“The audiences came in sufficient numbers, and were warm in their applause, particularly when we played The Lyons Mail. It was another of the dual roles in which Sir John delighted, and so did I, because it gave me a new chance to double. If Roly had been looking for it, he would have found the seed of his Jekyll and Hyde play here, for it was a play in which, as the good Leserques, Sir John was all nobility and candour, and then, seconds later, lurched on the stage as the drunken murderer Dubosc, chewing a straw and playing with a knobbed cudgel. There was one moment in that play that never failed to chill me: it was when Dubosc had killed the driver of the mail coach, and leaned over the body, rifling the pockets; as he did it, Sir John whistled the ‘Marseillaise’ through his teeth, not loudly, but with such terrible high spirits that it summoned up, in a few seconds, a world of heartless, demonic criminality. But even I, enchanted as I was, could understand that this sort of thing, in this form, could not last long on the stage that Noel Coward had made his own. It was acting of a high order, but it was out of time. It still had magic here in Canada, not because the people were unsophisticated (on the whole they were as acute as English audiences in the provinces) but because, in a way I cannot explain, it was speaking to a core of loneliness and deprivation in these Canadians of which they were only faintly aware. I think it was loneliness, not just for England, because so many of these people on the prairies were not of English origin, but for some faraway and long-lost Europe. The Canadians knew themselves to be strangers in their own land, without being at home anywhere else.
“So, night by night, Canada relinquished its hold on us, and day by day we became weary, not perhaps of one another, but of our colleagues’ unvarying heavy overcoats and too familiar pieces of luggage; what had been the romance of long hops going West—striking the set, seeing the trucks loaded at the theatre and unloaded onto the train, climbing aboard dead tired at three o’clock in the morning, and finding berths in the dimmed, heavily curtained sleeping-car—grew to be tedious. Another kind of excitement, the excitement of going home, possessed us, and although we were much too professional a company to get out of hand, we played with a special gloss during our final two weeks in Montreal. Then aboard ship, a farewell telegram to Sir John and Milady from Mr Mackenzie King (who seemed to be a great friend of the theatre, though outwardly a most untheatrical man), and off to England by the first sailing after the ice was out of the harbour.
“I had changed substantially during the tour. I was learning to dress like Sir John, which was eccentric enough in a young man, but at least not vulgar in style. I was beginning to speak like him, and as is common with beginners, I was overdoing it. I was losing, ever so little, my strong sense that every man’s hand was against me, and my hand against every man. I had encountered my native land again, and was reconciled to all of it except Deptford. We passed through Deptford during the latter part of our tour, on a hop between Windsor and London: I found out from the conductor of the train that we would stop to take on water for the engine there, and that the pause would be short, but sufficient for my purpose; as we chugged past the gravel pit beside the railway line I was poised on the steps at the back of the train, and as we pulled in to the station, so small and so familiar, I swung down onto the platform and surveyed all that was to be seen of the village.
“I could look down most of the length of our main street. I recognized a few buildings and saw the spires of the five churches—Baptist, Methodist, Presbyterian, Anglican, and Catholic—among the leafless trees. Solemnly, I spat. Then I went behind the train to the siding where, so many years ago, Willard had imprisoned me in Abdullah, and there I spat again. Spitting is not a ceremonious action, but I crowded it with loathing, and when I climbed back on the train I felt immeasurably better. I had not settled any scores, or altered my feelings, but I had done something of importance. Nobody knew it, but Paul Dempster had visited his childhood home. I have never returned.
“Back to England, and another long period of hand-to-mouth life for me. Sir John wanted a rest, and Milady had the long trial of waiting for her eyes to be ready for an operation—they called it ‘ripening’ in cases of cataracts then—and the operation itself, which was successful in that it made it possible for her to see with thick, disfiguring lenses that were a humiliation for a woman who still thought of herself as a leading actress. Macgregor decided to retire, which was reasonable but made a gap in the organization on which Sir John depended. Holroyd was a thoroughgoing pro, and could get a good job anywhere, and I think he saw farther than either Sir John or Milady, because he went to Stratford-on-Avon and stayed at the Memorial Theatre until he too retired. Nothing came of the Jekyll and Hyde play, though I know the Tresizes tinkered with the scenario for years, as an amusement. But they were comfortably off for money—rich, by some standards—and they could settle down happily in their suburban home, which had a big garden, and amuse themselves with the antiques that gave them so much delight. I visited them there often, because they kept a kind interest in me, and helped me as much as they were able. But their influence in the theatre was not great; indeed, a recommendation from them took on a queer look in the hands of a young man, because to so many of the important employers of actors in the London theatre in the mid-thirties they belonged to a remote past.
“Indeed, they never appeared at the head of a company again. Sir John had one splendid appearance in a play by a writer who had been a great figure in the theatre before and just after the First World War, but his time, too, had passed; his play suffered greatly from his own illness and some justifiable but prolonged caprice on the part of the star players. Sir John was very special in that play, and he was given fine notices by the press, but nothing could conceal the fact that he was not the undoubted star, but ‘distinguished support in a role which could not have been realized with the same certainty of touch and golden splendour of personality by any other actor of our time’—so James Agate said, and everybody agreed.
“There was one very bad day toward the end of his life which, I know, opened the way for his death. In the autumn of 1937, when people were thinking of more immediately pressing things, some theatre people were thinking that the centenary of the birth of Henry Irving should not pass unnoticed. They arranged an all-star matinee, in which tribute to the great actor should be paid, and as many as possible of the great theatre folk of the day should appear in scenes selected from the famous plays of his repertoire. It should be given at his old theatre, the Lyceum, as near as possible to his birthday, which was February 6 in the following year.
“Have you ever had anything to do with such an affair? The idea is so splendid, the sentiment so admirable, that it is disillusioning to discover what a weight of tedious and seemingly unnecessary diplomacy must go into its arrangement. Getting the stars to say with certainty that they will appear is only the beginning of it; marshalling the necessary stage-settings, arranging rehearsals, and publicizing the performance, without ruinously disproportionate expense, is the bulk of the work, and I understand that an excellent committee did it with exemplary patience. But inevitably there were muddles, and in the first enthusiasm many more people were asked to appear than could possibly have been crowded on any stage, even if the matinee had been allowed to go on for six or seven hours.
“Quite reasonably, one of the first people to be asked for his services was Sir John, because he was the last actor of first-rate importance still living who had been trained under Irving. He agreed that he would be present, but then, prompted by God knows what evil spirit of vanity, he began to make conditions: he would appear, and he would speak a tribute to Irving if the Poet Laureate would write one. The committee demurred, and the Poet Laureate was not approached. So Sir John, with the bit between his teeth, approached the Poet Laureate himself, and the Poet Laureate said he would have to think about it. He thought for six weeks, and then, in response to another letter from Sir John, said he didn’t see his way clear to doing it.
“Sir John communicat
ed this news to the committee, who had meanwhile gone on with other plans, and they did not reply because, I suppose, they were up to their eyes in complicated arrangements which they had to carry through in the spare time of their busy lives. Sir John, meanwhile, urged an ancient poet of his acquaintance, who had been a very minor figure in the literary world before the First World War, to write the poetic tribute. The ancient poet, whose name was Urban Frawley, thought a villanelle would do nicely. Sir John thought something more stately was called for; his passion for playing the literary Meddlesome Mattie was aroused, and he and the ancient poet had many a happy hour, wrangling about the form the tribute should take. There was also the great question about what Sir John should wear, when delivering it. He finally decided on some robes he had worn not less than twenty-five years earlier, in a play by Maeterlinck; like everything else in his wardrobe it had been carefully stored, and when Holroyd had been summoned from Stratford to find it, it was in good condition, and needed only pressing and some loving care to make it very handsome. This valet work became my job, and in all I made three journeys to Richmond, where the Tresizes lived, to attend to it. Everything seemed to be going splendidly, and only I worried about the fact that nothing had been heard from the committee for a long time.
“There was less than a week to go before the matinee when at last I persuaded Sir John that something must be done to make sure that he had been included in the programme. This was tactless, and he gave me a polite dressing-down for supposing that when Irving was being honoured, his colleagues would be so remiss as to forget Irving’s unquestioned successor. I was not so confident, because since the tour I had mingled a little with theatre people, and had learned that there were other pretenders to Irving’s crown, and that Sir Johnston Forbes-Robertson and Sir Frank Benson had been spoken of in this regard, and Benson was still living. I took my scolding meekly, and went right on urging him not to leave things to chance. So, rather in the spirit of the Master of Ballantrae giving orders to the pirates, he telephoned the secretary of the committee, and talked, not to him, but to his anonymous assistant.
“Sir John told him he was calling simply to say that he would be on hand for the matinee, as he had been invited to do some months before; that he would declaim the tribute to Irving which had been specially written by that favoured child of the Muses, Urban Frawley; that he would not arrive at the theatre until half past four, and he would arrive in costume, as he knew the backstage resources of the theatre would be crowded, and nothing was further from his mind than to create any difficulty by requiring the star dressing-room. All of this was delivered in the jocular but imperative mode that was his rehearsal speciality, with much ‘eh’ and ‘quonk’ to make it sound friendly. The secretary’s secretary apparently gave satisfactory replies, because when Sir John had finished his call he looked at me slyly, as if I were a silly lad who didn’t understand how such things were done.
“It was agreed that I should drive him to the theatre, because he might want assistance in arranging his robes, and although he had an old and trusted chauffeur, the man had no skill as a dresser. So, with lots of time to spare, I helped him into the back seat in his heavy outfit of velvet and fur, climbed into the driver’s place, and off we went. It was one of those extremely class-conscious old limousines; Sir John, in the back, sat on fine whipcord, and I, in front, sat on leather that was as cold as death; we were separated by a heavy glass partition, but from time to time he spoke to me through the speaking tube, and his mood was triumphal.
“Dear old man! He was going to pay tribute to Irving, and there was nobody else in the world who could do it with a better right, or more reverent affection. It was a glory-day for him, and I was anxious that nothing should go wrong.
“As it did, of course. We pulled up at the stage door of the Lyceum, and I went in and told the attendant that Sir John had arrived. He wasn’t one of your proper old stage doormen, but a young fellow who took himself very seriously, and had a sheaf of papers naming the people he was authorized to admit. No Sir John Tresize was on the list. He showed it to me, in support of his downright refusal. I protested. He stuck his head out of the door and looked at our limousine, and made off through the passage that led to the stage, and I stuck close to him. He approached an elegant figure whom I knew to be one of the most eminent of the younger actor-knights and hissed ‘There’s an old geezer outside dressed as Nero who says he’s to appear; will you speak to him, sir?’ I intervened; ‘It’s Sir John Tresize,’ I said, ‘and it was arranged that he was to speak an Epilogue—a tribute to Irving.’ The eminent actor-knight went rather pale under his make-up (he was rigged out as Hamlet) and asked for details, which I supplied. The eminent actor-knight cursed with brilliant invention for a few seconds, and beckoned me to the corridor. I went, but not before I was able to identify the sounds that were coming from the stage as a passage from The Lyons Mail; the rhythm, the tune of what I heard was all wrong, too colloquial, too matter-of-fact.
“We made our way back to the stage door, and the eminent actor-knight darted across the pavement, leapt into the limousine beside Sir John, and began to talk to him urgently. I would have given a great deal to hear what was said, but I could only catch scraps of it from where I sat in the driver’s seat. ‘Dreadful state of confusion … can’t imagine what the organization of such an affair entails … would not for the world have slighted so great a man of the theatre and the most eminent successor of Irving … but when the proposal to the Poet Laureate fell through all communication had seemed to stop … nothing further had been heard … no, there had been no message during the past week or something would certainly have been done to alter the program … but as things stand … greatest reluctance … beg indulgence … express deepest personal regret but as you know I do not stand alone and cannot act on personal authority so late in the afternoon.…’
“A great deal of this; the eminent actor-knight was sweating and I could see in the rear-vision mirror that his distress was real, and his determination to stick to his guns was equally real. They were a notable study. You could do wonders with them, Harry: the young actor so vivid, the old one so silvery in the splendour of his distinction; both giving the quality of art to a common human blunder. Sir John’s face was grave, but at last he reached out and patted the knee in the Hamlet tights and said, ‘I won’t say I understand, because I don’t; still, nothing to be done now, eh? Damned embarrassing for us both, quonk? But I think I may say a little more than just embarrassing for me.’ Then Hamlet, delighted to have been let off the hook, smiled the smile of spiritual radiance for which he was famous, and did an inspired thing: he took the hand Sir John extended to him and raised it to his lips. It seemed under the circumstances precisely the right thing to do.
“Then I drove Sir John back to Richmond, and it was a slow journey, I can tell you. I hardly dared to look in the mirror, but I did twice, and both times tears were running down the old man’s face. When we arrived I helped him inside and he leaned very heavily on my arm. I couldn’t bear to hang around and hear what he said to Milady. Nor would they have wanted me.
“So that was how you knifed him, Roly. Don’t protest. When the stage doorman showed me that list of people who were included in the performance, it was signed by you, on behalf of the eminent actor-knight. You simply didn’t let that telephone message go any farther. It’s a pity you couldn’t have been on hand to see the scene in the limousine.”
Magnus said no more, and nobody else seemed anxious to break the silence. Ingestree appeared to be thinking, and at last it was he who spoke.
“I don’t see any reason now for denying what you’ve said. I think you have coloured it absurdly, but your facts are right. It’s true I devilled for the committee about that Irving matinee; I was just getting myself established in the theatre in a serious way and it was a great opportunity for me. All the stars who formed the committee heaped work on me, and that was as it should be. I don’t complain. But if you think Sir John Tre
size was the only swollen ego I had to deal with, you’d better think again; I had months of tiresome negotiating to do, and because no money was changing hands I had to treat over a hundred people as if they were all stars.
“Yes, I got the call from Tresize, and it came just at the time when I was hardest pressed. Yes, I did drop it, because by that time I had been given a programme for that awful afternoon that we had to stick to or else disturb I can’t think how many careful arrangements. You saw one man disappointed; I saw at least twenty. All my life I’ve had to arrange things, because I’m that uncommon creature, an artist with a good head for administration. One of the lessons I’ve learned is to give no ground to compassion, because the minute you do that a dozen people descend upon you who treat compassion as weakness, and drive you off your course without the slightest regard for what happens to you. You’ve told us that you apprenticed yourself to an egoism, Magnus, and so you did, and you’ve learned the egoismgame splendidly; but in my life I’ve had to learn how to deal with people like you without becoming your slave, and that’s what I’ve done. I’m sorry if old Tresize felt badly, but on the basis of what you’ve told us I think everybody else here will admit that it was nobody’s fault but his own.”
“I don’t think I’m ready to admit that,” said Lind. “There is a hole in your excellent story: you didn’t tell your superior about the telephone call. Surely he was the man to make final decisions?”
“There were innumerable decisions to be made. If you’ve ever had any experience of an all-star matinee you can guess how many. During the last week everybody was happy if a decision could be made that would stick. I don’t remember the details very clearly. I acted for what seemed the best.”