"I don't know what you're--"
"It's just us girls, so why not fess up?"
They were in the living room now. There were sentimental paintings on the walls--clowns, waifs with big eyes--and lots of shelves and tables cluttered with knickknacks: snowglobes, troll babies, Hummel figures, Care Bears, a ceramic candy house a la Hansel and Gretel. Although Norville was a librarian, there were no books in evidence. Facing the TV was a La-Z-Boy with a hassock in front of it. There was a TV tray beside the chair. On it was a bag of Cheez Doodles, a large bottle of Diet Coke, the remote control, and a TV Guide. On top of the television was a framed photograph of Ramona and another woman with their arms around each other and their cheeks pressed together. It looked as if it had been taken at an amusement park or a county fair. In front of the photo was a glass candy dish that gleamed with sparkle-points of light beneath the overhead fixture.
"How long have you been doing it?"
"I don't know what you're talking about."
"How long have you been pimping for your homicidal rapist of a son?"
Norville's eyes flickered, but again she denied it... which presented Tess with a problem. When she had come here, killing Ramona Norville had seemed not just an option but the most likely outcome. Tess had been almost positive she could do it, and that the boat-rope in the left front pocket of her cargo pants would go unused. Now, however, she discovered she couldn't go ahead unless the woman admitted her complicity. Because what had been written on her face when she'd seen Tess standing at her door, bruised but otherwise very much alive, wasn't enough.
Not quite enough.
"When did it start? How old was he? Fifteen? Did he claim he was 'just foolin around'? That's what a lot of them claim when they first start."
"I have no idea what you mean. You come to the library and put on a perfectly acceptable presentation--lackluster, obviously you were only there for the money, but at least it filled the open date on our calendar--and the next thing I know you're on my doorstep, pointing a gun and making all sorts of wild--"
"It's no good, Ramona. I saw his picture on the Red Hawk website. Ring and all. He raped me and tried to kill me. He thought he did kill me. And you sent me to him."
Norville's mouth dropped open in a gruesome combination of shock, dismay, and guilt. "That's not true! You stupid cunt, you don't know what you're talking about!" She started forward.
Tess raised the gun. "Nuh-uh, don't do that. No."
Norville stopped, but Tess didn't think she would stay stopped for long. She was nerving herself up for either fight or flight. And because she had to know Tess would follow her if she tried to run deeper into the house, it would probably be fight.
The Trapp Family was singing again. Given the situation Tess was in--that she had put herself in--all that happy choral crap was maddening. Keeping the Lemon Squeezer trained on Norville with her right hand, Tess picked up the remote with her left and muted the TV. She started to put the remote down again, then froze. There were two things on top of the TV, but at first she had only registered the picture of Ramona and her girlfriend; the candy dish had just earned a glance.
Now she saw that the sparkles she had assumed were coming from the cut-glass sides of the dish weren't coming from the sides at all. They were coming from something inside. Her earrings were in the dish. Her diamond earrings.
Norville grabbed the Hansel and Gretel candy house from its shelf and threw it. She threw it hard. Tess ducked and the candy house went an inch over her head, shattering on the wall behind her. She stepped backward, tripped over the hassock, and went sprawling. The gun flew from her hand.
They both went for it, Norville dropping to her knees and slamming her shoulder against Tess's arm and shoulder like a football tackle intent on sacking the quarterback. She grabbed the gun, at first juggling it and then securing her grip. Tess reached inside her jacket and closed her hand around the handle of the butcher knife that was her backup, aware that she was going to be too late. Norville was too big... and too maternal. Yes, that was it. She had protected that rogue son of hers for years, and was intent on protecting him now. Tess should have shot her in the hall, the moment the door was shut behind her.
But I couldn't, she thought, and even at this moment, knowing it was the truth brought some comfort. She got up on her knees, hand still inside the jacket, facing Ramona Norville.
"You're a shitty writer and you were a shitty guest speaker," Norville said. She was smiling, speaking faster and faster. Her voice had a nasal auctioneer's lilt. "You phoned in your talk the same way you phone in your stupid books. You were perfect for him and he was going to do someone, I know the signs. I sent you that way and it worked out right and I'm glad he fucked you. I don't know what you thought you were going to do, coming here, but this is what you get."
She pulled the trigger and there was nothing but a dry click. Tess had taken lessons when she bought the gun, and the most important had been not to put a bullet in the chamber that would first fall under the hammer. Just in case the trigger was pulled by accident.
An expression of almost comical surprise came over Norville's face. It made her young again. She looked down at the gun, and when she did, Tess drew the knife from the inside pocket of the jacket, stumbled forward, and jammed it up to the hilt in Norville's belly.
The woman made a glassy "OOO- OOOO" sound that tried to be a scream and failed. Tess's pistol dropped and Ramona staggered back against the wall, looking down at the handle of the knife. One flailing arm struck a rank of Hummel figures. They tumbled from the shelf and shattered on the floor. She made that "OOO- OOOO" sound again. The front of the housecoat was still unstained, but blood began to patter from beneath its hem, onto Ramona Norville's manshoes. She put her hands on the haft of the knife, tried to tug it free, and made the "OOO- OOOO" for the third time.
She looked up at Tess, unbelieving. Tess looked back. She was remembering something that had happened on her tenth birthday. Her father had given her a slingshot, and she had gone out looking for things to shoot with it. At some point, five or six blocks from her house, she had seen a raggedy-eared stray dog rooting in a garbage can. She had put a small rock in her slingshot and fired at it, only meaning to scare the dog away (or so she told herself), but hitting it in the rump instead. The dog had made a miserable ike-ike-ike sound and run away, but before it did, it gave Tess a look of reproach she had never forgotten. She would have given anything to take that casual shot back, and she had never fired her slingshot at another living thing. She understood that killing was a part of life--she felt no compunction about swatting mosquitoes, put down traps when she saw mouse-droppings in the cellar, and had eaten her fair share of Mickey D's Quarter Pounders--but then she had believed she would never again be able to hurt something that way without feeling remorse or regret. She suffered neither in the living room of the house on Lacemaker Lane. Perhaps because, in the end, it had been self-defense. Or perhaps that wasn't it at all.
"Ramona," she said, "I'm feeling a certain kinship to Richard Widmark right now. This is what we do to squealers, honey."
Norville was standing in a puddle of her own blood and her housecoat was at last blooming with blood-poppies. Her face was pale. Her dark eyes were huge and glittery with shock. Her tongue came out and swiped slowly across her lower lip.
"Now you can roll around for a long time, thinkin' it over--how would that be?"
Norville began to slide. Her manshoes made squittering sounds in the blood. She groped for one of the other shelves and pulled it off the wall. A platoon of Care Bears tilted forward and committed suicide.
Although she still felt no regret or remorse, Tess found that, in spite of her big talk, she had very little inner Tommy Udo; she had no urge to watch or prolong Norville's suffering. She bent and picked up the .38. From the right front pocket of her cargo pants she removed the item she had taken from the kitchen drawer beside her stove. It was a quilted oven glove. It would silence a single pistol shot qui
te effectively, as long as the caliber wasn't too big. She had learned this while writing The Willow Grove Knitting Society Goes on a Mystery Cruise.
"You don't understand." Norville's voice was a harsh whisper. "You can't do this. It's a mistake. Take me... hospital."
"The mistake was yours." Tess pulled the oven glove over the pistol, which was in her right hand. "It was not having your son castrated as soon as you found out what he was." She put the oven glove against Ramona Norville's temple, turned her head slightly to one side, and pulled the trigger. There was a low, emphatic pluh sound, like a big man clearing his throat.
That was all.
- 35 -
She hadn't googled Al Strehlke's home address; she had been expecting to get that from Norville. But, as she had already reminded herself, things like this never went according to plan. What she had to do now was keep her wits about her and carry the job through to the end.
Norville's home office was upstairs, in what had probably been meant as a spare bedroom. There were more Care Bears and Hummels here. There were also half a dozen framed pictures, but none of her sons, her main squeeze, or the late great Roscoe Strehlke; these were autographed photos of writers who had spoken to the Brown Baggers. The room reminded Tess of the Stagger Inn's foyer, with its band photos.
She didn't ask for an autograph on my photo, Tess thought. Of course not, why would she want to be reminded of a shitty writer like me? I was basically just a talking head to fill a hole in her schedule. Not to mention meat for her son's meatgrinder. How lucky for them that I came along at the right time.
On Norville's desk, below a bulletin board buried in circulars and library correspondence, was a desktop Mac very much like Tess's. The screen was dark, but the glowing light on the CPU told her it was only sleeping. She pushed one of the keys with a gloved fingertip. The screen refreshed and she was looking at Norville's electronic desktop. No need for those pesky passwords, how nice.
Tess clicked the address book icon, scrolled down to the R's, and found Red Hawk Trucking. The address was 7 Transport Plaza, Township Road, Colewich. She scrolled further, to the S's, and found both her overgrown acquaintance from Friday night and her acquaintance's brother, Lester. Big Driver and Little Driver. They both lived on Township Road, near the company they must have inherited from their father: Alvin at number 23, Lester at number 101.
If there was a third brother, she thought, they'd be The Three Little Truckers. One in a house of straw, one in a house of sticks, one in a house of bricks. Alas, there are only two.
Downstairs again, she plucked her earrings from the glass dish and put them in her coat pocket. She looked at the dead woman sitting against the wall as she did it. There was no pity in the glance, only the sort of parting acknowledgment anyone may give to a piece of hard work that has now been finished. There was no need to worry about trace evidence; Tess was confident she had left none, not so much as a single strand of hair. The oven-glove--now with a hole blown in it--was back in her pocket. The knife was a common item sold in department stores all over America. For all she knew (or cared), it matched Ramona's own set. So far she was clean, but the hard part might still be ahead. She left the house, got in her car, and drove away. Fifteen minutes later she pulled into the lot of a deserted strip mall long enough to program 23 Township Road, Colewich, into her GPS.
- 36 -
With Tom's guidance, Tess found herself near her destination not long after nine o'clock. The three-quarter moon was still low in the sky. The wind was blowing harder than ever.
Township Road branched off US 47, but at least seven miles from The Stagger Inn and even farther from Colewich's downtown. Transport Plaza was at the intersection of the two roads. According to the signage, three trucking firms and a moving company were based here. The buildings that housed them had an ugly prefab look. The smallest belonged to Red Hawk Trucking. All were dark on this Sunday night. Beyond them were acres of parking lot surrounded by Cyclone fence and lit with high-intensity arc lights. The depot lot was full of parked cabs and freight haulers. At least one of the cab-overs had RED HAWK TRUCKING on the side, but Tess didn't think it was the one pictured on the website, the one with the Proud Papa behind the wheel.
There was a truck stop adjacent to the depot area. The pumps--over a dozen--were lit by the same high-intensity arcs. Bright white fluorescents spilled out from the right side of the main building; the left side was dark. There was another building, this one U-shaped, to the rear. A scattering of cars and trucks was parked there. The sign out by the road was a huge digital job, loaded with bright red information.
RICHIE'S TOWNSHIP ROAD TRUCK STOP
"YOU DRIVE 'EM, WE FILL 'EM"
REG $2.99 GAL
DIESEL $2.69 GAL
NEWEST LOTTERY TIX ALWAYS AVAILABLE
RESTAURANT CLOSED SUN. NITE
SORRY NO SHOWERS SUN. NITE
STORE & MOTEL "ALWAYS OPEN"
RVS "ALWAYS WELCOME"
And at the bottom, badly spelled but fervent:
SUPPORT OUR TROOPS! WIN IN AFGANDISTAN!
With truckers coming and going, fueling up both their rigs and themselves (even with its lights off, Tess could tell that, when open, the restaurant was of the sort where chicken-fried steak, meatloaf, and Mom's Bread Pudding would always be on the menu), the place would probably be a beehive of activity during the week, but on Sunday night it was a graveyard because there was nothing out here, not even a roadhouse like The Stagger.
There was only a single vehicle parked at the pumps, facing out toward the road with a pump nozzle stuck in its gas hatch. It was an old Ford F-150 pickup with Bondo around the headlights. It was impossible to read the color in the harsh lighting, but Tess didn't have to. She had seen that truck close up, and knew the color. The cab was empty.
"You don't seem surprised, Tess," Tom said as she slowed to a stop on the shoulder of the road and squinted at the store. She could make out a couple of people in there in spite of the glare from the harsh outside lighting, and she could see that one of them was big. Was he big or real big? Betsy Neal had asked.
"I'm not surprised at all," she said. "He lives out here. Where else would he go to gas up?"
"Maybe he's getting ready to take a trip."
"This late on Sunday night? I don't think so. I think he was at home, watching The Sound of Music. I think he drank up all of his beer and came down here for more. He decided to top off his tank while he was at it."
"You could be wrong, though. Hadn't you better pull in behind the store and follow him when he leaves?"
But Tess didn't want to do that. The front of the truck-stop store was all glass. He might look out and see her when she drove in. Even if the bright lighting above the pump islands made it hard for him to see her face, he might recognize the vehicle. There were lots of Ford SUVs on the road, but after Friday night, Al Strehlke had to be particularly sensitized to black Ford Expeditions. And there was her license plate--surely he would have noticed her Connecticut license plate on Friday, when he pulled up beside her in the gone-to-weeds parking lot of the deserted store.
There was something else. Something even more important. She got rolling again, putting Richie's Township Road Truck Stop in the rearview.
"I don't want to be behind him," she said. "I want to be ahead of him. I want to be waiting for him."
"What if he's married, Tess?" Tom asked. "What if he's got a wife waiting for him?"
The idea startled her for a moment. Then she smiled, and not just because the only ring he'd been wearing was the one too big to be a ruby. "Guys like him don't have wives," she said. "Not ones that stick around, anyway. There was only one woman in Al's life, and she's dead."
- 37 -
Unlike Lacemaker Lane, there was nothing suburban about Township Road; it was as country as Travis Tritt. The houses were glimmering islands of electric light beneath the glow of the rising moon.
"Tess, you are approaching your destination," Tom said in his non-ima
ginary voice.
She breasted a rise, and there on her left was a mailbox marked
STREHLKE and 23. The driveway was long, rising on a curve, paved with asphalt, smooth as black ice. Tess turned in without hesitation, but apprehension dropped over her as soon as Township Road was behind her. She had to fight to keep from jamming on the brakes and backing out again. Because if she kept going, she had no choice. She'd be like a bug in a bottle. And even if he wasn't married, what if someone else was up there at the house? Brother Les, for instance? What if Big Driver had been at Tommy's buying beer and snacks not for one but for two?
Tess killed her headlights and drove on by moonlight.
In her keyed-up state, the driveway seemed to go on forever, but it could have been no more than an eighth of a mile before she saw the lights of Strehlke's house. It was at the top of the hill, a tidy-looking place that was bigger than a cottage but smaller than a farmhouse. Not a house of bricks, but not a humble house of straw, either. In the story of the three little pigs and the big bad wolf, Tess reckoned this would have been the house of sticks.
Parked on the left side of the house was a long trailer-box with RED HAWK TRUCKING on the side. Parked at the end of the driveway, in front of the garage, was the cab-over Pete from the website. It looked haunted in the moonlight. Tess slowed as she approached it, and then she was flooded with a white glare that dazzled her eyes and lit the lawn and the driveway. It was a motion-activated pole light, and if Strehlke came back while it was on, he would be able to see its glow at the foot of his driveway. Maybe even while he was still approaching on Township Road.
She jammed on the brakes, feeling as she had when, as a teenager, she'd dreamed of finding herself in school with no clothes on. She heard a woman groaning. She supposed it was her, but it didn't sound or feel like her.
"This isn't good, Tess."
"Shut up, Tom."
"He could come back any minute, and you don't know how long the timer on that thing is. You had trouble with the mother. He's much bigger than her."