like that, too.’ C’est très joli, très diabolique, non? And it worked. Not that Mr. Hopkins was fooled. Right from the start he said the girl was a tramp, and she would never see a nickel of his; but Hilda Hopkins fell for it—she believed that gorgeous hair and those blue malarkey eyes, the whole poor-little-match-girl pitch Ann was tossing her. And as David was the oldest son, and she was in a hurry for a grandchild, she did exactly what Ann had gambled on: she persuaded David to marry her, and her husband to, if not condone it, at least not forbid it. And for some while it seemed as if Mrs. Hopkins had been very wise: each year she was rewarded with another grandchild until there were three, two girls and a boy; and Ann’s social pickup was incredibly quick—she crashed right through, not bothering to observe any speed limits. She certainly grasped the essentials, I’ll say that. She learned to ride and became the horsiest horse-hag in Newport. She studied French and had a French butler and campaigned for the Best Dressed List by lunching with Eleanor Lambert and inviting her for weekends. She learned about furniture and fabrics from Sister Parish and Billy Baldwin; and little Henry Geldzahler was pleased to come to tea (Tea! Ann Cutler! My God!) and to talk to her about modern paintings.
“But the deciding element in her success, leaving aside the fact she’d married a great Newport name, was the duchess. Ann realized something that only the cleverest social climbers ever do. If you want to ride swiftly and safely from the depths to the surface, the surest way is to single out a shark and attach yourself to it like a pilot fish. This is as true in Keokuk, where one massages, say, the local Mrs. Ford Dealer, as it is in Detroit, where you may as well try for Mrs. Ford herself—or in Paris or Rome. But why should Ann Hopkins, being by marriage a Hopkins and the daughter-in-law of the Hilda Hopkins, need the duchess? Because she needed the blessing of someone with presumably high standards, someone with international impact whose acceptance of her would silence the laughing hyenas. And who better than the duchess? As for the duchess, she has high tolerance for the flattery of rich ladies-in-waiting, the kind who always pick up the check; I wonder if the duchess has ever picked up a check. Not that it matters. She gives good value. She’s one of that unusual female breed who are able to have a genuine friendship with another woman. Certainly she was a marvelous friend to Ann Hopkins. Of course, she wasn’t taken in by Ann—after all, the duchess is too much of a con artist not to twig another one; but the idea amused her of taking this cool-eyed cardplayer and lacquering her with a little real style, launching her on the circuit, and the young Mrs. Hopkins became quite notorious—though without the style. The father of the second Hopkins girl was Fon Portago, or so everyone says, and God knows she does look very espagnole; however that may be, Ann Hopkins was definitely racing her motor in the Grand Prix manner.
“One summer she and David took a house at Cap Ferrat (she was trying to worm her way in with Uncle Willie: she even learned to play first-class bridge; but Uncle Willie said that while she was a woman he might enjoy writing about, she was not someone he trusted to have at his card table), and from Nice to Monte she was known by every male past puberty as Madame Marmalade—her favorite petit déjeuner being hot cock buttered with Dundee’s best. Although I’m told it’s actually strawberry jam she prefers. I don’t think David guessed the full measure of these fandangos, but there was no doubt he was miserable, and after a while he fell in with the very girl he ought to have married originally—his second cousin, Mary Kendall, no beauty but a sensible, attractive girl who had always been in love with him. She was engaged to Tommy Bedford but broke it off when David asked her to marry him. If he could get a divorce. And he could; all it would cost him, according to Ann, was five million dollars tax-free. David still had no glue of his own, and when he took this proposition to his father, Mr. Hopkins said never! and said he’d always warned that Ann was what she was,
bad baggage, but David hadn’t listened, so now that was his burden, and as long as the father lived she would never get a subway token. After this, David hired a detective and within six months had enough evidence, including Polaroids of her being screwed front and back by a couple of jockeys in Saratoga, to have her jailed, much less divorce her. But when David confronted her, Ann laughed and told him his father would never allow him to take such filth into court. She was right. It was interesting, because when discussing the matter, Mr. Hopkins told David that, under the circumstances, he wouldn’t object to the son killing the wife, then keeping his mouth shut, but certainly David couldn’t divorce her and supply the press with that kind of manure.
“It was at this point that David’s detective had an inspiration; an unfortunate one, because if it had never come about, David might still be alive. However, the detective had an idea: he searched out the Cutler homestead in West Virginia—or was it Kentucky?—and interviewed relatives who had never heard from her after she’d gone to New York, had never known her in her grand incarnation as Mrs. David Hopkins but simply as Mrs. Billy Joe Barnes, the wife of a hillbilly jarhead. The detective got a copy of the marriage certificate from the local courthouse, and after that he tracked down this Billy Joe Barnes, found him working as an airplane mechanic in San Diego, and persuaded him to sign an affidavit saying he had married one Ann Cutler, never divorced her, not remarried, that he simply had returned from Okinawa to find she had disappeared, but as far as he knew she was still Mrs. Billy Joe Barnes. Indeed she was!—even the cleverest criminal minds have a basic stupidity. And when David presented her with the information and said to her: ‘Now we’ll have no more of those round-figure ultimatums, since we’re not legally married,’ surely it was then she decided to kill him: a decision made by her genes, the inescapable white-trash slut inside her, even though she knew the Hopkinses would arrange a respectable ‘divorce’ and provide a very good allowance; but she also knew if she murdered David, and got away with it, she and her children would eventually receive his inheritance, something that wouldn’t happen if he married Mary Kendall and had a second family.
“So she pretended to acquiesce and told David there was no point arguing as he obviously had her by the snatch, but would he continue to live with her for a month while she settled her affairs? He agreed, idiot; and immediately she began preparing the legend of the prowler—twice she called police, claiming a prowler was on the grounds; soon she had the servants and most of the neighbors convinced that prowlers were everywhere in the vicinity, and actually, Nini Wolcott’s house was broken into, presumably by a burglar, but now even Nini admits that Ann must have done it. As you may recall, if you followed the case, the Hopkinses went to a party at the Wolcott’s the night it happened. A Labor Day dinner dance with about fifty guests; I was there, and I sat next to David at dinner. He seemed very relaxed, full of smiles, I suppose because he thought he’d soon be rid of the bitch and married to his cousin Mary; but Ann was wearing a pale green dress, and she seemed almost green with tension—she chattered on like a lunatic chimpanzee about prowlers and burglars and how she always slept now with a shotgun by her bedside. According to the Times, David and Ann left the Wolcotts’ a bit after midnight, and when they reached home, where the servants were on holiday and the children staying with their grandparents in Bar Harbor, they retired to separate bedrooms. Ann’s story was, and is, that she went straight to sleep but was wakened within half an hour by the noise of her bedroom door opening: she saw a shadowy figure—the prowler! She grabbed her shotgun and in the dark fired away, emptying both barrels. Then she turned on the lights and, oh, horror of horrors, discovered David sprawled in the hallway nicely cooled. But that isn’t where the cops found him. Because that isn’t where or how he was killed. The police found the body inside a glassed-in shower, naked. The water was still running, and the shower door was shattered with bullets.”
“In other words—” I began.
“In other words”—Lady Ina picked up but waited until a captain, supervised by a perspiring M. Soulé, had finished ladling out the soufflé Furstenberg—“none of Ann’s story was true. God knows what she expected people to believe; but she just, after they reached home and David had stripped to take a shower, followed him there with a gun and shot him through the shower door. Perhaps she intended to say the prowler had stolen her shotgun and killed him. In that case, why didn’t she call a doctor, call the police? Instead, she telephoned her lawyer. Yes. And he called the police. But not until after he had called the Hopkinses in Bar Harbor.”
The priest was swilling another Gibson; Ann Hopkins, head bent, was still whispering at him confessionally. Her waxy fingers, unpainted and unadorned except for a stark gold wedding band, nibbled at her breast as though she were reading rosary beads.
“But if the police knew the truth—”
“Of course they knew.”
“Then I don’t see how she got away with it. It’s not conceivable.”
“I told you,” Ina said tartly, “she got away with it because Hilda Hopkins wanted her to. It was the children: tragic enough to have lost their father, what purpose could it serve to see the mother convicted of murder? Hilda Hopkins, and old Mr. Hopkins, too, wanted Ann to go scot-free; and the Hopkinses, within their terrain, have the power to brainwash cops, reweave minds, move corpses from shower stalls to hallways; the power to control inquests—David’s death was declared an accident at an inquest that lasted less than a day.” She looked across at Ann Hopkins and her companion—the latter, his clerical brow scarlet with a two-cocktail flush, not listening now to the imploring murmur of his patroness but staring rather glassy-gaga at Mrs. Kennedy, as if any moment he might run amok and ask her to autograph a menu. “Hilda’s behavior has been extraordinary. Flawless. One would never suspect she wasn’t truly the affectionate, grieving protector of a bereaved and very legitimate widow. She never gives a dinner party without inviting her. The one thing I wonder is what everyone wonders—when they’re alone, just the two of them, what do they talk about?” Ina selected from her salad a leaf of Bibb lettuce, pinned it to a fork, studied it through her black spectacles. “There is at least one respect in which the rich, the really very rich, are different from … other people. They understand vegetables. Other people—well, anyone can manage roast beef, a great steak, lobsters. But have you ever noticed how, in the homes of the very rich, at the Wrightsmans’ or Dillons’, at Bunny’s and Babe’s, they always serve only the most beautiful vegetables, and the greatest variety? The greenest petits pois, infinitesimal carrots, corn so baby-kerneled and tender it seems almost unborn, lima beans tinier than mice eyes, and the young asparagus! the limestone lettuce! the raw red mushrooms! zucchini …” Lady Ina was feeling her champagne.
MRS. MATTHAU AND MRS. COOPER lingered over café filtre. “I know,” mused Mrs. Matthau, who was analyzing the wife of a midnight-TV clown/hero, “Jane is pushy: all those telephone calls—Christ, she could dial Answer Prayer and talk an hour. But she’s bright, she’s fast on the draw, and when you think what she has to put up with. This last episode she told me about: hair-raising. Well, Bobby had a week off from the show—he was so exhausted he told Jane he wanted just to stay home, spend the whole week slopping around in his pajamas, and Jane was ecstatic; she bought hundreds of magazines and books and new LP’s and every kind of goody from Maison Glass. Oh, it was going to be a lovely week. Just Jane and Bobby sleeping and screwing and having baked potatoes with caviar for breakfast. But after one day he evaporated. Didn’t come home one night or call. It wasn’t the first time, Jesus be, but Jane was out of her mind. Still, she couldn’t report it to the police; what a sensation that would be. Another day passed, and not a word. Jane hadn’t slept for forty-eight hours. Around three in the morning the phone rang. Bobby. Smashed. She said: ‘My God, Bobby, where are you?’ He said he was in Miami, and she said, losing her temper now, how the fuck did you get in Miami, and he said, oh, he’d gone to the airport and taken a pl
ane, and she said what the fuck for, and he said just because he felt like being alone. Jane said: ‘And are you alone?’ Bobby, you know what a sadist he is behind that huckleberry grin, said: ‘No. There’s someone lying right here. She’d like to speak to you.’ And on comes this scared little giggling peroxide voice: ‘Really, is this really Mrs. Baxter, hee hee? I thought Bobby was making a funny, hee hee. We just heard on the radio how it was snowing there in New York—I mean, you ought to be down here with us where it’s ninety degrees!’ Jane said, very chiseled: ‘I’m afraid I’m much too ill to travel.’ And peroxide, all fluttery distress: ‘Oh, gee, I’m sorry to hear that. What’s the matter, honey?’ Jane said: ‘I’ve got a double dose of syph and the old clap-clap, all courtesy of that great comic, my husband, Bobby Baxter—and if you don’t want the same, I suggest you get the hell out of there.’ And she hung up.”
Mrs. Cooper was amused, though not very; puzzled, rather.
“How can any woman tolerate that? I’d divorce him.”
“Of course you would. But then, you’ve got the two things Jane hasn’t.”
“Ah? ”
“One: dough. And two: identity.”
LADY INA WAS ORDERING ANOTHER bottle of Cristal. “Why not?” she asked, defiantly replying to my concerned expression. “Easy up, Jonesy. You won’t have to carry me piggyback. I just feel like it: shattering the day into golden pieces.” Now, I thought, she’s going to tell me what she wants, but doesn’t want to tell me. But no, not yet. Instead: “Would you care to hear a truly vile story? Really vomitous? Then look to your left. That sow sitting next to Betsy Whitney.”
She was somewhat porcine, a swollen muscular baby with a freckled Bahamas-burnt face and squinty-mean eyes; she looked as if she wore tweed brassieres and played a lot of golf.
“The governor’s wife?”