More likely, they are what are called odd characters; but for that, are no more original, than what is called an odd genius, in his way, is. But, if original, whence came they? Or where did the novelist pick them up?
Where does any novelist pick up any character? For the most part, in town, to be sure. Every great town is a kind of man-show, where the novelist goes for his stock, just as the agriculturist goes to the cattle-show for his. But in the one fair, new species of quadrupeds are hardly more rare, than in the other are new species of characters — that is, original ones. Their rarity may still the more appear from this, that, while characters, merely singular, imply but singular forms so to speak, original ones, truly so, imply original instincts.
In short, a due conception of what is to be held for this sort of personage in fiction would make him almost as much of a prodigy there, as in real history is a new law-giver, a revolutionizing philosopher, or the founder of a new religion.
In nearly all the original characters, loosely accounted such in works of invention, there is discernible something prevailingly local, or of the age; which circumstance, of itself, would seem to invalidate the claim, judged by the principles here suggested.
Furthermore, if we consider, what is popularly held to entitle characters in fiction to being deemed original, is but something, personal — confined to itself. The character sheds not its characteristic on its surroundings, whereas, the original character, essentially such, is like a revolving Drummond light, Note: [44.2] raying away from itself all round it — everything is lit by it, everything starts up to it (mark how it is with Hamlet), so that, in certain minds, there follows upon the adequate conception of such a character, an effect, in its way, akin to that which in Genesis attends upon the beginning of things. Note: [44.3]
For much the same reason that there is but one planet to one orbit, so can there be but one such original character to one work of invention. Note: [44.4] Two would conflict to chaos. In this view, to say that there are more than one to a book, is good presumption there is none at all. But for new, singular, striking, odd, eccentric, and all sorts of entertaining and instructive characters, a good fiction may be full of them. To produce such characters, an author, beside other things, must have seen much, and seen through much: to produce but one original character, he must have had much luck.
There would seem but one point in common between this sort of phenomenon in fiction and all other sorts: it cannot be born in the author's imagination — it being as true in literature as in zoology, that all life is from the egg.
In the endeavor to show, if possible, the impropriety of the phrase, Quite an Original, as applied by the barber's friends, we have, at unawares, been led into a dissertation bordering upon the prosy, perhaps upon the smoky. If so, the best use the smoke can be turned to, will be, by retiring under cover of it, in good trim as may be, to the story.
Chapter 45
CHAPTER XLV. THE COSMOPOLITAN INCREASES IN SERIOUSNESS
IN the middle of the gentlemen's cabin burned a solar lamp, swung from the ceiling, and whose shade of ground glass was all round fancifully variegated, in transparency, with the image of a horned altar, from which flames rose, alternate with the figure of a robed man, his head encircled by a halo. Note: [45.1] The light of this lamp, after dazzlingly striking on marble, snow-white and round — the slab of a centre-table beneath — on all sides went rippling off with ever-diminishing distinctness, till, like circles from a stone dropped in water, the rays died dimly away in the furthest nook of the place.
Here and there, true to their place, but not to their function, swung other lamps, barren planets, which had either gone out from exhaustion, or been extinguished by such occupants of berths as the light annoyed, or who wanted to sleep, not see.
By a perverse man, in a berth not remote, the remaining lamp would have been extinguished as well, had not a steward forbade, saying that the commands of the captain required it to be kept burning till the natural light of day should come to relieve it. This steward, who, like many in his vocation, was apt to be a little free-spoken at times, had been provoked by the man's pertinacity to remind him, not only of the sad consequences which might, upon occasion, ensue from the cabin being left in darkness, but, also, of the circumstance that, in a place full of strangers, to show one's self anxious to produce darkness there, such an anxiety was, to say the least, not becoming. So the lamp — last survivor of many — burned on, inwardly blessed by those in some berths, and inwardly execrated by those in others.
Keeping his lone vigils beneath his lone lamp, which lighted his book on the table, sat a clean, comely, old man, his head snowy as the marble, and a countenance like that which imagination ascribes to good Simeon, when, having at last beheld the Master of Faith, he blessed him and departed in peace. Note: [45.2] From his hale look of greenness in winter, and his hands ingrained with the tan, less, apparently, of the present summer, than of accumulated ones past, the old man seemed a well-to-do farmer, happily dismissed, after a thrifty life of activity, from the fields to the fireside — one of those who, at three-score-and-ten, are fresh-hearted as at fifteen; to whom seclusion gives a boon more blessed than knowledge, and at last sends them to heaven untainted by the world, because ignorant of it; just as a country-man putting up at a London inn, and never stirring out of it as a sight-seer, will leave London at last without once being lost in its fog, or soiled by its mud.
Redolent from the barber's shop, as any bridegroom tripping to the bridal chamber might come, Note: [45.3] and by his look of cheeriness seeming to dispense a sort of morning through the night, in came the cosmopolitan; but marking the old man, and how he was occupied, he toned himself down, and trod softly, and took a seat on the other side of the table, and said nothing. Still, there was a kind of waiting expression about him.
"Sir," said the old man, after looking up puzzled at him a moment, "sir," said he, "one would think this was a coffee-house, and it was war-time, and I had a newspaper here with great news, and the only copy to be had, you sit there looking at me so eager."
"And so you have good news there, sir — the very best of good news."
"Too good to be true," here came from one of the curtained berths.
"Hark!" said the cosmopolitan. "Some one talks in his sleep."
"Yes," said the old man, "and you — you seem to be talking in a dream. Why speak you, sir, of news, and all that, when you must see this is a book I have here — the Bible, not a newspaper?"
"I know that; and when you are through with it — but not a moment sooner — I will thank you for it. It belongs to the boat, I believe — a present from a society."
"Oh, take it, take it!"
"Nay, sir, I did not mean to touch you at all. I simply stated the fact in explanation of my waiting here — nothing more. Read on, sir, or you will distress me."
This courtesy was not without effect. Removing his spectacles, and saying he had about finished his chapter, the old man kindly presented the volume, which was received with thanks equally kind. After reading for some minutes, until his expression merged from attentiveness into seriousness, and from that into a kind of pain, the cosmopolitan slowly laid down the book, and turning to the old man, who thus far had been watching him with benign curiosity, said: "Can you, my aged friend, resolve me a doubt — a disturbing doubt?"
"There are doubts, sir," replied the old man, with a changed countenance, "there are doubts, sir, which, if man have them, it is not man that can solve them."
"True; but look, now, what my doubt is. I am one who thinks well of man. I love man. I have confidence in man. But what was told me not a half-hour since? Note: [45.4] I was told that I would find it written — 'Believe not his many words — an enemy speaketh sweetly with his lips' — and also I was told that I would find a good deal more to the same effect, and all in this book. Note: [45.5] I could not think it; and, coming here to look for myself, what do I read? Not only just what was quoted, but also, as was engaged, more
to the same purpose, such as this: 'With much communication he will tempt thee; he will smile upon thee, and speak thee fair, and say What wantest thou? If thou be for his profit he will use thee; he will make thee bear, Note: [45.6] and will not be sorry for it. Observe and take good heed. When thou hearest these things, awake in thy sleep."'
"Who's that describing the confidence-man?" here came from the berth again.
"Awake in his sleep, sure enough, ain't he?" said the cosmopolitan, again looking off in surprise. "Same voice as before, ain't it? Strange sort of dreamy man, that. Which is his berth, pray?"
"Never mind him, sir," said the old man anxiously, "but tell me truly, did you, indeed, read from the book just now?"
"I did," with changed air, "and gall and wormwood it is to me, a truster in man; to me, a philanthropist."
"Why," moved, "you don't mean to say, that what you repeated is really down there? Man and boy, I have read the good book this seventy years, and don't remember seeing anything like that. Let me see it," rising earnestly, and going round to him.
"There it is; and there — and there" — turning over the leaves, and pointing to the sentences one by one; "there — all down in the 'Wisdom of Jesus, the Son of Sirach.'"
"Ah!" cried the old man, brightening up, "now I know. Look," turning the leaves forward and back, till all the Old Testament lay flat on one side, and all the New Testament flat on the other, while in his fingers he supported vertically the portion between, "look, sir, all this to the right is certain truth, and all this to the left is certain truth, but all I hold in my hand here is apocrypha."
"Apocrypha?"
"Yes; and there's the word in black and white," pointing to it. "And what says the word? It says as much as 'not warranted;' for what do college men say of anything of that sort? They say it is apocryphal. The word itself, I've beard from the pulpit, implies something of uncertain credit. So if your disturbance be raised from aught in this apocrypha," again taking up the pages, "in that case, think no more of it, for it's apocrypha."
"What's that about the Apocalypse?" here, a third time, came from the berth. Note: [45.7]
"He's seeing visions now, ain't he?" said the cosmopolitan, once more looking in the direction of the interruption. "But, sir," resuming, "I cannot tell you how thankful I am for your reminding me about the apocrypha here. For the moment, its being such escaped me. Fact is, when all is bound up together, it's sometimes confusing. The uncanonical part should be bound distinct. And, now that I think of it, how well did those learned doctors who rejected for us this whole book of Sirach. I never read anything so calculated to destroy man's confidence in man. This son of Sirach even says — I saw it but just now: 'Take heed of thy friends;' Note: [45.8] not, observe, thy seeming friends, thy hypocritical friends, thy false friends, but thy friends, thy real friends — that is to say, not the truest friend in the world is to be implicitly trusted. Can Rochefoucault equal that? I should not wonder if his view of human nature, like Machiavelli's, was taken from this Son of Sirach. And to call it wisdom — the Wisdom of the Son of Sirach! Wisdom, indeed! What an ugly thing wisdom must be! Give me the folly that dimples the cheek, say I, rather than the wisdom that curdles the blood. But no, no; it ain't wisdom; it's apocrypha, as you say, sir. For how can that be trustworthy that teaches distrust?"
"I tell you what it is," here cried the same voice as before, only more in less of mockery, "if you two don't know enough to sleep, don't be keeping wiser men awake. And if you want to know what wisdom is, go find it under your blankets."
"Wisdom?" cried another voice with a brogue; arrah, and is't wisdom the two geese are gabbling about all this while? To bed with ye, ye divils, and don't be after burning your fingers with the likes of wisdom.
"We must talk lower," said the old man; "I fear we have annoyed these good people."
"I should be sorry if wisdom annoyed any one," said the other; "but we will lower our voices, as you say. To resume: taking the thing as I did, can you be surprised at my uneasiness in reading passages so charged with the spirit of distrust?"
"No, sir, I am not surprised," said the old man; then added: "from what you say, I see you are something of my way of thinking — you think that to distrust the creature, is a kind of distrusting of the Creator. Well, my young friend, what is it? This is rather late for you to be about. What do you want of me?"
These questions were put to a boy in the fragment of an old linen coat, bedraggled and yellow, who, coming in from the deck barefooted on the soft carpet, had been unheard. All pointed and fluttering, the rags of the little fellow's red-flannel shirt, mixed with those of his yellow coat, flamed about him like the painted flames in the robes of a victim in auto-da-fe. Note: [45.9] His face, too, wore such a polish of seasoned grime, that his sloe-eyes sparkled from out it like lustrous sparks in fresh coal. He was a juvenile peddler, or marchand, as the polite French might have called him, of travelers' conveniences; and, having no allotted sleeping-place, had, in his wanderings about the boat, spied, through glass doors, the two in the cabin; and, late though it was, thought it might never be too much so for turning a penny.
Among other things, he carried a curious affair — a miniature mahogany door, hinged to its frame, and suitably furnished in all respects but one, which will shortly appear. This little door he now meaningly held before the old man, who, after staring at it a while said: "Go thy ways with thy toys, child."
"Now, may I never get so old and wise as that comes to," laughed the boy through his grime; and, by so doing, disclosing leopard-like teeth, like those of Murillo's wild beggar-boy's. Note: [45.10]
"The divils are laughing now, are they?" here came the brogue from the berth. "What do the divils find to laugh about in wisdom, begorrah? To bed with ye, ye divils, and no more of ye."
"You see, child, you have disturbed that person," said the old man; "you mustn't laugh any more."
"Ah, now," said the cosmopolitan, "don't, pray, say that; don't let him think that poor Laughter is persecuted for a fool in this world."
"Well," said the old man to the boy, "you must, at any rate, speak very low."
"Yes, that wouldn't be amiss, perhaps," said the cosmopolitan; "but, my fine fellow, you were about saying something to my aged friend here; what was it?"
"Oh," with a lowered voice, coolly opening and shutting his little door, "only this: when I kept a toy-stand at the fair in Cincinnati last month, I sold more I than one old man a child's rattle."
"No doubt of it," said the old man. "I myself often buy such things for my little grandchildren."
"But these old men I talk of were old bachelors."
The old man stared at him a moment; then, whispering to the cosmopolitan: "Strange boy, this; sort of simple, ain't he? Don't know much, hey?"
"Not much," said the boy, "or I wouldn't be so ragged."
"Why, child, what sharp ears you have!" exclaimed the old man.
"If they were duller, I would hear less ill of myself," said the boy.
"You seem pretty wise, my lad," said the cosmopolitan; "why don't you sell your wisdom, and buy a coat?"
"Faith," said the boy, "that's what I did to-day, and this is the coat that the price of my wisdom bought.
But won't you trade? See, now, it is not the door I want to sell; I only carry the door round for a specimen, like. Look now, sir," standing the thing up on the table, "supposing this little door is your state-room door; well," opening it, "you go in for the night; you close your door behind you — thus. Now, is all safe?"
"I suppose so, child," said the old man.
"Of course it is, my fine fellow," said the cosmopolitan.
"All safe. Well. Now, about two o'clock in the morning, say, a soft-handed gentleman comes softly and tries the knob here — thus; in creeps my soft-handed gentlemen; and hey, presto! how comes on the soft cash?"
"I see, I see, child," said the old man; "your fine gentleman is a fine thief, and there's no lock to your little door to keep him out;" with w
hich words he peered at it more closely than before.
"Well, now," again showing his white teeth, "well, now, some of you old folks are knowing 'uns, sure enough; but now comes the great invention," producing a small steel contrivance, very simple but ingenious, and which, being clapped on the inside of the little door, secured it as with a bolt. "There now," admiringly holding it off at arm's-length, "there now, let that soft-handed gentleman come now a' softly trying this little knob here, and let him keep a' trying till he finds his head as soft as his hand. Buy the traveler's patent lock, sir, only twenty-five cents."
"Dear me," cried the old man, "this beats printing. Yes, child, I will have one, and use it this very night."
With the phlegm of an old banker pouching the change, the boy now turned to the other: "Sell you one, sir?"
"Excuse me, my fine fellow, but I never use such blacksmiths' things."
"Those who give the blacksmith most work seldom do," said the boy, tipping him a wink expressive of a degree of indefinite knowingness, not uninteresting to consider in one of his years. But the wink was not marked by the old man, nor, to all appearances, by him for whom it was intended.
"Now then," said the boy, again addressing the old man. "With your traveler's lock on your door to-night, you will think yourself all safe, won't you?"
"I think I will, child."
"But how about the window?"
"Dear me, the window, child. I never thought of that. I must see to that."
"Never you mind about the window," said the boy, "nor, to be honor bright, about the traveler's lock either, (though I ain't sorry for selling one), do you just buy one of these little jokers," producing a number of suspender-like objects, which he dangled before the old man; "money-belts, sir; only fifty cents."