But I didn’t want a bloody wrist-watch. I wanted to be left alone with a pile of books of my own choice. And very gradually, and as it does, omnivorous reading began to become a little more discriminating. I spent a long time wallowing in the pleasures of the “good-bad book,” as G.K. Chesterton (later plagiarized by George Orwell) was to term this tempting genre. John Buchan’s Richard Hannay romances and colonial yarns, and then Nevil Shute’s stories about Australia, Malaya, engineering, and — with his masterpiece On the Beach — the foretaste of nuclear anxiety. Dennis Wheatley’s melodramas of Satanism and the occult, spiced with a very heavy dash of reactionary politics, gave me a brief interest in numerology and then helped to inoculate me against superstition in general. C.S. Forester’s Hornblower stories had a perhaps unintended effect, in that they showed me that a British naval hero could simultaneously be a martyr to doubt and introspection (as well as be aware of the slave trade, which up until then I thought the Royal Navy had aided only in putting down).
On a seemingly parallel track, I was still being educated for an order of things that, without my fully realizing it, was very rapidly passing away. Hearing something about fighting in far-off British-run Malaya I would ask a boy whose father served there what the Malays were like. “Jolly loyal,” was his reply: even at the time this struck me as cryptically unsatisfactory. The situation in the Central African Federation sometimes seeped into the news: when I inquired about Southern Rhodesia, one of the masters instantly said that the native inhabitants were “only just down from the trees” — the first but not at all the last time that I was to hear that loathsome expression. The only mentionable problem with the existing Conservative government of Harold Macmillan was that it was too liberal and had given in to the wogs and “Gyppos” (Egyptians) over the Suez Canal. On Guy Fawkes night, that wondrous evening of roast chestnuts and fireworks and mellow fruitfulness, the ceremonial pyre was often surmounted by a symbolically unpopular figure of a later vintage than 1605: one year the headmaster decreed that the immolated carcass be that of Sir David Eccles, then a blamelessly mediocre minister of education. He had allowed himself to make some remarks that were critical of the public or rather “private” schools: the essential rampart of English educational hierarchy. “Hitchens,” said the terrifying Mr. Wortham, “you have a sense of history or so it seems. If our great public schools were to be swept away, it would be worse even than the dissolution of the monasteries.” Having at that stage only cropped and grazed on the lower slopes of Wordsworthian verse, I could not quite visualize the proportions of this world-historical calamity, but I seemed to see an epoch passing, and the roofs of great palaces suddenly open to the pitiless sky.
It was, to a lesser degree, a version of the same crisis that I saw my parents facing. In the grander houses in the villages where we lived, you could still see signs saying “Tradesmen’s Entrance,” directing the vulgar to a side door. We could not aspire to that sort of standing, but it was considered essential by my mother in particular that the Hitchenses never sink one inch back down the social incline that we had so arduously ascended. That way led to public or “council” housing, to the “rough boys” who would hang around outside cinemas and railway stations, to people who went on strike and thus “held the country to ransom,” and to people who dropped the “H” at the beginnings of words and used the word “toilet” when they meant to refer to the lavatory.
In Fifeshire we had briefly had a babysitter called Jeannie: a large, ruddy, motherly proletarian whose husband was a crane-driver in the Navy dockyard. She once took my brother to her “council” house for “tea,” by which she meant “dinner” or at least “early supper”: a meat-and-potato fest rammed home with a mug of hot and sweet brown nectar. Peter was fascinated above all by the way her husband ate with his knife. Ate off his knife, that is to say. I swear that my mother went chalk-white when she heard of this. All I ever had to do, if I wished to tease her, was to wield my knife as if it were a fork, or to hold it as if it were a pen, or to mouth the word “toilet.” Lesser prohibitions and anxieties — “notepaper” for writing-paper, “mirror” for looking-glass — were not as absolute. “Phone” for telephone was, however, considered distinctly vulgar. My first introduction to the Mitford sisters and their impossible glamour and charm was by way of Nancy’s guide to the pitfalls of class and the fashion in which all English people are branded on the tongue, either by their accent or by their vernacular.*
In this unending social battle, in which private education was a necessary but not sufficient condition for victory, the Hitchens chin was barely above the ever-rising floodwaters. At any moment my father might lose his latest job, and we had no capital of any kind on which to fall back. He himself had relatives who — I find I have to confess this — bought a china plaque with the word “toilet” and helpfully screwed it to the outside of their lavatory door. (To the door of the actual room with a bath and washbasin in it, they also affixed a plaque saying “bathroom.” Their house was a five-room bungalow where it was hard to get lost. Thank heaven for the Englishman who invented the saving term “loo.”) My mother’s exquisite pain at this sort of thing was further accented by deep reticence about her own family background. And all this strain was being undergone so that I, the firstborn, could become an English gentleman at precisely the time when the market for such a finished product was undergoing a steep decline.
Thus I have to be honest and say that the single book that most altered my life was How Green Was My Valley. One day I took up a tattered paperback copy of Richard Llewellyn’s classic (it was a Pan or Penguin edition, proclaiming it “the best-seller of the war years,” which meant that it seemed kosher to me) and then sat as if snared by an enchantment until I had finished it. Then I read it again. In the next few years I inhaled and imbibed it dozens of times and could at any moment have sat for an examination on its major and minor themes. The world and experience of its boy narrator, Huw Morgan, became more real to me than my own. It was an earthquake, a climacteric, a revelation.
I was one of those rural and suburban boys who, like Ruskin when taking the railway across North London, would feel the impulse to pull down the blinds as my train went through scenes of ugliness and misery and desolation in places called Hackney Downs and London Fields. Once, after staying with a school friend on the Mumbles peninsula of South Wales, I had been as distressed as William Blake by my brief glimpse of the hell-mouth scenes of the steelworks and coal-pits around Port Talbot. But now I realized that, just on the other side of the bright Bristol Channel from the lovely moors and uplands of my upbringing, there was a world as remote from my own as the moon, or as Joseph Conrad’s Congo.
Several aspects of this hitherto-occluded other Britain lodged in the mind. First of all, its inhabitants worked mostly under the ground, like the Morlocks in H.G. Wells. Second, they spoke a non-English language at home and at church, and considered themselves conquered and dispossessed as a nation as well as suppressed as a class. Third, they thought of going on strike as an act of unselfish solidarity and emancipation rather than as “holding the country to ransom.” Fourth — though I do not know why I am placing this last on my list — they conceived of education and learning as the avenues to a better life, for their fellows as well as themselves, and not as an expensively bought means of declaring themselves superior to others less fortunate.
This was a jolt to my system and no mistake: indeed it was a severe and seismic shock to all the other systems that had undergirded my own little position. In the annals of “good-bad,” then, I would put How Green Was My Valley in the same class as Uncle Tom’s Cabin: a work that leaves an ineradicable “scratch on the mind,” to borrow Harold Isaacs’s useful phrase. There was another element as well. At a certain point, on some springy-turfed Welsh hillside far above the scenes of alienation and exploitation that lay below, young Huw contrived to part with his irksome virginity. Richard Llewellyn handled this transition with very slightly too much quasi-poetic
euphemism, his crucial error being (to my fevered imagining) the idea that the inflamed heat of young manhood could be assuaged only by the relative “coolness” of a feminine interior. One had had a vague hope that the ardency would be appeased by an even greater heat, rather than sizzled like a red-hot horseshoe dipped in water, but at this stage I would have been willing to settle for anything that offered incandescence in either direction.
It interested me very much, later on, to discover that Huw’s creator Richard Llewellyn was not at all the fire-eating partisan of the coal miners’ struggles that I had taken him to be, but rather a conservative and old-fashioned type who had been setting down a world he had lost. It only goes to show. If you spend a certain amount of every day memorizing the following incantations, the effects may not always be the ones that are intended:
Teach us, good Lord, to serve thee as thou deservest:
To give, and not to count the cost,
To fight, and not to heed the wounds,
To toil, and not to seek for rest,
To labor, and to ask for no reward,
Save that of knowing that we do thy will.
That is from Ignatius Loyola. Or this, from Sir Francis Drake himself:
O Lord God, when thou hast given thy servants to endeavour any great matter, grant us also to know that it is not the beginning but the continuing of the same, until it be thoroughly finished, which yieldeth the true glory; through Him that for the finishing of thy work laid down his life . . .
Even when you have learned later about Loyola’s fanaticism or Drake’s piracy, verses like these have the faculty of recurring to one at apt or critical moments. Years later I read Lionel Trilling on George Orwell’s attachment to “traditional” and “martial” values. Trilling guessed that Orwell esteemed these supposedly conservative virtues because he thought they might come in handy later on, as revolutionary ones.
And this is partly why I can’t entirely second or echo his own great memoir of prep-school misery. For me, the experience of being sent away at a tender age was, at any cost, finally an emancipating one. I knew I hadn’t been dispatched to boarding school to get me out of the way (an assurance that I don’t think the young Orwell shared). I knew it was my only eventual meal ticket for a decent university: that undiscovered country to which no Hitchens had yet traveled. I knew that I owed my parents the repayment of a debt. True, I did get pushed around and unfairly punished and introduced too soon to some distressing facts of existence, but I would not have preferred to stay at home or to have been sheltered from these experiences, and it was probably good for me to be deprived of my adoring mother and taught — I can still remember the phrase — that I wasn’t by any means “the only pebble on the beach.” Why, I once inquired, was the school boxing tournament into which I had been entered against my will called “The Ninety Percent”? “Because, Hitchens, the fight involves only ten percent skill and ninety percent guts.” This seemed even then like a parody of a Tom Brown story, and I had the socks knocked off me in the ring, but why do I remember it after half a century? The school motto was Ut Prosim (“That I May Be Useful”), and when one has joined in the singing of “I Vow to Thee My Country” — especially on 11 November by the war memorial — or “The Day Thou Gavest, Lord, Is Ended” (“To sing is to pray twice,” as St. Augustine put it) then one may in fact be very slightly better equipped to face that Japanese jail or Iraqi checkpoint.
I have just looked up the gleaming new website of Mount House, and realized that if I have set all this down in my turn, it is because I was among the last generation to go through the “old school” version of Englishness. The site speaks enthusiastically of the number of girls being educated at the establishment (good grief!), of the availability of vegetarian diets and caterings for other “special needs,” and of its sensitivity to various sorts of “learning disability.” Now I cannot say I am completely sorry to think that there will be no more “eat that mutton, Hitchens” or “bend over that chair, Hitchens,” or “shall we call him Christine, boys, he’s so feeble?” but something in me hopes that it hasn’t all become positive reinforcement, with high marks constantly awarded for mere self-esteem.
* The durability of this “Upstairs, Downstairs” ethos is remarkable in point of both time and place. I was to become very close to Jessica Mitford, who was almost a sorceress in her ability to use her upper-class skills for American leftist purposes. Told once by a white Southerner at a cocktail party that “it don’t seem possible” that school integration could work, she icily replied: “To me it do!” and turned on her heel leaving him wilted like a salted snail. During the McCarthy period, when her fellow Communists became very timorous, she discovered that the Oakland branch was advising its black members, when turning up for a meeting at the home of a well-to-do comrade, to avoid FBI attention by pretending to be house-servants and using the back door. “Well, I mean to say, I sailed right round and told them I thought that was an absolute stinker.”
Cambridge
MY MOTHER HAVING DECIDED that Tonbridge was out of the question for her sensitive Christopher, some swift work had to be done to reposition me in the struggle — the whole aim and object of the five years at Mount House — to make me into a proper public-school boy. Mr. Wortham proved adept at the string-pulling of the system. It was quite rapidly decided that I should instead apply to go to The Leys School, in Cambridge. The atmosphere there was more intellectual and the headmaster, Alan Barker, was a friend of Mr. Wortham’s. Since I was being taken as a “late” applicant, I would still sit the same exam — the “Common Entrance” that has been the fate of the English prep-school boy since records were kept — but would have to achieve a scholarship mark at it. This I was able to do without much of a strain. For many years I kept the telegram (ah, those days of the telegram) which was received by my proud parents: “PASSED FOR LEYS CONGRATULATIONS WORTHAM.” This also enabled me to “score” a bit over my thirteen-year-old playmates. English public schools have names like Radley and Repton and Charterhouse and Sherborne and Stowe (not to mention the Eton and Harrow to which we knew we could not aspire), and it was quite the done thing to debate the relative merits of these status-conscious destinations. “Hah, Pugh is going to Sedbergh — moldy old prison.” “Oh yes, well you’re going to Sherborne, which is full of snobs.” When my turn came, I would portentously say: “I’m going to Cambridge.” That shut them up. Cambridge these little bastards had heard of. They just didn’t have anything sarcastic to say about it.
I was bluffing, of course, but I still liked the look of things. My new school was in town, and in the ancient town of Cambridge at that, instead of out on some blasted heath where long and muddy cross-country “runs” could be inflicted on you and even the nearest manic-depressive hamlet was many furlongs or versts or miles away. Most English public schools are affiliated with the national absurdity of the Anglican or “Church of England” confession (as if there could be a version of Christianity specifically linked to a group of northerly islands), whereas The Leys was Methodist, which put it in the Dissenting or Nonconformist tradition, founded by that admitted maniac and demagogue John Wesley but still better than the alliance between a state church, the monarchy, the armed forces, and the Tory Party. Many of the teachers and masters were part-time dons at the university. I was, by the age of thirteen, manumitted from provincial and rural life and enforced infancy, and put at last into long trousers, and allowed in sight of the great libraries and quadrangles that had nurtured Chaucer and Milton and Newton (and Cromwell).
For many people, the Oxford-Cambridge dichotomy is an either/or proposition, like Jack Sprat and his wife, or Harvard versus Yale, or Army versus Navy. In days gone by, plebeian Londoners who had been to neither university would get into loud public disputes every year about which “eight” they favored in the annual Oxford-Cambridge Boat Race from Putney to Mortlake: one of the great “who cares?” events of any epoch. For me, the similarities outdistance the distinctions. Both town
s show the unoriginality of the English when it comes to names: there used to be a ford for oxen by the Thames and there was once a place where it was possible to bridge the Cam. Both have colleges rather than a university. Both took a long time to recognize the existence of the railway, so that the station is too far from the center. Some say that Cambridge is more austere and Oxford more louche and luxurious, but could even All Souls be more exotic and languid and exclusive than the Apostles’ Club or the courts of Kings and Trinity, nursery of such ripe and gorgeous plants as E.M. Forster and John Maynard Keynes, to say nothing of the coterie of Stalinist traitors from Kim Philby to Sir Anthony Blunt? (“At least Oxford spies for us,” as one portly academic once put it to me, “while Cambridge seems to prefer to spy for the other side.”)