FIRST VINTAGE INTERNATIONAL EDITION, MARCH 1992
Copyright © 1982 by Graham Swift
All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Vintage Books, a division of Random House, Inc., New York. Originally published by London Magazine Editions, Great Britain, in 1982.
Some of the stories in this book have been previously published.
Library of Congress Cataloging-in-Publication Data
Swift, Graham, 1949-
Learning to swim and other stories / Graham Swift.—1st Vintage
International ed.
p. cm.
I. Title.
[PR6069.W47L4 1992]
823’.914—dc20 91–50601
Author photograph © Mark Douet
eISBN: 978-0-307-82979-5
v3.1
Acknowledgments
The stories in this collection first appeared as follows: “Seraglio,” “Hoffmeier’s Antelope,” “The Hypochondriac,” and “Hotel” in the London Magazine; “Gabor” and “The Son” in Punch; “Learning to Swim” in New Stories 3 and “Cliffedge” in New Stories 5; “The Watch” in Firebird 1; “Chemistry” in Winter’s Tales 27; and as a broadcast on BBC Radio 3. “The Hypochondriac” has also appeared in Formations (University of Wisconsin Press).
Contents
Cover
Title Page
Copyright
Acknowledgments
Learning to Swim
Hoffmeier’s Antelope
Gabor
The Hypochondriac
The Tunnel
Hotel
Seraglio
The Son
Chemistry
Cliffedge
The Watch
Other Books by This Author
A Note About the Author
Learning to Swim
MRS. SINGLETON HAD THREE TIMES thought of leaving her husband. The first time was before they were married, on a charter plane coming back from a holiday in Greece. They were students who had just graduated. They had rucksacks and faded jeans. In Greece they had stayed part of the time by a beach on an island. The island was dry and rocky with great grey and vermilion coloured rocks and when you lay on the beach it seemed that you too became a hot, basking rock. Behind the beach there were eucalyptus trees like dry, leafy bones, old men with mules and gold teeth, a fragrance of thyme, and a café with melon seeds on the floor and a jukebox which played bouzouki music and songs by Cliff Richard. All this Mr. Singleton failed to appreciate. He’d only liked the milk-warm, clear blue sea, in which he’d stayed most of the time as if afraid of foreign soil. On the plane she’d thought: He hadn’t enjoyed the holiday, hadn’t liked Greece at all. All that sunshine. Then she’d thought she ought not to marry him.
Though she had, a year later.
The second time was about a year after Mr. Singleton, who was a civil engineer, had begun his first big job. He became a junior partner in a firm with a growing reputation. She ought to have been pleased by this. It brought money and comfort; it enabled them to move to a house with a large garden, to live well, to think about raising a family. They spent weekends in country hotels. But Mr. Singleton seemed untouched by this. He became withdrawn and incommunicative. He went to his work austere-faced. She thought: He likes his bridges and tunnels better than me.
The third time, which was really a phase, not a single moment, was when she began to calculate how often Mr. Singleton made love to her. When she started this it was about once every fortnight on average. Then it became every three weeks. The interval had been widening for some time. This was not a predicament Mrs. Singleton viewed selfishly. Love-making had been a problem before, in their earliest days together, which, thanks to her patience and initiative, had been overcome. It was Mr. Singleton’s unhappiness, not her own, that she saw in their present plight. He was distrustful of happiness as some people fear heights or open spaces. She would reassure him, encourage him again. But the averages seemed to defy her personal effort: once every three weeks, once every month … She thought: Things go back to as they were.
But then, by sheer chance, she became pregnant.
Now she lay on her back, eyes closed, on the coarse sand of the beach in Cornwall. It was hot and, if she opened her eyes, the sky was clear blue. This and the previous summer had been fine enough to make her husband’s refusal to go abroad for holidays tolerable. If you kept your eyes closed it could be Greece or Italy or Ibiza. She wore a chocolate-brown bikini, sun-glasses, and her skin, which seldom suffered from sunburn, was already beginning to tan. She let her arms trail idly by her side, scooping up little handfuls of sand. If she turned her head to the right and looked towards the sea she could see Mr. Singleton and their son Paul standing in the shallow water. Mr. Singleton was teaching Paul to swim. “Kick!” he was saying. From here, against the gentle waves, they looked like no more than two rippling silhouettes.
“Kick!” said Mr. Singleton, “Kick!” He was like a punisher, administering lashes.
She turned her head away to face upwards. If you shut your eyes you could imagine you were the only one on the beach; if you held them shut you could be part of the beach. Mrs. Singleton imagined that in order to acquire a tan you had to let the sun make love to you.
She dug her heels in the sand and smiled involuntarily.
When she was a thin, flat-chested, studious girl in a grey school uniform Mrs. Singleton had assuaged her fear and desperation about sex with fantasies which took away from men the brute physicality she expected of them. All her lovers would be artists. Poets would write poems to her, composers would dedicate their works to her. She would even pose, naked and immaculate, for painters, who having committed her true, her eternal form to canvas, would make love to her in an impalpable, ethereal way, under the power of which her bodily and temporal self would melt away, perhaps for ever. These fantasies (for she had never entirely renounced them) had crystallized for her in the image of a sculptor, who from a cold intractable piece of stone would fashion her very essence—which would be vibrant and full of sunlight, like the statues they had seen in Greece.
At university she had worked on the assumption that all men lusted uncontrollably and insatiably after women. She had not yet encountered a man who, whilst prone to the usual instincts, possessing moreover a magnificent body with which to fulfil them, yet had scruples about doing so, seemed ashamed of his own capacities. It did not matter that Mr. Singleton was reading engineering, was scarcely artistic at all, or that his powerful physique was unlike the nebulous creatures of her dreams. She found she loved this solid man-flesh. Mrs. Singleton had thought she was the shy, inexperienced, timid girl. Overnight she discovered that she wasn’t this at all. He wore tough denim shirts, spoke and smiled very little and had a way of standing very straight and upright as if he didn’t need any help from anyone. She had to educate him into moments of passion, of self-forgetfulness which made her glow with her own achievement. She was happy because she had not thought she was happy and she believed she could make someone else happy. At the university girls were starting to wear jeans, record-players played the Rolling Stones and in the hush of the Modern Languages Library she read Leopardi and Verlaine. She seemed to float with confidence in a swirling, buoyant element she had never suspected would be her own.
“Kick!” she heard again from the water.
Mr. Singleton had twice thought of leaving his wife. Once was after a symphony concert they had gone to in London when they had not known each other very long and she still tried to get him to read books, to listen to music, to take an interest in art. She would buy concert or theatre tickets, and he had to seem
pleased. At this concert a visiting orchestra was playing some titanic, large-scale work by a late nineteenth-century composer. A note in the programme said it represented the triumph of life over death. He had sat on his plush seat amidst the swirling barrage of sound. He had no idea what he had to do with it or the triumph of life over death. He had thought the same thought about the rapt girl on his left, the future Mrs. Singleton, who now and then bobbed, swayed or rose in her seat as if the music physically lifted her. There were at least seventy musicians on the platform. As the piece worked to its final crescendo the conductor, whose arms were flailing frantically so that his white shirt back appeared under his flying tails, looked so absurd Mr. Singleton thought he would laugh. When the music stopped and was immediately supplanted by wild cheering and clapping he thought the world had gone mad. He had struck his own hands together so as to appear to be sharing the ecstasy. Then, as they filed out, he had almost wept because he felt like an insect. He even thought she had arranged the whole business so as to humiliate him.
He thought he would not marry her.
The second time was after they had been married some years. He was one of a team of engineers working on a suspension bridge over an estuary in Ireland. They took it in turns to stay on the site and to inspect the construction work personally. Once he had to go to the very top of one of the two piers of the bridge to examine work on the bearings and housing for the main overhead cables. A lift ran up between the twin towers of the pier amidst a network of scaffolding and power cables to where a working platform was positioned. The engineer, with the supervisor and the foreman, had only to stay on the platform from where all the main features of construction were visible. The men at work on the upper sections of the towers, specialists in their trade, earning up to two hundred pounds a week—who balanced on precarious cat-walks and walked along exposed reinforcing girders—often jibed at the engineers who never left the platform. He thought he would show them. He walked out on to one of the cat-walks on the outer face of the pier where they were fitting huge grip-bolts. This was quite safe if you held on to the rails but still took some nerve. He wore a check cheesecloth shirt and his white safety helmet. It was a grey, humid August day. The cat-walk hung over greyness. The water of the estuary was the colour of dead fish. A dredger was chugging near the base of the pier. He thought, I could swim the estuary; but there is a bridge. Below him the yellow helmets of workers moved over the girders for the roadway like beetles. He took his hands from the rail. He wasn’t at all afraid. He had been away from his wife all week. He thought: She knows nothing of this. If he were to step out now into the grey air he would be quite by himself, no harm would come to him …
Now Mr. Singleton stood in the water, teaching his son to swim. They were doing the water-wings exercise. The boy wore a pair of water-wings, red underneath, yellow on top, which ballooned up under his arms and chin. With this to support him, he would splutter and splash towards his father who stood facing him some feet away. After a while at this they would try the same procedure, his father moving a little nearer, but without the water-wings, and this the boy dreaded. “Kick!” said Mr. Singleton. “Use your legs!” He watched his son draw painfully towards him. The boy had not yet grasped that the body naturally floated and that if you added to this certain mechanical effects, you swam. He thought that in order to swim you had to make as much frantic movement as possible. As he struggled towards Mr. Singleton his head, which was too high out of the water, jerked messily from side to side, and his eyes which were half closed swivelled in every direction but straight ahead. “Towards me!” shouted Mr. Singleton. He held out his arms in front of him for Paul to grasp. As his son was on the point of clutching them he would step back a little, pulling his hands away, in the hope that the last desperate lunge to reach his father might really teach the boy the art of propelling himself in water. But he sometimes wondered if this were his only motive.
“Good boy. Now again.”
At school Mr. Singleton had been an excellent swimmer. He had won various school titles, broken numerous records and competed successfully in ASA championships. There was a period between the ages of about thirteen and seventeen which he remembered as the happiest in his life. It wasn’t the medals and trophies that made him glad, but the knowledge that he didn’t have to bother about anything else. Swimming vindicated him. He would get up every morning at six and train for two hours in the baths, and again before lunch; and when he fell asleep, exhausted, in French and English periods in the afternoon, he didn’t have to bother about the indignation of the masters—lank, ill-conditioned creatures—for he had his excuse. He didn’t have to bother about the physics teacher who complained to the headmaster that he would never get the exam results he needed if he didn’t cut down his swimming, for the headmaster (who was an advocate of sport) came to his aid and told the physics teacher not to interfere with a boy who was a credit to the school. Nor did he have to bother about a host of other things which were supposed to be going on inside him, which made the question of what to do in the evening, at week-ends, fraught and tantalizing, which drove other boys to moodiness and recklessness. For once in the cool water of the baths, his arms reaching, his eyes fixed on the blue marker line on the bottom, his ears full so that he could hear nothing around him, he would feel quite by himself, quite sufficient. At the end of races, when for one brief instant he clung panting alone like a survivor to the finishing rail which his rivals had yet to touch, he felt an infinite peace. He went to bed early, slept soundly, kept to his training regimen; and he enjoyed this Spartan purity which disdained pleasure and disorder. Some of his school mates mocked him—for not going to dances on Saturdays or to pubs, under age, or the Expresso after school. But he did not mind. He didn’t need them. He knew they were weak. None of them could hold out, depend on themselves, spurn comfort if they had to. Some of them would go under in life. And none of them could cleave the water as he did or possessed a hard, stream-lined, perfectly tuned body as he did.
Then, when he was nearly seventeen all this changed. His father, who was an engineer, though proud of his son’s trophies, suddenly pressed him to different forms of success. The headmaster no longer shielded him from the physics master. He said: “You can’t swim into your future.” Out of spite perhaps or an odd consistency of self-denial, he dropped swimming altogether rather than cut it down. For a year and a half he worked at his maths and physics with the same single-mindedness with which he had perfected his sport. He knew about mechanics and engineering because he knew how to make his body move through water. His work was not merely competent but good. He got to university where he might have had the leisure, if he wished, to resume his swimming. But he did not. Two years are a long gap in a swimmer’s training; two years when you are near your peak can mean you will never get back to your true form. Sometimes he went for a dip in the university pool and swam slowly up and down amongst practising members of the university team, whom perhaps he could still have beaten, as a kind of relief.
Often, Mr. Singleton dreamt about swimming. He would be moving through vast expanses of water, an ocean. As he moved it did not require any effort at all. Sometimes he would go for long distances under water, but he did not have to bother about breathing. The water would be silvery-grey. And as always it seemed that as he swam he was really trying to get beyond the water, to put it behind him, as if it were a veil he were parting and he would emerge on the other side of it at last, on to some pristine shore, where he would step where no one else had stepped before.
When he made love to his wife her body got in the way; he wanted to swim through her.
Mrs. Singleton raised herself, pushed her sun-glasses up over her dark hair and sat with her arms stretched straight behind her back. A trickle of sweat ran between her breasts. They had developed to a good size since her schoolgirl days. Her skinniness in youth had stood her in good stead against the filling out of middle age, and her body was probably more mellow, more lithe and better pro
portioned now than it had ever been. She looked at Paul and Mr. Singleton half immersed in the shallows. It seemed to her that her husband was the real boy, standing stubbornly upright with his hands before him, and that Paul was some toy being pulled and swung relentlessly around him and towards him as though on some string. They had seen her sit up. Her husband waved, holding the boy’s hand, as though for the two of them. Paul did not wave; he seemed more concerned with the water in his eyes. Mrs. Singleton did not wave back. She would have done if her son had waved. When they had left for their holiday Mr. Singleton had said to Paul, “You’ll learn to swim this time. In salt water, you know, it’s easier.” Mrs. Singleton hoped her son wouldn’t swim; so that she could wrap him, still, in the big yellow towel when he came out, rub him dry and warm, and watch her husband stand apart, his hands empty.
She watched Mr. Singleton drop his arm back to his side. “If you wouldn’t splash it wouldn’t go in your eyes,” she just caught him say.
The night before, in their hotel room, they had argued. They always argued about halfway through their holidays. It was symbolic, perhaps, of that first trip to Greece, when he had somehow refused to enjoy himself. They had to incur injuries so that they could then appreciate their leisure, like convalescents. For the first four days or so of their holiday Mr. Singleton would tend to be moody, on edge. He would excuse this as “winding down,” the not-to-be-hurried process of dispelling the pressures of work. Mrs. Singleton would be patient. On about the fifth day Mrs. Singleton would begin to suspect that the winding down would never end and indeed (which she had known all along) that it was not winding down at all—he was clinging, as to a defence, to his bridges and tunnels; and she would show her resentment. At this point Mr. Singleton would retaliate by an attack upon her indolence.