Leaving the controls as they were, he hurried out of the booth and stepped unceremoniously back into his own period.
He bumped his nose against the brick wall. “I cut that a little too fine,” he mused as he slid cautiously out from between the confining limits of the wall and the Gate. The Gate hung in the air, about fifteen inches from the wall and roughly parallel to it. But there was room enough, he decided—no need to go back and readjust the controls. He ducked out of the areaway and cut across the campus toward the Students’ Co-op, wasting no time. He entered and went to the cashier’s window.
“Hi, Bob.”
“H’lo, Soupy. Cash a check for me?”
“How much?”
“Twenty dollars.”
“Well—I suppose so. Is it a good check?”
“Not very. It’s my own.”
“Well, I might invest in it as a curiosity.” He counted out a ten, a five, and five ones.
“Do that,” advised Wilson. “My autographs are going to be rare collectors’ items.” He passed over the check, took the money, and proceeded to the bookstore in the same building. Most of the books on the list were for sale there. Ten minutes later he had acquired title to:
“The Prince,” by Niccolo Machiavelli.
“Behind the Ballots,” by James Farley.
“Mein Kampf” (unexpurgated), by Adolf Schicklgruber.
“How to Make Friends and Influence People,” by Dale Carnegie.
The other titles he wanted were not available in the bookstore; he went from there to the university library where he drew out “Real Estate Broker’s Manual,” “History of Musical Instruments,” and a quarto titled “Evolution of Dress Styles.” The latter was a handsome volume with beautiful colored plates and was classified as reference. He had to argue a little to get a twenty-four hour permission for it.
He was fairly well loaded down by then; he left the campus, went to a pawnshop and purchased two used, but sturdy, suitcases into one of which he packed the books. From there he went to the largest music store in the town and spent forty-five minutes in selecting and rejecting phonograph records, with emphasis on swing and boogie-woogie—highly emotional stuff, all of it. He did not neglect classical and semi-classical, but he applied the same rule to those categories—a piece of music had to be sensuous and compelling, rather than cerebral. In consequence his collection included such strangely assorted items as the “Marseillaise,” Ravel’s “Bolero,” four Cole Porter’s, and “L’Apresmidi d’un Faun.”
He insisted on buying the best mechanical reproducer on the market in the face of the clerk’s insistence that what he needed was an electrical one. But he finally got his own way, wrote a check for the order, packed it all in his suitcases, and had the clerk get a taxi for him.
He had a bad moment over the check. It was pure rubber, as the one he had cashed at the Students’ Co-op had cleaned out his balance. He had urged them to phone the bank, since that was what he wished them not to do. It had worked. He had established, he reflected, the all-time record for kiting checks—thirty thousand years.
When the taxi drew up opposite the court where he had located the Gate, he jumped out and hurried in.
The Gate was gone.
He stood there for several minutes, whistling softly, and assessing—unfavorably—his own abilities, mental processes, et cetera. The consequences of writing bad checks no longer seemed quite so hypothetical.
He felt a touch at his sleeve. “See here, Bud, do you want my hack, or don’t you? The meter’s still clicking.”
“Huh? Oh, sure.” He followed the driver, climbed back in.
“Where to?”
That was a problem. He glanced at his watch, then realized that the usually reliable instrument had been through a process which rendered its reading irrelevant. “What time is it?”
“Two fifteen.” He reset his watch.
Two fifteen. There would be a jamboree going on in his room at that time of a particularly confusing sort. He did not want to go there—not yet. Not until his blood brothers got through playing happy fun games with the Gate.
The Gate!
It would be in his room until sometime after four fifteen. If he timed it right—“Drive to the corner of Fourth and McKinley,” he directed, naming the intersection closest to his boardinghouse.
He paid off the taxi driver there, and lugged his bags into the filling station at that corner, where he obtained permission from the attendant to leave them and assurance that they would be safe. He had nearly two hours to kill. He was reluctant to go very far from the house for fear some hitch would upset his timing.
It occurred to him that there was one piece of unfinished business in the immediate neighborhood—and time enough to take care of it. He walked briskly to a point two streets away, whistling cheerfully, and turned in at an apartment house.
In response to his knock the door of Apartment 211 was opened a crack, then wider. “Bob darling! I thought you were working today.”
“Hi, Genevieve. Not at all—I’ve got time to burn.”
She glanced back over her shoulder. “I don’t know whether I should let you come in—I wasn’t expecting you. I haven’t washed the dishes, or made the bed. I was just putting on my make-up.”
“Don’t be coy.” He pushed the door open wide, and went on in.
When he came out he glanced at his watch. Three thirty—plenty of time. He went down the.street wearing the expression of the canary that ate the cat.
He thanked the service station salesman and gave him a quarter for his trouble, which left him with a lone nickel. He looked at this coin, grinned to himself, and inserted it in the pay phone in the office of the station. He dialed his own number.
“Hello,” he heard.
“Hello,” he replied. “Is that Bob Wilson?”
“Yes. Who is this?”
“Never mind,” he chuckled. “I just wanted to be sure you were there. I thought you would be. You’re right in the groove, kid, right in the groove.” He replaced the receiver with a grin.
At four ten he was too nervous to wait any longer. Struggling under the load of the heavy suitcases he made his way to the boardinghouse. He let himself in and heard a telephone ringing upstairs. He glanced at his watch—four fifteen. He waited in the hall for three interminable minutes, then labored up the stairs and down the upper hallway to his own door. He unlocked the door and let himself in.
The room was empty, the Gate still there.
Without stopping for anything, filled with apprehension lest the Gate should flicker and disappear while he crossed the floor, he hurried to it, took a firm grip on his bags, and strode through it.
The Hall of the Gate was empty, to his great relief. What a break, he told himself thankfully. Just five minutes, that’s all I ask. Five uninterrupted minutes. He set the suitcases down near the Gate to be ready for a quick departure. As he did so he noticed that a large chunk was missing from a corner of one case. Half a book showed through the opening, sheared as neatly as with a printer’s trimmer. He identified it as “Mein Kampf.”
He did not mind the loss of the book but the implications made him slightly sick at his stomach. Suppose he had not described a clear arc when he had first been knocked through the Gate, had hit the edge, half in and half out? Man Sawed in Half—and no illusion!
He wiped his face and went to the control booth. Following Diktor’s simple instructions he brought all four spheres together at the center of the tetrahedron. He glanced over the side of the booth and saw that the Gate had disappeared entirely. “Check!” he thought. “Everything on zero—no Gate.” He moved the white sphere slightly. The Gate reappeared. Turning on the speculum he was able to see that the miniature scene showed the inside of the Hall of the Gate itself. So far so good—but he would not be able to tell what time the Gate was set for by looking into the Hall. He displaced a space control slightly; the scene flickered past the walls of the palace and hung in the open air. Returning
the white time control to zero he then displaced it very, very slightly. In the miniature scene the sun became a streak of brightness across the sky; the days flickered past like light from a low frequency source of illumination. He increased the displacement a little, saw the ground become sear and brown, then snow covered, and finally green again.
Working cautiously, steadying his right hand with his left, he made the seasons march past. He had counted ten winters when he became aware of voices somewhere in the distance. He stopped and listened, then very hastily returned the space controls to zero, leaving the time control as it was—set for ten years in the past—and rushed out of the booth.
He hardly had time to grasp his bags, lift them, and swing them through the Gate, himself with them. This time he was exceedingly careful not to touch the edge of the circle.
He found himself, as he had planned to, still in the Hall of the Gate, but, if he had interpreted the controls correctly, ten years away from the events he had recently participated in. He had intended to give Diktor a wider berth than that, but there had been no time for it. However, he reflected, since Diktor was, by his own statement and the evidence of the little notebook Wilson had lifted from him, a native of the twentieth century, it was quite possible that ten years was enough. Diktor might not be in this era. If he was, there was always the Time Gate for a getaway. But it was reasonable to scout out the situation first before making any more jumps.
It suddenly occurred to him that Diktor might be looking at him through the speculum of the Time Gate. Without stopping to consider that speed was no protection—since the speculum could be used to view any time sector—he hurriedly dragged his two suitcases into the cover of the control booth. Once inside the protecting walls of the booth he calmed down a bit. Spying could work both ways. He found the controls set at zero; making use of the same process he had used once before, he ran the scene in the speculum forward through ten years, then cautiously hunted with the space controls on zero. It was a very difficult task; the time scale necessary to hunt through several months in a few minutes caused any figure which might appear in the speculum to flash past at an apparent speed too fast for his eye to follow. Several times he thought he detected flitting shadows which might be human beings but he was never able to find them when he stopped moving the time control.
He wondered in great exasperation why whoever had built the double-damned gadget had failed to provide it with graduations and some sort of delicate control mechanism—a vernier, or the like. It was not until much later that it occurred to him that the creator of the Time Gate might have no need of such gross aids to his senses. He would have given up, was about to give up, when, purely by accident, one more fruitless scanning happened to terminate with a figure in the field.
It was himself, carrying two suitcases. He saw himself walking directly into the field of view, grow large, disappear. He looked over the rail, half expecting to see himself step out of the Gate.
But nothing came out of the Gate. It puzzled him, until he recalled that it was the setting at that end, ten years in the future, which controlled the time of egress. But he had what he wanted; he sat back and watched. Almost immediately Diktor and another edition of himself appeared in the scene. He recalled the situation when he saw it portrayed in the speculum. It was Bob Wilson number three, about to quarrel with Diktor and make his escape back to the twentieth century.
That was that—Diktor had not seen him, did not know that he had made unauthorized use of the Gate, did not know that he was hiding ten years in the “past,” would not look for him there. He returned the controls to zero, and dismissed the matter.
But other matters needed his attention—food, especially. It seemed obvious, in retrospect, that he should have brought along food to last him for a day or two at least. And maybe a .45. He had to admit that he had not been very foresighted. But he easily forgave himself—it was hard to be foresighted when the future kept slipping up behind one. “All right, Bob, old boy,” he told himself aloud, “let’s see if the natives are friendly—as advertised.”
A cautious reconnoiter of the small part of the Palace with which he was acquainted turned up no human beings, nor life of any sort, not even insect life. The place was dead, sterile, as static and unlived-in as a window display. He shouted once, just to hear a voice. The echoes caused him to shiver; he did not do it again.
The architecture of the place confused him. Not only was it strange to his experience—he had expected that—but the place, with minor exceptions, seemed totally unadapted to the uses of human beings. Great halls large enough to hold ten thousand people at once—had there been floors for them to stand on. For there frequently were no floors in the accepted meaning of a level or reasonably level platform. In following a passageway he came suddenly to one of the great mysterious openings in the structure and almost fell in before he realized that his path had terminated. He crawled gingerly forward and looked over the edge. The mouth of the passage debouched high up on a wall of the place; below him the wall was cut back so that there was not even a vertical surface for the eye to follow. Far below him, the wall curved back and met its mate of the opposite side—not decently, in a horizontal plane, but at an acute angle.
There were other openings scattered around the walls, openings as unserviceable to human beings as the one in which he crouched. “The High Ones,” he whispered to himself. All his cockiness was gone out of him. He retraced his steps through the fine dust and reached the almost friendly familiarity of the Hall of the Gate.
On his second try he attempted only those passages and compartments which seemed obviously adapted to men. He had already decided what such parts of the Palace must be—servants’ quarters, or, more probably, slaves’ quarters. He regained his courage by sticking to such area. Though deserted completely, by contrast with the rest of the great structure a room or a passage which seemed to have been built for men was friendly and cheerful. The sourceless ever-present illumination and the unbroken silence still bothered him, but not to the degree to which he had been upset by the Gargantuan and mysteriously convoluted chambers of the “High Ones.”
He had almost despaired of finding his way out of the Palace and was thinking of retracing his steps when the corridor he was following turned and he found himself in bright sunlight.
He was standing at the top of a broad steep ramp which spread fanlike down to the base of the building. Ahead of him and below him, distant at least five hundred yards, the pavement of the ramp met the green of sod and bush and tree. It was the same placid, lush, and familiar scene he had looked out over when he breakfasted with Diktor—a few hours ago and ten years in the future.
He stood quietly for a short time, drinking in the sunshine, soaking up the heart-lifting beauty of the warm, spring day. “This is going to be all right,” he exulted. “It’s a grand place.”
He moved slowly down the ramp, his eyes searching for human beings. He was halfway down when he saw a small figure emerge from the trees into a clearing near the foot of the ramp. He called out to it in joyous excitement. The child—it was a child he saw—looked up, stared at him for a moment, then fled back into the shelter of the trees.
“Impetuous, Robert—that’s what you are,” he chided himself. “Don’t scare ’em. Take it easy.” But he was not made downhearted by the incident. Where there were children there would be parents, society, opportunities for a bright, young fellow who took a broad view of things. He moved on down at a leisurely pace.
A man showed up at the point where the child had disappeared. Wilson stood still. The man looked him over and advanced hesitantly a step or two. “Come here!” Wilson invited in a friendly voice. “I won’t hurt you.”
The man could hardly have understood his words, but he advanced slowly. At the edge of the pavement he stopped, eyed it and would not proceed farther.
Something about the behavior pattern clicked in Wilson’s brain, fitted in with what he had seen in the Palace, and with the lit
tle that Diktor had told him. “Unless,” he told himself, “the time I spent in ‘Anthropology I’ was totally wasted, this Palace is tabu, the ramp I’m standing on is tabu, and, by contagion, I’m tabu. Play your cards, son, play your cards!”
He advanced to the edge of the pavement, being careful not to step off it. The man dropped to his knees and cupped his hands in front of him, head bowed. Without hesitation Wilson touched him on the forehead. The man got back to his feet, his face radiant.
“This isn’t even sporting,” Wilson said. “I ought to shoot him on the rise.”
His Man Friday cocked his head, looked puzzled, and answered in a deep, melodious voice. The words were liquid and strange and sounded like a phrase from a song. “You ought to commercialize that voice,” Wilson said admiringly. “Some stars get by on less. However—Get along now, and fetch something to eat. Food.” He pointed to his mouth.
The man looked hesitant, spoke again. Bob Wilson reached into his pocket and took out the stolen notebook. He looked up “eat,” then looked up “food.” It was the same word. “Blellan,” he said carefully.
“Blellaaaan?”
“Blellaaaaaaaan,” agreed Wilson. “You’ll have to excuse my accent. Hurry up,” He tried to find “hurry” in the vocabulary, but it was not there. Either the language did not contain the idea or Diktor had not thought it worth while to record it. But we’ll soon fix that, Wilson thought—if there isn’t such a word, I’ll give ’em one. The man departed.
Wilson sat himself down Turk-fashion and passed the time by studying the notebook. The speed of his rise in these parts, he decided, was limited only by the time it took him to get into full communication. But he had only time enough to look up a few common substantives when his first acquaintance returned, in company.