Page 14 of Men Without Women


  “I’m glad you’ve got them.”

  “So am I. They’re fine kids but I want a boy. Three girls and no boy. That’s a hell of a note.”

  “Why don’t you try and go to sleep?”

  “No, I can’t sleep now. I’m wide awake now, Signor Tenente. Say, I’m worried about you not sleeping though.”

  “It’ll be all right, John.”

  “Imagine a young fellow like you not to sleep.”

  “I’ll get all right. It just takes a while.”

  “You got to get all right. A man can’t get along that don’t sleep. Do you worry about anything? You got anything on your mind?”

  “No, John, I don’t think so.”

  “You ought to get married, Signor Tenente. Then you wouldn’t worry.”

  “I don’t know.”

  “You ought to get married. Why don’t you pick out some nice Italian girl with plenty of money? You could get any one you want. You’re young and you got good decorations and you look nice. You been wounded a couple of times.”

  “I can’t talk the language well enough.”

  “You talk it fine. To hell with talking the language. You don’t have to talk to them. Marry them.”

  “I’ll think about it.”

  “You know some girls, don’t you?”

  “Sure.”

  “Well, you marry the one with the most money. Over here, the way they’re brought up, they’ll all make you a good wife.”

  “I’ll think about it.”

  “Don’t think about it, Signor Tenente. Do it.”

  “All right.”

  “A man ought to be married. You’ll never regret it. Every man ought to be married.”

  “All right,” I said. “Let’s try and sleep a while.”

  “All right, Signor Tenente. I’ll try it again. But you remember what I said.”

  “I’ll remember it,” I said. “Now let’s sleep a while, John.”

  “All right,” he said. “I hope you sleep, Signor Tenente.”

  I heard him roll in his blankets on the straw and then he was very quiet and I listened to him breathing regularly. Then he started to snore. I listened to him snore for a long time and then I stopped listening to him snore and listened to the silk-worms eating. They ate steadily, making a dropping in the leaves. I had a new thing to think about and I lay in the dark with my eyes open and thought of all the girls I had ever known and what kind of wives they would make. It was a very interesting thing to think about and for a while it killed off trout-fishing and interfered with my prayers. Finally, though, I went back to trout-fishing, because I found that I could remember all the streams and there was always something new about them, while the girls, after I had thought about them a few times, blurred and I could not call them into my mind and finally they all blurred and all became rather the same and I gave up thinking about them almost altogether. But I kept on with my prayers and I prayed very often for John in the nights and his class was removed from active service before the October offensive. I was glad he was not there, because he would have been a great worry to me. He came to the hospital in Milan to see me several months after and was very disappointed that I had not yet married, and I know he would feel very badly if he knew that, so far, I have never married. He was going back to America and he was very certain about marriage and knew it would fix up everything.

  ABOUT THE AUTHOR

  ERNEST HEMINGWAY was born in Oak Park, Illinois, in 1899, and began his writing career for The Kansas City Star in 1917. During the First World War he volunteered as an ambulance driver on the Italian front but was invalided home, having been seriously wounded while serving with the Red Cross. In 1921 Hemingway settled in Paris, where he became part of the literary expatriate circle of Gertrude Stein, F. Scott Fitzgerald, Ezra Pound, and Ford Madox Ford. His first book, Three Stories and Ten Poems, was published in Paris in 1923 and was followed by the short story selection In Our Time, which marked his American debut in 1925. With the appearance of The Sun Also Rises in 1926, Hemingway became not only the voice of the “lost generation” but the preeminent writer of his time. This was followed by Men Without Women in 1927, when Hemingway returned to the United States, and his novel of the Italian front, A Farewell to Arms (1929). In the 1930s, Hemingway settled in Key West, and later in Cuba, but he traveled widely—to Spain, Florida, Italy, and Africa—and wrote about his experiences in Death in the Afternoon (1932), his classic treatise on bullfighting, and Green Hills of Africa (1935), an account of big-game hunting in Africa. Later he reported on the Spanish Civil War, which became the background for his brilliant war novel, For Whom the Bell Tolls (1940), hunted U-boats in the Caribbean, and covered the European front during the Second World War. Hemingway’s most popular work, The Old Man and the Sea, was awarded the Pulitzer Prize in 1953, and in 1954 Hemingway won the Nobel Prize in Literature “for his powerful, style-forming mastery of the art of narration.” One of the most important influences on the development of the short story and novel in American fiction, Hemingway has seized the imagination of the American public like no other twentieth-century author. He died, by suicide, in Ketchum, Idaho, in 1961. His other works include The Torrents of Spring (1926), Winner Take Nothing (1933), To Have and Have Not (1937), The Fifth Column and the First Forty-Nine Stories (1938), Across the River and into the Trees (1950), and posthumously, A Moveable Feast (1964), Islands in the Stream (1970), The Dangerous Summer (1985), and The Garden of Eden (1986).

 


 

  Ernest Hemingway, Men Without Women

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