Page 11 of Maurice


  Yes: the heart of his agony would be loneliness. He took time to realize this, being slow. The incestuous jealousy, the morti­fication, the rage at his past obtuseness—these might pass, and having done much harm they did pass. Memories of Clive might pass. But the loneliness remained. He would wake and gasp "I've no one!" or "Oh Christ, what a world!" Clive took to visiting him in dreams. He knew there was no one, but Clive, smiling in his sweet way, said "I'm genuine this time," to torture him. Once he had a dream about the dream of the face and the voice, a dream about it, no nearer. Also old dreams of the other sort, that tried to disintegrate him. Days followed nights. An immense silence, as of death, encircled the young man, and as he was go­ing up to town one morning it struck him that he really was dead. What was the use of money-grubbing, eating, and playing games? That was all he did or had ever done.

  "Life's a damn poor show," he exclaimed, crumpling up the Daily Telegraph.

  The other occupants of the carriage who liked him began to laugh.

  "I'd jump out of the window for twopence."

  Having spoken, he began to contemplate suicide. There was

  nothing to deter him. He had no initial fear of death, and no sense of a world beyond it, nor did he mind disgracing his fam­ily. He knew that loneliness was poisoning him, so that he grew viler as well as more unhappy. Under these circumstances might he not cease? He began to compare ways and means, and would have shot himself but for an unexpected event. This event was the illness and death of his grandfather, which induced a new state of mind.

  Meanwhile, he had received letters from Clive, but they al­ways contained the sentence, "We had better not meet just yet." He grasped the situation now—his friend would do anything for him except be with him; it had been thus ever since the first illness, and on these lines he was offered friendship in the future. Maurice did not cease to love, but his heart had been broken; he never had wild thoughts of winning Clive back. What he grasped he grasped with a firmness that the refined might envy, and suffered up to the hilt.

  He answered these letters, oddly sincere. He still wrote what was true, and confided that he was unbearably lonely and should blow out his brains before the year ended. But he wrote without emotion. It was more a tribute to their heroic past, and accepted by Durham as such. His replies were unemotional also, and it was plain that, however much help he was given and however hard he tried, he could no longer penetrate into Mau­rice's mind.

  27 Maurice's grandfather was an example of the growth that may come with old age. Throughout life he had been the ordinary business man—hard and touchy—but he re­tired not too late, and with surprising results. He took to "read­ing", and though the direct effects were grotesque, a softness was generated that transformed his character. The opinions of others—once to be contradicted or ignored—appeared worthy of note, and their desires worth humouring. Ida, his unmarried daughter, who kept house for him, had dreaded the time "when my father will have nothing to do", and herself impervious, did not realize that he had changed until he was about to leave her.

  The old gentleman employed his leisure in evolving a new religion—or rather a new cosmogony, for it did not contradict chapel. The chief point was that God lives inside the sun, whose bright envelope consists of the spirits of the blessed. Sunspots reveal God to men, so that when they occurred Mr Grace spent hours at his telescope, noting the interior darkness. The incarna­tion was a sort of sunspot.

  He was glad to discuss his discovery with anyone, but did not proselytize, remarking that each must settle for himself: Clive Durham, with whom he had once had a long talk, knew as much about his opinions as anyone. They were those of the practical man who tries to think spiritually—absurd and materialistic, but first hand. Mr Grace had rejected the tasteful accounts of

  the unseen that are handed out by the churches, and for that reason the hellenist had got on with him.

  Now he was dying. A past of questionable honesty had faded, and he looked forward to joining those he loved and to be joined in due season by those whom he left behind. He summoned his late employees—men without illusions, but they "humoured the old hypocrite". He summoned his family, whom he had always treated well. His last days were very beautiful. To inquire into the causes of beauty were to inquire too closely, and only a cynic would dispel the blended Sorrow and Peace that perfumed Al-friston Gardens while a dear old man lay dying.

  The relations came separately, in parties of two and three. All, except Maurice, were impressed. There was no intrigue, as Mr Grace had been open about his will, and each knew what to ex­pect. Ada, as the favourite grandchild, shared the fortune with her aunt. The rest had legacies. Maurice did not propose to re­ceive his. He did nothing to force Death on, but it waited to meet him at the right moment, probably when he returned.

  But the sight of a fellow-traveller disconcerted him. His grandfather was getting ready for a journey to the sun, and, garrulous with illness, poured out to him one December after­noon. "Maurice, you read the papers. You've seen the new theory —" It was that a meteor swarm impinged on the rings of Saturn, and chipped pieces off them that fell into the sun. Now Mr Grace located the wicked in the outer planets of our system, and since he disbelieved in eternal damnation had been troubled how to extricate them. The new theory explained this. They were chipped off and reabsorbed into the good! Courteous and grave, the young man listened until a fear seized him that this tosh might be true. The fear was momentary, yet started one of those rearrangements that affect the whole character. It left him with the conviction that his grandfather was convinced. One

  more human being had come alive. He had accomplished an act of creation, and as he did so Death turned her head away. "It's a great thing to believe as you do," he said very sadly. "Since Cambridge I believe in nothing—except in a sort of darkness."

  "Ah, when I was your age—and now I see a bright light—no electric light can compare to it."

  "When you were my age, grandfather, what?"

  But Mr Grace did not answer questions. He said, "Brighter than magnesium wire—the light within," then drew a stupid parallel between God, dark inside the glowing sun, and the soul, invisible inside the visible body. "The power within—the soul: let it out, but not yet, not till the evening." He paused. "Maurice, be good to your mother; to your sisters; to your wife and chil­dren; to your clerks, as I have." He paused again and Maurice grunted, but not disrespectfully. He was caught by the phrase "not till the evening, do not let it out till the evening." The old man rambled ahead. One ought to be good—kind—brave: all the old advice. Yet it was sincere. It came from a living heart.

  "Why?" he interrupted. "Grandpapa, why?"

  "The light witiiin—"

  "I haven't one." He laughed lest emotion should master him. "Such light as I had went out six weeks ago. I don't want to be good or kind or brave. If I go on living I shall be—not those things: the reverse of them. I don't want that either; I don't want anything."

  "The light within—"

  Maurice had neared confidences, but they would not have been listened to. His grandfather didn't, couldn't understand. He was only to get "the light within—be kind", yet the phrase continued the rearrangement that had begun inside him. Why should one be kind and good? For someone's sake—for the sake of Clive or God or the sun? But he had no one. No one except his

  mother mattered and she only a little. He was practically alone, and why should he go on living? There was really no reason, yet he had a dreary feeling he should, because he had not got Death either; she, like Love, had glanced at him for a minute, then turned away, and left him to "play the game". And he might have to play as long as his grandfather, and retire as absurdly.

  28 His change, then, cannot be described as a conver-sion. There was nothing edifying about it. When he came home and examined the pistol he would never use, he was seized with disgust; when he greeted his mother no unfathom­able love for her welled up. He lived on, miserable and mis­understood, as before,
and increasingly lonely. One cannot write those words too often: Maurice's loneliness: it increased.

  But a change there had been. He set himself to acquire new habits, and in particular those minor arts of life that he had neglected when with Clive. Punctuality, courtesy, patriotism, chivalry even—here were a few. He practised a severe self-discipline. It was necessary not only to acquire the art, but to know when to apply it, and gently to modify his behaviour. At first he could do little. He had taken up a line to which his fam­ily and the world were accustomed, and any deviation worried them. This came out very strongly in a conversation with Ada.

  Ada had become engaged to his old chum Chapman, and his hideous rivalry with her could end. Even after his grandfather's death he had feared she might marry Clive, and gone hot with jealousy. Clive would marry someone. But the thought of him with Ada remained maddening, and he could scarcely have be­haved properly unless it had been removed.

  The match was excellent, and having approved of it publicly he took her aside, and said, "Ada, I behaved so badly to you,

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  dear, after Clive's visit. I want to say so now and ask you to for­give me. It's given a lot of pain since. I'm very sorry."

  She looked surprised and not quite pleased; he saw that she still disliked him. She muttered, "That's all over—I love Arthur now."

  "I wish I had not gone mad that evening, but I happened to be very much worried about something. Clive never said what I let you think he said either. He never blamed you."

  "I don't care whether he did. It doesn't signify."

  Her brother's apologies were so rare that she seized the op­portunity to trample on him. "When did you last see him?"— Kitty had suggested they had quarrelled.

  "Not for some time."

  "Those weekends and Wednesdays seem to have quite stopped."

  "I wish you happiness. Old Chappie's a good fellow. For two people who are in love to marry strikes me as very jolly."

  "It's very kind of you to wish me happiness, Maurice, I'm sure. I hope I shall have it whether I am wished it or not." (This was described to Chapman afterwards as a "repartee.") "I'm sure I wish you the same sort of thing you've been wishing me all along equally." Her face reddened. She had suffered a good deal, and was by no means indifferent to Clive, whose withdrawal had hurt her.

  Maurice guessed as much and looked gloomily at her. Then he changed the subject, and, being without memory, she recov­ered her temper. But she could not forgive her brother: indeed it was not right that one of her temperament should, since he had insulted her centrally, and marred the dawning of a love.

  Similar difficulties arose with Kitty. She also was on his con­science, but was displeased when he made amends. He offered to pay her fees at the Domestic Institute whereon her soul had

  been so long set, and, though she accepted, it was ungraciously, and with the remark, "I expect I'm too old now to properly learn anything." She and Ada incited each other to thwart him in little things. Mrs Hall was shocked at first and rebuked them, but finding her son too indifferent to protect himself, she grew indifferent too. She was fond of him, but would not fight for him any more than she would fight against him when he was rude to the Dean. And so it happened that he was considered less in the house, and during the winter rather lost the position he had won at Cambridge. It began to be "Oh, Maurice won't mind—he can walk—sleep on the camp bed—smoke without a fire." He raised no objection—this was the sort of thing he now lived for—but he noted the subtle change and how it coin­cided with the coming of loneliness.

  The world was likewise puzzled. He joined the Territorials— hitherto he had held off on the ground that the country can only be saved by conscription. He supported the social work even of the Church. He gave up Saturday golf in order to play foot­ball with the youths of the College Setdement in South London, and his Wednesday evenings in order to teach arithmetic and boxing to them. The railway carriage felt a little suspicious. Hall had turned serious, what! He cut down his expenses that he might subscribe more largely to charities—to preventive chari­ties: he would not give a halfpenny to rescue work. What with all this and what with his stockbroking, he managed to keep on the go.

  Yet he was doing a fine thing—proving on how little the soul can exist. Fed neither by Heaven nor by Earth he was going forward, a lamp that would have blown out, were materialism true. He hadn't a God, he hadn't a lover—the two usual incen­tives to virtue. But on he struggled with his back to ease, be­cause dignity demanded it. There was no one to watch him,

  nor did he watch himself, but struggles like his are the su­preme achievements of humanity, and surpass any legends about Heaven.

  No reward awaited him. This work, like much that had gone before, was to fall ruining. But he did not fall with it, and the muscles it had developed remained for another use.

  29 The crash came on a Sunday in spring—exquisite weather. They sat round the breakfast table, in mourning because of Grandpa, but otherwise worldly. Besides his mother and sisters, there was impossible Aunt Ida, who lived with them now, and a Miss Tonks, a friend whom Kitty had made at the Domestic Institute, and who indeed seemed its only tan­gible product. Between Ada and himself stood an empty chair.

  "Oh, Mr Durham's engaged to be married," cried Mrs Hall, who was reading a letter. "How friendly of his mother to tell me. Penge, a county estate," she explained to Miss Tonks.

  "That won't impress Violet, mother. She's a socialist."

  "Am I, Kitty? Good news."

  "You mean bad news, Miss Tonks," said Aunt Ida.

  "Mother, who toom?"

  "You will say 'Who toom' as a joke too often."

  "Oh mother, get on, who is she?" asked Ada, having stifled a regret.

  "Lady Anne Woods. You can read the letter for yourselves. He met her in Greece. Lady Anne Woods. Daughter of Sir H. Woods."

  There was an outcry amongst the well-informed. It was sub­sequently found that Mrs Durham's sentence ran, "I will now tell you the name of the lady: Anne Woods: daughter of Sir H.

  Woods." But even then it was remarkable, and owing to Greece romantic.

  "Maurice!" said his aunt across the hubbub.

  "Hullo!" .

  "That boy's late."

  Leaning back in his chair he shouted "Dickie!" at the ceiling: they were putting up Dr Barry's young nephew for the week­end, to oblige.

  "He doesn't even sleep above, so that's no good," said Kitty. 111 go up.

  He smoked half a cigarette in the garden and returned. The news had nearly upset him after all. It had come so brutally, and —what hurt him as much—no one behaved as if it were his concern. Nor was it. Mrs Durham and his mother were the prin­cipals now. Their friendship had survived the heroic.

  He was thinking, "Clive might have written: for the sake of the past he might", when his aunt interrupted him. "That boy's never come," she complained.

  He rose with a smile. "My fault. I forgot."

  "Forgot!" Everyone concentrated on him. "Forgot when you went out specially? Oh Morrie, you are a funny boy." He left the room, pursued by humorous scorn, and almost forgot again. "In there's my work," he thought, and a deadly lassitude fell on him.

  He went upstairs with the tread of an older man, and drew breath at the top. He stretched his arms wide. The morning was exquisite—made for others: for them the leaves rustled and the sun poured into the house. He banged at Dickie Barry's door, and, as that seemed no use, opened it.

  The boy, who had been to a dance the night before, remained asleep. He lay with his limbs uncovered. He lay unashamed, embraced and penetrated by the sun. The lips were parted, the down on the upper was touched with gold, the hair broken into

  countless glories, the body was a delicate amber. To anyone he would have seemed beautiful, and to Maurice who reached him by two paths he became die World's desire.

  "It's past nine," he said as soon as he could speak.

  Dickie groaned and pulled up the bedclothes to his chin.
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  "Breakfast—wake up."

  "How long have you been here?" he asked, opening his eyes, which were all of him that was now visible, and gazing into Maurice's.

  "A little," he said, after a pause.

  "I'm awfully sorry."

  "You can be as late as you like—it's only I didn't want you to miss the jolly day."

  Downstairs they were revelling in snobbery. Kitty asked him whether he had known about Miss Woods. He answered "Yes" —a lie that marked an epoch. Then his aunt's voice arrived, was that boy never coming?

  "I told him not to hurry," said Maurice, trembling all over.

  "Maurice, you're not very practical, dear," said Mrs Hall.

  "He's on a visit."

  Auntie remarked that the first duty of a visitor was to conform to the rules of the house. Hitherto he had never opposed her, but now he said, "The rule of this house is that everyone does what they like."

  "Breakfast is at half past eight."

  "For those who like. Those who are sleepy like breakfast at nine or ten."

  "No house could go on, Maurice. No servants would stop, as you will find."

  "I'd rather servants went than my guests were treated like schoolboys."

  "A schoolboy! Haw! He is one!"

  "Mr Barry's now at Woolwich," said Maurice shortly.

  Aunt Ida snorted, but Miss Tonks shot him a glance of re­spect. The others had not listened, intent on poor Mrs Durham, who would now only have the dower house. The loss of his tem­per left him very happy. In a few minutes Dickie joined them, and he rose to greet his god. The boy's hair was now flat from the bath, and his graceful body hidden beneath clothes, but he remained extraordinarily beautiful. There was a freshness about him—he might have arrived with the flowers—and he gave the impression of modesty and of good will. When he apologized to Mrs Hall, the note of his voice made Maurice shiver. And this was the child he wouldn't protect at Sunnington! This the guest whose arrival last night he had felt rather a bore.