BLUE DANUBE / Concert-going, which most people look upon as pleasure, is part of my work, and it is surprising how one’s pleasure in a concert is dulled when one knows it will be necessary to write something about it.… The singer sang several songs in praise of the gaiety of Vienna. Was Vienna ever really so gay as we are asked to believe? I can find no evidence of it. Sigmund Freud lived in Vienna during its supposedly gayest period, and had a pretty solemn time among the foot-fetichists and undinists on the beautiful Blue Danube. Stefan Zweig in his autobiography tells us that the gay Viennese ate so much whipped cream and almond paste that they were all fat at thirty, and wheezed as they waltzed. The leading romance of the period was the Emperor’s very dull and proper affair with Kathi Schratt. I have even heard it suggested that those parties at Sacher’s were rather quiet. There is plenty of evidence that Vienna in its heyday was about as gay as Calgary, but it was luckier in having a handful of really good song-writers.

  POSTURE PROBLEM / I observe with no enthusiasm it is National Posture Week in the USA; thank Heaven this heathen festival is not being observed in Canada. When I was young we were taught that the only proper posture for the boy was that of a sentry at attention—eyes glazed, chest bursting, shoulders under the ears, toes curled and chin digging into the Adam’s apple. Later this position was somewhat relaxed, and it was admitted that it was sometimes permissible to touch the heels to the ground. Recently a scientist who had done a lot of work with monkeys has said that a relaxed posture, leaning forward and ambling like a gorilla, is the best and most natural for man. So confused am I by these changes that I have developed my own posture, which has two phases—standing up and lying down. I cannot sit. I lie in chairs on the back of my neck, allowing gravity to drag my vital organs toward the floor. When I stand, I lose height at the rate of about two inches every hour. In the morning, when I am thoroughly uncoiled, I am six feet tall; if my day involves much standing, I am five feet tall by lunchtime, four feet six inches by dinner, and go to bed a midget. Posture is a word I prefer not to use in connection with myself.

  *

  • FROM MY ARCHIVES •

  To Samuel Marchbanks, ESQ.

  Dear Mr. Marchbanks:

  I have just finished reading a book by the eminent child-psychologist, Dr. Blutwurst Susskind, in which he makes it clear that what children want more than anything in the world is parental love. It is this desire, he says, which makes children ask questions at inconvenient times, wake their parents up early in the morning, kick them on the shins, and in general behave in a way which thoughtless parents call “making a nuisance of themselves.” Dr. Susskind says that an eager child should never be rebuffed. The parents should say: “I love you dearly, but I haven’t time to attend to you now,” or something of the sort.

  Now I have a scheme which I would like you, as an internationally-known lover of children, to assist me in popularizing. It is based upon the old system of Sunday School cards which you will remember: a child got a small card for each visit to S.S.; when it had ten small cards it could exchange them for a large card; when it had ten large cards it could get a Bible. Now my idea is that a parent should have a stock of cards saying: “Love you dearly; busy now,” which it could hand to the child which interrupted at an inconvenient moment. Ten such cards could be exchanged for a large card saying: “Dote upon you madly, go away.” Ten of these large cards could be exchanged for a visit to the circus, a picnic, a soda-guzzle or some similar treat.

  The cards, I feel, could most effectively be sold through the Home and School Clubs; the whole scheme could be financed for a beggarly $100,000 and it is for this laughable sum that I confidently turn to you.

  Yours with complete confidence,

  Minerva Hawser.

  *

  To Miss Minerva Hawser.

  Dear Miss Hawser:

  How lucky that your letter reached me when it did! I was just about to write to you about a scheme of my own for the improvement of the lot of children, which is a notoriously hard one in our age. It has been my observation that many children suffer real hardship because they want to see all (not just a few) TV programs, but they are of such a restless bodily composition that there are times when they simply have to get up from their seats and run about. This means, of course, that they lose many desirable half-hours of prime viewing-time.

  I have devised a small battery TV which any child can wear concealed in its hat; electric wires running down from the hat into the child’s shoes keep the battery constantly charged by the energy which the child generates as it runs, operating a tiny portable set. Thus the child may play and teleview at the same time, without missing a thing.

  As it happens I also need $100,000 to launch this scheme, and had decided to turn to you for it. We can both go on with our work, therefore, without even troubling to exchange cheques.

  With thanks for your invaluable help,

  Samuel Marchbanks.

  *

  To Samuel Marchbanks, ESQ.

  Dear Sam:

  I was reading a new book about the eighteenth century a few days ago, and came upon some references to Dr. Samuel Johnson and his cat Hodge; the author remarked that however out of temper the great Doctor might be, the appearance of Hodge was enough to put him in a good humour. I send you, therefore, the following poem, which I have called Remarkable Power of a Cat to Soothe a Raging Philosopher:

  Dr. Johnson’s cat Hodge

  Was up to every feline dodge:

  When the Doctor shouted “Sir!”

  Hodge would disarmingly interject “Purr.”

  Rather good, don’t you think?

  Pilgarlic.

  *

  To Chandos Fribble, ESQ.

  Learned Fribble:

  Yesterday a picture in a magazine for women, called Glamour, was drawn to my attention; it showed a reasonably toothsome young woman wearing spectacles, engaged in reading a large leather-bound book; with one hand she was thoughtfully scratching her head. Underneath the picture was advice, addressed to women in general, to curl up with a good book.

  This is an expression which I am at a loss to understand. I read a good many books myself, but I never feel disposed to curl up while doing so. Now and then in the course of my duties as a book-reviewer I read a book which causes me to curl, slightly, but not with pleasure; I uncurl at once and write something nasty about the books. Why are women such curlers, in their literary moods?

  I may say, in passing, that I would never dream of lending a book to a woman who was a head-scratcher. Human hair and dandruff are nasty things to find between the pages of a book. I once knew a man who used his pipe as a bookmark. At least women are free from that disgusting trick.

  But to return to our curling; have you ever tried to curl up with a book? It brings about cramp; it makes you read sideways, which is bad for the eyes; persisted in, it gives you not only curvature of the spine, but curvature of the brain, and a low literary taste.

  You have heard people say of somebody that he has a wrong slant on things. He got it by curling up with the wrong books, and reading them sideways.

  Yours, from my armchair,

  Samuel Marchbanks.

  *

  To Waghorn Wittol, ESQ.

  My good Wittol:

  I am flattered that you should appeal to me so often for advice, but really I cannot suggest any means by which you may regain Mrs. Wittol’s wandering affections. At least, nothing which I think will work.

  However, if you are interested in a scheme which probably won’t work, may I suggest that you have recourse to the Language of the Eyes? I was reading about it the other day in a novel by Ouida, an authoress who is unaccountably neglected these days. The passage ran thus: “Olga Brancka looked at him with some malice and more admiration; she was very pretty that night, blazing with diamonds and with her beautifully shaped person as bare as court etiquette would allow; there was a butterfly, big as the great Emperor moth, between her breasts, making their whiteness lo
ok like snow. The glance was not lost upon him; in the Language of Eyes it seemed to say, ‘This might be yours.’ ” See—he could have had that moth for the asking.

  As it happens, I am one of the few great masters of the Language of Eyes living today. I practise it at my dentist’s. When I lower my lids to half-mast it means “You are brutal.” When I push them out of their sockets like ping-pong balls it means “This is unbearable.” When I cause them to roll around the edges of their sockets, like billiard balls wondering whether or not to fall into the pocket, it means “I am about to faint.” When I cross and uncross them, with an audible clicking, it means “Pain has bereft me of reason.” You say that it is useless to talk to Mrs. Wittol; why don’t you try the Language of Eyes? Ouida and I both recommend it.

  Yours in hope (but not high hope),

  Samuel Marchbanks.

  *

  To Chandos Fribble, ESQ.

  Worthy Fribble:

  It is indeed good news that you intend to prepare a book on the Rights of Women in Canada. I shall await the appearance of the Fribble Report with keen expectation. Is it true that the French translation is to be called, with greater frankness, L’Amour au Canada?

  Meanwhile, let me report for you a curious conversation which I heard the other night, when I attended an entertainment where a great many adolescents were present. Behind me sat a boy and a girl, both about fifteen.

  BOY: (Laughing at one of his own jokes) “G’wan, cut out that laffin.” ’

  GIRL: “Gee, I can’t. You got me laffin’ so’s I can’t stop.”

  BOY: (delighted) “Cut it out, I tell yuh. Everybody’s lookin’ at yuh.”

  GIRL: (trying to stifle mirth) “Fsssst! Splut! Eeeeeeeek!”

  BOY: (transported) “Cut it out! Cut it out!”

  GIRL: “Gee I can’t! Not if you’re gonna say funny things like that!”

  BOY: “Juh want me to take yuh out in the hall and slap yuh around? That’ll stopyuh!”

  GIRL: (ecstatic at the idea) “Aw, yer killin’ me! Fsssst!”

  Here, I think we have a fairly typical pattern of Canadian sexual behaviour. The male, having subdued the female by his superior intellectual power, dominates and even threatens her. This produces in her a mounting physical and psychological pleasure, like the rising of steam in a boiler. This psychological pressure causes her to kick the back of my seat in an irregular rhythm, similar to the mating-dance of the Whooping Crane. It is this sort of thing that makes Canada the Amorist’s paradise it is.

  I shall inform you of any other interesting manifestations of the biological urge which may come under my eye.

  Scientifically yours,

  Marchbanks.

  To Dionysus Fishorn, ESQ.

  Dear Mr. Fishorn:

  No, I will not support your application for a Canada Council grant to enable you to write your novel. I know nothing about you, but I know a good deal about novels, and you are on the wrong track.

  You say you want money to be “free of care” for a year, so that you can “create,” and you speak of going to Mexico, to live cheaply and avoid distraction. Fishorn, I fear that your fictional abilities have spilled over from your work into your life. You see yourself in some lovely, unspoiled part of Mexico, where you will stroll out of your study onto the patio after a day’s “creation,” to gaze at the sunset and get into the cheap booze; your wife will admire you extravagantly and marvel that you ever condescended to marry such a workaday person as herself; the villagers will speak of you with awe as El Escritor, and will pump your beautiful servant Ramona for news of your wondrous doings; you will go down into the very depths of Hell in your creative frenzies, but you will emerge, scorched and ennobled, in time for publication, translation into all known languages, and the Nobel Prize.

  Ah, Fishorn, would that it were so! But take the advice of an old hand: you won’t write any better in Mexico than in Tin Cup, B.C., and unless you are wafted into a small, specially favoured group of the insane, you will never be free from care. So get to work, toiling in the bank or wherever it is by day, and serving the Triple Goddess at night and on weekends. Art is long, and grants are but yearly, so forget about them. A writer should not take handouts from anybody, even his country.

  Benevolently but uncompromisingly,

  Samuel Marchbanks.

  *

  • OBITER DICTA •

  DREAM MADDENS / Saw a motor-bicycle parked in the street today, and on its wind-screen were several alluring pictures of girls, one of whom wore what appeared to be a scanty outfit of leopardskin underwear; she stretched her arms above her head (presumably in order to give greater freedom to her considerable bosom) and carried a banner upon which was written “If you don’t see what you want, ask for it.” As I looked, the owner came out of a house, mounted the machine, kicked it fiercely in the slats several times, and at last goaded it into action. He was a smallish, mousey fellow with rimless glasses, and did not look to me as though his acquaintance included any girls who wore leopard next their skins. And it has been my usual experience that all those wildly improbable girls who exist only in the minds of artists appeal chiefly to young men who either know no girls at all, or know only girls of a mousiness equal to their own. Pin-up girls are dreams, and dreams unlikely to come true. And a good thing, perhaps, for what would the average young man do with a girl who never put on her clothes and whose bosom accounted for one-third of her total weight?

  FEATHERED FUTURITY / I see by the paper that Rhythmic Arithmetic has been abandoned in the schools. I never understood what it was, though much time was wasted by adult educators explaining it to me, and I never met a child who could explain it. But I have long recognized that I have no mathematical facility whatever. Plato, who was a brainy fellow, said that “innocent, light-minded men who know no mathematics will become birds after death”; I rather look forward to being a bird, and taking a bird’s revenge on all my enemies. Plato also thought that men who had no philosophy would become animals after death; really stupid people would continue their existence as fish; “cowardly and unrighteous men,” he asserted, would find that in the next world they had been turned into women. Plato had a poor opinion of women, which would make life difficult for him if he were born again in this century; he also thought little of the professional educators of his day, an attitude which would make it utterly impossible for him to get a certificate to teach in a one-room country school in Twentieth Century Canada.

  WORD OF HORROR / Was talking to a musical person who informed me that a celebrated pianist would “concertize” in Toronto next month. This remark nearly caused me to swallow my pipe, for though I have seen the vile word “concertize” in print for several years this was the first time I had ever heard anyone use it in conversation. I was taken aback as if my hostess had said, “Won’t you climax your meal with another cup of coffee?” Such words fill me with an urge to seize the person who uses them in a commando grip and twist him (more often the offender is a she) until I have broken every bone. Then their broken-boned walking would be appropriate to their broken-boned speech. O Mighty Music! Did David concertize before Saul, or Bach before Frederick the Great? Did Beethoven concertize? (In the time, of course, when they were not composerizing.) No, apes and dung-beetles, they PLAYED!

  SUPER-BOY / To a concert given by a group of choir boys from Vienna. It was an admirable evening’s entertainment, which was more than I had expected for I am not an enthusiastic admirer of the Human Boy. In my reckoning boys range from Good Boys—that is, boys who can pass the Towers without upsetting garbage cans and throwing rubbish on the lawn—to the lowest dregs of humanity, depraved slubberdegullions who do the above things, and worse. But these Viennese boys were quite unusual in several respects; they were clean; they were well-behaved; their hair was brushed; they looked as though they might be trusted with whole rows of garbage cans.… This was the first time I have ever heard choir boys who were not trained in the English tradition of fruity hooting; an Englis
h choirboy sounds like a lovesick owl, and although it is a pretty sound it moves me to a gentle melancholy—a kind of Sunday-night-and-another-week’s-work-starts-tomorrow feeling.… Sometimes people say to me: Were you never a boy yourself, Mr. Marchbanks? Answer: Yes, for several years I was a noble, dutiful, clean, respectful Super-Boy.

  *

  • COMMUNIQUÉ (dropped at my door by an escaped prisoner) •

  To Big Chief Marchbanks.

  How, Marchbanks:

  You got any old magazines, Marchbanks? Magazines in jail awful. Sent here after long hard life in dentist office. All girl pictures got bustles. Educated fellow in jail read story out loud other day. Good story about detective. Name Sherlock Holmes. Magazine say this first story about him ever. But last page gone. Doctor leave magazine bundle here yesterday. Magazine all about how have babies. We know that already. Anyway that squaw work. You got magazines tell us what we don’t know?

  Osceola Thunderbelly

  (Chief of the Crokinoles).

  *