Page 15 of Red Mist


  “It’s best you don’t advise me about anything to do with her,” I reply.

  “I didn’t expect you to agree with—”

  “It’s not for me to agree or disagree,” I cut her off, as I get up from the couch and begin collecting dishes. “You had your relationship with Lucy, and mine is different, has always been different, will always be different. If what you’ve told me is what really happened, it was terrible judgment, an outrageously stupid and self-destructive thing for her to do.” I carry dishes into the kitchen. “I should let you get some rest. You look tired.”

  “Interesting you would say it that way.” She clumsily sets wine-glasses and the empty bottle by the sink. “ Self-destructive.And here I was thinking that I was the one who got destroyed.”

  I turn on hot water and find an almost empty bottle of dishwashing soap under the sink. I look for a sponge, and Jaime says she forgot to buy one as she leans against the stone peninsula, watching me clean up after a meal she did nothing to provide beyond making a phone call and walking a few blocks to the restaurant to make sure she wasn’t in the apartment when I arrived. So Marino could set the stage for her. So she could make a grand entrance. So she could continue to direct what she has scripted.

  “Unfortunately, I’m not good at banishing people,” I remark, as I wash dishes with soap and my bare hands. “Maybe when they’re finally dead and I decide it’s a damn good thing because I’ve had enough, and I tell myself it’s damn good they’re gone. But it’s probably not true. I probably don’t mean it. I’m probably quite flawed that way. Maybe you could find a dish towel in this unlived-in rented apartment of yours and help me dry.”

  “I need to get those, too.” She reaches for a roll of paper towels instead.

  “We’ll just leave them to air-dry in the rack,” I decide.

  I stuff empty take-out containers into a trash bag. I cover the pungent mac-and-cheese and tuck it inside the empty refrigerator, and decide that Marino’s right about truffles. I’ve never liked them, either.

  “I didn’t know what else to do.” Jaime’s not talking about cleaning up after dinner or her getaway place down here in the Low-country. She’s talking about Lucy. “How do you love a liability?”

  “Who are you talking to?”

  “You’re her family. It’s not the same. I’m afraid I’m going to have a terrible headache in the morning. I don’t feel so good.”

  “Obviously it’s not the same. I love her no matter what, even when it’s not convenient or helpful to my politically correct image.” I return to the couch, grabbing my shoulder bag, so angry I’m afraid of what I might do next. “And who the hell isn’t a liability?”

  “It’s like loving an amazing horse that will break your neck someday.”

  “And who goaded it?” I walk back into the kitchen. “Who spurred it into acting dangerously?”

  “You don’t really think I asked her to do something like that?” She looks at me sleepily.

  “Of course not.” I enter Marino’s number into my phone. “I’m sure you didn’t ask her to hack into NYPD’s computer any more than you asked me to come to Savannah.”

  14

  Marino’s van chugs and backfires somewhere from the dark direction of the river many blocks from here, and I emerge from the deep shadows of a live oak tree, where I’ve been waiting because I couldn’t be with Jaime Berger a moment longer.

  “I’m going to have to get off the phone.” So far I’ve managed to keep the anger out of my tone and not sound judgmental as I talk with my niece. “I’ll call you back when I’m in my room in about an hour or so. I want to make a stop first.”

  “I can call the hotel phone, if you don’t want to use your cell,” Lucy says.

  “I’m already using it. I’ve been using it.” I don’t elaborate on what I think of Jaime and her self-serving ideas of pay phones and FBI eavesdropping.

  “You shouldn’t have any of this on your mind at all,” Lucy says. “It’s not about you. It’s not your problem. And I don’t view it as my problem anymore.”

  “You don’t get over something like this as if it never happened,” I reply, looking in the direction of Marino, of what there can be no doubt is his van, which isn’t fixed.

  On the wooded square across the street, the Owens-Thomas House hulks against the night, pale English stucco with tall white columns and a serpentine-shaped portico. The shapes of old trees stir and iron lamps glow, and for an instant I catch something moving, but as I stare in that direction, I find nothing. My imagination. I’m tired and stressed. I’m unnerved.

  “I still worry about who knows or might find out. You’re right about that,” Lucy says, as I step closer to the street, looking up and down it and into the square, seeing no one. “When I first found out about the protective order issued to the CFC, that’s what I thought it was about. They were after me for hacking. I’ve been careful. They’d probably like nothing better than to get me into trouble because of old shit with the FBI, with ATF.”

  “Nobody’s after you, Lucy. It’s time you put that out of your mind.”

  “It depends on what Jaime’s said to certain people and what she continues saying and how she twists the facts. What she told you isn’t what happened, not exactly. She’s made it a whole lot worse than it was,” she says. “It’s like she’s obsessed with turning me into a bad person so she feels justified in what she did. So everyone will understand why she ended it.”

  “Yes, I’d say it’s exactly like that.” I watch for the van, which I can hear but not yet see, on Abercorn now and getting closer as I try to contain my complete disrespect for someone I suspect my niece still loves.

  “Which is the real reason why I left New York. I knew there was talk about the security breach even if I wasn’t outright accused. No way I could continue doing forensic computer work there.”

  “The way she treated you is what hurt you most and why you left New York, left absolutely everything you’d built for yourself,” I disagree calmly, quietly. “I don’t believe for a minute you started all over again in Boston because of rumors.”

  I look back at Jaime’s building, at her windows lit up. I can see her silhouette moving past the drawn draperies in what I assume is the master bedroom.

  “I just wish you’d told me. I don’t know why you didn’t,” I add.

  “I thought you wouldn’t want me at the CFC. You wouldn’t want me as your IT person or want me around.”

  “That I would banish you the way she did?” I say before I can stop myself. “Jaime asked you to commit a violation when she knew how vulnerable you were to her…. Well, I don’t mean to sound like this.”

  Lucy doesn’t say anything, and I watch Jaime Berger’s silhouette moving back and forth past the lighted window. It occurs to me she might have a security camera monitor in her bedroom and she’s checking it. She might be watching me, or maybe she’s distressed because I spoke my mind and walked out as if I might never come back. I think of the old saying that people don’t change. But Jaime has. She’s reverted back to an earlier vintage of herself that’s gone bad like wine not properly stored. Living a lie again, but now she’s impossible to take. I find her completely unpalatable.

  “Anyway, I know about it now,” I tell Lucy. “And it doesn’t change anything with me.”

  “But it’s important you believe it’s not the way she’s described.”

  “I don’t care.” Right now, I really don’t.

  “All I did was verify a few numbers by looking at electronic records of the original complaints and the way they were coded, but I shouldn’t have.”

  No, she shouldn’t have, but what Jaime did was worse. It was calculating and cold. It couldn’t have been more unkind. She abused the power she had over Lucy and betrayed her, and as I get off the phone I wonder who Jaime will manipulate and manage to compromise next. Lucy and Marino, and I suppose I should include myself on the list. I’m in Savannah, immersed in a case I knew virtually nothing abo
ut until a few hours ago, and I look up at her apartment again. I watch her silhouette move past the lighted window in back. She seems to be pacing.

  It is almost one a.m., and the van gleams ghostly white in uneven lamplight, loudly heading in my direction like some demon-possessed machine out of a horror film, slowing down and speeding up, lurching and shuttering. Obviously Marino didn’t find a mechanic after he left Jaime’s apartment several hours ago, and by now I’m convinced he deliberately left me alone with her for a reason that has nothing to do with anything I might want or need. Brakes screech when he slows to a stop in front of the apartment building, and the passenger door squeaks as I open it, the interior light out because Marino always disables it in any vehicle he’s in so he’s not an easy target or a fish in a barrel,as he describes it. I notice bags on the backseat.

  “Do a little shopping?” I ask, and I hear the tenseness in my tone. “I picked up some water and other stuff so we’d have it in our rooms. What happened?”

  “Nothing I feel good about. Why did you leave me alone with her? Was that your instruction?”

  “I thought I said I’d call you when I got here,” he reminds me. “How long you been standing outside?”

  I fasten my shoulder harness, and the door squeaks again as I pull it shut. “I needed to get some air. This thing sounds terrible. In the agonal stages of a drawn-out tortured death. Good Lord.”

  “I thought I told you it’s not a good thing to be wandering around by yourself. Especially this time of night.”

  “As you can see, I didn’t wander far.”

  “She wanted time alone with you. I thought you’d want it, too.”

  “Please don’t think for me,” I reply. “I’d like to take a detour, take a look at the Jordan house, if this thing can make it without breaking down completely. I don’t believe wet spark plugs are the problem.”

  “Pretty sure it’s the alternator,” he says. “Maybe loose plug wires, too. The distributor cap might be dirty. I found a mechanic who’s going to help me out.”

  I stare up at Jaime’s apartment, and she has returned to her living room, where the shades are up. I can see her clearly as she stands before a window watching us drive off, and she has changed into something maroon, possibly a bathrobe.

  “It’s kind of creepy, isn’t it?” Marino says, as we head south, the dark shapes of trees and shrubs moving in the hot wind. “I asked Jaime if she picked her apartment because it’s close to where it happened. She says she didn’t, but it’s like two minutes from here.”

  “She’s obsessed. The case of a lifetime,” I comment. “Only I’m not really sure what case she’s working. The one in Savannah or her own.”

  We roar past grand old houses with windows and gardens lit up, their façades a variety of textures and designs. Italianate, colonial, Federal, and stucco, brick, wood, and ballast stone. Then the right side of the street opens up into what looks like a small park surrounded by a wrought-iron fence, and as we get closer I can make out gravestones and crypts and white crisscrossing paths dimly illuminated by incandescent lamps. On the cemetery’s southern edge is East Perry Lane, where there are large old homes on spacious lots thick with trees, and I recognize the Federal-style mansion from photographs I found earlier today when I read stories online about Lola Daggette while I was parked in front of the gun store.

  The hot night air carries the sweet perfume of oleander as I survey three stories of Savannah gray brick with double-hung windows symmetrically placed and a grand central portico flanked by soaring white columns. The roof is red tile, with three imposing chimneys, and off to one side is an attached stone carport with archways that used to be open and now are glassed in. We park directly in front of a property I can’t imagine owning, I don’t care how handsome it is. I wouldn’t live in any place where people were murdered.

  “I don’t want to sit here long, because the neighbors have a hair trigger about suspicious strangers and suspicious cars, as you might expect,” Marino says. “But if you look to the right, almost at the back of the house, just behind the carport is the kitchen door where the killer broke in. Well, you can’t see it from here, but that’s where it is. And that big villa to the right belonged to the neighbor who went out with his dog the morning of January sixth and noticed the glass busted out of the Jordans’ kitchen door and a lot of lights on for so early in the morning. Based on what I’ve been able to reconstruct, the neighbor, a guy named Lenny Casper, woke up around four a.m., when his poodle started yapping. Casper says the dog was upset and wouldn’t settle down, so he figured it needed to go out.”

  “Have you talked to this neighbor yourself?”

  “On the phone. He also was interviewed by the media at the time, and what he says now is pretty much the same thing he said back then.” Marino looks past me, out my open window, at the Italianate house he’s talking about. “Around four-thirty his poodle was doing his business right there where those palm trees and bushes are.”

  He points at the up-lit landscaping of palms and oleander, and trellises of yellow jasmine that separate the two properties.

  “And he happened to notice the broken glass in the Jordans’ kitchen door,” Marino says. “He told me the kitchen lights and a lot of lights in upstairs rooms were on, and his first concern was someone had tried to break in and maybe that’s what woke up his dog. So he went back inside his house and called the Jordans, who didn’t answer the phone. Next he called the police, and they rolled up around five, found the kitchen door unlocked, the alarm off, and the little girl’s body at the bottom of the stairs, near the entryway.”

  I take in the former Jordan property, at what I estimate is an acre of wooded yard illuminated by post-mounted lanterns that cast large, thick shadows. The driveway is granite gravel edged in brick, and slate stepping-stones lead from it past the carport to a kitchen door that I couldn’t possibly see without getting out of the van and trespassing.

  “He moved to Memphis not long after the murders,” Marino then says. “Neighbors on both sides moved, and based on what I hear, what happened really hurt real estate values. Fact is, hardly anybody within blocks on either side who was living here at the time still lives here now. From what I understand, the Jordan house is one of the most popular stops on ghost tours, especially since it happens to be right across the street from Savannah’s most famous cemetery, where a lot of the tours begin and end, at Abercorn and Oglethorpe, at the entrance we just went past a minute ago.”

  Marino reaches in back, and paper rattles as he pulls out two bottles of water.

  “Here.” He hands me one. “I feel like all I’ve done all day is sweat. You know, foot tours,” he resumes talking about Savannah’s haunted attractions and the crowds they draw. “Some of them candlelit at night, and you can imagine how old it would get if you live here, either in this house or nearby, and all these tourists are gawking while some guide goes on and on about the family murdered here. Hate to think what it’s like now, with it all over the news that Lola Daggette’s execution has been reset. Everybody around here has the Jordan murders on their minds again.”

  “Have you been here during the day?” I ask.

  “Not inside.” He takes a noisy swallow of water. “I’m not sure going inside would tell you anything nine years after the fact, and the house has been bought and sold a number of times, lived in by different people and probably changed a lot. Besides, I think it’s pretty obvious what happened. Dawn Kincaid busted the glass out of the door back there, reached in and unlocked it easy as pie. I guess Jaime told you the key was in the deadbolt, which is one of the stupidest things people do. Installing a deadbolt near glass panes or windows and then leaving the key in it. You know, take your choice. Get trapped if there’s a fire or make it easy for someone to break in and kill you in your sleep.”

  “Jaime also said you’ve been looking into the question of why the alarm wasn’t set. Who installed it? Did the Jordans routinely use it? She says that they stopped setting i
t because of false alarms.”

  “That’s the story.”

  “I can tell you one thing from where we are on the street right now,” I add. “You can’t see the kitchen door. If you were walking or driving by, you wouldn’t know from casual observation that there’s a kitchen door or any door on the right side of the house. It’s out of sight because of the carport.”

  “But you can see flagstones leading to something in the back that might be a door,” Marino says.

  “Or the flagstones lead to the backyard. You’d have to look to know.” I twist the cap off my bottle of water. “What’s important is the kitchen door isn’t visible from the street, which would suggest to me that whoever broke in nine years ago either knew about the side entrance back there and it had glass panes and a deadbolt that required a key that often was left in the lock, or this person had gathered intelligence on some earlier occasion.”

  “Dawn Kincaid sure as hell’s the type to gather intelligence,” Marino says. “She probably knew a rich doctor lived here. She probably cased the place.”

  “And it was just her good fortune the key was in the lock and the alarm wasn’t set?”

  “Maybe.”

  “Do we know anything about where she stayed when she was in Savannah nine years ago, or how long she was in this area?”

  “Only that fall classes at Berkeley ended on December seventh and the spring semester began January fifteenth,” Marino says. “She definitely completed her fall semester there and was enrolled in classes for the spring.”

  “So she might have spent her holiday break in this area,” I decide. “She may have been here for several weeks before she visited her mother for the first time.”

  “During which time she might have met Lola Daggette,” Marino suggests.

  “Or become aware of her,” I reply. “I’m not at all convinced they knew each other. Maybe Lola knows who Dawn Kincaid is now, because of the Massachusetts cases and whatever Jaime or perhaps someone else has said to her. Lola may even know that Dawn had something to do with the Jordan murders, because I don’t care what Jaime says. You can’t know what’s been leaked about the new DNA test results. But regardless of what Lola knows right this minute, we can’t assume she connects Dawn Kincaid with anybody from nine years ago when the Jordan murders occurred, at least anybody she knew by name. Do you know what courses Dawn was taking at the time?”