'I can't live on you,' he said. 'I can't take your money.'
'But you're not taking my money,' she insisted, 'you're simply an investment. I'm putting up capital in the hope of getting a good return. You shall live on me for a year or two, so that I may live on you for the rest of my life. It's business; it's positively sharp practice.
He had to laugh.
'And in any case,' she continued, 'you won't live very long on me. Eight hundred pounds won't last for ever.'
He agreed at last to borrow her eight hundred pounds at the current rate of interest. He did it reluctantly, feeling that he was somehow betraying his own people. To start life with eight hundred pounds--it was too easy, it was a shirking of difficulties, a taking of unfair advantages. If it had not been for that sense of responsibility which he felt towards his own talents, he would have refused the money and either desperately risked the career of literature without a penny, or gone the safe and pedagogical way. When at last he consented to take the money, he made it a condition that she should never accept anything from her relations. Mary agreed.
'Not that they'll be very anxious to give me anything,' she added with a laugh.
She was right. Her father's horror at the misalliance was as profound as she had expected. Mary was in no danger, so far as he was concerned, of becoming rich.
They were married in August and immediately went abroad. They took the train as far as Dijon and from there began to walk south-east, towards Italy. Rampion had never been out of England before. The strangeness of France was symbolical to him of the new life he had just begun, the new liberty he had acquired. And Mary herself was no less symbolically novel than the country through which they travelled. She had not only selfconfidence, but a recklessness which was altogether strange and extraordinary in his eyes. Little incidents impressed him. There was that occasion, for example, when she left her spare pair of shoes behind in the farm where they had spent the night. It was only late in the afternoon that she discovered her loss. Rampion suggested that they should walk back and reclaim them. She would not hear of it.
'They're gone,' she said. 'It's no use bothering. Let the boots bury their boots.' He got quite angry with her. 'Remember you're not rich any more,' he insisted. 'You can't afford to throw away a good pair of shoes. We shan't be able to buy a new pair till we get home.' They had taken a small sum with them for their journey and had vowed that in no circumstances would they spend more. 'Not till we get home,' he repeated.
'I know, I know,' she answered impatiently. 'I shall learn to walk barefoot.'
And she did.
'I was born to be a tramp,' she declared one evening when they were lying on hay in a barn. 'I can't tell you how I enjoy not being respectable. It's the Atavismus coming out. You bother too much, Mark. Consider the lilies of the field.'
'And yet,' Rampion meditated, 'Jesus was a poor man. Tomorrow's bread and boots must have mattered a great deal in his family. How was it that he could talk about the future like a millionaire?'
'Because he was one of nature's dukes,' she answered. 'That's why. He was born with the title; he felt he had a divine right, like a king. Millionaires who make their money are always thinking about money; they're terribly preoccupied about to-morrow. Jesus had the real ducal feeling that he could never be let down. None of your titled financiers or soap boilers. A genuine aristocrat. And besides, he was an artist, he was a genius. He had more important things to think about than bread and boots and to-morrow.' She was silent for a little and then added, as an afterthought: 'And what's more, he wasn't respectable. He didn't care about appearances. They have their reward. But I don't mind if we do look like scarecrows.'
'You've paid yourself a nice lot of compliments, said Rampion. But he meditated her words and her spontaneous, natural, untroubled way of living. He envied her her Atavismus.
It was not merely tramping that Mary liked. She got almost as much enjoyment out of the more prosaic settled life they led, when they returned to England. 'Marie-Antoinette at the Trianon,' was what Rampion called her, when he saw her cooking the dinner; she did it with such childlike enthusiasm.
'Think carefully,' he had warned her before they married
'You're going to be poor. Really poor; not poor on a thousand a year like your impecunious friends. There'll be no servants. You'll have to cook and mend and do housework. You won't find it pleasant.'
Mary only laughed. 'You'll be the one who won't find it pleasant,' she answered, 'at any rate until I've learnt to cook.'
She had never so much as fried an egg when she married him.
Strangely enough that childlike, Marie-Antoinette-ish enthusiasm for doing things--for cooking on a real range, using a real carpet sweeper, a real sewing machine--survived the first novel and exciting months. She went on enjoying herself.
'I could never go back to being a perfect lady,' she used to say. 'It would bore me to death. Goodness knows, housework and managing and looking after the children can be boring and exasperating enough. But being quite out of touch with all the ordinary facts of existence, living in a different planet from the world of daily, physical reality--that's much worse.'
Rampion was of the same opinion. He refused to make art and thought excuses for living a life of abstraction. In the intervals of painting and writing he helped Mary with the housework.
'You don't expect flowers to grow in nice clean vacuums.' That was his argument. 'They need mould and clay and dung. So does art.'
For Rampion, there was also a kind of moral compulsion to live the life of the poor. Even when he was making quite a reasonable income, they kept only one maid and continued to do a great part of the housework themselves. It was a case, with him, of noblesse obligeor rather roture oblige. To live like the rich, in a comfortable abstraction from material cares would be, he felt, a kind of betrayal of his class, his own people. If he sat still and paid servants to work for him, he would somehow be insulting his mother's memory, he would be posthumously telling her that he was too good to lead the life she had led.
There were occasions when he hated this moral compulsion, because he felt that it was compelling him to do foolish and ridiculous things; and hating, he would try to rebel against it. How absurdly shocked he had been, for example, by Mary's habit of lying in bed of a morning. When she felt lazy, she didn't get up; and there was an end of it. The first time it happened, Rampion was really distressed.
'But you can't stay in bed all the morning,' he protested.
'Why not?'
'Why not? But because you can't.'
'But I can,' said Mary calmly. 'And I do.'
It shocked him. Unreasonably, as he perceived when he tried to analyse his feelings. But all the same, he was shocked. He was shocked because he had always got up early himself, because all his people had had to get up early. It shocked him that one should lie in bed while other people were up and working. To get up late was somehow to add insult to injury. And yet, obviously, getting up early oneself, unnecessarily, did nothing to help those who had to get up early. Getting up, when one wasn't compelled to get up, was just a tribute of respect, like taking off one's hat in a church. And at the same time it was an act of propitiation, a sacrificial appeasement of the conscience
'One oughtn't to feel like that,' he reflected. 'Imagine a Greek feeling like that!'
It was unimaginable. And yet the fact remained that, however much he might disapprove of the feeling, he did in fact feel like that.
'Mary's healthier than I am,' he thought; and he remembered those lines of Walt Whitman about the animals. 'They do not sweat and whine about their condition. They do not lie awake in the dark and weep for their sins.' Mary was like that and it was good. To be a perfect animal and a perfect human--that was the ideal. All the same, he was shocked when she didn't get up in the morning. He tried not to be; but he was shocked. Rebelling, he would sometimes lie in bed himself till noon, on principle. It was a duty not to be a barbarian of the conscience. But it was a ver
y long time before he could genuinely enjoy his laziness.
Slug-abed habits were not the only things in Mary that distressed him. During those first months of their marriage he was often, secretly and against his own principles, shocked by her. Mary soon learnt to recognize the signs of his unexpressed disapproval and made a point, when she saw that she had shocked him, of shocking him yet more profoundly. The operation, she thought, did him nothing but good.
'You're such an absurd old puritan,' she told him.
The taunt annoyed him, because he knew it was well founded. By birth, to some extent, and yet more by training, he was half a puritan. His father had died when he was only a child and he had been brought up exclusively by a virtuous and religious mother who had done her best to abolish, to make him deny the existence of all the instinctive and physical components of his being. Growing up, he had revolted against her teaching, but with the mind only, not in practice. The conception of life against which he had rebelled was a part of him; he was at war against himself. Theoretically, he approved of Mary's easy aristocratic tolerance of behaviour which his mother had taught him was horribly sinful; he admired her unaffected enjoyment of food and wine and kisses, of dancing and singing, fairs and theatres and every kind of jollification. And yet, whenever, in those early days, she began to talk in her calm matter-of-fact way of what he had only heard of, portentously, as fornication and adultery, he felt a shock, not in his reason (for that, after a moment's reflection, approved), but in some deeper layer of his being. And the same part of him obscurely suffered from her great and whole-heartedly expressed capacity for pleasure and amusement, from her easy laughter, her excellent appetite, her unaffected sensuality. It took him a long time to unlearn the puritanism of his childhood. There were moments when his love for his mother turned almost to hatred.
'She had no right to bring me up like that,' he said. 'Like a Japanese gardener deliberately stunting a tree. No right.'
And yet he was glad that he had not been born a noble savage, like Mary. He was glad that circumstances had compelled him laboriously to learn his noble savagery. Later, when they had been married several years and had achieved an intimacy impossible in those first months of novelties, shocks and surprises, he was able to talk to her about these matters.
'Living comes to you too easily,' he tried to explain. 'You live by instinct. You know what to do quite naturally, like an insect when it comes out of the pupa. It's too simple, too simple.' He shook his head. 'You haven't earned your knowledge; you've never realized the alternatives.'
'In other words,' said Mary, 'I'm a fool.'
'No, a woman.'
'Which is your polite way of saying the same thing. But I'd like to know,' she went on with an irrelevance that was only apparent, 'where you'd be without me. I'd like to know what you'd be doing if you'd never met me.' She moved from stage to stage of an emotionally coherent argument.
'I'd be where I am and be doing exactly what I'm doing now.' He didn't mean it, of course; for he knew, better than anyone, how much he owed to her, how much he had learnt from her example and precept. But it amused him to annoy her.
'You know that's not true,' Mary was indignant.
'It is true.'
'It's a lie. And to prove it,' she added, 'I've a very good mind to go away with the children and leave you for a few months to stew in your own juice. I'd like to see how you get on without me.'
'I should get on perfectly well,' he assured her with exasperating calmness.
Mary flushed; she was beginning to be genuinely annoyed.'very well then,' she answered, ' I'll really go. This time I really will.' She had made the threat before; they quarrelled a good deal, for both were quick-tempered.
'Do,' said Rampion. 'But remember that two can play at that going-away game. When you go away from me, I go away from you.'
'We'll see how you get on without me,' she continued menacingly.
'And you?' he asked.
'What about me?'
'Do you imagine you can get on any better without me than I can get on without you?'
They looked at one another for a little time in silence and then, simultaneously, burst out laughing.
CHAPTER X
A regular technique,' Spandrell repeated. 'One chooses them unhappy, or dissatisfied, or wanting to go on the stage, or trying to write for the magazines and being rejected and consequently thinking they're dmes incomprises.' He was boastfully generalizing from the case of poor little Harriet Watkins. If he had just baldly recounted his affair with Harriet, it wouldn't have sounded such a very grand exploit. Harriet was such a pathetic, helpless little creature; anybody could have done her down. But generalized like this, as though her case was only one of hundreds, told in a language of the cookery book ('one chooses them unhappy'--it was one of Mrs. Beeton's recipes), the history sounded, he thought, most cynically impressive. 'And one starts by being very, very kind, and so wise, and perfectly pure, an elder brother, in fact. And they think one's really wonderful, because, of course, they've never met anybody who wasn't just a city man, with city ideas and city ambitions. Simply wonderful, because one knows all about art and has met all the celebrities and doesn't think exclusively about money and in terms of the morning paper. And they're a little in awe of one too,' he added remembering little Harriet's expression of scared admiration; 'one's so unrespectable and yet so high-class, so at ease and at home among the great works and the great men, so wicked but so extraordinarily good, so learned, so well travelled, so brilliantly cosmopolitan and West-End (have you ever heard a suburban talking of the West-End?), like that gentleman with the order of the Golden Fleece in the advertisements for De Reszke cigarettes. Yes, they're in awe of one; but at the same time they adore. One's so understanding, one knows so much about life in general and their souls in particular, and one isn't a bit flirtatious or saucy like ordinary men, not a bit. They feel they could trust one absolutely; and so they can, for the first weeks. One has to get them used to the trap; quite tame and trusting, trained not to shy at an occasional brotherly pat on the back or an occasional chaste uncle-ish kiss on the forehead. And meanwhile one coaxes out their little confidences, one makes them talk about love, one talks about it oneself in a man-to-man sort of way, as though they were one's own age and as sadly disillusioned and bitterly knowing as oneself--which they find terribly shocking (though of course they don't say so), but oh, so thrilling, so enormously flattering. They simply love you for that. Well then, finally, when the moment seems ripe and they're thoroughly domesticated and no more frightened, one stages the denouement. Tea in one's rooms--one's got them thoroughly used to coming with absolute impunity to one's rooms--and they're going to go out to dinner with one, so that there's no hurry. The twilight deepens, one talks disillusionedly and yet feelingly about the amorous mysteries, one produces cocktailsvery strong--and goes on talking so that they ingurgitate them absentmindedly without reflection. And sitting on the floor at their feet, one begins very gently stroking their ankles in an entirely platonic way, still talking about amorous philosophy, as though one were quite unconscious of what one's hand were doing. If that's not resented and the cocktails have done their work, the rest shouldn't be difficult. So at least I've always found.' Spandrell helped himself to more brandy and drank. 'But it's then, when they've become one's mistress that the fun really begins. It's then one deploys all one's Socratic talents. One develops their little temperaments, one domesticates them--still so wisely and sweetly and patiently--to every outrage of sensuality. It can be done, you know; the more easily, the more innocent they are. They can be brought in perfect ingenuousness to the most astonishing pitch of depravity.'
'I've no doubt they can,' said Mary indignantly. 'But what's the point of doing it?'
'It's an amusement,' said Spandrell with theatrical cynicism. 'It passes the time and relieves the tedium.'
'And above all,' Mark Rampion went on, without looking up from his coffee cup, ' above all it's a vengeance. It's a way of
getting one's own back on women, it's a way of punishing them for being women and so attractive, it's a way of expressing one's hatred of them and of what they represent, it's a way of i expressing one's hatred of oneself. The trouble with I you, Spandrell,' he went on, suddenly and accusingly raising his bright pale eyes to the other's face, 'is that you really hate yourself. You hate the very source of your life, its ultimate basis--for there's no denying it,'sex is fundamental. And you hate it, hate it.'
'Me?' It was a novel accusation. Spandrell was accustomed to hearing himself blamed for his excessive love of women and the sensual pleasures.
'Not only you. All these people.' With a jerk of his head he indicated the other diners. 'And all the respectable ones too. Practically everyone. It's the disease of modern man. I call it Jesus's disease on the analogy of Bright's disease. Or rather Jesus's and Newton's disease; for the scientists are as much responsible as the Christians. So are the big business men, for that matter. It's Jesus's and Newton's and Henry Ford's disease. Between them, the three have pretty well killed us. Ripped the life out of our bodies and stuffed us with hatred.'
Rampion was full of his subject. He had been busy all day on a drawing that symbolically illustrated it. Jesus, in the loin-cloth of the execution morning, and an overalled surgeon were represented, scalpel in hand, one on either side of an operating table, on which, foreshortened, the soles of his feet presented to the spectator, lay crucified a half-dissected man. From the horrible wound in his belly escaped a coil of entrails which, falling to the earth, mingled with those of the gashed and bleeding woman lying in the foreground, to be transformed by an allegorical metamorphosis into a whole people of living snakes. In the background receded a landscape of hills, dotted with black collieries and chimneys. On one side of the picture, behind the figure of Jesus, two angels--the spiritual product of the vivisectors' mutilations--were trying to rise on their outspread wings. Vainly, for their feet were entangled in the coils of the serpents. For all their efforts, they could not leave the earth.