"I dreamed about that woman who dreams," he said.
Matilde wanted him to tell her his dream.
"I dreamed she was dreaming about me," he said.
"That's right out of Borges," I said.
He looked at me in disappointment.
"Has he written it already?"
"If he hasn't he'll write it sometime," I said. "It will be one of his labyrinths."
As soon as he boarded the ship at six that evening, Neruda took his leave of us, sat down at an isolated table, and began to write fluid verses in the green ink he used for drawing flowers and fish and birds when he dedicated his books. At the first "All ashore" we looked for Frau Frieda, and found her at last on the tourist deck, just as we were about to leave without saying good-bye. She too had taken a siesta.
"I dreamed about the poet," she said.
In astonishment I asked her to tell me her dream.
"I dreamed he was dreaming about me," she said, and my look of amazement disconcerted her. "What did you expect? Sometimes, with all my dreams, one slips in that has nothing to do with real life."
I never saw her again or even wondered about her until I heard about the snake ring on the woman who died in the Havana Riviera disaster. And I could not resist the temptation of questioning the Portuguese ambassador when we happened to meet some months later at a diplomatic reception. The ambassador spoke about her with great enthusiasm and enormous admiration. "You cannot imagine how extraordinary she was," he said. "You would have been obliged to write a story about her." And he went on in the same tone, with surprising details, but without the clue that would have allowed me to come to a final conclusion.
"In concrete terms," I asked at last, "what did she do?"
"Nothing," he said, with a certain disenchantment. "She dreamed."
MARCH 1980
"I Only Came to Use the Phone"
ONE RAINY spring afternoon, while Maria de la Luz Cervantes was driving alone back to Barcelona, her rented car broke down in the Monegros desert. She was twenty-seven years old, a thoughtful, pretty Mexican who had enjoyed a certain fame as a music hall performer a few years earlier. She was married to a cabaret magician, whom she was to meet later that day after visiting some relatives in Zaragoza. For an hour she made desperate signals to the cars and trucks that sped past her in the storm, until at last the driver of a ramshackle bus took pity on her. He did warn her, however, that he was not going very far.
"It doesn't matter," said Maria. "All I need is a telephone."
That was true, and she needed it only to let her husband know that she would not be home before seven. Wearing a student's coat and beach shoes in April, she looked like a bedraggled little bird, and she was so distraught after her mishap that she forgot to take the car keys. A woman with a military air was sitting next to the driver, and she gave Maria a towel and a blanket and made room for her on the seat. Maria wiped off the worst of the rain and then sat down, wrapped herself in the blanket, and tried to light a cigarette, but her matches were wet. The woman sharing the seat gave her a light and asked for one of the few cigarettes that were still dry. While they smoked, Maria gave in to a desire to vent her feelings and raised her voice over the noise of the rain and the clatter of the bus. The woman interrupted her by placing a forefinger to her lips.
"They're asleep," she whispered.
Maria looked over her shoulder and saw that the bus was full of women of uncertain ages and varying conditions who were sleeping in blankets just like hers. Their serenity was contagious, and Maria curled up in her seat and succumbed to the sound of the rain. When she awoke, it was dark and the storm had dissolved into an icy drizzle. She had no idea how long she had slept or what place in the world they had come to. Her neighbor looked watchful.
"Where are we?" Maria asked.
"We've arrived," answered the woman.
The bus was entering the cobbled courtyard of an enormous, gloomy building that seemed to be an old convent in a forest of colossal trees. The passengers, just visible in the dim light of a lamp in the courtyard, sat motionless until the woman with the military air ordered them out of the bus with the kind of primitive directions used in nursery school. They were all older women, and their movements were so lethargic in the half-light of the courtyard that they looked like images in a dream. Maria, the last to climb down, thought they were nuns. She was less certain when she saw several women in uniform who received them at the door of the bus, pulled the blankets over their heads to keep them dry, and lined them up single file, directing them not by speaking but with rhythmic, peremptory clapping. Maria said goodbye and tried to give the blanket to the woman whose seat she had shared, but the woman told her to use it to cover her head while she crossed the courtyard and then return it at the porter's office.
"Is there a telephone?" Maria asked.
"Of course," said the woman. "They'll show you where it is."
She asked for another cigarette, and Maria gave her the rest of the damp pack. "They'll dry on the way," she said. The woman waved goodbye from the running board, and called "Good luck" in a voice that was almost a shout. The bus pulled away without giving her time to say anything else.
Maria started running toward the doorway of the building. A matron tried to stop her with an energetic clap of the hands, but had to resort to an imperious shout: "Stop, I said!" Maria looked out from under the blanket and saw a pair of icy eyes and an inescapable forefinger pointing her into the line. She obeyed. Once inside the vestibule she separated from the group and asked the porter where the telephone was. One of the matrons returned her to the line with little pats on the shoulder while she said in a saccharine voice:
"This way, beautiful, the telephone's this way."
Maria walked with the other women down a dim corridor until they came to a communal dormitory, where the matrons collected the blankets and began to assign beds. Another matron, who seemed more humane and of higher rank to Maria, walked down the line comparing a list of names with those written on cardboard tags stitched to the bodices of the new arrivals. When she reached Maria, she was surprised to see that she was not wearing her identification.
"I only came to use the phone," Maria told her.
She explained with great urgency that her car had broken down on the highway. Her husband, who performed magic tricks at parties, was waiting for her in Barcelona because they had three engagements before midnight, and she wanted to let him know she would not be there in time to go with him. It was almost seven o'clock. He had to leave home in ten minutes, and she was afraid he would cancel everything because she was late. The matron appeared to listen to her with attention.
"What's your name?" she asked.
Maria said her name with a sigh of relief, but the woman did not find it after going over the list several times. With some alarm she questioned another matron, who had nothing to say and shrugged her shoulders.
"But I only came to use the phone," said Maria.
"Sure, honey," the supervisor told her, escorting her to her bed with a sweetness that was too patent to be real, "if you're good you can call anybody you want. But not now, tomorrow."
Then something clicked in Maria's mind, and she understood why the women on the bus moved as if they were on the bottom of an aquarium. They were, in fact, sedated with tranquilizers, and that dark palace with the thick stone walls and frozen stairways was really a hospital for female mental patients. She raced out of the dormitory in dismay, but before she could reach the main door a gigantic matron wearing mechanic's coveralls stopped her with a blow of her huge hand and held her immobile on the floor in an armlock. Maria, paralyzed with terror, looked at her sideways.
"For the love of God," she said. "I swear by my dead mother I only came to use the phone."
Just one glance at her face was enough for Maria to know that no amount of pleading would move that maniac in coveralls who was called Herculina because of her uncommon strength. She was in charge of difficult cases, and two inm
ates had been strangled to death by her polar bear arm skilled in the art of killing by mistake. It was established that the first case had been an accident. The second proved less clear, and Herculina was admonished and warned that the next time she would be subjected to a thorough investigation. The accepted story was that this black sheep of a fine old family had a dubious history of suspicious accidents in various mental hospitals throughout Spain.
They had to inject Maria with a sedative to make her sleep the first night. When a longing to smoke roused her before dawn, she was tied to the metal bars of the bed by her wrists and ankles. She shouted, but no one came. In the morning, while her husband could find no trace of her in Barcelona, she had to be taken to the infirmary, for they found her senseless in a swamp of her own misery.
When she regained consciousness she did not know how much time had passed. But now the world seemed a haven of love. Beside her bed, a monumental old man with a flat-footed walk and a calming smile gave her back her joy in being alive with two masterful passes of his hand. He was the director of the sanatorium.
Before saying anything to him, without even greeting him, Maria asked for a cigarette. He lit one and handed it to her, along with the pack, which was almost full. Maria could not hold back her tears.
"Now is the time to cry to your heart's content," the doctor said in a soporific voice. "Tears are the best medicine."
Maria unburdened herself without shame, as she had never been able to do with her casual lovers in the empty times that followed lovemaking. As he listened, the doctor smoothed her hair with his fingers, arranged her pillow to ease her breathing, guided her through the labyrinth of her uncertainty with a wisdom and a sweetness she never had dreamed possible. This was, for the first time in her life, the miracle of being understood by a man who listened to her with all his heart and did not expect to go to bed with her as a reward. At the end of a long hour, when she had bared the depths of her soul, she asked permission to speak to her husband on the telephone.
The doctor stood up with all the majesty of his position. "Not yet, princess," he said, patting her cheek with more tenderness than she ever had felt before. "Everything in due course." He gave her a bishop's blessing from the door, asked her to trust him, and disappeared forever.
That same afternoon Maria was admitted to the asylum with a serial number and a few superficial comments concerning the enigma of where she had come from and the doubts surrounding her identity. In the margin the director had written an assessment in his own hand: agitated.
Just as Maria had foreseen, her husband left their modest apartment in the Horta district half an hour behind schedule for his three engagements. It was the first time she had been late in the almost two years of their free and very harmonious union, and he assumed it was due to the heavy downpours that had devastated the entire province that weekend. Before he went out he pinned a note to the door with his itinerary for the night.
At the first party, where all the children were dressed in kangaroo costumes, he omitted his best illusion, the invisible fish, because he could not do it without her assistance. His second engagement was in the house of a ninety-three-year-old woman in a wheelchair, who prided herself on having celebrated each of her last thirty birthdays with a different magician. He was so troubled by Maria's absence that he could not concentrate on the simplest tricks. At his third engagement, the one he did every night at a cafe on the Ramblas, he gave an uninspired performance for a group of French tourists who could not believe what they saw because they refused to believe in magic. After each show he telephoned his house, and waited in despair for Maria to answer. After the last call he could no longer control his concern that something had happened to her.
On his way home, in the van adapted for public performances, he saw the splendor of spring in the palm trees along the Paseo de Gracia, and he shuddered at the ominous thought of what the city would be like without Maria. His last hope vanished when he found his note still pinned to the door. He was so troubled he forgot to feed the cat.
I realize now as I write this that I never learned his real name, because in Barcelona we knew him only by his professional name: Saturno the Magician. He was a man of odd character and irredeemable social awkwardness, but Maria had more than enough of the tact and charm he lacked. It was she who led him by the hand through this community of great mysteries, where no man would have dreamed of calling after midnight to look for his wife. Saturno had, soon after he arrived, and he preferred to forget the incident. And so that night he settled for calling Zaragoza, where a sleepy grandmother told him with no alarm that Maria had said goodbye after lunch. He slept for just an hour at dawn. He had a muddled dream in which he saw Maria wearing a ragged wedding dress spattered with blood, and he woke with the fearful certainty that this time she had left him forever, to face the vast world without her.
She had deserted three different men, including him, in the last five years. She had left him in Mexico City six months after they met, when they were in the throes of pleasure from their demented lovemaking in a maid's room in the Anzures district. One morning, after a night of unspeakable profligacy, Maria was gone. She left behind everything that was hers, even the ring from her previous marriage, along with a letter in which she said she was incapable of surviving the torment of that wild love. Saturno thought she had returned to her first husband, a high school classmate she had married in secret while still a minor and abandoned for another man after two loveless years. But no: She had gone to her parents' house, and Saturno followed to get her back regardless of the cost. His pleading was unconditional, he made many more promises than he was prepared to keep, but he came up against an invincible determination. "There are short loves and there are long ones," she told him. And she concluded with a merciless, "This was a short one." Her inflexibility forced him to admit defeat. But in the early hours of the morning of All Saints' Day, when he returned to his orphan's room after almost a year of deliberate forgetting, he found her asleep on the living room sofa with the crown of orange blossoms and long tulle train worn by virgin brides.
Maria told him the truth. Her new fiance, a childless widower with a settled life and a mind to marry forever in the Catholic Church, had left her dressed and waiting at the altar. Her parents decided to hold the reception anyway, and she played along with them. She danced, sang with the mariachis, had too much to drink, and in a terrible state of belated remorse left at midnight to find Saturno.
He was not home, but she found the keys in the flower pot in the hall, where they always hid them. Now she was the one whose surrender was unconditional. "How long this time?" he asked. She answered with a line by Vinicius de Moraes: "Love is eternal for as long as it lasts." Two years later, it was still eternal.
Maria seemed to mature. She renounced her dreams of being an actress and dedicated herself to him, both in work and in bed. At the end of the previous year they had attended a magicians' convention in Perpignan, and on their way home they visited Barcelona for the first time. They liked it so much they had been living here for eight months, and it suited them so well they bought an apartment in the very Catalonian neighborhood of Horta. It was noisy, and they had no porter, but there was more than enough room for five children. Their happiness was all one could hope for, until the weekend when she rented a car and went to visit her relatives in Zaragoza, promising to be back by seven on Monday night. By dawn on Thursday there was still no word from her.
On Monday of the following week, the insurance company for the rented car called and asked for Maria. "I don't know anything," said Saturno. "Look for her in Zaragoza." He hung up. A week later a police officer came to the house to report that the car had been found, stripped bare, on a back road to Cadiz, nine hundred kilometers from the spot where Maria had abandoned it. The officer wanted to know if she had further details regarding the theft. Saturno was feeding the cat, and he did not look up when he told him straight out that the police shouldn't waste their time because his wife ha
d left him and he didn't know where she had gone or with whom. His conviction was so great that the officer felt uncomfortable and apologized for his questions. They declared the case closed.
The suspicion that Maria might leave him again had assailed Saturno at Easter in Cadaques, where Rosa Regas had invited them to go sailing. In the Maritim, the crowded, sordid bar of the gauche divine during the twilight of Francoism, twenty of us were squeezed together around one of those wrought-iron tables that had room only for six. After she smoked her second pack of cigarettes of the day, Maria ran out of matches. A thin, downy arm wearing a Roman bronze bracelet made its way through the noisy crowd at the table and gave her a light. She said thank you without looking at the person she was thanking, but Saturno the Magician saw him--a bony, clean-shaven adolescent as pale as death, with a very black ponytail that hung down to his waist. The windowpanes in the bar just managed to withstand the fury of the spring tramontana wind, but he wore a kind of street pajama made of raw cotton, and a pair of farmer's sandals.
They did not see him again until late autumn, in a seafood bar in La Barceloneta, wearing the same plain cotton outfit and a long braid instead of the ponytail. He greeted them both as if they were old friends, and the way he kissed Maria, and the way she kissed him back, struck Saturno with the suspicion that they had been seeing each other in secret. Days later he happened to come across a new name and phone number that Maria had written in their household address book, and the unmerciful lucidity of jealousy revealed to him whose they were. The intruder's background was the final proof: He was twenty-two years old, the only child of a wealthy family, and a decorator of fashionable shop windows, with a casual reputation as a bisexual and a well-founded notoriety as a paid comforter of married women. But Saturno managed to restrain himself until the night Maria did not come home. Then he began calling him every day, from six in the morning until just before the following dawn, every two or three hours at first, and then whenever he was near a telephone. The fact that no one answered intensified Saturno's martyrdom.