BY WILL DURANT
   The Story of Philosophy
   Transition
   The Pleasure of Philosophy
   Adventures in Genius
   BY WILL AND ARIEL DURANT
   THE STORY OF CIVILIZATION
   1. Our Oriental Heritage
   2. The Life of Greece
   3. Caesar and Christ
   4. The Age of Faith
   5. The Renaissance
   6. The Reformation
   7. The Age of Reason Begins
   8. The Age of Louis XIV
   9. The Age of Voltaire
   10. Rousseau and Revolution
   11. The Age of Napoleon
   The Lessons of History
   Interpretation of Life
   A Dual Autobiography
   COPYRIGHT © 1975 BY WILL AND ARIEL DURANT
   ALL RIGHTS RESERVED
   INCLUDING THE RIGHT OF REPRODUCTION
   IN WHOLE OR IN PART IN ANY FORM
   PUBLISHED BY SIMON AND SCHUSTER
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   SIMON AND SCHUSTER AND COLOPHON ARE TRADEMARKS
   OF SIMON & SCHUSTER
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   MANUFACTURED IN THE UNITED STATES OF AMERICA
   LIBRARY OF CONGRESS CATALOGING IN PUBLICATION DATA
   DURANT, WILLIAM JAMES, 1885-
   THE AGE OF NAPOLEON.
   (HIS THE STORY OF CIVILIZATION; PT. II)
   BIBLIOGRAPHY: P. 781
   INCLUDES INDEX.
   1. EUROPE—CIVILIZATION. 2. EUROPE—HISTORY—
   1789–1815. 3. NAPOLÉON I, EMPEROR OF THE FRENCH,
   1769–1821. ι. DURANT, ARIEL, JOINT AUTHOR.
   II. TITLE.
   CB53.D85 pt. II [CB411] 909s [940.2’7] 75–6888
   ISBN 0–671-21988-X (PT. II)
   ISBN: 0-965-07443-9
   eISBN-13: 978-1-4516-4768-6
   TO ETHEL
   Preface
   “By the middle of the twentieth century,” says the Encyclopaedia Britannica (XVI, Ioa), “the literature on Napoleon already numbered more than 100,000 volumes.” Why add to the heap? We offer no better reason than to say that the Reaper repeatedly overlooked us, and left us to passive living and passive reading after 1968. We grew weary of this insipid and unaccustomed leisure. To give our days some purpose and program we decided to apply to the age of Napoleon (1789–1815) our favorite method of integral history—weaving into one narrative all memorable aspects of European civilization in those twenty-seven years: statesmanship, war, economics, morals, manners, religion, science, medicine, philosophy, literature, drama, music, and art; to see them all as elements in one moving picture, and as interacting parts of a united whole. We would see Prime Minister William Pitt ordering the arrest of author Tom Paine; chemist Lavoisier and mystic Charlotte Corday mounting the guillotine; Admiral Nelson taking Lady Hamilton as his mistress; Goethe foreseeing a century of events from the battle of Valmy; Wordsworth enthusing over the French Revolution, Byron over the Greek; Shelley teaching atheism to Oxford bishops and dons; Napoleon fighting kings and imprisoning a pope, teasing physicians and philosophers, taking half a hundred scholars and scientists to conquer or reveal Egypt, losing Beethoven’s dedication to the Eroica for an empire, talking drama with Talma, painting with David, sculpture with Canova, history with Wieland, literature with Goethe, and fighting a fifteen-year war with the pregnable but indomitable Mme. de Staël. This vision roused us from our septua-octo-genarian lassitude to a reckless resolve to turn our amateur scholarship to picturing that exciting and eventful age as a living whole. And shall we confess it?—we had nurtured from our adolescence a sly, fond interest in Napoleon as no mere warmonger and despot, but as also a philosopher seldom deceived by pretense, and as a psychologist who had ceaselessly studied human nature in the mass and in individual men. One of us was rash enough to give ten lectures on Napoleon in 1921. For sixty years we have been gathering material about him, so that some of our references will be to books once helpful and now dead.
   So here it is, a labor of five years, needing a lifetime; a book too long in total, too short and inadequate in every part; only the fear of that lurking Reaper made us call a halt. We pass it on, not to specialist scholars, who will learn nothing from it, but our friends, wherever they are, who have been patient with us through many years, and who may find in it some moment’s illumination or brightening fantasy.
   WILL AND ARIEL DURENT
   ACKNOWLEDGMENTS
   First of all, to our daughter, Ethel Durant Kay, who not only typed the manuscript immaculately, but often improved it with corrections and suggestions. She has been a patient and helpful companion to us at every stage of our enterprise.
   To our dear friends Arthur Young and Gala Kourlaeff, who lent us precious books from their private collections.
   To the Los Angeles Public Library, and more directly to its Hollywood Branch and the ladies at its reference desk, and especially to Mrs. Edith Cruikshank and Mrs. Elizabeth Fenton.
   To J. Christopher Herold, whose books on Napoleon and Mme. de Staël have been a light and a treasure to us; and to Leslie A. Marchand, whose masterly three-volume Byron has moderated, with its wealth of information, a Byronic addiction already passionate in 1905, when WD prayed God to release the crippled poet from hell.
   To Vera Schneider, who brought to the months-long task of copy editing all the scope and precision of her scholarship. Our book has profited immensely from her work.
   And to our dear friend Fernand, Comte de Saint-Simon, who gave so much of his time to guiding us to Napoleoniana in Paris, Versailles, and Malmaison.
   All in all, in life and history, we have found so many good men and women that we have quite lost faith in the wickedness of mankind.
   NOTE
   In excerpts, italics for emphasis are never ours unless so stated.
   Certain especially dull passages, not essential to the story, are indicated by reduced type.
   MONETARY EQUIVALENTS
   No consistent formulation is possible: coins bearing the same names now as then usually bought, two hundred years ago, much more than now, but sometimes less. History is inflationary, if only through repeated debasements of the currency as an old way of paying governmental debts; but the notion that goods cost less in the past than now is probably the enchantment of distance; in terms of labor required to earn the money to buy them they generally cost more. By and large, allowing for many exceptions and national variations, we may equate some European currencies of 1789 with United States currencies of 1970 as follows.
   crown, 6.25
   ducat, 12.50
   florin, 2.50
   franc, 1.25
   groschen, ¼cent
   guilder, 5.25
   guinea, 26.25
   gulden, 5.00
   kreuzer, ½ cent
   lira, 1.25
   livre, 1.25
   louis d’or, 25.00
   mark, 1.25
   pound, 25.00
   shilling, 1.25
   sou, 5 cents
   thaler, 5.25
   Table of Contents
   Book I: THE FRENCH REVOLUTION: 1789–99
   Chapter I. THE BACKGROUND OF REVOLUTION: 1774–89
   I. The French People
   II. The Government
   Chapter II. THE NATIONAL ASSEMBLY: May 4, 1789-September 30, 1791
   I. The States-General
   II. The Bastille
   III. Enter Marat: 1789
   IV. Renunciation: August 4–5, 1789
   V. To Versailles: October 5, 1789
					     					 			>   VI. The Revolutionary Constitution: 1790
   VII. Mirabeau Pays His Debts: April 2, 1791
   VIII. To Varennes: June 20, 1791
   Chapter III. THE LEGISLATIVE ASSEMBLY: October 1, 1791-September 20, 1792
   I. Persons of the Drama
   II. War: 1792
   III. Danton
   IV. The Massacre: September 2–6, 1792
   Chapter IV. THE CONVENTION: September 21, 1792-October 26, 1795
   I. The New Republic
   II. The Second Revolution: 1793
   III. Exit Marat: July 13, 1793
   IV. The “Great Committee”: 1793
   V. The Reign of Terror: September 17, 1793-July 28, 1794
   1. The Gods Are Athirst
   2. The Terror in the Provinces
   3. The War Against Religion
   4 The Revolution Eats Its Children
   VI. The Thermidoreans: July 29, 1794-October 26, 1795
   Chapter V. THE DIRECTORY: November 2, 1795-November 9, 1799
   I. The New Government
   II. The Young Napoleon: 1769–95
   III. Josephine de Beauharnais
   IV. Italian Whirlwind: March 27, 1796-December 5, 1797
   V. The Coup d’État of the 18th Fructidor: September 4, 1797
   VI. Oriental Fantasy: May 19, 1798-October 8, 1799
   VII. The Decline of the Directory: September 4, 1797-November 9, 1799
   VIII. Napoleon Takes Charge: The 18th Brumaire (November 9), 1799
   Chapter VI. LIFE UNDER THE REVOLUTION: 1789–99
   I. The New Classes
   II. The New Morality
   1. Morality and Law
   2. Sexual Morality
   III. Manners
   IV. Music and Drama
   V. The Artists
   VI. Science and Philosophy
   VII. Books and Authors
   VIII. Mme. de Staël and the Revolution
   IX. Afterthoughts
   BOOK II: NAPOLEON ASCENDANT: 1799–1811
   Chapter VII. THE CONSULATE: November 11, 1799-May 18, 1804
   I. The New Constitution
   1. The Consuls
   2. The Ministers
   3. The Reception of the Constitution
   II. The Campaigns of the Consulate
   III. Remaking France: 1802–03
   1. The Code Napoléon: 1801–04
   2. The Concordat of 1801
   IV. The Paths of Glory
   V. The Great Conspiracy: 1803–04
   VI. The Road to Empire: 1804
   Chapter VIII. THE NEW EMPIRE: 1804–07
   I. The Coronation: December 2, 1804
   II. The Third Coalition: 1805
   III. Austerlitz: December 2, 1805
   IV. The Mapmaker: 1806–07
   V. Jena, Eylau, Friedland: 1806–07
   VI. Tilsit: June 25-July 9, 1807
   Chapter IX. THE MORTAL REALM: 1807–11
   I. The Bonapartes
   II. The Peninsular War: I (October 18, 1807- August 21, 1808)
   III. Constellation at Erfurt: September 27-October 14, 1808
   IV. The Peninsular War: II (October 29, 1808-November 16, 1809)
   V. Fouché, Talleyrand, and Austria: 1809
   VI. Marriage and Politics: 1809–11
   Chapter X. NAPOLEON HIMSELF
   I. Body
   II. Mind
   III. Character
   IV. The General
   V. The Ruler
   VI. The Philosopher
   VII. What Was He?
   Chapter XI. NAPOLEONIC FRANCE: 1800–1815
   I. The Economy
   II. The Teachers
   III. The Warriors
   IV. Morals and Manners
   V. Mme. Récamier
   VI. The Jews in France
   Chapter XII. NAPOLEON AND THE ARTS
   I. Music
   II. Varia
   III. The Painters
   IV. The Theater
   Chapter XIII. LITERATURE VERSUS NPOLEON
   I. The Censor
   II. Mme. de Staël: 1799–1817
   1. Napoleon’s Nemesis
   2. The Author
   3. The Tourist
   4. Understanding Germany
   5. Imperfect Victory
   III. Benjamin Constant: 1767–1816
   IV. Chateaubriand: 1768–1815
   1. Youth
   2. Development
   3. The Genius of Christianity
   4. René
   5. Chateaubriand and Napoleon
   Chapter XIV. SCIENCE AND PHILOSOPHY UNDER NAPOLEON
   I. Mathematics and Physics
   II. Medicine
   III. Biology
   1. Cuvier (1769–1832)
   2. Lamarck (1744–1829)
   IV. What Is Mind?
   V. The Case for Conservatism
   BOOK III: BRITAIN: 1789–1812
   Chapter XV. ENGLAND AT WORK
   I. A Different Revolution
   II. At the Bottom
   III. The Dismal Science
   IV. Robert Owen: 1771–1858
   Chapter XVI. ENGLISH LIFE
   I. Classes
   II. The Government
   1. The Legislature
   2. The Judiciary
   3. The Executive
   III. Religion
   IV. Education
   V. Morality
   1. Man and Woman
   2. Mary Wollstonecraft
   3. Social Morality
   VI. Manners
   VII. The English Theater
   VIII. In Sum
   Chapter XVII. THE ARTS IN ENGLAND
   I. The Artists
   II. Architecture
   III. From Cartoons to Constable
   IV. Turner: 1775–1851
   Chapter XVIII. SCIENCE IN ENGLAND
   I. Avenues of Progress
   II. Physics: Rumford and Young
   III. Chemistry: Dalton and Davy
   IV. Biology: Erasmus Darwin 391
   V. Medicine: Jenner
   Chapter XIX. ENGLISH PHILOSOPHY
   I. Tom Paine on Christianity
   II. Godwin on Justice
   III. Malthus on Population
   IV. Bentham on Law
   Chapter XX. LITERATURE IN TRANSITION
   I. The Press
   II. Books
   III. Jane Austen: 1775–1817
   IV. William Blake: 1757–1827
   Chapter XXI. THE LAKE POETS: 1770–1850
   I. Ambience
   II. Wordsworth: 1770–97
   III. Coleridge: 1772–94
   IV. Southey: 1774–1803
   V. Coleridge: 1794–97
   VI. A Threesome: 1797–98
   VII. Lyrical Ballads: 1798
   VIII. The Wandering Scholars: 1798–99
   IX. Idyl in Grasmere: 1800–03
   X. Love, Labor, and Opium: 1800–10
   XI. Coleridge Philosopher: 1808–17
   XII. Wordsworth: Climax, 1804–14
   XIII. The Sage of Highgate: 1816–34
   XIV. On the Fringe
   XV. Southey: 1803–43
   XVI. Wordsworth Epilogue: 1815–50
   Chapter XXII. THE REBEL POETS: 1788–1824
   I. The Tarnished Strain: 1066–1809 454
   II. The Grand Tour: Byron, 1809–11
   III. The Lion of London: Byron, 1811–14
   IV. Trial by Marriage: Byron, 1815–16
   V. The Youth of Shelley: 1792–1811
   VI. Elopement I: Shelley, 1811–12
   VII. Elopement II: Shelley, 1812–16
   VIII. Swiss Holiday: Byron and Shelley, 1816
   IX. Decay in Venice: Byron, 1816–18
   X. Shelley Pater Familias: 1816–18
   XI. Shelley: Zenith, 1819–21
   XII. Love and Revolution: Byron, 1818–21
   XIII. Contrasts
   XIV. Pisan Canto: 1821–22
   XV. Immolation: Shelley, 1822
   XVI. Transfiguration: Byron, 1822–24
   XVII. Survivors
   Chapter XXIII. ENGLANDÉS  
					     					 			NEIGHBORS: 1789–1815
   I. The Scots
   II. The Irish
   Chapter XXIV. PITT, NELSON, AND NAPOLEON: 1789–1812
   I. Pitt and the Revolution
   II. Nelson: 1758–1804
   III. Trafalgar: 1805
   IV. England Marks Time: 1806–12
   BOOK IV: THE CHALLENGED KINGS: 1789–1812
   Chapter XXV. IBERIA
   I. Portugal: 1789–1808
   II. Spain: 1808
   III. Arthur Wellesley:1769–1807
   IV. The Peninsular War: III (1808–12)
   V. Results
   Chapter XXVI. ITALY AND ITS CONQUERORS: 1789–1813
   I. The Map in 1789
   II. Italy and the French Revolution
   III. Italy under Napoleon: 1800–12
   IV. Emperor and Pope
   V. Behind the Battles
   VI. Antonio Canova: 1757–1822
   VII. Vale iterum Italia
   Chapter XXVII. AUSTRIA: 1780–1812
   I. Enlightened Despots: 1780–92
   II. Francis II
   III. Metternich
   IV. Vienna
   V. The Arts
   Chapter XXVIII. BEETHOVEN: 1770–1827
   I. Youth in Bonn: 1770–92
   II. Progress and Tragedy: 1792–1802
   III. The Heroic Years: 1803–09
   IV. The Lover
   V. Beethoven and Goethe: 1792–1802
   VI. The Last Victories: 1811–24
   VII. Comoedia Finita: 1824–27
   Chapter XXIX. GERMANY AND NAPOLEON: 1786–1811
   I. The Holy Roman Empire: 1800
   II. The Confederation of the Rhine:
   III. Napoleon’s German Provinces
   IV. Saxony
   V. Prussia: Frederick’s Legacy, 1786–87
   VI. The Collapse of Prussia: 1797–1807
   VII. Prussia Reborn: 1807–12
   Chapter XXX. THE GERMAN PEOPLE: 1789–1812
   I. Economics
   II. Believers and Doubters
   III. The German Jews
   IV. Morals
   V. Education
   VI. Science
   VII. Art
   VIII. Music
   IX. The Theater
   X. The Dramatists
   Chapter XXXI. GERMAN LITERATURE: 1789–1815
   I. Revolution and Response
   II. Weimar
   III. The Literary Scene
   IV. The Romantic Ecstasy
   V. The Voices of Feeling
   VI. The Brothers Schlegel
   Chapter XXXII. GERMAN PHILOSOPHY: 1789–1815
   I. Fichte: 1762–1814
   1. The Radical
   2. The Philosopher
   3. The Patriot
   II. Schelling: 1775–1854
   III. Hegel: 1770–1831
   1. Skeptic’s Progress