Act Without Words I
A mime for one player
Desert. Dazzling light.
The man is flung backwards on stage from right wing. He falls, gets up immediately, dusts himself, turns aside, reflects.
Whistle from right wing.
He reflects, goes out right.
Immediately flung back on stage he falls, gets up immediately, dusts himself, turns aside, reflects.
Whistle from left wing.
He reflects, goes out left.
Immediately flung back on stage he falls, gets up immediately, dusts himself, turns aside, reflects.
Whistle from left wing.
He reflects, goes towards left wing, hesitates, thinks better of it, halts, turns aside, reflects.
A little tree descends from flies, lands. It has a single bough some three yards from ground and at its summit a meagre tuft of palms casting at its foot a circle of shadow.
He continues to reflect.
Whistle from above.
He turns, sees tree, reflects, goes to it, sits down in its shadow, looks at his hands.
A pair of tailor’s scissors descends from flies, comes to rest before tree, a yard from ground.
He continues to look at his hands.
Whistle from above.
He looks up, sees scissors, takes them and starts to trim his nails.
The palms close like a parasol, the shadow disappears.
He drops scissors, reflects.
A tiny carafe, to which is attached a huge label inscribed WATER, descends from flies, comes to rest some three yards from ground.
He continues to reflect.
Whistle from above.
He looks up, sees carafe, reflects, gets up, goes and stands under it, tries in vain to reach it, renounces, turns aside, reflects.
A big cube descends from flies, lands.
He continues to reflect.
Whistle from above.
He turns, sees cube, looks at it, at carafe, reflects, goes to cube, takes it up, carries it over and sets it down under carafe, tests its stability, gets up on it, tries in vain to reach carafe, renounces, gets down, carries cube back to its place, turns aside, reflects.
A second smaller cube descends from flies, lands.
He continues to reflect.
Whistle from above.
He turns, sees second cube, looks at it, at carafe, goes to second cube, takes it up, carries it over and sets it down under carafe, tests its stability, gets up on it, tries in vain to reach carafe, renounces, gets down, takes up second cube to carry it back to its place, hesitates, thinks better of it, sets it down, goes to big cube, takes it up, carries it over and puts it on small one, tests their stability, gets up on them, the cubes collapse, he falls, gets up immediately, brushes himself, reflects.
He takes up small cube, puts it on big one, tests their stability, gets up on them and is about to reach carafe when it is pulled up a little way and comes to rest beyond his reach.
He gets down, reflects, carries cubes back to their place, one by one, turns aside, reflects.
A third still smaller cube descends from flies, lands.
He continues to reflect.
Whistle from above.
He turns, sees third cube, looks at it, reflects, turns aside, reflects.
The third cube is pulled up and disappears in flies.
Beside carafe a rope descends from flies, with knots to facilitate ascent.
He continues to reflect.
Whistle from above.
He turns, sees rope, reflects, goes to it, climbs up it and is about to reach carafe when rope is let out and deposits him back on ground.
He reflects, looks around for scissors, sees them, goes and picks them up, returns to rope and starts to cut it with scissors.
The rope is pulled up, lifts him off ground, he hangs on, succeeds in cutting rope, falls back on ground, drops scissors, gets up again immediately, brushes himself, reflects.
The rope is pulled up quickly and disappears in flies.
With length of rope in his possession he makes a lasso with which he tries to lasso the carafe.
The carafe is pulled up quickly and disappears in flies.
He turns aside, reflects.
He goes with lasso in his hand to tree, looks at bough, turns and looks at cubes, looks again at bough, drops lasso, goes to cubes, takes up small one, carries it over and sets it down under bough, goes back for big one, takes it up and carries it over under bough, makes to put it on small one, hesitates, thinks better of it, sets it down, takes up small one and puts it on big one, tests their stability, turns aside and stoops to pick up lasso.
The bough folds down against trunk.
He straightens up with lasso in his hand, turns and sees what has happened.
He drops lasso, turns aside, reflects.
He carries back cubes to their place, one by one, goes back for lasso, carries it over to the cubes and lays it in a neat coil on small one.
He turns aside, reflects.
Whistle from right wing.
He reflects, goes out right.
Immediately flung back on stage he falls, gets up immediately, brushes himself, turns aside, reflects.
Whistle from left wing.
He does not move.
He looks at his hands, looks round for scissors, sees them, goes and picks them up, starts to trim his nails, stops, reflects, runs his finger along blade of scissors, goes and lays them on small cube, turns aside, opens his collar, frees his neck and fingers it.
The small cube is pulled up and disappears in flies, carrying away rope and scissors.
He turns to take scissors, sees what has happened.
He turns aside, reflects.
He goes and sits down on big cube.
The big cube is pulled from under him. He falls. The big cube is pulled up and disappears in flies.
He remains lying on his side, his face towards auditorium, staring before him.
The carafe descends from flies and comes to rest a few feet from his body.
He does not move.
Whistle from above.
He does not move.
The carafe descends further, dangles and plays about his face.
He does not move.
The carafe is pulled up and disappears in flies.
The bough returns to horizontal, the palms open, the shadow returns.
Whistle from above.
He does not move.
The tree is pulled up and disappears in flies.
He looks at his hands.
Curtain
Act Without Words II
A mime for two players
NOTE
This mime should be played on a low and narrow platform at back of stage, violently lit in its entire length, the rest of the stage being in darkness. Frieze effect.
A is slow, awkward (gags dressing and undressing), absent. B brisk, rapid, precise. The two actions therefore, though B has more to do than A, should have approximately the same duration.
ARGUMENT
Beside each other on ground, two yards from right wing, two sacks, A’s and B’s, A’s being to right (as seen from auditorium) of B’s, i.e. nearer right wing. On ground beside sack B a little pile of clothes (C) neatly folded (coat and trousers surmounted by boots and hat).
Enter goad right, strictly horizontal. The point stops a foot short of sack A. Pause. The point draws back, pauses, darts forward into sack, withdraws, recoils to a foot short of sack. Pause. The sack does not move. The point draws back again, a little further than before, pauses, darts forward again into sack, withdraws, recoils to a foot short of sack. Pause. The sack moves. Exit goad.
A, wearing shirt, crawls out of sack, halts, broods, prays, broods, gets to his feet, broods, takes a little bottle of pills from his shirt pocket, broods, swallows a pill, puts bottle back, broods, goes to clothes, broods, puts on clothes, broods, takes a large partly eaten carrot from coat pocket, bites off a piece, chews an ins
tant, spits it out with disgust, puts carrot back, broods, picks up two sacks, carries them bowed and staggering halfway to left wing, sets them down, broods, takes off clothes (except shirt), lets them fall in an untidy heap, broods, takes another pill, broods, kneels, prays, crawls into sack and lies still, sack A being now to left of sack B.
Pause.
Enter goad right on wheeled support (one wheel). The point stops a foot short of sack B. Pause. The point draws back, pauses, darts forward into sack, withdraws, recoils to a foot short of sack. Pause. The sack moves. Exit goad.
B, wearing shirt, crawls out of sack, gets to his feet, takes from shirt pocket and consults a large watch, puts watch back, does exercises, consults watch, takes a tooth brush from shirt pocket and brushes teeth vigorously, puts brush back, rubs scalp vigorously, takes a comb from shirt pocket and combs hair, puts comb back, consults watch, goes to clothes, puts them on, consults watch, takes a brush from coat pocket and brushes clothes vigorously, brushes hair vigorously, puts brush back, takes a little mirror from coat pocket and inspects appearance, puts mirror back, takes carrot from coat pocket, bites off a piece, chews and swallows with appetite, puts carrot back, consults watch, takes a map from coat pocket and consults it, puts map back, consults watch, takes a compass from coat pocket and consults it, puts compass back, consults watch, picks up two sacks and carries them bowed and staggering to two yards short of left wing, sets them down, consults watch, takes off clothes (except shirt), folds them in a neat pile, consults watch, does exercises, consults watch, rubs scalp, combs hair, brushes teeth, consults and winds watch, crawls into sack and lies still, sack B being now to left of sack A as originally.
Pause.
Enter goad right on wheeled support (two wheels). The point stops a foot short of sack A. Pause. The point draws back, pauses, darts forward into sack, withdraws, recoils to a foot short of sack. Pause. The sack does not move. The point draws back again, a little further than before, pauses, darts forward again into sack, withdraws, recoils to a foot short of sack. Pause. The sack moves. Exit goad.
A crawls out of sack, halts, broods, prays.
Curtain
Samuel Beckett, Krapp's Last Tape and Other Dramatic Pieces
(Series: # )
Thank you for reading books on BookFrom.Net Share this book with friends