Page 15 of Long Live Hitch


  It is often said that Islam differs from other monotheisms in not having had a “reformation.” This is both correct and incorrect. There are versions of Islam—most notably the Sufi, much detested by the devout—which are principally spiritual rather than literal and which have taken on some accretions from other faiths. And, since Islam has avoided the mistake of having an absolute papacy capable of uttering binding edicts (hence the proliferation of conflicting fatwas from conflicting authorities) its adherents cannot be told to cease believing what they once held as dogma. This might be to the good, but the fact remains that Islam’s core claim—to be unimprovable and final—is at once absurd and unalterable. Its many warring and discrepant sects, from Ismaili to Ahmadi, all agree on this indissoluble claim.

  “Reformation” has meant, for Jews and Christians, a minimal willingness to reconsider holy writ as if it were (as Salman Rushdie so daringly proposed in his turn) something that can be subjected to literary and textual scrutiny. The number of possible “Bibles” is now admitted to be immense, and we know for example that the portentous Christian term “Jehovah” is a mistranslation of the unuttered spaces between the letters of the Hebrew “Yahweh.” Yet no comparable project has ever been undertaken in Koranic scholarship. No serious attempt has been made to catalog the discrepancies between its various editions and manuscripts, and even the most tentative efforts to do so have been met with almost Inquisitional rage. A critical case in point is the work of Christoph Luxenburg, The Syriac-Aramaic Version of the Koran, published in Berlin in the year 2000. Luxenburg coolly proposes that, far from being a monoglot screed, the Koran is far better understood once it is conceded that many of its words are Syriac- Aramaic rather than Arabic. (His most celebrated example concerns the rewards of a “martyr” in paradise: when retranslated and redacted the heavenly offering consists of sweet white raisins rather than virgins.) This is the same language, and the same region, from which much of Judaism and Christianity emerged: there can be no doubt that unfettered research would result in the dispelling of much obscurantism. But, at the very point when Islam ought to be joining its predecessors in subjecting itself to rereadings, there is a “soft” consensus among almost all the religious that, because of the supposed duty of respect that we owe the faithful, this is the very time to allow Islam to assert its claims at their own face value. Once again, faith is helping to choke free inquiry and the emancipating consequences that it might bring.

  Chapter Ten

  The Tawdriness of the Miraculous and the Decline of Hell

  The daughters of the high priest Anius changed whatever they chose into wheat, wine or oil. Athalida, daughter of Mercury, was resuscitated several times. Aesculapius resuscitated Hippolytus. Hercules dragged Alcestis back from death. Heres returned to the world after passing a fortnight in hell. The parents of Romulus and Remus were a god and a vestal virgin. The Palladium fell from heaven in the city of Troy. The hair of Berenice became a constellation. . . . Give me the name of one people among whom incredible prodigies were not performed, especially when few knew how to read and write.

  —Voltaire, Miracles and Idolatry

  An old fable concerns the comeuppance of a braggart who was forever retelling the story of a truly stupendous leap that he had once made on the island of Rhodes. Never, it seemed, had there ever been witnessed such a heroic long-jump. Though the teller never grew tired of the tale, the same could not be said of his audience. Finally, as he again drew breath to relate the story of the great feat, one of those present silenced him by saying gruffly, “Hic Rhodus, hic salta!” (Here is Rhodes, jump here!)

  In much the same way as prophets and seers and great theologians seem to have died out, so the age of miracles seems to lie somewhere in our past. If the religious were wise, or had the confidence of their convictions, they ought to welcome the eclipse of this age of fraud and conjuring. But faith, yet again, discredits itself by proving to be insufficient to satisfy the faithful. Actual events are still required to impress the credulous. We have no difficulty in seeing this when we study the witch doctors and magicians and soothsayers of earlier or more remote cultures: obviously it was a clever person who first learned to predict an eclipse and then to use this planetary event to impress and cow his audience. Ancient kings in Cambodia worked out the day on which the Mekong and the Bassac rivers would annually suddenly start to flood and conjoin and, under terrific water pressure, appear to actually reverse their flow back into the great lake at Tonle Sap. Relatively soon, there was a ceremony at which the divinely appointed leader would duly appear and seem to order the waters to flow backward. Moses on the shore of the Red Sea could only have gaped at such a thing. (In more modern times, the showman King Sihanouk of Cambodia exploited this natural miracle to considerable effect.)

  Given all that, it is surprising how petty some of the “supernatural” miracles now seem. As with spiritualist séances, which cynically offer burblings from the beyond to relatives of the late deceased, nothing truly interesting is ever said or done. To the story of Muhammad’s “night flight” to Jerusalem (the hoofprint of his horse Borak is still allegedly to be seen on the site of the Al-Aqsa Mosque) it would be unkind to make the obvious riposte that horses cannot and do not fly. It is more pertinent to notice that people, ever since the beginning of their long and exhausting journeys across the earth’s surface, gazing for days at the rear end of a mule, have fantasized about speeding up the tedious process. Folkloric seven-league boots can give the wearer a spring in his step, but this is only tinkering with the problem. The real dream, for thousands of years, involved envy of the birds (feathered descendants of the dinosaurs, as we now know) and the yearning to fly. Chariots in the sky, angels that could glide freely on the thermals . . . it is only too easy to see the root of the wish. Thus the Prophet speaks to the longing of every peasant who wishes that his beast could take wing and get on with it. But given infinite power, one might have thought that a more striking or less simpleminded miracle could have been confected. Levitation plays a vast role in Christian fantasy as well, as the stories of the Ascension and the Assumption confirm. At that epoch, the sky was thought to be a bowl, and its ordinary weather a source of portent or intervention. Given this pathetically limited view of the cosmos, the most trivial event could appear miraculous while an event that would truly astonish us—such as the sun ceasing to move—could yet appear as a local phenomenon.

  Assuming that a miracle is a favorable change in the natural order, the last word on the subject was written by the Scottish philosopher David Hume, who granted us free will in the matter. A miracle is a disturbance or interruption in the expected and established course of things. This could involve anything from the sun rising in the west to an animal suddenly bursting into the recitation of verse. Very well, then, free will also involves decision. If you seem to witness such a thing, there are two possibilities. The first is that the laws of nature have been suspended (in your favor). The second is that you are under a misapprehension, or suffering from a delusion. Thus the likelihood of the second must be weighed against the likelihood of the first.

  If you only hear a report of the miracle from a second or third party, the odds must be adjusted accordingly before you can decide to credit a witness who claims to have seen something that you did not see. And if you are separated from the “sighting” by many generations, and have no independent corroboration, the odds must be adjusted still more drastically. Again we might call upon the trusty Ockham, who warned us not to multiply unnecessary contingencies. Thus, let me give one ancient and one modern example: the first being bodily resurrection and the second being UFOs.

  Miracles have declined, in their wondrous impact, since ancient times. Moreover, the more recent ones that have been offered us have been slightly tawdry. The notorious annual liquefaction of the blood of San Gennaro in Naples, for example, is a phenomenon that can easily be (and has been) repeated by any competent conjuror. Great secular “magicians” like Harry Houdini and Ja
mes Randi have demonstrated with ease that levitation, fire-walking, water-divining, and spoon-bending can all be performed, under laboratory conditions, in order to expose the fraud and to safeguard the unwary customer from a fleecing. Miracles in any case do not vindicate the truth of the religion that practices them: Aaron supposedly vanquished Pharoah’s magicians in an open competition but did not deny that they could perform wonders as well. However, there has not been a claimed resurrection for some time and no shaman who purports to do it has ever agreed to reproduce his trick in such a way as to stand a challenge. Thus we must ask ourselves: Has the art of resurrection died out? Or are we relying on dubious sources?

  The New Testament is itself a highly dubious source. (One of Professor Bart Ehrman’s more astonishing findings is that the account of Jesus’s resurrection in the Gospel of Mark was only added many years later.) But according to the New Testament, the thing could be done in an almost commonplace way. Jesus managed it twice in other people’s cases, by raising both Lazarus and the daughter of Jairus, and nobody seems to have thought it worthwhile to interview either survivor to ask about their extraordinary experiences. Nor does anyone seem to have kept a record of whether or not, or how, these two individuals “died” again. If they stayed immortal, then they joined the ancient company of the “Wandering Jew,” who was condemned by early Christianity to keep walking forever after he met Jesus on the Via Dolorosa, this misery being inflicted upon a mere bystander in order to fulfill the otherwise unfulfilled prophecy that Jesus would come again in the lifetime of at least one person who had seen him the first time around. On the same day that Jesus met that luckless vagrant, he was himself put to death with revolting cruelty, at which time, according to the Gospel of Matthew 27:52–53, “the graves were opened; and many bodies of the saints which slept arose, and came out of the graves after his resurrection, and went into the holy city, and appeared unto many.” This seems incoherent, since the corpses apparently rose both at the time of the death on the cross and of the Resurrection, but it is narrated in the same matter-of-fact way as the earthquake, the rending of the veil of the temple (two other events that did not attract the attention of any historian), and the reverent comments of the Roman centurion.

  This supposed frequency of resurrection can only undermine the uniqueness of the one by which mankind purchased forgiveness of sins. And there is no cult or religion before or since, from Osiris to vampirism to voodoo, that does not rely on some innate belief in the “undead.” To this day, Christians disagree as to whether the day of judgment will give you back the old wreck of a body that has already died on you, or will reequip you in some other form. For now, and on a review even of the claims made by the faithful, one can say that resurrection would not prove the truth of the dead man’s doctrine, nor his paternity, nor the probability of still another return in fleshly or recognizable form. Yet again, also, too much is being “proved.” The action of a man who volunteers to die for his fellow creatures is universally regarded as noble. The extra claim not to have “really” died makes the whole sacrifice tricky and meretricious. (Thus, those who say “Christ died for my sins,” when he did not really “die” at all, are making a statement that is false in its own terms.) Having no reliable or consistent witnesses, in anything like the time period needed to certify such an extraordinary claim, we are finally entitled to say that we have a right, if not an obligation, to respect ourselves enough to disbelieve the whole thing. That is, unless or until superior evidence is presented, which it has not been. And exceptional claims demand exceptional evidence.

  I have spent much of my life as a correspondent and long ago became used to reading firsthand accounts of the very same events I had witnessed, written by people I otherwise trusted, which did not accord with my own. (In my days as a Fleet Street correspondent, I even read stories in print under my own name which were not recognizable to me once the sub-editors had finished with them.) And I have interviewed some of the hundreds of thousands of people who claim to have had direct encounters with spacecraft, or the crew of spacecraft, from another galaxy. Some of these are so vivid and detailed (and so comparable with other depositions from other people who cannot have compared notes) that a few impressionable academics have proposed that we grant them the presumption of truth. But here is the obvious Ockhamist reason why it would be utterly wrong to do so. If the huge number of “contacts” and abductees are telling even a particle of truth, then it follows that their alien friends are not attempting to keep their own existence a secret. Well, in that case, why do they never stay still for anything more than a single-shot photo? There has never been an uncut roll of film offered, let alone a small piece of a metal unavailable on earth, or a tiny sample of tissue. And sketches of the beings have a consistent anthropomorphic resemblance to those offered in science-fiction comics. Since travel from Alpha Centauri (the preferred origin) would involve some bending of the laws of physics, even the smallest particle of matter would be of enormous use, and would have a literally earth- shattering effect. Instead of which—nothing. Nothing, that is, except the growth of a huge new superstition, based upon a belief in occult texts and shards that are available only to a favored few. Well, I have seen that happen before. The only responsible decision is to suspend or withhold judgment until the votaries have come up with something that is not merely childish.

  Extend this to the present day, where the statues of virgins or saints are sometimes said to weep or bleed. Even if I could not easily introduce you to people who can produce this identical effect in their spare time, using pig fat or other materials, I would still ask myself why a deity should be content to produce such a paltry effect. As it happens, I am one of the very few people who has ever taken part in the examination of a sainthood “cause,” as the Roman Catholic Church calls it. In June of 2001 I was invited by the Vatican to testify at a hearing on the beatification of Agnes Bojaxhiu, an ambitious Albanian nun who had become well-known under the nom de guerre of “Mother Teresa.” Although the then pope had abolished the famous office of “Devil’s Advocate,” the better to confirm and canonize an enormous number of new “saints,” the church was still obliged to seek testimony from critics, and thus I found myself representing the devil, as it were, pro bono.

  I had already helped expose one of the “miracles” connected with the work of this woman. The man who originally made her famous was a distinguished if rather silly British evangelist (later a Catholic) named Malcolm Muggeridge. It was his BBC documentary, Something Beautiful for God, which launched the “Mother Teresa” brand on the world in 1969. The cameraman for this film was a man named Ken Macmillan, who had won high praise for his work on Lord Clark’s great art history series, Civilisation. His understanding of color and lighting was of a high order. Here is the story as Muggeridge told it, in the book that accompanied the film:

  [Mother Teresa’s] Home for the Dying is dimly lit by small windows high up in the walls, and Ken [Macmillan] was adamant that filming was quite impossible there. We only had one small light with us, and to get the place adequately lighted in the time at our disposal was quite impossible. It was decided that, nonetheless, Ken should have a go, but by way of insurance he took, as well, some film in an outside courtyard where some of the inmates were sitting in the sun. In the processed film, the part taken inside was bathed in a particularly beautiful soft light, whereas the part taken outside was rather dim and confused. . . . I myself am absolutely convinced that the technically unaccountable light is, in fact, the Kindly Light that Cardinal Newman refers to in his well-known exquisite hymn.

  He concluded that

  This is precisely what miracles are for—to reveal the inner reality of God’s outward creation. I am personally persuaded that Ken recorded the first authentic photographic miracle. . . . I fear I talked and wrote about it to the point of tedium.

  He was certainly correct in that last sentence: by the time he had finished he had made Mother Teresa into a world-famous figure. My contribut
ion was to check out and put into print the direct verbal testimony of Ken Macmillan, the cameraman himself. Here it is:

  During Something Beautiful for God, there was an episode where we were taken to a building that Mother Teresa called the House of the Dying. Peter Chafer, the director, said, “Ah well, it’s very dark in here. Do you think we can get something?” And we had just taken delivery at the BBC of some new film made by Kodak, which we hadn’t had time to test before we left, so I said to Peter, “Well, we may as well have a go.” So we shot it. And when we got back several weeks later, a month or two later, we are sitting in the rushes theater at Ealing Studios and eventually up come the shots of the House of the Dying. And it was surprising. You could see every detail. And I said, “That’s amazing. That’s extraordinary.” And I was going to go on to say, you know, three cheers for Kodak. I didn’t get a chance to say that though, because Malcolm, sitting in the front row, spun around and said: “It’s divine light! It’s Mother Teresa. You’ll find that it’s divine light, old boy.” And three or four days later I found that I was being phoned by journalists from London newspapers who were saying things like: “We hear you’ve just come back from India with Malcolm Muggeridge and you were the witness of a miracle.”