But she decided that was a conversation best had in real time.
Chapter 17
KAYLEIGH TOWNE'S TWO-STORY Victorian squatted on a twenty-acre plot north of Fresno.
The house wasn't large--twenty-five hundred square feet or so--but had been constructed by artisan builders, with one instruction: make it comfortable and comforting. She was a nester--tough for a performer who traveled seven months out of the year--and she wanted a home that cried cozy, cried family.
When she was twelve, Bishop Towne had sold the house she and her sister had grown up in, a ramshackle place north of Fresno, in the mountains. He said it was hard to get to in the winter, though the real reasons were that, one, his father had built it and Bishop would do anything he could to separate himself from his old man. And two, the rustic family manse hadn't fit the image of the lifestyle he'd wanted to lead: that of the high-powered country superstar. He'd built a ten-million-dollar working ranch on fifty acres in the Valley and populated it with cattle and sheep he had no interest in or knowledge about raising.
The move had been horrifying enough to Kayleigh but worse was that he'd sold the beloved family house and land to a mining company that owned the adjacent property and they'd bulldozed the structure, planning to expand, though the company'd gone bankrupt; the unnecessary destruction was all the more traumatic to the girl.
She'd written a song about the place, which became a huge hit.
I've lived in LA, I've lived in Maine,
New York City and the Midwest Plains,
But there's only one place I consider home.
When I was a kid--the house we owned.
Life was perfect and all was fine,
In that big old house ... near the silver mine.
The silver mine ... the silver mine.
I can't remember a happier time,
In that big old house ... near the silver mine.
Now, the man responsible for this displacement walked inside Kayleigh's spacious living room and bent down and hugged her.
Bishop's fourth wife, Sheri, accompanied him. She too embraced Kayleigh, then sat, after an awkward moment of debate about which piece of furniture to choose. Ash blond hair sprayed persuasively in place, the petite yet busty woman was a dozen years older than Kayleigh, unlike Wife Number Three, who could have attended the same high school as Bishop's daughter--in the class behind her, no less.
Kayleigh, like Bishop, couldn't remember much about Number Two.
Hulking Bishop Towne then maneuvered his massive frame onto a couch, moving slow--slower than a lot of people even older than he was. "The joints're catching up," he'd complained recently and at first Kayleigh thought he meant the dives he'd played in his early, drinking, fighting years, but then she realized he meant hips, knees, shoulders.
He was in cheap jeans and his ubiquitous black shirt, the belly rolling over his impressive belt, leaving the more impressive silver buckle only partly visible.
"Was he still there, across the road?" Kayleigh asked, looking out, noting Darthur Morgan, vigilant as ever, in the front seat of the SUV, pointed outward.
"Who?" Bishop growled.
"Edwin." Who did he think?
"Didn't see anybody," he said. Sheri shook her head.
Edwin--the first damn thing she saw this morning, looking out the window of her second-story bedroom. Well, his car, the big red car. That's what she saw. Which didn't make the sense of violation any less.
Kayleigh lived on the way to Yosemite and Sierra National Park, just where the area started to get interesting geographically. Across the two-lane road in front of her property was a public recreation area and arboretum, filled with rolling hills, jogging paths, groves of trees and gardens. The lot allowed twenty-four-hour parking, just the place for a sick stalker to perch.
She said, "He was there a while ago. Just sitting, staring at the house." She closed her eyes briefly, shivering.
"Oh, my," Sheri said.
"Well, nobody's there now," Bishop repeated distractedly, noticing a wad of tissues on the coffee table where Kayleigh'd been sitting with her iced tea and mobile, on which she'd called friends and family about Bobby's death.
"Hey, sorry about Bobby, KT. I know you ... I mean, I'm sorry."
Sheri offered, "It's terrible, honey. I feel so bad for you. For everyone."
Kayleigh stepped into the kitchen, got a milk for her father and an iced tea for Sheri, another for herself too. She returned to the living room.
"Thank you, honey," the woman offered tentatively.
Her father lifted the milk as if toasting.
"Daddy." Her eyes avoiding his, Kayleigh said quickly, "I'm thinking of canceling." It was easier to stare toward where a murderous stalker had been spying on her than to make eye contact with Bishop Towne.
"The concert?" The big man grunted. His ragged vocal style was not a function of any emotion, of course, but was simply because that's the way he talked. No lilting tones, never a whisper, just a guttural rasp. It hadn't always been that way; his voice--like his joints and liver--had been a victim of his lifestyle.
"I'm thinking of it."
"Sure. Course. I see."
Sheri tried to deflect what might be an uncomfortable moment. "If there's anything I can do? ... I'll bring some dinners by. Tell me what you'd like. I'll make you something special."
Food and death had always been linked, Kayleigh now thought.
"I'll think on it. Thanks, Sheri."
The word "Mom," had, of course, never been on the table. Kayleigh didn't hate her stepmother. Either you were a woman of steel, like Margaret, her mother, and you fought with and--at times--corralled a man like Bishop Towne, or you took the residual prestige and the undeniable charisma and you surrendered. That was Sheri.
Though Kayleigh couldn't blame her. Nor could she her father either. Margaret had been his first choice and, despite the others along the way, they'd still be together if not for fate. There was no one who could take his first wife's place so why even try? Yet it was impossible to imagine Bishop Towne surviving without a woman in his life.
He grumbled, "You tell Barry?"
She nodded toward her mobile. "He was the first one I called. He's in Carmel with Neil."
Tall, fidgeting Barry Zeigler, her producer, was full of nervous energy. He was a genius in the studio. He'd produced some of the biggest hits of the nineties, when country got itself branded with the adjective "crossover" and began to transcend its Nashville and Dallas and Bakersfield roots to spread to mainstream TV and overseas.
If anybody had created a Kayleigh Towne sound it was Barry Zeigler. And that sound had made her a huge success.
Zeigler and the label hadn't escaped the shadow of Edwin Sharp either, though. The stalker had inundated the company with emails criticizing instrumentation choices and pacing and production techniques. He never dissed Kayleigh's voice or the songs themselves but argued that Zeigler, the recording techs and backup musicians weren't "doing her justice." That was a favorite phrase of his.
Kayleigh'd seen several of the emails and, though she never told anyone, she thought Edwin had a point on a few of the issues.
Finally Sheri said, "Just one thing. I mean--" A glance toward Bishop, sipping the milk he drank as religiously as he had once drunk bourbon. When he didn't object to her getting this far, she continued, "That luncheon tomorrow--for the fan of the month. You think we can still do that?"
It was a promotion Alicia Sessions had put together on Facebook and on Kayleigh's website. Bishop had more or less shoehorned Sheri into working on various marketing projects for the Kayleigh Towne operation. The woman had been in retail all her life and had made some valuable contributions.
"It's all scheduled, right?" Bishop asked.
"We've rented the room at the country club. It'd mean a lot to him. He's a big fan."
Not as big as someone I know, Kayleigh thought.
"And there'll be some publicity too."
"No reporte
rs," Kayleigh said. "I don't want to talk about Bobby. That's what they'll want to ask me." Alicia had been deflecting the press--and there'd been plenty of them. But when the steely-eyed personal assistant said no, there wasn't room for debate.
Bishop said, "We'll control it. Set the ground rules. Make sure they don't ask questions about what happened at the convention center."
"I can do that," Sheri said, with an uncertain glance toward Bishop. "I'll coordinate with Alicia."
Kayleigh finally said, "Sure, I guess." She pictured the last time she had lunch alone with Bobby, a week ago. She wanted to cry again.
"Good," Bishop said. "But we'll keep it short. Tell that fan it'll have to be short."
Having conceded one issue, Kayleigh said, "But I really want to think about the concert, Daddy."
"Hey, baby doll, whatever you're happiest doing."
Bishop leaned forward and snagged one of the guitars his daughter kept in her living room, an old Guild, with a thin neck and golden spruce top, producing a ringing tenor. He played Elizabeth Cotten's version of "Freight Train."
He was a talented, syncopated fingerpicker, in the style of Arty and Happy Traum and Leo Kottke (and damn if he couldn't also flat-pick as well as Doc Watson, a skill Kayleigh could never master). His massive hands totally controlled the fret board. In pop music, guitar was originally for rhythm accompaniment--like a drum or maracas--and only in the past eighty years or so had it taken on the job of melody. Kayleigh used her Martin for its original purpose, strumming, to accompany her main instrument--a four-octave voice.
Kayleigh remembered Bishop's rich baritone of her youth and she cringed to hear what he'd become. Bob Dylan never had a smooth voice but it was filled with expression and passion and he could hit the notes. When, at a party or occasionally at concerts, Kayleigh and Bishop sang a duet together, she modulated to a key he could pull off and covered the notes that would give him trouble.
"We'll make sure it's short," he announced again.
What? Kayleigh wondered. The concert? Then recalled: the luncheon with the fan. Was it tomorrow, or the next day?
Oh, Bobby ...
"And we'll talk about it, the concert. See how you feel in a day or so. Want you to be in good form. Happy too. That's what matters," he repeated.
She was looking out the window again into the grove of trees separating the house from the road, a hundred yards away. She'd done the plantings for seclusion and quiet but now all she thought was it would provide great cover so that Edwin could get close to the house.
More arpeggios--chords broken into individual notes--rang out. Kayleigh thought automatically: diminished, minor sixth, major. The guitar did everything Bishop wanted it to do. He could get music out of a tree branch.
She reflected: Bishop Towne had missed concerts because he was unconscious or in jail. But he'd never chosen to cancel one.
He racked the guitar and said to Sheri, "Got that meeting."
The woman, who seemed to have a different perfume for every day of the week, rose instantly and started to reach for Bishop's arm, then thought better; she tried to be discreet in his daughter's presence. She did work at it, Kayleigh reflected.
I don't hate you.
I just don't like you.
Kayleigh wafted a smile her way.
"You still got that present I got you a coupla years ago?" Bishop asked his daughter.
"I have all your presents, Daddy."
She saw them to the door, amused that Darthur Morgan seemed to regard them with some suspicion. The couple piled into a dusty SUV and left, petite Sheri behind the wheel of the massive vehicle. Bishop gave up driving eight years ago.
She thought about making more calls about Bobby but couldn't bring herself to. She strode to the kitchen, pulling on work gloves, and stepped outside into her garden. She loved it here, growing flowers and herbs and vegetables too--what else, in this part of California? She lived in the most productive agricultural county in America.
The appeal of gardening had nothing to do with the miracle of life, the environment, being one with the earth. Kayleigh Towne just liked to get her hands dirty and concentrate on something other than the Industry.
And here she could dream about her life in the future, puttering around in gardens like this with her children. Making sauces and baked goods and casseroles from things she herself had grown.
I remember autumn, pies in the oven,
Sitting on the porch, a little teenage lovin', Riding the pony and walking the dogs,
Helping daddy outside, splitting logs.
Life was simple and life was fine,
In that big old house, near the silver mine.
I'm canceling the fucking concert, she thought.
She stuffed her hair up under a silly canvas sun hat and examined her crops. The air was hot but comforting; insects buzzed around her face and even their persistent presence was reassuring, as if reminding that there was more to life than musical performances.
More than the Industry.
But suddenly she froze: a flash of light.
No, not Edwin. There was no brilliant red color from his car.
What was it? The light was coming from the south, to the left as you faced the garden, about one hundred yards away. Not from Edwin's hunter's blind at the arboretum or main road in front. It was from a small access road, running perpendicular to the highway. A developer had bought the adjacent land a year ago but gone bankrupt before the residential construction had started. Was this a survey team? Last year, she'd been glad the deal fell through; she'd wanted her privacy. Now, perversely, she was happy there might be crews around--and eventually neighbors--to discourage Edwin and others like him.
But what exactly was the light?
On off, on off. Flashing.
She decided to find out.
Kayleigh made her way through the brush toward the stuttering illumination.
Bright, dark.
Light, shadow.
Chapter 18
KATHRYN DANCE WAS in south Fresno, trying to find a restaurant that Crystal Stanning had recommended.
Her thoughts, though, were on how to handle the explosion when Charles Overby or, more likely, the CBI director in Sacramento told Sheriff Anita Gonzalez that Dance was going to be running the Bobby Prescott homicide.
She actually jumped when her phone buzzed.
Ah, Charles, hope I didn't disrupt one of your leisurely lunches....
But the number on caller ID was a local one.
"Hello?"
"Kathryn?"
"Yes."
"It's Pike Madigan."
She said nothing.
"Talk for a minute?"
She thought she heard scraping of a spoon. A smack of lips. Was he eating lunch, the phone tucked between shoulder and ear? More ice cream? "Go ahead."
"What're you up to?"
She said, "Going for chicken mole at Julio's."
"Good choice. Only don't do the tamales. Lard city."
A pause on his part now. "I got a call from the head of our Crime Scene Unit, Charlie Shean. Spelled S-H-E-A-N. Not like the actor. Takes some grief for that. Good man."
She recalled the efficient team at the convention center and at the trailer, on a par with a big-city CSU.
"All the forensics were negative. None of the dust or other trace on the pictures and memorabilia in Edwin's rental matched what was in Bobby's trailer. And one of our people ran Edwin's credit card data? He bought everything we found in his house on eBay. And we got his prints when we booked him. None of the ones at Bobby's or the convention center match. No footprints, no nothin'. Tire treads for his car, zip. Was a washout."
"You let him go."
"Yeah, an hour ago. And released everything we took."
This was, Dance supposed, the best someone like Madigan could do for a contrition.
But she was wrong.
"I wanted to say I'm sorry."
And the apology wasn't over yet.
&nbs
p; "You were right, I was wrong. I got outgunned by that fellow. It was like the only reason he came in was to find out information about the investigation."
"If he's the perp, then, yes, I think that's a possibility."
"This guy's pretty different from what I've been used to. You have a handle on him better than me. If you're still game would you be willing to help us out? We sure could use you."
Without hesitation: "I am, yes."
She'd be sure to call Overby and withdraw her prior request.
"That's much appreciated."
Dance thought back to what Stanning had said about Madigan's concerns. "One thing I wanted to say, Detective. This is your case. I'm a consultant only."
In other words, the glory and the press conferences are all yours. By the way, I hate them as much as your associate Dennis Harutyun does.
"Well, thank you for that. Now get yourself back here, if you would. Oh, and welcome to the FMCSO, Deputy Dance. Hey, that's got a nice ring to it, don'tcha think?"
BUT IT WAS him, after all.
The reason she hadn't seen any red was that the light was glare off the windshield, which shot her way like a theater spot. The crimson of the Buick was below eye level from the house.
Edwin Sharp was fifty feet from her. He'd found a new vantage point. His car was parked on the shoulder and he sat on the hood, legs dangling, as he stared directly toward her house, that sick smile curving his mouth. His rocking, back and forth, had created the intermittent flashing.
She dropped to her knees. He gave no reaction, though, and she knew he hadn't seen her.
Moving a few dozen feet to the side, Kayleigh looked out again, through the brush. He was wearing earbuds and tapped his hand on his thigh in time to the music. It would be one of her songs. Which one?
Occasionally his head would swivel, scanning the property as if he were admiring a work of art.
Or ... wait. There was something about his face. What was that expression?
And then she sensed it was pleasure. Almost ecstasy. And not in a religious sense. His eyelids would droop from time to time and his smile would deepen. He seemed to be breathing hard too, his chest rising.
It was like he was making love.
Was he tapping his thigh to keep time to the music? Or, my God, was he doing something else with his hand? She couldn't see clearly.