But we soon realized that Miss Forbes was not as strict with herself as she was with us, and this was the first chink in her authority. In the beginning she stayed on the beach under the multicolored umbrella, dressed for war and reading ballads by Schiller, while Oreste taught us to dive, and then, for hours and hours, she gave us theoretical lectures on proper behavior in society, until it was time for lunch.
One day she asked Oreste to take her in his boat to the hotel tourist shops, and she came back with a one-piece bathing suit as black and iridescent as a sealskin, yet she never went in the water. She sunbathed on the beach while we swam, and wiped away the perspiration with a towel but did not take a shower, so that after three days she looked like a boiled lobster and the smell of her civilization had become unbreathable.
At night she gave vent to her emotions. From the very start of her reign we heard someone walking through the house, feeling his way in the darkness, and my brother was tormented by the idea that it was one of the wandering drowning victims that Fulvia Flaminea had told us so much about. We soon discovered, however, that it was Miss Forbes, who spent the night living her real life as a lonely woman, which she herself would have censured during the day. One morning at dawn we surprised her in the kitchen in her schoolgirl's nightdress, preparing her splendid desserts. Her entire body, including her face, was covered with flour, and she was drinking a glass of port with a mental abandon that would have scandalized the other Miss Forbes. By then we knew that after we were in bed she did not go to her bedroom but went down to swim in secret, or stayed in the living room until very late, watching movies forbidden to minors on television, with the sound turned off, eating entire cakes and even drinking from the bottle of special wine that my father saved with so much devotion for memorable occasions. In defiance of her own sermons on austerity and composure, she wolfed everything down, choking on it with a kind of uncontrolled passion. Later we heard her talking to herself in her room, we heard her reciting complete excerpts from Die Jungfrau von Orleans in melodious German, we heard her singing, we heard her sobbing in her bed until dawn, and then she would appear at breakfast, her eyes swollen with tears, more gloomy and authoritarian than ever. My brother and I were never again as unhappy as we were then, but I was prepared to endure her to the end, for I knew that in any case her word would prevail over ours. My brother, however, confronted her with all the force of his character, and the summer of happiness became hellish for us. The episode of the moray eel was the final straw. That same night, as we lay in our beds listening to the incessant coming and going of Miss Forbes in the sleeping house, my brother released all the hatred rotting in his soul.
"I'm going to kill her," he said.
I was surprised, not so much by his decision as by the fact that I had been thinking the same thing since supper. I tried, however, to dissuade him.
"They'll cut off your head," I told him.
"They don't have guillotines in Sicily," he said. "Besides, nobody will know who did it."
I thought about the amphora salvaged from the water, where the dregs of fatal wine still lay. My father had kept it because he wanted a more thorough analysis to determine the nature of the poison, which could not be the product of the simple passage of time. Using the wine on Miss Forbes would be so easy that nobody would think it was not an accident or suicide. And so at dawn, when we heard her collapse, exhausted by the rigors of her vigil, we poured wine from the amphora into my father's bottle of special wine. From what we had heard, that dose was enough to kill a horse.
We ate breakfast in the kitchen at nine o'clock sharp, Miss Forbes herself serving us the sweet rolls that Fulvia Flaminea left on the top of the stove very early in the morning. Two days after we had substituted the wine, while we were having breakfast, my brother let me know with a disillusioned glance that the poisoned bottle stood untouched on the sideboard. That was a Friday, and the bottle remained untouched over the weekend. Then on Tuesday night, Miss Forbes drank half the wine while she watched dissolute movies on television.
Yet on Wednesday she came to breakfast with her customary punctuality. As usual, her face looked as if she had spent a bad night; as always, her eyes were uneasy behind the heavy glasses, and they became even more uneasy when she found a letter with German stamps in the basket of rolls. She read it while she drank her coffee, which she had told us so many times one must not do, and while she read, flashes of light radiating from the written words passed over her face. Then she removed the stamps from the envelope and put them in the basket with the remaining rolls so that Fulvia Flaminea's husband could have them for his collection. Despite her initial bad experience, she accompanied us that day in our exploration of the ocean depths, and we wandered through a sea of delicate water until the air in our tanks began to run out, and we went home without our lesson in good manners. Not only was Miss Forbes in a floral mood all day, but at supper she seemed even more animated. My brother, however, could not tolerate his disappointment. As soon as we received the order to begin, he pushed away the plate of vermicelli soup with a provocative gesture.
"This worm water gives me a pain in the ass," he said.
It was as if he had tossed a grenade on the table. Miss Forbes turned pale, her lips hardened until the smoke of the explosion began to clear away, and the lenses of her glasses blurred with tears. Then she took them off, dried them with her napkin, placed the napkin on the table with the bitterness of an inglorious defeat, and stood up.
"Do whatever you wish," she said. "I do not exist."
She was locked in her room from seven o'clock on. But before midnight, when she supposed we were asleep, we saw her pass by in her schoolgirl's nightdress, carrying half a chocolate cake and the bottle with more than four fingers of poisoned wine back to her bedroom. I felt a tremor of pity.
"Poor Miss Forbes," I said.
My brother did not breathe easy.
"Poor us if she doesn't die tonight," he said.
That night she talked to herself again for a long time, declaimed Schiller in a loud voice inspired by a frenetic madness, and ended with a final shout that filled the entire house. Then she sighed many times from the depths of her soul and succumbed with a sad, continuous whistle like a boat adrift. When we awoke, still exhausted by the tension of the night, the sun was cutting through the blinds but the house seemed submerged in a pond. Then we realized it was almost ten and we had not been awakened by Miss Forbes's morning routine. We did not hear the toilet flush at eight, or the faucet turn in the sink, or the noise of the blinds, or the metallic sound of her boots, or the three mortal blows on the door with the flat of her slave driver's hand. My brother put his ear to the wall, held his breath in order to detect the slightest sign of life from the next room, and at last breathed a sigh of liberation.
"That's it!" he said. "All you can hear is the ocean."
We prepared our breakfast a little before eleven, and then, before Fulvia Flaminea arrived with her troop of cats to clean the house, we went down to the beach with two air tanks each and another two as spares. Oreste was already on the dock, gutting a six-pound gilthead he had just caught. We told him we had waited for Miss Forbes until eleven, and since she was still sleeping we decided to come down to the ocean by ourselves. We told him too that she had suffered an attack of weeping at the table the night before, and perhaps she had not slept well and wanted to stay in bed. Just as we expected, Oreste was not very interested in our explanation, and he accompanied us on our pillaging of the ocean floor for a little more than an hour. Then he told us we should go up for lunch, and left in his boat to sell the gilthead at the tourist hotels. We waved good-bye from the stone steps, making him think we were about to climb up to the house, until he disappeared around the cliff. Then we put on our air tanks and continued to swim without anyone's permission.
The day was cloudy and there was a rumble of dark thunder on the horizon, but the sea was smooth and clear and its own light was enough. We swam on the surface to the line of
the Pantelleria lighthouse, then turned a hundred meters to the right and dove at the spot where we calculated we had seen the torpedoes at the beginning of the summer. There they were: six of them, painted sun-yellow with their serial numbers intact, and lying on the volcanic bottom in an order too perfect to be accidental. We kept circling the lighthouse, looking for the submerged city that Fulvia Flaminea had told us about so often, and with so much awe, but we could not find it. After two hours, convinced there were no new mysteries to discover, we surfaced with our last gulp of oxygen.
A summer storm had broken while we were swimming, the sea was rough, and a flock of bloodthirsty birds flew with fierce screams over the trail of dying fish on the beach. Yet without Miss Forbes the afternoon light seemed brand-new and life was good. But when we finished struggling up the steps cut into the cliff, we saw a crowd of people at the house and two police cars by the door, and for the first time we were conscious of what we had done. My brother began to tremble and tried to turn back.
"I'm not going in," he said.
I, on the other hand, had the confused notion that if we just looked at the body we would be safe from all suspicion.
"Take it easy," I told him. "Take a deep breath, and think about just one thing: We don't know anything."
No one paid attention to us. We left our tanks, masks, and flippers at the gate and went to the side veranda, where two men sat on the floor next to a stretcher and smoked. Then we realized there was an ambulance at the back door, and several soldiers armed with rifles. In the living room women from the area were sitting on chairs that had been pushed against the wall and praying in dialect, while their men crowded into the courtyard talking about anything that did not have to do with death. I squeezed my brother's hard, icy hand even tighter, and we walked into the house through the back door. Our bedroom door was open, and the room was just as we had left it that morning. In Miss Forbes's room, which was next to ours, an armed carabineriere stood guarding the entrance, but the door was open. We walked toward it with heavy hearts, and before we had a chance to look in, Fulvia Flaminea came out of the kitchen like a bolt of lightning and shut the door with a scream of horror:
"For God's sake, figlioli, don't look at her!"
It was too late. Never, for the rest of our lives, would we forget what we saw in that fleeting instant. Two plain-clothesmen were measuring the distance from the bed to the wall with a tape, while another was taking pictures with a black-sleeve camera like the ones park photographers used. Miss Forbes was not on the unmade bed. She was stretched on her side, naked in a pool of dried blood that had stained the entire floor, and her body was riddled by stab wounds. There were twenty-seven fatal cuts, and by their number and brutality one could see that the attack had been made with the fury of a love that found no peace, and that Miss Forbes had received it with the same passion, without even screaming or crying, reciting Schiller in her beautiful soldier's voice, conscious of the fact that this was the inexorable price of her summer of happiness.
1976
Light Is Like Water
AT CHRISTMAS the boys asked again for a rowboat.
"Okay," said their papa, "we'll buy it when we get back to Cartagena."
Toto, who was nine years old, and Joel, who was seven, were more determined than their parents believed.
"No," they said in chorus. "We need it here and now."
"To begin with," said their mother, "the only navigable water here is what comes out of the shower."
She and her husband were both right. Their house in Cartagena de Indias had a yard with a dock on the bay, and a shed that could hold two large yachts. Here in Madrid, on the other hand, they were crowded into a fifth-floor apartment at 47 Paseo de la Castellana. But in the end neither of them could refuse, because they had promised the children a rowboat complete with sextant and compass if they won their class prizes in elementary school, and they had. And so their papa bought everything and said nothing to his wife, who was more reluctant than he to pay gambling debts. It was a beautiful aluminum boat with a gold stripe at the waterline.
"The boat's in the garage," their papa announced at lunch. "The problem is, there's no way to bring it up in the elevator or by the stairs, and there's no more space available in the garage."
On the following Saturday afternoon, however, the boys invited their classmates to help bring the boat up the stairs, and they managed to carry it as far as the maid's room.
"Congratulations," said their papa. "Now what?"
"Now nothing," said the boys. "All we wanted was to have the boat in the room, and now it's there."
On Wednesday night, as they did every Wednesday, the parents went to the movies. The boys, lords and masters of the house, closed the doors and windows and broke the glowing bulb in one of the living room lamps. A jet of golden light as cool as water began to pour out of the broken bulb, and they let it run to a depth of almost three feet. Then they turned off the electricity, took out the rowboat, and navigated at will among the islands in the house.
This fabulous adventure was the result of a frivolous remark I made while taking part in a seminar on the poetry of household objects. Toto asked me why the light went on with just the touch of a switch, and I did not have the courage to think about it twice.
"Light is like water," I answered. "You turn the tap and out it comes."
And so they continued sailing every Wednesday night, learning how to use the sextant and the compass, until their parents came home from the movies and found them sleeping like angels on dry land. Months later, longing to go farther, they asked for complete skin-diving outfits: masks, fins, tanks, and compressed-air rifles.
"It's bad enough you've put a rowboat you can't use in the maid's room," said their father. "To make it even worse, now you want diving equipment too."
"What if we win the Gold Gardenia Prize for the first semester?" said Joel.
"No," said their mother in alarm. "That's enough."
Their father reproached her for being intransigent.
"These kids don't win so much as a nail when it comes to doing what they're supposed to," she said, "but to get what they want they're capable of taking it all, even the teacher's chair."
In the end the parents did not say yes or no. But in July, Toto and Joel each won a Gold Gardenia and the public recognition of the headmaster. That same afternoon, without having to ask again, they found the diving outfits in their original packing in their bedroom. And so the following Wednesday, while their parents were at the movies seeing Last Tango in Paris, they filled the apartment to a depth of two fathoms, dove like tame sharks under the furniture, including the beds, and salvaged from the bottom of the light things that had been lost in darkness for years.
At the end-of-the-year awards ceremony, the brothers were acclaimed as examples for the entire school and received certificates of excellence. This time they did not have to ask for anything, because their parents asked them what they wanted. They were so reasonable that all they wanted was a party at home as a treat for their classmates.
Their papa, when he was alone with his wife, was radiant.
"It's a proof of their maturity," he said.
"From your lips to God's ear," said their mother.
The following Wednesday, while their parents were watching The Battle of Algiers, people walking along the Paseo de la Castellana saw a cascade of light falling from an old building hidden among the trees. It spilled over the balconies, poured in torrents down the facade, and rushed along the great avenue in a golden flood that lit the city all the way to the Guadarrama.
In response to the emergency, firemen forced the door on the fifth floor and found the apartment brimming with light all the way to the ceiling. The sofa and easy chairs covered in leopard skin were floating at different levels in the living room, among the bottles from the bar and the grand piano with its Manila shawl that fluttered half submerged like a golden manta ray. Household objects, in the fullness of their poetry, flew with their o
wn wings through the kitchen sky. The marching-band instruments that the children used for dancing drifted among the bright-colored fish freed from their mother's aquarium, which were the only creatures alive and happy in the vast illuminated marsh. Everyone's toothbrush floated in the bathroom, along with Papa's condoms and Mama's jars of creams and her spare bridge, and the television set from the master bedroom floated on its side, still tuned to the final episode of the midnight movie for adults only.
At the end of the hall, moving with the current and clutching the oars, with his mask on and only enough air to reach port, Toto sat in the stern of the boat, searching for the lighthouse, and Joel, floating in the prow, still looked for the north star with the sextant, and floating through the entire house were their thirty-seven classmates, eternalized in the moment of peeing into the pot of geraniums, singing the school song with the words changed to make fun of the headmaster, sneaking a glass of brandy from Papa's bottle. For they had turned on so many lights at the same time that the apartment had flooded, and two entire classes at the elementary school of Saint Julian the Hospitaler drowned on the fifth floor of 47 Paseo de la Castellana. In Madrid, Spain, a remote city of burning summers and icy winds, with no ocean or river, whose landbound indigenous population had never mastered the science of navigating on light.
DECEMBER 1978
The Trail of Your Blood in the Snow
AT NIGHTFALL, when they reached the frontier, Nena Daconte realized that her finger with the wedding band on it was still bleeding. The Civil Guardsman, a rough wool blanket covering his patent-leather tricorn hat, examined their passports in the light of a carbide lantern as he struggled to keep his footing in the fierce wind blowing out of the Pyrenees. Although the two diplomatic passports were in perfect order, the guard raised the lantern to make certain that the photographs resembled their faces. Nena Daconte was almost a child, with the eyes of a happy bird, and molasses skin still radiant with the bright Caribbean sun in the mournful January gloom, and she was wrapped up to her chin in a mink coat that could not have been bought with the year's wages of the entire frontier garrison. Her husband, Billy Sanchez de Avila, who drove the car, was a year younger and almost as beautiful, and he wore a plaid jacket and a baseball hat. Unlike his wife, he was tall and athletic and had the iron jaw of a timid thug. But what best revealed the status of them both was the silver automobile whose interior exhaled a breath of living animal; nothing like it had ever been seen along that impoverished border. The rear seat overflowed with suitcases that were too new and many gift boxes that were still unopened. It also held the tenor saxophone that had been the overriding passion of Nena Daconte's life before she succumbed to the disquieting love of her tender beach hoodlum.