I had also managed to negotiate the slight but unmistakable political invigilation that used to be part of the scenery in those days. When applying for a trainee job at the BBC, I had been asked by one member of the interviewing panel: “Do you feel strongly about things? Strongly enough for example to sit down in Trafalgar Square?” I wasn’t stupid enough not to realize that he wouldn’t have asked that question if he didn’t already know the answer to it. I didn’t get the job, either — another defeat for which I am eternally grateful. (And this now makes me old enough to remember a time when the BBC tried to exclude subversive and resentful types.) A later interview, for that Times job, was more typical of British Establishment reserve and understatement at its deadliest. “Just a formality . . . won’t take a second. Need to ask you a few things before we have you on the strength.” The interlocutor was a Mr. Grant, a slightly red-faced and portly chap with no special title. This was in the days when the offices of the Times were in the magnificently named Printing House Square, just opposite the old Blackfriars Station where on the portico were still incised the names of ancient steam-railway destinations like Darmstadt and St. Petersburg. It was redolent of the time when the young Graham Greene had been a subeditor down the corridor. Mr. Grant asked me a few questions of such apparent innocuousness that I became suitably lulled. Then: “Interested in politics at all?” I decided there could only be one answer to that. “Good, good. Would you describe yourself as having any special affiliation?” Again on the assumption that he knew the answer, as well as on the conviction that it would be shameful to conceal my stance, I replied: “I am a socialist.” “Fine, fine, my dear boy: don’t look so defensive. More socialists on the Times than you would probably guess. Some of our best people too . . .” I was just relaxing when he leaned forward slightly and asked, looking me directly in the eye: “By the way, would the Labour Party allow you to join it?”
This, as he must have known, was the very question that I might have hoped to avoid. I was “in” the Labour movement all right, but not at all “of” it.
Let us go then, you and I, to a meeting in a rather dingy and poorly lit union hall in Haringay, North London. The time: the mid-1970s. The place: a run-down but resilient district, with a high level of Irish and other immigrant population. I am the invited speaker and the subject is Cyprus, the former British colony in the Mediterranean which has recently been attacked and invaded by both Greek and Turkish NATO armies. Many refugees from this cruel bombardment and occupation have arrived in London to join the staunchly working-class and left-wing Cypriot community that has been here since the 1930s. My articles on the ongoing imperial crime have won me a certain audience. The brothers and sisters in Haringay aren’t easily impressed by visiting talent, and it’s unlikely that I’ll even get the taciturn treasurer of the local branch to refund my “tube” fare from downtown, but I’m used to this no-nonsense style and have even trained myself to approve of it. Before being exposed to my scintillating rhetoric, the audience will be subjected to a steady series of quotidian preliminaries. There will be an appeal for the strike fund at a neighboring engineering factory, whose workforce has been “out” on the picket line for over a month. There will be an announcement about a regional meeting to discuss resolutions for the forthcoming annual Labour Party conference, scheduled for a distant and dismal seaside resort sometime in the fall. The lady who helps run social services for needy immigrants will make an appeal, couched in that amazing warmth in which some Labour matriarchs specialize, urging Cypriots (who generally prize family values above all else and are leery of charity) to claim their entitlements as Commonwealth citizens. It is stressed that no distinction is to be made between Greek and Turkish Cypriots, none of whom have ever raised so much as a voice or a hand to each other in this old and fraternal borough. A veteran of the bus drivers’ union gets to his feet to make a sturdy, ringing call for British workers to take their holidays in democratic and struggling Cyprus, instead of on the so-called touristic Costa Brava that is part of the disgrace that is (still, after all those years and in spite of all our efforts) General Franco’s Spain. These are people who shun the gaudy display of supermarkets and spend their hard-earned wages at the Co-Op, with which many of them also bank their small savings.
It’s all gone now, or gone to pieces, but this was what we used to call “the Labour movement.” Sometimes in elevated May Day rhetoric it was TIGMOO (This Great Movement Of Ours) and sometimes it was TMAAW (The Movement As A Whole) but even as we mocked this stock speech, we felt a fierce pride at belonging to the ranks that it described. Men and women, “warriors for the working day,” who had survived mass unemployment and slum housing and bitter exploitation, stuck together to resist fascism at home and abroad, rebuilt the country after 1945, fought for independence for the colonies, and striven to remove the terrible fear — of illness and penury and a Dickensian old age — that had hagridden the British working class. In 1939, when it had once again become necessary to summon those workers back to the colors and the flag and the defense of the nation (mainly in consequence of the abysmal and shameful capitulations of the ruling class in the face of Nazism), the recruiting officers had been appalled at the human material that was presented to them. Men with crumbled teeth, failing eyesight, wheezing pigeon-like chests, bow-legged and balding; exhibiting symptoms of deficiency diseases like rickets and pellagra that would have shocked some of Britain’s Indian and African subjects. As a child born after the war and in the first years of the National Health Service (itself always semireverently capitalized by the people as “the NHS”) I was a beneficiary of all this, despite my father’s Toryism. Free blackcurrant juice for Vitamin C — making me pee purple — was available at school, as was free milk, from which I first made the nauseating discovery of what is now called “lactose intolerance.” A “district nurse” called as a matter of course on any household that had registered the birth of a new baby. If I developed a squint or a toothache, my parents need not fear bankruptcy, but could take me to be fitted with spectacles or healed with a filling. The resulting work is not beautiful (I winced with recognition when I first read the expression “British teeth” in Gore Vidal’s Judgment of Paris) but it is nonetheless real and tangible and available as a kind of right, and a hard-won right at that. Everybody in the hall is proud of the fact that the most elemental thing of all — human blood — is freely donated to the National Health Service, which never runs out of it and never pays a penny to those who line up to give it and expect nothing in return but a strong brown cup of serious proletarian tea.
For me, this “movement” is everything. It contains within itself the germinal hope of a better future where a thinking working class can acquire the faculties of a serious party of government, and can extend these small early “reformist” gains into something more comprehensive — all the while uniting with similar movements in other countries to repudiate the narrow nationalisms and chauvinisms that lead to wars and partitions. To be enrolled in its ranks is to be a part of an alternative history as well as an alternative present and future. Official Britain may have its Valhalla of heroes and statesmen and conquerors and empire-builders, but we know that the highest point ever reached by European civilization was in the city of Basel in 1912, when the leaders of the socialist parties of all countries met to coordinate an opposition to the coming World War. The names of real heroes like Jean Jaures and Karl Liebknecht make the figures of Asquith and Churchill and Lloyd George seem like pygmies. The violence and disruption of a socialist transformation in those years would have been infinitely less than the insane sacrifice of culture to barbarism, and the Nazism and Stalinism that ensued from it. This feeling seemed absolutely authentic to me at the time. (As a matter of fact it still does.) The only two immediate difficulties with this idealism are that, first, this same movement is, at least for the time being, expressed politically by a very boring and compromised party known as the Labour Party; and, second, that in the industry where I actually
happen to work, the unions are the most hidebound and conservative force of all, which in the newspaper business is saying quite a good deal.
In my efforts to live up to the Peter De Vries maxim, I took various “mainstream” jobs, from being a freelance researcher for the “Insight” team at Harold Evans’s Sunday Times (then at its zenith), to working at the newly formed London Weekend Television, to being a correspondent for the Daily Express and a part-time editorial or “leader”-writer for the old Evening Standard. This makes me one of the last of those who can say that they worked for “Beaverbrook Newspapers”: the famous old racket, half-magic and half-criminal, that was preserved forever in Evelyn Waugh’s portrayal of The Daily Beast. Writing my own introduction to the Penguin edition of Scoop, I said of Waugh’s Fleet Street masterpiece that it perfectly evoked both the fugitive glamour of the business — that pseudo-deco black-glass palace on Fleet Street from which one might take a taxi at short notice to the airport, clutching a brick of traveler’s checks, with an exotic visa in one’s old blue-gold hardback British passport (“The Street of Adventure”) — as well as its irredeemable squalor (“The Street of Shame”). Here is how Waugh introduces a group of veteran British hacks met in some dismal overseas bar:
Shumble, Whelper and Pigge knew Corker; they had loitered of old on many a doorstep and forced an entry into many a stricken home . . .
I once had a drink with an Express veteran, his face richly veined and seamed with grog-blossom, in the old Punch Tavern opposite the offices, while he explained to me the etiquette of stricken-home violation. The bereaved generally liked to offer a cup of tea, he said, out of immemorial working-class courtesy. Thus, when extracting the maximum of tragedy from the relatives of a recent victim — be it of crime or fire or plane crash — it was always important to take along a colleague. “He offers to help them out in the kitchen while they put the kettle on, and that gives you a nice time to slip into the front room and collar the family photos from off the mantelpiece.” Lest I seem to pretend to have been shocked by this, I freely admit that the unofficial motto of our foreign correspondent’s desk was, when setting off to some scene of mass graves and riven societies, “Anyone here been raped and speaks English?” In Martin Amis’s novel of Fleet Street, Yellow Dog, you might think that the contempt shown by the reporters for both their subjects and their readers is overdone, but you would be wrong.*
In many ways journalism was the ideal profession for someone like myself who was drawn to the Janus-faced mode of life. Did I say “profession”? There is something about the craft and practice (better words for it) that is naturally two-faced. One has to pretend to be at least formally polite to the politicians one interviews; one has to be civil and smiling and curious when sitting with criminal lunatic “freedom fighters” and crazed, aphasic dictators.
I can give an example of this from the formative days of my own career in the media racket. In the early 1970s, in what had once been called “the jewel of Africa,” there was a state-sponsored pogrom against Ugandans of Asian descent, who were first dispossessed and then deported. The man responsible was the almost pornographically wicked figure Idi Amin (later to become an exiled guest in Saudi Arabia as a heroic son of Islam). His bigotry and greed were two aspects of the same rampant disorder: he wanted the assets of the Asian business community as his political spoil, and he also wanted to be the man who “Africanized” his unhappy country by ethnic cleansing. Most of the Asians had British passports, though it had never been thought that they would employ them for the crassly tactless purpose of (say) coming to live in the United Kingdom. When they did exercise this small legal privilege, there was quite a strong racist reaction to their arrival. One of those who was most demagogic on the point was Sir Oswald Mosley, an ageing figure to whom there still clung the authentic stench of the 1930s, when he had been the black-shirted leader of the British Union of Fascists. Since the end of the Second World War, he had chosen to live in Paris. As it happened, my very amateur network of intelligence and information brought me the news that the old would-be dictator was in London and staying at the Ritz. I decided to see if he would come on the television show for which I was then a researcher and cub reporter.
The first part was easy: I established that he was indeed at the Ritz and that he was willing to be interviewed. The second bit was slightly more difficult: Was I not having to be civil to a man who had had Josef Goebbels as the best man at his wedding to Lady Diana Mitford, with Adolf Hitler (who gave the happy couple a framed portrait of himself as a nuptial gift) in attendance as guest of honor? I decided that the problem could be resolved in the following way: the opportunity was too good to miss but there the formalities ended. I would send him a car, and would greet him in the lobby, but would not extend my hand when he arrived. I rehearsed the moment many times, waking and sleeping, until the limousine drew up and the now-silvered and bull-like figure of the old bastard began to emerge. Somehow I found I was putting out my own hand first and saying: “Sir Oswald, how very good of you to come.” In what seemed a volitionless state, I then conducted him to the hospitality suite and poured him a drink.
I can justify this if you like. (It occurs to me now that I could also have justified it then, since Mosley was the model for Sir Roderick Spode, the brutish and ridiculous leader of the “Black Shorts” movement in P.G. Wodehouse’s 1938 masterpiece The Code of the Woosters, and one doesn’t get many chances to meet such an original. But I was far too solemn for that in those days.) Instead, I justified myself tactically. From our ensuing chat I learned that he had never dreaded the Marxist hecklers of the Thirties who had hurled rocks and vegetation at him. The most disconcerting tactic of the Left, he informed me, had been to occupy the first few rows of seats in a town hall and then, as he began speaking, to open newspapers and bury their faces in the pages. It’s somehow very hard to whip up a crowd when the front-row seats are thus otherwise engaged. He carried on in this urbane and confessional manner until it was time to put him on the set and begin the serious business. As soon as the studio lights came up and the camera’s light began winking red, he seemed to shrug off his previous character and style and to become suddenly lean and hawklike as of yore. The whole timbre of his voice altered, and to the interviewer’s first question on Ugandan Asian immigration he returned a rasping, sneering answer that summoned all the old echoes of race and nation. Thus, green and untried as I was, I had the opportunity to notice in one hour what many members of the British upper class had been unable to bring themselves to see in the 1930s: there was one Mosley who acted in a fairly civilized and even amusing way in the drawing rooms and country houses, and another whose relish it was to go down to the slums of the East End and get all dirtied up with those who were so base and stupid as to think that their lives would improve if they were not afflicted with Jewish neighbors.
How I managed the conclusion of the thing I can’t now recall: perhaps I was proud and heroic enough to decline a handshake as Sir Oswald departed. Anyway, it taught me that the moral attitudes that one strikes are often devoid of any significance.*
This was all in “the Seventies.” When exactly did we begin to periodize by decades instead of, say, by reigns? Did people in the Thirties know that they were going to be historically collectivized in that way? There were no noughts or tens in the twentieth century, which went straight from Edwardian to the Great War. Hints of an idea of “the Twenties” had been contained in the concept of the Jazz Age. In the spring of 1968 I do remember a revolutionary speaker on the pavement outside the London School of Economics referring to a year that might one day be matched with 1848 and 1917, and we did have a sort of consciousness of living in “the Sixties” while they were still going on. But the Seventies were only the Seventies because they had to have a name. Nullity and anticlimax appeared to close in on all sides. And so did certain kinds of nastiness, often composed of, or distilled from, the worst of the Sixties. The television HQ to which I had invited Mosley was situated in a
new high-rise on the South Bank of the Thames, with a commanding view of London. Looking out of one of its higher windows after lunch one day, I first saw and then heard a huge explosion. It seemed to be located somewhere near St. Paul’s Cathedral. What I had just seen — and was to be seeing at street level within the hour — was the first Irish Republican Army car bomb to detonate on the British mainland. The “target” had been the Old Bailey: the country’s supreme court.
I had always been opposed to the partition of Ireland and a strong supporter of the civil rights movement against the Orange sectarian ministate that embodied the petrified, stagnant outcomes of that old and cruel division. My outfit, the International Socialists, had been involved at an early stage in the nonsectarian protests and marches and strikes that had challenged the Ulster “Six County” rump system. Many was the evening, especially after the “Bloody Sunday” massacre by British troops in Derry, and after Britain’s imposition of internment, better known as imprisonment without trial (but with some torture), that I had spent in Irish pubs and clubs, making speeches and organizing protests. As a journalist, also, I started visiting Belfast and Derry and Newry and had my first experience of seeing shots fired in anger, as well as nail bombs thrown and gasoline bombs too. As one brought up inside the protective womb of the Royal Navy and its bases, it felt very strange to me to see the British Army patrolling streets that were at least constitutionally “British,” but while wearing the visors and helmets of occupying space aliens. That was one distinct oddity. The other — in a city like Belfast where there had been almost no Commonwealth immigration — was that if one saw a black face it was almost invariably the face of a British soldier. (Some of the taunts from angry old ladies in Republican slum districts did not fail to make use of this striking contrast. “What’ll you do with it, then, soldier boy?” shrilled one banshee as a young squaddie from Barbados flourished a “rubber bullet”: a crowd-control device that resembled a Coke bottle sculpted in black. “Post it to your focken wife?” I never forgot the look of hurt on his face.)