But the seller's performance had been excellent, so I added my own note of positive feedback to his profile, and he gave me one in turn.
I took the Aquamedico to Otto Friedl, elite specialist in the care of vintage Swiss Tamagotchis, down in the lower lobby of the Hotel Vancouver, and asked to have it cleaned, lubricated, and the crystal replaced. When I went back for it, I discovered that it was a beautiful object indeed, the black dial immaculate, virtu intact.
But it wasn't "the watch."
I told myself that there wasn't any "the watch," and that I had simply found my own way, after avoiding it for years, of compulsively wasting time on the Net.
But I kept doing it. Opening that same bookmark and clicking down through pages and pages of watches. Learning to read a restricted code. And there was everything, really: Swatches (which are collected like Barbies), the same battered Gruens you would see gathering dust in a Kansas City pawnshop, every sort and vintage of Rolex, wartime Omegas with the British broad arrow stamped into the case back, German Sinn chronographs that you aren't really supposed to be able to buy here, Spiro Agnew campaign watches . . .
And bidding. I'd bid a few times per week and was usually content to let myself be outbid. But I did buy another watch, from London, an oddly named Tweka with a two-tone copper dial. It went for around a hundred fifty dollars and had been listed as "NOS," which means new old stock, something that supposedly has sat in the back of a jeweler's drawer since 1952. Very nice, after a trip to Otto, but still not the watch . . .
eBay is a cross between a swap meet in cyberspace and a country auction with computer-driven proxy bidding. The auctioneer is one of eBay's servers.
Buyers don't pay anything to eBay; they just pay sellers for the items they buy. Sellers, however, pay a fee on each item they list, and another fee if it sells. You can set this up so that your eBay seller's account comes off your credit card. I doubt if anyone's seller account amounts to much in a given month, but eBay moves a lot of items.
There's a sense of taking part in an evolving system, here. I suspect that eBay is evolving in much the way the Net did.
I started visiting eBay just as user IDs were coming in. You can opt to do business on eBay under a handle. I think that this was introduced in order to foil spam-miners, who were sending bots into eBay to scoop up e-mail addresses. And I actually did get spam, my very first, after my initial foray into eBay. But then I got a user ID and the spam stopped.
Looking over the Announcement Board recently, I saw that eBay now requires credit card information before allowing users into such categories as firearms and X-rated adult material: an age-checking strategy.
One thing I can imagine changing on eBay is the current requirement that sellers who want to display scans of their items find an off-site page on which to host their HTML. eBay links to tutorials on how to do this, but it's just enough of a learning curve to discourage some people. Myself included. If it were possible to send a scan directly to eBay, I think selling would take a major step toward becoming a ubiquitous activity.
I find clutter, in my personal environment, oppressive. But crazed environments of dead tech and poignant rubbish turn up in my fiction on a regular basis, where they are usually presented as being at once comforting, evocative, and somehow magical. The future as flea market. I really do tend to see the future that way, though not exclusively.
My first impulse, when presented with any spanking-new piece of computer hardware, is to imagine how it will look in ten years' time, gathering dust under a card table in a thrift shop. And it probably will.
The pleasure afforded by browsing eBay is the pleasure afforded by any flea market or garage sale. Something ruminative, but with an underlying acuity, as though some old hunter-gatherer module were activated. It's a lot like beachcombing.
Where eBay departs the traditional pleasure of a flea market, though, is in its sheer scale and its searchability. If you can think of a thing, you can search it on eBay. And, very probably, you can find it.
If randomness is what you're after, though, there are ways to surf eBay, rather than search it. Modes of sheer drift. Every item offers you a chance to peruse Seller's Other Auctions, which can take you off into categories of merchandise you wouldn't have thought of. A search for Hopi silver, for instance, brought up other kinds of Native American artifacts, much older ones, so that a series of clicks through stone adzes and Clovis points led to an obscure monograph on mound-excavation in Florida in the 1930s.
But it was the watches that kept me coming back.
And I started to get sniped.
I'd find a watch I wanted, work my way up to high-bidder position, check my position regularly (eBay regularly informs you of your bidding status, and outbid notices arrive promptly, but it's still fun to check), and find, as the auction ran off, that I'd been zapped, in the last five minutes of bidding, by someone offering just one increment more than I had bid. I began to smell a rat.
The nature of the rat became apparent when I started checking out "Dutch" (multiple buyer) auctions of eBay-specific software, and discovered that one could buy plug-ins that automated the bidding process.
This bothered me. I thought about it. It bothered me more.
The idea of this software ran entirely counter to the peculiar psychology of bidding at auction. The software-driven sniper isn't really bidding; he's shopping. Skimming an existing situation. The sniper (or his software package) is able to look at the final minutes of any auction as a done deal, then decide whether or not to purchase that item at the fixed price, plus one bid increment. Which pissed me off, and took some of the fun away.
A friend's hacker boyfriend, in Chicago, offered to write me a piece of software that would outsnipe anything on the market. Tempting, but not very. Instead, I sent eBay a message to the effect that allowing autobid software detracted from the eBay experience. That it spoiled the chemistry of the thing, which in my view was a large part of what they offered as a venue. I also suspected, though I couldn't think of a convincing way to put it, that sufficient proliferation of sniping software could eventually, theoretically, bring the whole community to a halt.
I got no reply, and I hadn't expected to, but the problem seems in the meantime to have been resolved. Entirely to my satisfaction, and in a way that illustrates exactly how things have a way of finding their own uses for the street.
Text of a message sent to all vendors of third-party bidding software at eBay, 8/13/98:
eBay bid system change: Yesterday, through the help of an eBay user, we detected and disarmed a "bid bot" which had placed bids on hundreds of items. A bid bot is a program which bids on many items or the same item over and over again. Our SafeHarbour team is tracking down the source of the bot, and will be working with our lawyers and the authorities to take appropriate action. In an effort to prevent this type of system attack in the future, eBay plans to make an internal change to the bidding process. Most of you will not notice this change. It will NOT affect the interface you use at all. All bidding processes will remain the same as they were before. Unfortunately, the change may disable most, if not all "automated bidding programs" [aka, sniping programs]. We apologize for this, but it's important that we make eBay safe from robots of this kind.
I'd love to know what that bot was bidding on. Beanie Babies, probably. (A follow-up message partially reversed course: eBay would not outlaw bid bots, but would require that they conform to sign-on procedures.)
With a level playing field restored, I decided to kick this eBay watch-buying habit in the head.
Addictive personality that I am, I decided that the best way to do that was to binge: to do a whole bunch of it at one time and get it out of my system. To that end, I decided to buy a couple of fairly serious watches. Keepers.
I bid on, and won, a late-1940s Jaeger two-register chronograph in Hong Kong. The idea of sending a check off to Causeway Bay for more than a thousand dollars to someone I'd never heard of, let alone met, seemed to
be stretching it a little. But Eric So, a B Tech (Mech) at the Hong Kong Water Supplies Department and an avid watch fancier, was so evidently honest, so helpful, and responded to e-mail so readily, that I soon had no reservations whatever. Once the check had cleared, the Jaeger arrived with blinding speed and was even nicer than described.
And I did have one authentic auction-frisson over the Jaeger when, very near the end of the auction, someone bidding "by hand" topped me. This gentleman, when I checked his profile, appeared to be a European collector of some seriousness. After I bid again, I waited nervously, but he never came back.
My other binge watch was a Vulcain Cricket, an alarm watch introduced in the late Forties, which sounds like a very large, very mechanical cricket. I wanted one of these because the older ones look terrific, and because "Vulcain Cricket" is one of the finest pieces of found poetry I've ever stumbled across.
I found the best one I'd ever seen, offered by Vince and Laura, of Good Timing, who, by virtue of tagging all their items "(GOOD TIMING)," have built themselves the equivalent of a stall in cyberspace. Most sellers' goods on eBay are spread, as it were, on the same huge blanket, but Vince and Laura's tag allows them an edge in rep-building.
I think it worked, the binge cure. Possibly because getting serious about choosing serious watches made the shuffling of pages a chore rather than a pleasure. Whereas before I'd been able to veg out, in the style of watching some version of the Shopping Channel that actually interested me, I now felt as though I were buying real estate. Investing. Collecting.
I'd always hoped that I wouldn't turn into the sort of person who collected anything.
I no longer open to watches on eBay first thing in the morning. Days go by without my contributing so much as a single hit.
Or maybe I just have enough wristwatches.
I wonder, though, at the extent to which eBay facilitated my passage through this particular consumer obsession. Into it and out the other side in a little under a year. How long would it have taken me to get up to speed on vintage watches without eBay? Would I have started attending watch shows? Would I have had to travel? Would it have taken years? Would I have gotten into it at all?
Probably not.
In Istanbul, one chill misty morning in 1970, I stood in Kapali Carsi, the grand bazaar, under a Sony sign bristling with alien futurity, and stared deep into a cube of plate glass filled with tiny, ancient, fascinating things.
Hanging in that ancient venue, a place whose onsite cafe, I was told, had been open, twenty-four hours a day, three hundred and sixty-five days a year, literally for centuries, the Sony sign--very large, very proto-Blade Runner, illuminated in some way I hadn't seen before--made a deep impression. I'd been living on a Greek island, an archaeological protectorate where cars were prohibited, vacationing in the past.
The glass cube was one man's shop. He was a dealer in curios, and from within it he would reluctantly fetch, like the human equivalent of those robotic cranes in amusement arcades, objects I indicated that I wished to examine. He used a long pair of spring-loaded faux-ivory chopsticks, antiques themselves, their warped tips lent traction by wrappings of rubber bands.
And with these he plucked up, and I purchased, a single stone bead of great beauty, the color of apricot, with bright mineral blood at its core, to make a necklace for the girl I'd later marry, and an excessively mechanical Swiss cigarette lighter, circa 1911 or so, broken, its hallmarked silver case crudely soldered with strange, Eastern, aftermarket sigils.
And in that moment, I think, were all the elements of a real futurity: all the elements of the world toward which we were heading--an emerging technology, a map that was about to evert, to swallow the territory it represented. The technology that sign foreshadowed would become the venue, the city itself. And the bazaar within it.
But I'm glad we still have a place for things to change hands. Even here, in this territory the map became.
Gosh, but could this article ever do with a haircut. It's at least twice as long as it needs to be: dripping with wholly extraneous detail. I must have had really quite a lot of coffee. Sorry about that. Although it does detail my mysteriously belated arrival in cyberspace, should anyone ever be interested, while forever proving how little I actually knew (or know) about any of that stuff.
I had very little idea of what I was talking about, when I wrote this. This tends to be the case when I discuss newly emergent technologies, and is always the case when one makes generalizations about depths of specialist knowledge one is still scarcely aware of. I stood, at the time of writing this, unknowingly, on a precipice. I was about to learn quite a bit about vintage watches. To the extent that I think I can now honestly say that I've forgotten more about vintage watches than I currently know. This overlong, over-caffeinated piece was mainly an expression of that, of excitement at the start of a long, steep, delightfully unnecessary learning curve.
People who've read this piece often assume that I subsequently became a collector of watches. I didn't, at least not in my own view. Collections of things, and their collectors, have generally tended to give me the willies. I sometimes, usually only temporarily, accumulate things in some one category, but the real pursuit is in the learning curve. The dive into esoterica. The quest for expertise. This one lasted, in its purest form, for five or six years. None of the eBay purchases documented here proved to be "keepers." Not even close.
As it happened, I wound up buying and selling quite a few old watches, and bits and pieces of old watches, an activity that gradually introduced to me a peculiarly various global crew of actual uber-experts. It was . . . Pynchonian! I never found Lot 49, but I did meet at least two guys who claim to have been there when it sold (one of whom believed it to have been a clever forgery, christened up from parts of two others). Really quite deeply and wonderfully weird, and resulting in some lasting and highly enjoyable friendships.
Today I own no more watches than fingers, and am gradually but actively de-acquisitioning (watches, please, not fingers) so I am pleased to assume that I've cleared the virus.
I WISH I HAD A THOUSAND-YEN note for every journalist who, over the past decade, has asked me whether Japan is still as futurologically sexy as it seemed to be in the Eighties. If I did, I'd take one of these spotlessly lace-upholstered taxis over to the Ginza and buy my wife a small box of the most expensive Belgian chocolates in the universe.
I'm back to Tokyo tonight to refresh my sense of place, check out the post-Bubble city, professionally resharpen that handy Japanese edge. If you believe, as I do, that all cultural change is essentially technology-driven, you pay attention to Japan. There are reasons for that, and they run deep.
Dining late, in a plastic-draped gypsy noodle stall in Shinjuku, the classic cliche better-than-Blade Runner Tokyo street set, I scope my neighbor's phone as he checks his text messages. Wafer-thin, Kandy Kolor pearlescent white, complexly curvilinear, totally ephemeral looking, its screen seethes with a miniature version of Shinjuku's neon light show. He's got the rosary-like anticancer charm attached; most people here do, believing it deflects microwaves, grounding them away from the brain. It looks great, in terms of a novelist's need for props, but it may not actually be that next-generation in terms of what I'm used to back home.
Tokyo has been my handiest prop shop for as long as I've been writing: sheer eye candy. You can see more chronological strata of futuristic design in a Tokyo streetscape than anywhere else in the world. Like successive layers of Tomorrowlands, older ones showing through when the newer ones start to peel.
So the pearlescent phone with the cancer thingy gets drafted straight into props, but what about Japan itself? The Bubble's gone, successive economic plans sputter and wobble to the same halt, one political scandal follows another.... Is that the future?
Yes. Part of it, and not necessarily ours, but definitely yes. The Japanese love "futuristic" things precisely because they've been living in the future for such a very long time now. History, that other form of sp
eculative fiction, explains why.
The Japanese, you see, have been repeatedly drop-kicked, ever further down the timeline, by serial national traumata of quite unthinkable weirdness, by a hundred and fifty years of deep, almost constant, change. The twentieth century, for Japan, was like a ride on a rocket sled, with successive bundles of fuel igniting spontaneously, one after another.
They have had one strange ride, the Japanese, and we tend to forget that.
IN 1854, with Commodore Perry's second landing, gunboat diplomacy ended two hundred years of self-imposed isolation, a deliberate stretching out of the feudal dream-time. The Japanese knew that America, not to be denied, had come knocking with the future in its hip pocket. This was the quintessential cargo-cult moment for Japan: the arrival of alien tech.
The people who ran Japan--the emperor, the lords and ladies of his court, the nobles, and the very wealthy--were entranced. It must have seemed as though these visitors emerged from some rip in the fabric of reality. Imagine the Roswell Incident as a trade mission, a successful one; imagine us buying all the Gray technology we could afford, no reverse engineering required. This was a cargo cult where the cargo actually did what it claimed to do.
They must all have gone briefly but thoroughly mad, then pulled it together somehow and plunged on. The Industrial Revolution came whole, in kit form: steamships, railroads, telegraphy, factories, western medicine, the division of labor--not to mention a mechanized military and the political will to use it. Then those Americans returned to whack Asia's first industrial society with the light of a thousand suns--twice, and very hard--and thus the War ended.