In one case it was not only elaborate, it was impressive. I lay naked for three days and nights on a couch, with my navel to a rattlesnake skin which had been dressed and dedicated to the ceremony. I ate no food in all that time. Only a pitcher of water was on a little table at the head of the couch so that my soul would not wander off in search of water and be attacked by evil influences and not return to me. On the second day, I began to dream strange exalted dreams. On the third night, I had dreams that seemed real for weeks. In one, I strode across the heavens with lightning flashing from under my feet, and grumbling thunder following in my wake.
In this particular ceremony, my finger was cut and I became blood brother to the rattlesnake. We were to aid each other forever. I was to walk with the storm and hold my power, and get my answers to life and things in storms. The symbol of lightning was painted on my back. This was to be mine forever.
In another ceremony, I had to sit at the crossroads at midnight in complete darkness and meet the Devil, and make a compact. That was a long, long hour as I sat flat on the ground there alone and invited the King of Hell.
The most terrifying was going to a lonely glade in the swamp to get the black cat bone. The magic circle was made and all of the participants were inside. I was told that anything outside that circle was in deadly peril. The fire was built inside, the pot prepared and the black cat was thrown in with the proper ceremony and boiled until his bones fell apart. Strange and terrible monsters seemed to thunder up to that ring while this was going on. It took months for me to doubt it afterwards.
When I left Louisiana, I went to South Florida again, and from what I heard around Miami, I decided to go to the Bahamas. I had heard some Bahaman music and seen a Jumping Dance out in Liberty City and I was entranced.
This music of the Bahaman Negroes was more original, dynamic and African, than American Negro songs. I just had to know more. So without giving Godmother a chance to object, I sailed for Nassau.
I loved the place the moment I landed. Then, that first night as I lay in bed, listening to the rustle of a cocoanut palm just outside my window, a song accompanied by string and drum, broke out in full harmony. I got up and peeped out and saw four young men and they were singing “Bellamina,” led by Ned Isaacs. I did not know him then, but I met him the next day. The song has a beautiful air, and the oddest rhythm.
Bellamina, Bellamina!
She come back in the harbor
Bellamina, Bellamina
She come back in the harbor
Put Bellamina on the dock
And paint Bellamina black! Black!
Oh, put the Bellamina on the dock
And paint Bellamina, black! Black!
I found out later that it was a song about a rum-running boat that had been gleaming white, but after it had been captured by the United States Coast Guard and released, it was painted black for obvious reasons.
That was my welcome to Nassau, and it was a beautiful one. The next day I got an idea of what prolific song-makers the Bahamans are. With that West African accent grafted on English of the uneducated Bahaman, I was told, “you do anything, we put you in sing.” I walked carefully to keep out of “sing.”
This visit to Nassau was to have far-reaching effects. I stayed on, ran to every Jumping Dance that I heard of, learned to “jump,” collected more than a hundred tunes and resolved to make them known to the world.
On my return to New York in 1932, after trying vainly to interest others. I introduced Bahaman songs and dances to a New York audience at the John Golden Theater, and both the songs and the dances took on. The concert achieved its purpose. I aimed to show what beauty and appeal there was in genuine Negro material, as against the Broadway concept, and it went over.
Since then, there has been a sharp trend towards genuine Negro material. The dances aroused a tremendous interest in primitive Negro dancing. Hall Johnson took my group to appear with his singers at the Lewisohn Stadium that summer and built his “Run Lil’ Chillun” around them and the religious scene from my concert, “From Sun To Sun.” That was not all, the dramatized presentation of Negro work songs in that same concert aroused interest in them and they have been exploited by singers ever since.
I had no intention of making concert my field. I wanted to show the wealth and beauty of the material to those who were in the field and therefore I felt that my job was well done when it took on.
My group was invited to perform at the New School of Social Research; in the folk-dance carnival at the Vanderbilt Hotel in New York; at Nyack; at St. Louis; Chicago; Rollins College in Winter Park, Florida; Lake Wales; Sanford; Orlando; Constitution Hall, Washington, D.C.; and Daytona Beach. Florida.
Besides the finding of the dances and the music, two other important things happened to me in Nassau. One was, I lived through that terrible five-day hurricane of 1929. It was horrible in its intensity and duration. I saw dead people washing around on the streets when it was over. You could smell the stench from dead animals as well. More than three hundred houses were blown down in the city of Nassau alone.
Then I saw something else out there. I met Leon Walton Young. He is a grizzly, stocky black man, who is a legislator in the House. He represented the first district in the Bahamas and had done so for more than twenty years when I met him.
Leon Walton Young was either a great hero, or a black bounder, according to who was doing the talking. He was a great champion and a hero in the mouths of the lowly blacks of the islands and to a somewhat lesser degree to the native-born whites. He was a Bahaman for the Bahaman man and a stout fellow along those lines. To the English, who had been sent out to take the jobs of the natives, white and black, he was a cheeky dastard of a black colonial who needed to be put in his place. He was also too much for the mixed blood negroes of education and property, who were as prejudiced against his color as the English. What was more, Leon Walton Young had no formal education, though I found him like George Schuyler of New York to be better read than most people with college degrees. But did he, because of his lack of schooling, defer to the Negroes who had journeyed to London and Edinburgh? He most certainly did not, and what was more, he more than held his own in the hustings.
There was a much felt need for him to be put down, but those who put on the white armor of St. George to go out and slay the dragon always came back—not honorably dead on their shields—but splattered all over with mud and the seat of their pants torn and missing. A peasant mounted on a mule had unhorsed a cavalier and took his pants. The dance drums of Grantstown and Baintown would throb and his humbled opponents would be “put in sing.”
He so humbled a governor, who tried to overawe Young by reminding him that he was “His Majesty’s representative in these Islands” that the Governor was recalled and sent to some peaceful spot in West Africa. Young had replied to that pompous statement with, “Yes, but if you continue your tactics out here you will make me forget it.”
That was one of his gentlest thumps on the Governor’s pride and prestige. His Majesty’s Representative accused Young of having said publicly that he, the Governor, was a bum out of the streets of London, and to his eternal rage. Young more than admitted the statement. The English appointees and the high yellows shuddered at such temerity, but the local whites and the working blacks gloried in his spunk.
A most dramatic incident came out of this struggle of the local Bahamans against the policy of the British Government of taking care of the surplus of unemployed at the expense of the Islands.
When I returned to Nassau for the fourth time in 1935, the elections for the House were on.
A Negro barrister, who is not yellow, but who liked to think he was, had thrown down the gauntlet to Young. He had informed the English that he would rid them of the troublesome Leon Walton Young. The young man whom I shall call Botts because that is not his name, got a pat on the back, and was told to go ahead.
As I said before, Young represented the First District which was the richest in the Isl
ands. It is that end of the island of New Providence where the hotels, the homes of the wealthy foreigners and the business and Government houses are located. He had been reelected for three terms of seven years each.
A local white business man came to Young in secret and told him what was happening under cover. Young, on hearing the boasts of Botts, got busy in secret on his own. He took under his wing a young white barrister, only a year out of Lincoln’s Inn and primed him for a candidate. Botts was up for reelection, and the young white stripling was dressed to “stand” for Bott’s district, which was in the outer Islands. Secret messages went to the district in the outer Islands, the political fence was looked over and put in order, and then Young launched his attack.
He stood out in the middle of Bay Street, flung wide his arms like a cross and cried out: “Send me a man to stand for First District! I am going out to Aleuthera to stand, so that this Botts, this betrayer of his country and his people, can be driven out of office. Send me a man!”
Nobody sent him a man, as he well knew they would not. His reelection was taken for granted. But he stirred the Bahamas from end to end by his gesture. People remembered things about Barrister Botts they otherwise would have forgotten. Poor people down on the waterfront remembered that, though he went for a great man now, his mother had stood down on the waterfront night after night, selling fried fish to send him to England to be educated. His father was living and prosperous. He was in business, and a member of the House, but long years ago he had divorced Botts’s mother for a woman of lighter skin. But the mother had seen him through the Inner Temple. He had come back, not full of gratitude for the sacrifices she had made, but scornful of her black skin and all that she stood for. People said that he paid her ten shillings ($2.50) a week to stay away from his house. He was being accused of robbing his younger brother of funds and legal action was underway at the very moment of the election.
The election was to be on Sunday. On Friday, Botts went out in a chartered boat. He was dressed in the latest from London and quite the patrician. On the boat with him was the same white man who had given Young all the information. The man was to report on everything that went on, though Botts thought he was there out of gratitude and admiration.
On Saturday, Leon Walton Young, his protégée and his coterie of workers boarded a big black boat to go out to Aleuthera. With them was Wilbur Botts, going out to campaign against his brother. They left the old woman, mother of both of the boys on the dock. She was ragged, not too clean, and bitter. As the boat steamed out, she was muttering, “God! I wish I could go! I want to campaign against him, too!” And she shook her clenched fists in the general direction of her barrister-son’s district. “God! I wish I could go!”
Before dawn on that Sunday morning, a big black boat with Leon Walton Young and his barrister protégée dropped anchor in a harbor at Aleuthera. About eight o’clock, Botts came on deck on his boat, dressed in faultless doe-skin trousers to take the air. Seeing the big black boat which had not been there the night before, he lifted his glasses and studied the boat and the people on her deck. Suddenly, he lowered his glasses and turned to the white man Leon Young had placed at his elbow, and asked, “Isn’t that Young on that boat?”
The man took the glasses and pretended to find out what he already knew. “Yes, that is Walton Young.”
Botts dropped heavily into a deck chair without regards to his creases. He was a sodden mess from then on through the election.
They all landed and the fight was on. The protégée of Young won without making a single speech. It was Young who dashed from place to place talking and rallying the people. By noon, Botts conceded the election to his opponent and returned to Nassau.
I was down at the wharf when the boats returned. I wanted to see the behavior of the old woman who had been divorced by her husband for being too black after he gained a certain amount of success. The same woman who had been barred from her son’s home for the same reason, after she had felt no labor was too humble for her to do to put him through law school in London to come home to her a barrister. She was not there. I wondered if she was off somewhere trying to rustle up a tuppence or two, or merely that she did not want to look on his dear face when his pretentions had met his realities. She had her bitter moments, but after all, she was his mother.
Monday night the election was “in sing.” Young’s election came up a few days later and as he well knew, he was returned to his seat, but not before he had engineered the defeat of Botts, Sr., in another district. Then the drums of Baintown really thundered.
Young—Dun, dun, dun, dun!
Him a great dentist—dun, dun!
Him pull Botts out the House!
And the common folk danced off of the feat and were very glad. To them, life was not hopeless as long as their champion was in the fight.
The humble Negroes of America are great song-makers, but the Bahaman is greater. He is more prolific and his tunes are better. Nothing is too big, or little, to be “put in sing.” They only need discovery. They are much more original than the Calypso singers of Trinidad as will be found the moment you put it to the proof.
I hear that now the Duke of Windsor is their great hero. To them, he is “Our King.” I would love to hear how he and his Duchess have been put in sing.
I enjoyed collecting the folk-tales and I believe the people from whom I collected them enjoyed the telling of them, just as much as I did the hearing. Once they got started, the “lies” just rolled and story-tellers fought for a chance to talk. It was the same with the songs. The one thing to be guarded against, in the interest of truth, was over-enthusiasm. For instance, if a song was going good, and the material ran out, the singer was apt to interpolate pieces of other songs into it. The only way you can know when that happens, is to know your material so well that you can sense the violation. Even if you do not know the song that is being used for padding, you can tell the change in rhythm and tempo. The words do not count. The subject matter in Negro folk songs can be anything and go from love to work, to travel, to food, to weather, to fight, to demanding the return of a wig by a woman who has turned unfaithful. The tune is the unity of the thing. And you have to know what you are doing when you begin to pass on that, because Negroes can fit in more words and leave out more and still keep the tune than anyone I can think of.
One bit of research I did jointly for the Journal of Negro History and Columbia University, was in Mobile, Alabama. There I went to talk to Cudjo Lewis. That is the American version of his name. His African name was Kossola-O-Lo-Loo-Ay.
He arrived on the last load of slaves run into the United States and was the only Negro alive that came over on a slave ship. It happened in 1859 just when the fight between the South and the Abolitionists was moving toward the Civil War. He has died since I saw him.
I found him a cheerful, poetical old gentleman in his late nineties, who could tell a good story. His interpretation of the story of Jonah is marvelous.
He was a good Christian and so he pretended to have forgotten all of his African religion. He turned me off with the statement that his Nigerian religion was the same as Christianity. “We know it a God, you unner’stand, but we don’t know He got a Son.”
He told me in detail of the circumstances in Africa that brought about his slavery here. How the powerful Kingdom of Dahomey, finding the slave trade so profitable, had abandoned farming, hunting and all else to capture slaves to stock the barracoons on the beach at Dmydah to sell to the slavers who came from across the ocean. How quarrels were manufactured by the King of Dahomey with more peaceful agricultural nations in striking distance of Dahomey in Nigeria and Gold Coast; how they were assaulted, completely wiped off the map, their names never to appear again, except when they were named in boastful chant before the King at one of his “customs” when his glory was being sung. The able-bodied who were captured were marched to Abomey, the capital city of Dahomey and displayed to the King, then put into the barracoons to await a buyer.
The too old, the too young, the injured in battle were instantly beheaded and their heads smoked and carried back to the King. He paid off on heads, dead or alive. The skulls of the slaughtered were not wasted either. The King had his famous Palace of Skulls. The Palace grounds had a massive gate of skull-heads. The wall surrounding the grounds were built of skulls. You see, the Kings of Dahomey were truly great and mighty and a lot of skulls were bound to come out of their ambitions. While it looked awesome and splendid to him and his warriors, the sight must have been most grewsome and crude to western eyes. Imagine a Palace of Hindu or Zulu skulls in London! Or Javanese skulls in The Hague!
One thing impressed me strongly from this three months of association with Cudjo Lewis. The white people had held my people in slavery here in America. They had bought us, it is true and exploited us. But the inescapable fact that stuck in my craw, was: my people had sold me and the white people had bought me. That did away with the folklore I had been brought up on—that the white people had gone to Africa, waved a red handkerchief at the Africans and lured them aboard ship and sailed away. I know that civilized money stirred up African greed. That wars between tribes were often stirred up by white traders to provide more slaves in the barracoons and all that. But, if the African princes had been as pure and as innocent as I would like to think, it could not have happened. No, my own people had butchered and killed, exterminated whole nations and torn families apart, for a profit before the strangers got their chance at a cut. It was a sobering thought. What is more, all that this Cudjo told me was verified from other historical sources. It impressed upon me the universal nature of greed and glory. Lack of power and opportunity passes off too often for virtue. If I were King, let us say, over the Western Hemisphere tomorrow, instead of who I am, what would I consider right and just? Would I put the cloak of Justice on my ambition and send her out a-whoring after conquests? It is something to ponder over with fear.