"I did what I could." TJ said. Then the young man returned to his office, leaving Dance and her boss alone.
Overby turned to Dance. "I'll need a briefing," he said, nodding toward the reporters out front. A grimace. "Something to feed to them."
Despite the apparent disdain, though, Overby was in fact looking forward to the press conference. He always did. He loved the limelight and would want to catch the 6:00 p.m. local news. He'd also hope to gin up interest in some national coverage.
Dance put her watch back on her wrist and looked at the time. "I can give you the bare bones, Charles, but I've got to see a subject in another matter. It's got to be tonight. He leaves town tomorrow."
There was a pause. "Well, if it's critical..."
"It is."
"All right. Get me a briefing sheet now and a full report in the morning."
"Sure, Charles."
He started back to his office and asked, "This guy you're meeting? You need any backup?"
"No thanks, Charles. It's all taken care of."
"Sure. 'Night."
"Good night."
Heading to her own office, Kathryn Dance reflected on her impending mission tonight. If Overby had wanted a report on the attempted bombing for CBI headquarters in Sacramento or follow-up interrogations, she would have gladly done that, but since he was interested only in press releases, she decided to stick to her plans.
Which involved a call to her father, a retired marine biologist who worked part time at the aquarium. She was going to have him pull some strings to arrange special admission after hours for herself and the children tonight.
And the "subject" she'd told Overby she had to meet tonight before he left town? Not a drug lord or a terrorist or a confidential informant... but what was apparently the most imposing cephalopod ever to tour the Central Coast of California.
Game
One Year Ago
The worst fear is the fear that follows you into your own home.
Fear you lock in with you when you latch the door at night.
Fear that cozies up to you twenty-four hours a day, relentless and arrogant, like cancer.
The diminutive woman, eighty-three years old, white hair tied back in a jaunty ponytail, sat at the window of her Upper East Side townhouse, looking out over the trim street, which was placid as always. But she herself was not. She was agitated and took no pleasure in the view she'd enjoyed for thirty years. The woman had fallen asleep last night thinking about the She-Beast and the He-Beast and she'd awakened thinking about them. She'd thought about them all morning and she thought about them still.
She sipped her tea and took some small pleasure in the sliver of autumn sunlight resting on her hands and arms. The flicker of gingko leaves outside, silver green, silver green. Was that all she had left? Minuscule comforts like this? And not very comforting at that.
Fear...
Sarah Lieberman hadn't quite figured out their game. But one thing was clear: Taking over her life was the goal--like a flag to be captured.
Three months ago Sarah had met the Westerfields at a fundraiser held at the Ninety-second Street Y. It was for a Jewish youth organization, though neither the name nor appearance of the two suggested that was their religious or ethnic background. Still, they had seemed right at home and referred to many of the board members of the youth group as if they'd been friends for years. They'd spent a solid hour talking to Sarah alone, seemingly fascinated with her life in the "Big Apple" (John's phrase) and explaining how they'd come here from Kansas City to "consummate" (Miriam's) several business ventures John had set up. "Real estate. That's my game. Ask me again and I'll tell you the same."
They'd had dinner at Marcel's the next night, on Madison, with John dominating the five-foot-tall woman physically and Miriam doing the same conversationally, flanking Sarah in a booth in the back. She'd wanted her favorite table, which had room for three (yet was usually occupied by one) at the window. But the Westerfields had insisted and, why not? They'd made clear this was their treat.
The two were charming, informed in a Midwest, CNN kind of way, and enthusiastically curious about life in the city--and about her life in particular. Their eyes widened when they learned that Sarah had an apartment on the ground floor of the townhouse she owned on Seventy-fifth Street. Miriam asked if it was available. They'd been looking for a place to stay. The Mandarin Oriental was, Miriam offered, too expensive.
The garden apartment was on the market but was priced high--to keep out the riff-raff, she'd said, laughing. But she'd drop it to fair market value for the Westerfields.
Deal.
Still, Sarah had learned about the world from her husband, a businessman who had successfully gone up against Leona Helmsley at one point. There were formalities to be adhered to and the real estate management company did their due diligence. They reported the references in the Midwest attested to the Westerfields' finances and prior history.
There was, of course, that one bit of concern: It seemed a bit odd that a fifty-something-year-old mother and a son in his late twenties would be taking an apartment together, when neither one seemed disabled. But life circumstances are fluid. Sarah could imagine situations in which she might find herself living with a family member not a husband. Maybe Miriam's husband had just died and this was temporary--until the emotional turbulence settled.
And Sarah certainly didn't know what to make of the fact that while the garden apartment featured three bedrooms, when she and Carmel had brought tea down as the two tenants moved in, only one bedroom seemed to be put to that purpose. The other two were used for storage.
Odd indeed.
But Sarah thought the best of people, always had. The two had been nice to her and, most important, treated her like an adult. It was astonishing to Sarah how many people thought that once you reached seventy or eighty you were really an infant.
That you couldn't order for yourself.
That you didn't know who Lady Gaga was.
"Oh, my," she'd nearly said to one patronizing waitress. "I've forgotten how this knife works. Could you cut up my food for me?"
For the first weeks the Westerfields seemed the model tenants. Respectful of landlady and premises, polite and quiet. That was important to Sarah, who'd always been a light sleeper. She didn't see much of them.
Not at first.
But soon their paths began to cross with more and more frequency. Sarah would return from a shopping trip with Carmel or from a board meeting or luncheon at one of the nonprofits she was involved with and there would be Miriam and John on the front steps or, if the day was cool or wet, in the tiny lobby, sitting on the couch beside the mailboxes.
They brightened when they saw her and insisted she sit with them. They pelted her with stories and observations and jokes. And they could be counted on to ask questions relentlessly: What charities was she involved in, any family members still alive, close friends? New to the area, they asked her to recommend banks, lawyers, accountants, investment advisors, hinting at large reserves of cash they had to put to work soon.
A one-trick puppy, John pronounced solemnly: "Real estate is the way to go."
It's also a good way to get your balls handed to you, son, unless you're very, very sharp. Sarah had not always been a demure, retiring widow.
She began to wonder if a Nigerian scam was looming, but they never pitched to her. Maybe they were what they seemed: oddballs from the Midwest, of some means, hoping for financial success here and an entree into a New York society that had never really been available to people like them--and that people like them wouldn't enjoy even if they were admitted.
Ultimately, Sarah decided, it was their style that turned her off. The charm of the first month faded.
Miriam, also a short woman though inches taller than Sarah, wore loud, glittery clothes that clashed with her dark-complexioned, leathery skin. If she didn't focus, she tended to speak over and around the conversation, ricocheting against topics that had little to do with
what you believed you were speaking about. She wouldn't look you in the eye and she hovered close. Saying, "No, thanks," to her was apparently synonymous with, "You betcha."
"This big old town, Sarah," Miriam would say, shaking her head gravely. "Don't... you get tuckered out, 'causa it?"
And the hesitation in that sentence hinted that the woman was really going to say "Don't it tucker you out?"
John often wore a shabby sardonic grin, as if he'd caught somebody trying to cheat him. He was fleshy big, but strong, too. You could imagine his grainy picture in a newspaper above a story in which the word "snapped" appeared in a quote from a local sheriff.
If he wasn't grumbling or snide, he'd be snorting as he told jokes, which were never very funny and usually bordered on being off-color.
But avoiding them was gasoline on a flame. When they sensed she was avoiding them they redoubled their efforts to graze their way into her life, coming to her front door at any hour, offering presents and advice... and always the questions about her. John would show up to take care of small handyman tasks around Sarah's apartment. Carmel's husband, Daniel, was the building's part-time maintenance man, but John had befriended him and took over on some projects to give Daniel a few hours off here and there.
Sarah believed the Westerfields actually waited, hiding behind their own door, listening for the sound of footsteps padding down the stairs--and ninety-four-pound Sarah Lieberman was a very quiet padder. Still, when she reached the ground-floor lobby, the Westerfields would spring out, tall son and short mother, joining her as if this were a rendezvous planned for weeks.
If they steamed up to her on the street outside the townhouse, they attached themselves like leeches and no amount of "Better be going" or "Have a good day now" could dislodge them. She stopped inviting them into her own two-story apartment--the top two floors of the townhouse--but when they tracked her down outside they would simply walk in with her when she returned.
Miriam would take her groceries and put them away and John would sit forward on the couch with a glass of water his mother brought him and grin in that got-you way of his. Miriam sat down with tea or coffee for the ladies and inquired how Sarah was feeling, did she ever go out of town, did you read about that man a few years ago, Bernie Madoff? Are you careful about things like that, Sarah? I certainly am.
Oh, Lord, leave me alone...
Sarah spoke to the lawyer and real estate management agent and learned there was nothing she could do to evict them.
And the matter got worse. They'd accidentally let slip facts about Sarah's life that they shouldn't have known. Bank accounts she had, meetings she'd been to, boards she was on, meetings with wealthy bankers. They'd been spying. She wondered if they'd been going through her mail--perhaps in her townhouse when John was sitting on the couch, babysitting her, and his mother was in Sarah's kitchen making them all a snack.
Or perhaps they'd finagled a key to her mailbox.
Now, that would be a crime.
But she wondered if the police would be very interested. Of course not.
And then a month ago, irritation became fear.
Typically they'd poured inside after her as she returned from shopping alone, Carmel Rodriguez having the day off. Miriam had scooped the Food Emporium bags from her hand and John had, out of "courtesy," taken her key and opened the door.
Sarah had been too flustered to protest--which would have done little good anyway, she now knew.
They'd sat for fifteen minutes, water and tea at hand, talking about who knew what, best of friends, and then Miriam had picked up her large purse and gone to use the toilet and headed for Sarah's bedroom.
Sarah had stood, saying she'd prefer the woman use the guest bathroom, but John had turned his knit brows her way and barked, "Sit down. Mother can pick whichever she wants."
And Sarah had, half-thinking she was about to be beaten to death.
But the son slipped back to conversation mode and rambled on about yet another real estate deal he was thinking of doing.
Sarah, shaken, merely nodded and tried to sip her tea. She knew the woman was rifling through her personal things. Or planting a camera or listening device.
Or worse.
When Miriam returned, fifteen minutes later, she glanced at her son and he rose. In eerie unison, they lockstepped out of the apartment.
Sarah searched but she couldn't find any eavesdropping devices and couldn't tell if anything was disturbed or missing--and that might have been disastrous; she had close to three quarters of a million dollars in cash and jewelry tucked away in her bedroom.
But they'd been up to no good--and had been rude and frightening. It was then that she began to think of them as the He-Beast and She-Beast.
Sycophants had given way to tyrants.
They'd become Rasputins.
The Beasts, like viruses, had infected what time Sarah had left on this earth and were destroying it--time she wanted to spend simply and harmlessly: visiting with those she cared for, directing her money where it would do the most good, volunteering at charities, working on the needlepoints she loved so much, a passion that was a legacy from her mother.
And yet those pleasures were being denied her.
Sarah Lieberman was a woman of mettle, serene though she seemed and diminutive though she was. She'd left home in Connecticut at eighteen, put herself through college in horse country in Northern Virginia working in stables, raced sailboats in New Zealand, lived in New Orleans at a time when the town was still honky-tonk, then she'd plunged into Manhattan and embraced virtually every role that the city could offer--from Radio City Music Hall dancer to Greenwich Village Bohemian to Upper East Side philanthropist. At her eightieth birthday party, she'd sung a pretty good version of what had become her theme song over the years: "I'll Take Manhattan."
That steely spirit remained but the physical package to give it play was gone. She was an octogenarian, as tiny and frail as that gingko leaf outside the parlor window. And her mind, too. She wasn't as quick; nor was the memory what it had been.
What could she do about the Beasts?
Now, sitting in the parlor, she dropped her hands to her knees. Nothing occurred to her. It seemed hopeless.
Then, a key clattered in the lock. Sarah's breath sucked in. She assumed that somehow the Beasts had copied her key and she expected to see them now.
But, no. She sighed in relief to see Carmel return from shopping.
Were tears in her eyes?
"What's the matter?" Sarah asked.
"Nothing," the woman responded quickly.
Too quickly.
"Yes, yes, yes... But if something were the matter, give me a clue, dear."
The solid housekeeper carried the groceries into the kitchen, making sure she didn't look her boss's way.
Yes, crying.
"There's nothing wrong, Mrs. Sarah. Really." She returned to the parlor. Instinctively, the woman straightened a lace doily.
"Was it him? What did he do?"
John.... The He-Beast.
Sarah knew he was somehow involved. Both Marian and John disliked Carmel, as they did most of Sarah's friends, but John seemed contemptuous of the woman, as if the housekeeper mounted a campaign to limit access to Sarah. Which she did. In fact several times she had actually stepped in front of John to keep him from following Sarah into her apartment. Sarah had thought he'd been about to hit the poor woman.
"Please, it's nothing."
Carmel Rodriguez was five feet, six inches tall and probably weighed 180 pounds. Yet the elderly woman now rose and looked up at her housekeeper, who'd been with her for more than a decade. "Carmel. Tell me." The voice left no room for debate.
"I got home from shopping? I was downstairs just now?"
Statements as questions--the sign of uncertainty. "I came back from the store and was talking to him and then Mr. John--"
"Just John. You can call him John."
"John comes up and, just out of nowhere, he says, did I h
ear about the burglary."
"Where?"
"The neighborhood somewhere. I said I didn't. He said somebody broke in and stole this woman's papers. Like banking papers and wills and deeds and bonds and stocks."
"People don't keep stocks and bonds at home. The brokerage keeps them."
"Well, he told me she got robbed and these guys took all her things. He said he was worried about you."
"Me?"
"Yes, Mrs. Sarah. And he didn't want to make you upset but he was worried and did I know where you kept things like that? Was there a safe somewhere? He said he wanted to make sure they were protected." The woman wiped her face. Sarah had thought her name was Carmen at first, as one would think, given her pedigree and appearance. But, no, her mother and father had named her after the town in California, which they dreamed of someday visiting.
Sarah found a tissue and handed it to the woman. This was certainly alarming. It seemed to represent a new level of invasiveness. Still, John Westerfield's probing was constant and familiar, like a low-grade fever, which Carmel had her own mettle to withstand.
No, something else had happened.
"And?"
"No, really. Just that."
Sarah herself could be persistent too. "Come, now..."
"He... I think it was maybe a coincidence. Didn't mean anything."
Nothing the She-Beast and the He-Beast did was a coincidence. Sarah said, "Tell me anyway."
"Then he said," the woman offered, choking back a sob, "if I didn't tell him, he wouldn't be able to protect you. And if those papers got stolen, you'd lose all your money. I'd lose my job and... and then he said my daughter might have to leave her high school, Immaculata."
"He said that?" Sarah whispered.
Carmel was crying harder now. "How would he know she went there? Why would he find that out?"
Because he and his mother did their homework. They asked their questions like chickens pecking up seed and stones.
But now, threatening Carmel and her family?
"I got mad and I said I couldn't wait until the lease is up and his and his mother went away forever! And he said oh, they weren't going anywhere. They checked the law in New York and as long as they pay the rent and don't break the lease they can stay forever. Is that true, Mrs. Sarah?"
Sarah Lieberman said, "Yes, Carmel, it is true." She rose and sat down at the Steinway piano she'd owned for nearly twenty years. It had been a present from her second husband for their wedding. She played a few bars of Chopin, her favorite composer and, in her opinion, the most keyboard-friendly of the great classicists.