“I know,” I said. “But it’s just another indicator that Art didn’t do it. He wouldn’t have aborted her without doing a bunny test first, and such a test would have been negative.”
“That’s only circumstantial evidence, at best.”
“I know,” I said, “but it’s something. A start.”
“There is another possibility,” Sanderson said. “Supposing the abortionist was willing to take Karen’s word that she was pregnant.”
I frowned. “I don’t understand. Art didn’t know the girl; he had never seen her before. He would never—”
“I’m not thinking of Art,” Sanderson said. He was staring at his feet, as if he had something embarrassing on his mind.
“What do you mean?”
“Well, this is all highly speculative.…”
I waited for him.
“A lot of muck has been thrown already. I hate to add to it,” he said.
I said nothing.
“I never knew it before,” Sanderson continued. “I thought I was pretty well informed about these things, but I never knew it until today. As you can imagine, the whole medical community is buzzing. J. D. Randall’s girl dies from an abortion—you can’t keep other doctors from talking about that.” He sighed. “Anyway, it was something one of the wives told my wife. I don’t even know if it’s true.”
I wasn’t going to push Sanderson. He could take his time in telling me; I lit a cigarette and waited patiently.
“Oh hell,” Sanderson said, “it’s probably just a rumor. I can’t imagine I’d never heard of it before.”
“What?” I said finally.
“Peter Randall. Peter does abortions. Very quiet and exclusive, but he does them.”
“Jesus,” I said, sitting down in a chair.
“It’s hard to believe,” Sanderson said.
I smoked a cigarette and thought it over. If Peter did abortions, did J. D. know? Did he think Peter had done it, and was covering up for him? Was that what he meant by “a family matter”? If so, why had Art been dragged into this?
And why would Peter abort the girl in the first place? Peter had evidence that there might be something wrong with the girl. He was a good enough doctor to think of a pit tumor. If the girl came to him saying she was pregnant, he’d certainly think back to her vision trouble. And he’d run tests.
“Peter didn’t do it,” I said.
“Maybe she put pressure on him. Maybe she was in a hurry. She only had one weekend.”
“No. He wouldn’t respond to pressure from her.”
“She was family.”
“She was a young and hysterical girl,” I said, remembering Peter’s description.
Sanderson said, “Can you be sure Peter didn’t do it?”
“No,” I admitted.
“Let’s suppose he did. And let’s suppose Mrs. Randall knew about the abortion. Or that the girl told her, as she was bleeding to death, that Peter had done it. What would Mrs. Randall do? Turn in her brother-in-law?”
I could see where he was leading me. It certainly provided an explanation for one of the puzzles of the case—why Mrs. Randall had called in the police. But I didn’t like it, and I told Sanderson so.
“The reason you don’t like it is you’re fond of Peter.”
“That may be.”
“You can’t afford to exclude him or anyone else. Do you know where Peter was last Sunday night?”
“No.”
“Neither do I,” Wes Sanderson said, “but I think it’s worth checking.”
“No,” I said, “it’s not. Peter wouldn’t do it. And even if he did, he wouldn’t have botched it so badly. No professional would have.”
“You’re prejudging the case,” Sanderson said.
“Look, if Peter could have done it—without tests, without anything—then so could Art.”
“Yes,” Sanderson said mildly. “That has occurred to me.”
A chromophobe adenoma is the most common tumor of the pituitary. It is slow-growing and relatively benign, but it presses on the optic nerve, causing visual symptoms, and it may create endocrine dysfunction.
FIVE
I WAS FEELING IRRITABLE when I left Sanderson. I couldn’t decide exactly why. Perhaps he was right; perhaps I was unreasonably and illogically searching for fixed points, for things and people to believe in.
But there was something else. In any court action, there was always the chance that Sanderson and I could be implicated, and our role in fooling the tissue committee brought out. Both Sanderson and I had a large stake in this business, a stake as large as Art’s. We hadn’t talked about that, but it was there in the back of my mind, and I was sure in the back of his as well. And that put a different interpretation on things.
Sanderson was perfectly correct: we could put the squeeze on Peter Randall. But if we did, we’d never know why we did. We could always say it was because we believed Peter was guilty. Or because it was expedient, to save a falsely accused man.
But we would always wonder whether we did it simply to protect ourselves.
Before I did anything, I would have to get more information. Sanderson’s argument made no distinction between Mrs. Randall knowing that Peter had done the abortion and merely suspecting that he had.
And there was another question. If Mrs. Randall suspected that Peter had done the abortion and wished to keep him from being arrested, why had she named Art? What did she know about Art?
Art Lee was a circumspect and cautious man. He was hardly a household word among the pregnant women of Boston. He was known to a few physicians and a relatively small number of patients. His clientele was carefully chosen.
How had Mrs. Randall known he performed abortions? There was one man who might know the answer: Fritz Werner.
FRITZ WERNER lived in a town house on Beacon Street. The ground floor was given over to his office—an anteroom and a large, comfortable room with desk, chair, and couch—and to his library. The upper two floors comprised his living quarters. I went directly to the second floor and entered the living room to find it the same as always: a large desk by the window, covered with pens, brushes, sketchbooks, pastels; drawings by Picasso and Miro on the walls; a photograph of T. S. Eliot glowering into the camera; an informal, signed portrait of Marianne Moore talking with her friend Floyd Patterson.
Fritz was sitting in a heavy armchair, wearing slacks and an enormous bulky sweater. He had stereophonic earphones on his head, was smoking a thick cigar, and crying. The tears rolled down his flat, pale cheeks. He wiped his eyes when he saw me, and took off the earphones.
“Ah, John. Do you know any Albinoni?”
“No,” I said.
“Then you don’t know the adagio.”
“I’m afraid not.”
“It always makes me sad,” he said, dabbing his eyes. “Infernally, infernally sad. So sweet. Do sit down.”
I sat. He turned off his record player and took off the record. He dusted it carefully and replaced it in the jacket.
“It was good of you to come. How was your day?”
“Interesting.”
“You’ve looked up Bubbles?”
“Yes, I did.”
“How did you find her?”
“Confusing.”
“Why do you say that?”
I smiled. “Don’t analyze me, Fritz. I never pay my doctor bills.”
“No?”
“Tell me about Karen Randall,” I said.
“This is very nasty, John.”
“Now you sound like Charlie Frank.”
“Charlie Frank is not a complete fool,” Fritz said. “By the way, did I tell you I have a new friend?”
“No,” I said.
“I do, a marvelous creature, most amusing. We must talk about him sometime.”
“Karen Randall,” I said, bringing him back to the point.
“Yes, indeed.” Fritz took a deep breath. “You didn’t know the girl, John,” he said. “She was not a nice child. No
t at all. She was a mean, lying, unpleasant little child with severe neuroses. Bordering on psychosis, if you ask me.”
He walked into the bedroom, stripping off his sweater. I followed him in and watched as he put on a clean shirt and a tie.
“Her problems,” Fritz said, “were sexual in nature, stemming from a repressed childhood with her parents. Her father is not the most well-adjusted man I know. Marrying that woman is a perfect example. Have you met her?”
“The present Mrs. Randall?”
“Yes. Ghastly, ghastly woman.”
He shuddered as he knotted his tie and straightened it in the mirror.
“Did you know Karen?” I asked.
“It was my misfortune to do so. I knew her parents as well. We first met at that marvelous, glorious party given by the Baroness de—”
“Just tell me,” I said.
Fritz sighed. “This girl, this Karen Randall,” he said, “she presented her parents with their own neuroses. In a sense she acted out their fantasies.”
“What do you mean?”
“Breaking the mold—being sexually free, not caring what people said, dating the wrong kinds of people, and always with sexual undertones. Athletes. Negroes. That sort of thing.”
“Was she ever your patient?”
He sighed. “No, thank God. At one point it was suggested that I take her, but I refused. I had three other adolescent girls at the time, and they were quite enough. Quite enough.”
“Who asked you to take her?”
“Peter, of course. He’s the only one with any sense in the family.”
“What about Karen’s abortions?”
“Abortions?”
“Come on, Fritz.”
He went to a closet and found a sports coat, pulled it on, and tugged at the lapels. “People never understand,” he said. “There is a cycle here, a pattern which is as easily recognizable, as familiar, as an MI.1 You learn the pattern, the symptoms, the trouble. You see it acted out before you again and again. A rebellious child chooses the weak point of its parent—with unfailing, uncanny accuracy—and proceeds to exploit it. But then when punishment comes, it must be in terms of the same weak point. It must all fit together: if someone asks you a question in French, you must answer in French.”
“I don’t understand.”
“For a girl like Karen, punishment was important. She wanted to be punished, but her punishment, like her rebellion, had to be sexual in nature. She wanted to suffer the pain of childbirth, so she could compensate for breaking with her family, her society, her morality.… Dylan put it beautifully; I have the poem here somewhere.” He began rummaging through a bookshelf.
“It’s all right,” I said.
“No, no, a lovely quotation. You’d enjoy it.” He searched for a few more moments, then straightened. “Can’t find it. Well, never mind. The point is that she needed suffering, but never experienced it. That was why she kept getting pregnant.”
“You talk like a psychiatrist.”
“We all do, these days.”
“How many times did she get pregnant?”
“Twice, that I know of. But that is just what I hear from my other patients. A great many women felt threatened by Karen. She impinged upon their system of values, their framework of right and wrong. She challenged them, she implied that they were old and sexless and timid and foolish. A middle-aged woman can’t stand such a challenge; it is terrifying. She must respond, must react, must form an opinion which vindicates herself—and therefore condemns Karen.”
“So you heard a lot of gossip.”
“I heard a lot of fear.”
He smoked his cigar. The room was filled with sunlight and blue smoke. He sat on the bed and began pulling on his shoes.
“Frankly,” he said, “after a while I began to resent Karen myself. She went overboard, she did too much, she went too far.”
“Perhaps she couldn’t help it.”
“Perhaps,” Fritz said, “she needed a good spanking.”
“Is that a professional opinion?”
He smiled. “That is just my human irritation showing through. If I could count the number of women who have run out and had affairs—disastrous affairs—just because of Karen….”
“I don’t care about the women,” I said, “I care about Karen.”
“She’s dead now,” Fritz said.
“That pleases you?”
“Don’t be silly. Why do you say that?”
“Fritz…”
“Just a question.”
“Fritz,” I said, “how many abortions did Karen have before last weekend?”
“Two.”
“One last summer,” I said, “in June. And one before that?”
“Yes.”
“And who aborted her?”
“I haven’t the slightest,” he said, puffing on his cigar.
“It was somebody good,” I said, “because Bubbles said that Karen was only gone for an afternoon. It must have been very skillful and nontraumatic.”
“Very likely. She was a rich girl, after all.”
I looked at him, sitting there on the bed, tying his shoes and smoking the cigar. Somehow, I was convinced he knew.
“Fritz, was it Peter Randall?”
Fritz grunted. “If you know, why ask?”
“I need confirmation.”
“You need a strong noose around your neck, if you ask me. But yes: it was Peter.”
“Did J. D. know?”
“Heaven help us! Never!”
“Did Mrs. Randall know?”
“Hmmm. There I am not certain. It is possible but somehow I doubt it.”
“Did J. D. know that Peter did abortions?”
“Yes. Everyone knows that Peter does abortions. He is the abortionist, believe me.”
“But J.D. never knew Karen had been aborted.”
“That’s correct.”
“What’s the connection between Mrs. Randall and Art Lee?”
“You are very acute today,” Fritz said.
I waited for an answer. Fritz puffed twice on his cigar, producing a dramatic cloud around his face, and looked away from me.
“Oh,” I said. “When?”
“Last year. Around Christmas, if I recall.”
“J. D. never knew?”
“If you will remember,” Fritz said, “J. D. spent the months of November and December in India last year working for the State Department. Some kind of goodwill tour, or public health thing.”
“Then who was the father?”
“Well, there is some speculation about that. But nobody knows for sure—perhaps not even Mrs. Randall.”
Once again, I had the feeling that he was lying.
“Come on, Fritz. Are you going to help me or not?”
“Dear boy, you are immensely clever.” He stood, walked to the mirror, and straightened his jacket. He ran his hands over his shirt. It was something you always noticed about Fritz: he was continually touching his body, as if to assure himself that he had not disappeared.
“I have often thought,” Fritz said, “that the present Mrs. Randall might as well have been Karen’s mother, since they are both such bitches in heat.”
I lit a cigarette. “Why did J. D. marry her?”
Fritz gave a helpless shrug and fluffed a handkerchief in his pocket. He tugged his shirt cuffs down his jacket sleeves. “God only knows. There was great talk at the time. She comes from a good family, you know—a Rhode Island family—but they sent her to a Swiss school. Those Swiss schools will destroy a girl. In any event, she was a poor choice for a man in his sixties, and a busy surgeon. She grew rapidly bored sitting around her cavernous home. The Swiss schools teach you to be bored in any case.”
He buttoned his jacket and turned away from the mirror, with a final glance over his shoulder at himself. “So,” he said, “she amused herself.”
“How long has this been going on?”
“More than a year.”
“Did she a
rrange Karen’s abortion?”
“I doubt it. One can’t be sure, but I doubt it. More likely it would be Signe.”
“Signe?”
“Yes. J. D.‘s mistress.”
I took a deep breath and wondered if Fritz was kidding me. I decided he wasn’t.
“J. D. had a mistress?”
“Oh, yes. A Finnish girl. She worked in the cardiology lab of the Mem. Quite a stunner, I’m told.”
“You never met her?”
“Alas.”
“Then how do you know?”
He smiled enigmatically.
“Karen liked this Signe?”
“Yes. They were good friends. Rather close in ages, actually.”
I ignored the implications in that.
“You see,” Fritz continued, “Karen was very close to her mother, the first Mrs. Randall. She died two years ago of cancer—rectum, I think—and it was a great blow for Karen. She never liked her father much, but had always confided in her mother. The loss of a confidante at the age of sixteen was a great blow to her. Much of her subsequent…activity can be attributed to bad advice.”
“From Signe?”
“No. Signe was quite a proper girl, from what I’m told.”
“I don’t get it.”
“One of the reasons Karen disliked her father was that she knew about his propensities. You see, he has always had women friends. Young ones. The first was Mrs. Jewett, and then there was—”
“Never mind,” I said. I had already gotten the picture. “He cheated on his first wife, too?”
“Wandered,” Fritz said. “Let us say wandered.”
“And Karen knew?”
“She was quite a perceptive child.”
“There’s one thing I don’t understand,” I said. “If Randall likes variety, why did he remarry?”
“Oh, that’s quite clear. One look at the present Mrs. Randall and you’d know. She is a fixture in his life, a decoration, an ornament to his existence. Rather like an exotic potted plant—which is not far from the truth, considering how much she drinks.”
“It doesn’t make sense,” I said.
He gave me an amused, askance look. “What about that nurse you have lunch with twice a week?”
“Sandra is a friend. She’s a nice girl.” As I said it, it occurred to me that he was astonishingly well informed.