I can fix them, he says.
You can't fix anything. You're useless, she says.
He comes home the next day with an old bicycle tire. He sends me to Mr. Hannon next door for the loan of a last and a hammer. He takes Mam's sharp knife and he hacks at the tire till he has pieces to fit on the soles and heels of our shoes. Mam tells him he's going to destroy the shoes altogether but he pounds away with the hammer, driving the nails through the rubber pieces and into the shoes. Mam says, God above, if you left the shoes alone they'd last till Easter, at least, and we might get the boots from the St. Vincent de Paul. But he won't stop till the soles and heels are covered with squares of rubber tire which stick out on each side of the shoe and flop before and behind. He makes us put on the shoes and tells us our feet will be good and warm but we don't want to wear them anymore because the tire pieces are so lumpy we stumble when we walk around Italy. He sends me back to Mr. Hannon with the last and hammer and Mrs. Hannon says, God above, what's up with your shoes? She laughs and Mr. Hannon shakes his head and I feel ashamed. I don't want to go to school next day and I pretend to be sick but Dad gets us up and gives us our fried bread and tea and tells us we should be grateful we have any shoes at all, that there are boys in Leamy's National School who go to school barefoot on bitter days. On our way to school Leamy's boys laugh at us because the tire pieces are so thick they add a few inches to our height and the boys say, How's the air up there? There are six or seven barefoot boys in my class and they don't say anything and I wonder if it's better to have shoes with rubber tires that make you trip and stumble or to go barefoot. If you have no shoes at all you'll have all the barefoot boys on your side. If you have rubber tires on your shoes you're all alone with your brother and you have to fight your own battles. I sit on a bench in the schoolyard shed and take off my shoes and stockings but when I go into the class the master wants to know where my shoes are. He knows I'm not one of the barefoot boys and he makes me go back to the yard, bring in the shoes and put them on. Then he says to the class, There is sneering here. There is jeering at the misfortunes of others. Is there anyone in this class that thinks he's perfect? Raise your hands.
There are no hands.
Is there anyone in this class that comes from a rich family with money galore to spend on shoes? Raise your hands.
There are no hands.
He says, There are boys here who have to mend their shoes whatever way they can. There are boys in this class with no shoes at all. It's not their fault and it's no shame. Our Lord had no shoes. He died shoeless. Do you see Him hanging on the cross sporting shoes? Do you, boys?
No, sir.
What is it you don't see Our Lord doing?
Hanging on the cross and sporting shoes, sir.
Now if I hear of one boy in this class jeering and sneering at McCourt or his brother over their shoes the stick will come out. What will come out, boys?
The stick, sir.
The stick will sting, boys. The ash plant will whistle through the air, it will land on the backside of the boy that jeers, the boy that sneers. Where will it land, boys?
On the boy that jeers, sir.
And?
The boy that sneers, sir.
The boys bother us no more and we wear our shoes with the rubber tires the few weeks to Easter when the St.Vincent de Paul Society gives us the gift of boots.
If I have to get up in the middle of the night to pee in the bucket I go to the top of the stairs and look down to see if the angel might be on the seventh step. Sometimes I'm sure there's a light there and if everyone's asleep I sit on the step in case the angel might be bringing another baby or just coming for a visit. I ask Mam if the angel just brings the babies and then forgets about them. She says, Of course not. The angel never forgets the babies and comes back to make sure the baby is happy.
I could ask the angel all kinds of questions and I'm sure he'd answer, unless it's a girl angel. But I'm sure a girl angel would answer questions, too. I never heard anyone say they didn't.
I sit on the seventh step a long time and I'm sure the angel is there. I tell him all the things you can't tell your mother or father for fear of being hit on the head or told go out and play. I tell him all about school and how I'm afraid of the master and his stick when he roars at us in Irish and I still don't know what he's talking about because I came from America and the other boys were learning Irish a year before me.
I stay on the seventh step till it gets too cold or Dad gets up and tells me go back to bed. He's the one who told me the angel comes to the seventh step in the first place and you'd think he'd know why I'm sitting there. I told him one night that I was waiting for the angel, and he said, Och, now, Francis, you're a bit of a dreamer.
I get back into bed but I can hear him whisper to my mother. The poor wee lad was sitting on the stairs talking away to an angel.
He laughs and my mother laughs and I think, Isn't it curious the way big people laugh over the angel who brought them a new child.
Before Easter we move back downstairs to Ireland. Easter is better than Christmas because the air is warmer, the walls are not dripping with the damp, and the kitchen isn't a lake anymore, and if we're up early we might catch the sun slanting for a minute through the kitchen window.
In fine weather men sit outside smoking their cigarettes if they have them, looking at the world and watching us play. Women stand with their arms folded, chatting. They don't sit because all they do is stay at home, take care of the children, clean the house and cook a bit and the men need the chairs. The men sit because they're worn out from walking to the Labour Exchange every morning to sign for the dole, discussing the world's problems and wondering what to do with the rest of the day. Some stop at the bookie to study the form and place a shilling or two on a sure thing. Some spend hours in the Carnegie Library reading English and Irish newspapers. A man on the dole needs to keep up with things because all the other men on the dole are experts on what's going on in the world. A man on the dole must be ready in case another man on the dole brings up Hitler or Mussolini or the terrible state of the Chinese millions. A man on the dole goes home after a day with the bookie or the newspaper and his wife will not begrudge him a few minutes with the ease and peace of his cigarette and his tea and time to sit in his chair and think of the world.
Easter is better than Christmas because Dad takes us to the Redemptorist church where all the priests wear white and sing. They're happy because Our Lord is in heaven. I ask Dad if the baby in the crib is dead and he says, No, He was thirty-three when He died and there He is, hanging on the cross. I don't understand how He grew up so fast that He's hanging there with a hat made of thorns and blood everywhere, dripping from His head, His hands, His feet, and a big hole near His belly.
Dad says I'll understand when I grow up. He tells me that all the time now and I want to be big like him so that I can understand everything. It must be lovely to wake up in the morning and understand everything. I wish I could be like all the big people in the church, standing and kneeling and praying and understanding everything.
At the Mass people go up to the altar and the priest puts something into their mouths. They come back to their seats with their heads down, their mouths moving. Malachy says he's hungry and he wants some, too. Dad says, Shush, that's Holy Communion, the body and blood of Our Lord.
But, Dad.
Shush, it's a mystery.
There's no use asking more questions. If you ask a question they tell you it's a mystery, you'll understand when you grow up, be a good boy, ask your mother, ask your father, for the love o'Jesus leave me alone, go out and play.
Dad gets his first job in Limerick at the cement factory and Mam is happy. She won't have to stand in the queue at the St. Vincent de Paul Society asking for clothes and boots for Malachy and me. She says it's not begging, it's charity, but Dad says it's begging and shameful. Mam says she can now pay off the few pounds she owes at Kathleen O'Connell's shop and she can pay back what she owes her own mother. She hates to be under obligation to anyone, especially her own mother.
The cement factory is miles outside Limerick and that means Dad has to be out of the house by six in the morning. He doesn't mind because he's used to the long walks. The night before Mam makes him a flask of tea, a sandwich, a hard-boiled egg. She feels sorry for him the way he has to walk three miles out and three miles back. A bicycle would be handy but you'd have to be working a year for the price of it.
Friday is payday and Mam is out of the bed early, cleaning the house and singing.
Anyone can see why I wanted your kiss,
It had to be and the reason is this ...
There isn't much to clean in the house. She sweeps the kitchen floor and the floor of Italy upstairs. She washes the four jam jars we use for mugs. She says if Dad's job lasts we'll get proper cups and maybe saucers and some day, with the help of God and His Blessed Mother, we'll have sheets on the bed and if we save a long time a blanket or two instead of those old coats which people must have left behind during the Great Famine. She boils water and washes the rags that keep Michael from shitting all over the pram and the house itself. Oh, she says, we'll have a lovely tea when your Pop brings home the wages tonight.
Pop. She's in a good mood.
Sirens and whistles go off all over the city when the men finish work at half-past five. Malachy and I are excited because we know that when your father works and brings home the wages you get the Friday Penny. We know this from other boys whose fathers work and we know that after your tea you can go to Kathleen O'Connell's shop and buy sweets. If your mother is in a good mood she might even give you tuppence to go to the Lyric Cinema the next day to see a film with James Cagney.
The men who work in factories and shops in the city are coming into the lanes to have their supper, wash themselves and go to the pub. The women go to the films at the Coliseum or the Lyric Cinema. They buy sweets and Wild Woodbine cigarettes and if their husbands are working a long time they treat themselves to boxes of Black Magic chocolates. They love the romance films and they have a great time crying their eyes out when there's an unhappy ending or a handsome lover goes away to be shot by Hindus and other non-Catholics.
We have to wait a long time for Dad to walk the miles from the cement factory. We can't have our tea till he's home and that's very hard because you smell the cooking of other families in the lane. Mam says it's a good thing payday is Friday when you can't eat meat because the smell of bacon or sausages in other houses would drive her out of her mind. We can still have bread and cheese and a nice jam jar of tea with lashings of milk and sugar and what more do you want?
The women are gone to the cinemas, the men are in the pubs, and still Dad isn't home. Mam says it's a long way to the cement factory even if he's a fast walker. She says that but her eyes are watery and she's not singing anymore. She's sitting by the fire smoking a Wild Woodbine she got on credit from Kathleen O'Connell. The fag is the only luxury she has and she'll never forget Kathleen for her goodness. She doesn't know how long she can keep the water boiling in this kettle. There's no use making the tea till Dad gets home because it will be stewed, coddled, boiled and unfit to drink. Malachy says he's hungry and she gives him a piece of bread and cheese to keep him going. She says, This job could be the saving of us. 'Tis hard enough for him to get a job with his northern accent and if he loses this one I don't know what we're going to do.
The darkness is in the lane and we have to light a candle. She has to give us our tea and bread and cheese because we're so hungry we can't wait another minute. She sits at the table, eats a bit of bread and cheese, smokes her Wild Woodbine. She goes to the door to see if Dad is coming down the lane and she talks about the paydays when we searched for him all over Brooklyn. She says, Some day we'll all go back to America and we'll have a nice warm place to live and a lavatory down the hall like the one in Classon Avenue and not this filthy thing outside our door.
The women are coming home from the cinemas, laughing, and the men, singing, from the pubs. Mam says there's no use waiting up any longer. If Dad stays in the pubs till closing time there will be nothing left from his wages and we might as well go to bed. She lies in her bed with Michael in her arms. It's quiet in the lane and I can hear her crying even though she pulls an old coat over her face and I can hear in the distance, my father.
I know it's my father because he's the only one in Limerick who sings that song from the North, Roddy McCorley goes to die on the bridge of Toome today. He comes round the corner at the top of the lane and starts Kevin Barry. He sings a verse, stops, holds on to a wall, cries over Kevin Barry. People stick their heads out windows and doors and tell him, For Jasus' sake, put a sock in it. Some of us have to get up in the morning for work. Go home and sing your feckin' patriotic songs.
He stands in the middle of the lane and tells the world to step outside, he's ready to fight, ready to fight and die for Ireland, which is more than he can say for the men of Limerick, who are known the length and breadth of the world for collaborating with the perfidious Saxons.
He's pushing in our door and singing,
And if when all a vigil keep,
The West's asleep, the West's asleep!
Alas! and well my Erin weep,
That Connacht lies in slumber deep,
But hark! a voice like thunder spake
'The West's awake! the West's awake!
Sing, Oh, hurrah, let England quake,
We'll watch till death for Erin's sake!'
He calls from the bottom of the stairs, Angela, Angela, is there a drop of tea in this house?
She doesn't answer and he calls again, Francis, Malachy, come down here, boys. I have the Friday Penny for you.
I want to go down and get the Friday Penny but Mam is sobbing with the coat over her mouth and Malachy says, I don't want his old Friday Penny. He can keep it.
Dad is stumbling up the stairs, making a speech about how we all have to die for Ireland. He lights a match and touches it to the candle by Mam's bed. He holds the candle over his head and marches around the room, singing,
See who comes over the red-blossomed heather,
Their green banners kissing the pure mountain air,
Heads erect, eyes to front, stepping proudly together,
Sure freedom sits throned on each proud spirit there.
Michael wakes and lets out a loud cry, the Hannons are banging on the wall next door, Mam is telling Dad he's a disgrace and why doesn't he get out of the house altogether.
He stands in the middle of the floor with the candle over his head. He pulls a penny from his pocket and waves it to Malachy and me. Your Friday Penny, boys, he says. I want you to jump out of that bed and line up here like two soldiers and promise to die for Ireland and I'll give the two of you the Friday Penny.
Malachy sits up in the bed. I don't want it, he says.
And I tell him I don't want it, either.
Dad stands for a minute, swaying, and puts the penny back in his pocket. He turns toward Mam and she says, You're not sleeping in this bed tonight. He makes his way downstairs with the candle, sleeps on a chair, misses work in the morning, loses the job at the cement factory, and we're back on the dole again.
IV
The master says it's time to prepare for First Confession and First Communion, to know and remember all the questions and answers in the catechism, to become good Catholics, to know the difference between right and wrong, to die for the Faith if called on.
The master says it's a glorious thing to die for the Faith and Dad says it's a glorious thing to die for Ireland and I wonder if there's anyone in the world who would like us to live. My brothers are dead and my sister is dead and I wonder if they died for Ireland or the Faith. Dad says they were too young to die for anything. Mam says it was disease and starvation and him never having a job. Dad says, Och, Angela, puts on his cap and goes for a long walk.
The master says we're each to bring threepence for the First Communion catechism with the green cover. The catechism has all the questions and answers we have to know by heart before we can receive First Communion. Older boys in the fifth class have the thick Confirmation catechism with the red cover and that costs sixpence. I'd love to be big and important and parade around with the red Confirmation catechism but I don't think I'll live that long the way I'm expected to die for this or that. I want to ask why there are so many big people who haven't died for Ireland or the Faith but I know if you ask a question like that you get you the thump on the head or you're told go out and play.
*
It's very handy to have Mikey Molloy living around the corner from me. He's eleven, he has fits and behind his back we call him Molloy the Fit. People in the lane say the fit is an affliction and now I know what affliction means. Mikey knows everything because he has visions in his fits and he reads books. He's the expert in the lane on Girls' Bodies and Dirty Things in General and he promises, I'll tell you everything, Frankie, when you're eleven like me and you're not so thick and ignorant.
It's a good thing he says Frankie so I'll know he's talking to me because he has crossed eyes and you never know who he's looking at. If he's talking to Malachy and I think he's talking to me he might go into a rage and have a fit that will carry him off. He says it's a gift to have crossed eyes because you're like a god looking two ways at once and if you had crossed eyes in the ancient Roman times you had no problem getting a good job. If you look at pictures of Roman emperors you'll see there's always a great hint of crossed eyes. When he's not having the fit he sits on the ground at the top of the lane reading the books his father brings home from the Carnegie Library. His mother says books books books, he's ruining his eyes with the reading, he needs an operation to straighten them but who'll pay for it. She tells him if he keeps on straining his eyes they'll float together till he has one eye in the middle of his head. Ever after his father calls him Cyclops, who is in a Greek story.
Nora Molloy knows my moth