Page 73 of The Abominable


  Churchill had been listening carefully, and now he nodded. “I’d best be getting back to work. When I finish that wall for what will be the final terrace extension to Clementine’s bedroom, I need to build another dam.” He waved his short arm and chubby hand to the left. “I built those ponds as well. Have always enjoyed looking at water and things that like to live in water.”

  The ponds were beautiful and natural-looking. But this time I said nothing.

  “Make yourself at home, as you Yanks like to say,” said Churchill. “If you’re hungry at all, tell Mason or Matthews; they’ll have cook make up a sandwich for you. The liquor’s in the drawing room, and there is some good whisky—Scotch, I believe you fellows call it on your side of the pond—in your suite. There are books in your room, but feel free to borrow from the library. If you can’t reach the book, it’s because you weren’t meant to be able to. Anything else is fair game. We’ll have sherry or whisky at six, dinner’s at seven thirty—early tonight because one of our guests had his people bring a projector with a motion picture for us to see later. Or for the children to see, I should say. I think you’ll find all our dinner guests amusing tonight, but three of them especially so. See you in a while, Mr. Perry.”

  The first guest I met was T. E. Lawrence—“Lawrence of Arabia,” the American reporter Lowell Thomas had called him during and after the War—who was descending the stairs for drinks just when I was. Lawrence was wearing the full robes of a prince of Arabia, complete with a jewel-handled curved dagger tucked in his sash.

  “Silly, I know,” he said after we’d introduced ourselves and shaken hands, “but the children love it.”

  We were soon joined by an older man whom Churchill called “Prof.” This was Professor F. A. Lindemann, and Lawrence later whispered to me that in 1916, when countless RAF pilots were dying because they were unable to get their flimsy paper and wood aircraft out of a flat spin, “Prof” Lindemann had worked out, using advanced mathematics, a maneuver which he announced would bring any aircraft out of even the worst tailspin. When the RAF establishment and the pilots said the maneuver wouldn’t work—according to Lawrence, who was still wearing his rather effeminate white cotton headdress and headband as he told me all this—the professor had taught himself how to fly, taken up a SPAD while wearing no parachute, deliberately put the craft into the worst flat spin imaginable, and deftly pulled it out—using his mathematically concocted maneuver—with hundreds of feet to spare. Evidently the secret was in getting one’s hands and feet off the controls; the aircraft, said Professor Lindemann, wanted to fly straight and level and would do so if the pilot left it alone. It was, he announced, all the correcting and overcorrecting inputs to the controls that turned spins into death spins. And then, according to Lawrence, the “Prof” had taken up another, older biplane, set it into a terrible spin, and allowed it to recover yet again.

  After that, T. E. Lawrence assured me, all RAF pilots were required to learn the Prof’s maneuver.

  During dinner that night—there were about a dozen people at the table, including the children: a sixteen-year-old daughter, Diana; a son, Randolph, who looked to be about fourteen; and an eleven-year-old girl named Sarah, as well as two cousins, a boy and a girl (whose names I forget) roughly the ages of Diana and Randolph—Churchill challenged Prof to “tell us in words of one syllable, and taking no longer than five minutes, what this quantum theory rubbish is all about.”

  While Churchill checked the watch from his waistcoat pocket, Professor Lindemann did so with twenty seconds to spare. Everyone at the table, including me, burst into applause. I’d actually understood it.

  The other “special guest” for that night’s dinner had taken me aback somewhat when I first saw him in the drawing room accepting a large glass of chilled champagne.

  It was, I saw, Adolf Hitler. I’d been reminded of that name during my month of convalescing—in truth, merely waiting in hopes that the Deacon and Reggie would show up someday—with Dr. Pasang at the tea plantation. I’d read everything I could get, at the plantation and during the weeks on the boat coming back from India, about Herr Hitler.

  And here Hitler was—for a moment I was filled with a terrible indecision (not what I should do, had to do, but how could I do it then and there?)—but then I noticed the wavy hair and pleasant expression, the slightly longer bone structure in the face, and realized it was only the fake mustache—which he removed after amusing the children but before dinner—that really caused the resemblance. This man, as Churchill introduced us, was Charles Chaplin, who although born in England was now a fellow U.S. resident.

  This, then, was why we were dining earlier that evening and the children dining with us—Chaplin had brought his most recent release (along with a portable cinema projector) to show us his new movie after dinner, before it got too late for the children.

  But as pleasant and smiling as Chaplin was, he irritated our host even before drinks were finished and we were shown into the long dining room. Chaplin, it seemed, was very serious about his politics, and was pressing Churchill on why the Chancellor of the Exchequer and the Baldwin government had insisted on going back onto the gold standard. “It will hurt your economy, you know,” pressed Chaplin over drinks. “Most of all, it will hurt the poor people as the prices of everything will go up.”

  Churchill obviously hated being told he was wrong, much less confronted with such an argument in his own home, so he was in a full, silent sulk by the time we all found our places around the table.

  But then Chaplin did an odd thing to break the ice. “Since I have to get back to London tonight and we may not have time to chat after I show our new movie to you, I’ll give you a preview of it here at the dinner table,” he said. He’d brought a print of his new four-reeler called The Gold Rush, which had premiered in the States in June but not yet reached England.

  Chaplin took two forks and stabbed them into two dinner rolls. “My Little Tramp,” said the actor, “is up in Alaska hunting for gold and trying to impress a young woman he’s met. At least in his fantasy, he’s with her and trying to impress her. And since he cannot speak, he communicates with her in this way instead.”

  And with that, the political, serious Charlie Chaplin disappeared and a smiling, lovable version of his Little Tramp character appeared, shoulders hunched over his forks and the dinner rolls as if the rolls were his feet, the forks dug into the rolls his legs, and he proceeded to do a little dance with the rolls and forks, humming the tune as he went, even doing high kicks and athletic “splits” with the forks and rolls, and finally ending it with a dinner-roll-and-forks curtsey and Little Tramp simper.

  Everyone applauded again. The ice had been truly broken. Churchill, who’d laughed hardest of all, became his gregarious, host-like self again, all signs of his petulance fled.

  There was one other odd moment to the otherwise witty and delightful dinner. At one point T. E. Lawrence leaned over the table toward Chaplin on the other side, the silk wings of Lawrence’s headdress almost dipping into the sorbet, and he said to the movie star, “Chaplin, Chaplin. Is that Jewish? Are you a Jew, sir?”

  Chaplin’s smile never wavered. He raised his glass of white wine—we were having pheasant—in Lawrence’s direction and said, “Alas, I did not have that honor at birth, Mr. Lawrence.”

  Later, when the children and guests were rushing into the long drawing room where chairs and the projector had been set up, I excused myself—saying I was tired, which I was—and shook hands with Chaplin, telling him that I hoped we might meet again someday. He returned the warm handshake and wished me the same.

  Then I went up to my room and to sleep while gales of laughter floated up from the main floor for the next ninety minutes or so.

  I was awakened—softly but insistently by the servant named Mason—in what felt like the middle of the night. My father’s watch said it was just before four a.m.

  “If you do not mind the hour, sir,” whispered Mason as he held a candle, “Mr. Chur
chill is in his study, just finishing his work, and would like to speak with you now.”

  I did mind. I minded not only the rudeness of the hour and being so summarily summoned to the Great Man’s study at his whim, I minded everything. The previous evening’s dinner and conversation had been interesting—meeting Charlie Chaplin had been an experience outside my realm of reality—but no amount of social niceties could make up for the anger and despair I still felt about what had happened on Mount Everest and why my friends had been sent there. My heart was filled with darkness, and I was in no mood for any more witty chatter or social merrymaking. I resolved to ask the Minister of the Exchequer directly and bluntly why he thought he had the power to waste lives such as Percival Bromley’s, Jean-Claude Clairoux’s, Richard Davis Deacon’s, Lady Bromley-Montfort’s, or the lives of the fine Sherpas who’d died and the young Austrian Kurt Meyer, who—I wanted to track down T. E. Lawrence and shout in his face—had been a Jew. And one with more balls than any silk-dress-wearing English-Arab fop I’d ever met.

  I must still have been frowning when I joined Churchill in his study. Despite my black mood, I had to acknowledge to myself that the top-floor room was impressive. Being shown in by Mason through a Tudor doorway decorated with what I later learned was called a molded architrave—Mason silently slipped away and equally silently closed the door behind him—I looked around and up. And up. The ceiling had obviously been removed and now revealed vaulting beams and rafters that looked to be as old and solid as England itself. The huge room had broad and faded carpets on the floor, but much of the center part of the space was empty. Built into the high wall were bookcases overflowing with volumes (and I’d already seen that the downstairs library would have been sufficient to serve the reading needs of any mid-sized city in the American Midwest). There were a few chairs scattered around and a couple of low writing desks, including one magnificently carved mahogany desk with a comfortable upholstered chair behind it, but Churchill was standing and writing at a high slanted desk made of old, unvarnished wood.

  “A Disraeli desk,” barked Churchill. “Our Victorian predecessors liked to work standing up.” He touched the ink-stained slanted writing surface carefully, as if he were caressing it. “Not Disraeli’s actual desk, of course. I had a local carpenter knock it up for me.”

  I stood there, feeling foolish in my robe and slippers. But I’d seen immediately that Mr. Churchill was in his robe and slippers: the robe a silken explosion of green, gold, and scarlet threads. His ill-fitting slippers made a sound—hirff, hirff, hirff—whenever he moved, as he did now to pour a sizable glass of whisky for each of us. I took the glass but did not drink.

  Churchill noticed me glancing up again at the high rafters and old paintings on the wall.

  “This happens to be the oldest part of Chartwell,” rumbled Churchill. “It dates to ten eighty-six A.D., just twenty years after the Battle of Hastings. I do my writing in here. Did you know that I make my living as a writer? Mostly historical tomes. Usually I dictate to one secretary, who has to be good at her shorthand to keep up. Tonight, since I’m working on two volumes simultaneously, I’ve been dictating to two young ladies. I also had two of my male researchers here helping me. You must have just missed them all on the staircase.”

  I nodded but kept silent. We continued to stand facing each other. Churchill sipped his whisky. I ignored mine.

  “You’re angry, Mr. Perry,” he said over the top of his whisky glass. His bright little eyes missed nothing but kept moving from side to side, as if staying wary that no one was sneaking up on him.

  I gave him my best approximation of J.C.’s Gallic shrug.

  Churchill smiled. “I don’t blame you for being angry. But what are you angriest at, young man? The sordid nature of the photographs you delivered to me yesterday or the seeming waste of your friends’ and others’ lives in obtaining those nasty things?”

  We moved toward two chairs set near the large mahogany writing desk—the desk’s surface uncluttered and, to all appearances, unused by the writer whose books and manuscript pages were all stacked on the long, high Disraeli desk—but we didn’t sit down.

  “I’m wondering, Mister Churchill,” I said, “exactly what makes a turncoat politician, someone who can’t even decide which party he should be in—as long as he clings to power in one or the other—decide that anyone should die for anything.”

  Churchill’s head snapped back, and he seemed to see me for the first time. For a moment, the entire household was silent except for a clock chiming four somewhere three flights down. I don’t think either Churchill or I blinked during that interval, much less spoke.

  Finally the pudgy Chancellor of the Exchequer in his bold silken robe said, “Did you know, Mr. Perry, that my mother was American?”

  “No,” I said, allowing the flatness of my tone to express my total lack of interest in the fact.

  “It may be the reason that I have always been rather interested in American politics as well as British politics, not to mention what passes for politics on the Continent. Would you like to know the major difference between politics in your country and in the United Kingdom, Mr. Perry?”

  Not much, I thought, but stayed silent.

  “I don’t pretend to know who President Coolidge’s cabinet advisors really are,” said Churchill, just as if I were interested. “Perhaps at first he kept on some of Harding’s people after your previous president’s sudden death in California. But I guarantee, Mr. Perry, that after Mr. Coolidge’s election on his own last year, defeating that weak Democrat Davis and that rather interesting Progressive chap, La Follette, Calvin Coolidge has not only become his own man but has, by now, fully surrounded himself with his own men. Does this make any sense to you, young man?”

  “No,” I said. I was thinking of J.C. grappling with Sturmbannführer Sigl and the air rushing out of Jean-Claude’s perforated oxygen tanks as both men fell through the snow cornice into 10,000 feet of empty air. I was thinking of the last glimpse I had of Reggie’s and the Deacon’s faces before they turned west and started climbing the last of the North East Ridge onto the snowfield toward the Summit Pyramid.

  “What I’m saying, Jake…may I call you Jake?”

  I remained silent, just staring coldly at the heavy man with the babyish face.

  “What I’m saying, Mr. Perry, is that American parties elect their presidents, but those presidents’ advisors and cabinets change from election to election. President Coolidge even replaced a few of President Harding’s lower choices after Harding’s death…before Coolidge was his own man.”

  “What are you trying to say?” I demanded.

  “I’m saying that in England, things do not work that way, Mr. Perry. Different parties win and different prime ministers move in and out of power along with their parties but the same basic core of the political class—politicians, you would say— stay in power over the decades. I will be only fifty-one years old as of this coming November, and yet in my few decades of public life I have been President of the Board of Trade, Home Secretary, First Lord of the Admiralty…until the fiasco that was Gallipoli…then in the army fighting at the Front for a bit, then back to the corridors of power as Minister of Munitions, Secretary of State for War, then Secretary of State for Air, and now Chancellor of the Exchequer.”

  I waited. Finally I took a drink of the Scotch whisky. It was strong and smooth. It did nothing to settle my nerves or lower my level of anger.

  “A British politician such as myself needs to keep a network of friends—and even foes—tied to him, you see,” continued Churchill, “even when we are out of power. And those of us who have run intelligence operations in the army or navy or ministries of state or war—or, in my case, all four—do not abandon those networks. Information is power, Mr. Perry, and the proper intelligence, however gathered, can mean the life or death of one’s nation and empire.”

  “A very impressive résumé,” I said, trying to make all four words of the sentence sound sa
rcastic. “But what does it have to do with a private citizen such as yourself ordering good men and women into harm’s way to steal some…filthy photographs?”

  Churchill sighed. “I agree that the entire affair—the entire intelligence effort—of obtaining such images from Herr Meyer was sordid, Mr. Perry. Most actual intelligence work is sordid. Yet at times it is the most sordid elements of life which make for the most effective weapons of war or peace.”

  I barked a laugh at this. “You’re not going to convince me that a few photographs of that German…that mustachioed clown and madman…are going to make any difference to the future safety of England or any other country.”

  Churchill shrugged his shoulders. Such a motion for such a heavy man wearing such a fancy robe gave a sort of vague Oliver Hardy feel to the gesture. “Those photographs may make a great difference,” said Churchill, and his voice changed. I sensed he was using his public voice on me—a goddamned radio voice. He reached for a book he’d been reading when I arrived and which he’d laid facedown to one side of a counter near the mahogany desk. “I have here an advance copy of the book that Herr Adolf Hitler spent his time in prison writing and months while you were in the Himalayas rewriting and copyediting and, in general, making perfect for his small but fanatical readership. Herr Hitler wanted to title this monstrous thing—and I assure you, it is monstrous, Mr. Perry—Vierinhalb Jahre Kampf gegen Lüge, Dummheit und Feigheit, roughly translated as ‘Four and a Half Years of Struggle Against Lies, Stupidity, and Cowardice.’ As one writer to another, Mr. Perry, I could have told Herr Hitler that his title would not sell books. Luckily—for Hitler—his German publisher shortened the title of the actual published book to Mein Kampf, ‘My Struggle.’”