Table of Contents
Title Page
Copyright Page
Dedication
PART ONE - SCORPIA
Chapter 1 - STOLEN GODS
Chapter 2 - THE MEASUREMENT OF PAIN
Chapter 3 - FLY-BY-NIGHT
Chapter 4 - PRISONER 7
Chapter 5 - OVER THE EDGE
Chapter 6 - SECRETS AND LIES
PART TWO - ALEX
Chapter 7 - ANGLE OF ATTACK
Chapter 8 - FLYING LESSON
Chapter 9 - SAFETY MEASURES
Chapter 10 - WELCOME TO CAIRO
Chapter 11 - THE NEW BOY
Chapter 12 - IN THE PICTURE
Chapter 13 - THE HOUSE OF GOLD
Chapter 14 - THE BELL ROOM
Chapter 15 - PLAN A . . . PLAN B
Chapter 16 - INSIDE EVERY FAT MAN . . .
Chapter 17 - CITY OF THE DEAD
Chapter 18 - HELL IS WAITING
Chapter 19 - HELL IS HERE
Chapter 20 - HALF AN INCH
Chapter 21 - CAIRO STORM
Chapter 22 - SELKET
Chapter 23 - A PINCH OF SALT
Chapter 24 - DEPARTURES
ALSO BY ANTHONY HOROWITZ
THE ALEX RIDER NOVELS:
Stormbreaker
Point Blank
Skeleton Key
Eagle Strike
Scorpia
Ark Angel
Snakehead
Crocodile Tears
THE DIAMOND BROTHERS MYSTERIES:
The Falcon’s Malteser
Public Enemy Number Two
Three of Diamonds
South by Southeast
Horowitz Horror
More Horowitz Horror
Bloody Horowitz
The Devil and His Boy
PHILOMEL BOOKS
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Copyright © 2011 by Anthony Horowitz.
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Dedicated to every reader who set out
on this journey with me and who has now
come to its end.
PART ONE
SCORPIA
1
STOLEN GODS
THE MAN IN THE BLACK CASHMERE coat climbed down the steps of his private, six-seater Learjet 40 and stood for a moment, his breath frosting in the chill morning air. He glanced across the tarmac as a refueling truck rumbled past. In the distance, two men in yellow were standing, talking, in front of a hangar. Otherwise, he seemed to be alone. Ahead of him, a sign read Welcome to London’s City Airport, and beneath it an open door beckoned, leading to immigration. He headed for it, completely unaware that he was being watched every step of the way.
The man was in his fifties, bald and expressionless. Inside the terminal, he gave his passport to the official and watched with blank eyes as it was examined and handed back, then continued on his way. He had no luggage. There was a black limousine waiting for him outside with a gray-suited chauffeur behind the wheel. The man offered no greeting as he got in nor did he speak as they set off, following the curve of the River Thames up toward Canning Town and on toward the center of London itself.
His name was Zeljan Kurst and he was wanted by the police in seventeen different countries. He was the chief executive of the international criminal organization known as Scorpia, and as far as it was known, he had never actually been seen on the streets of London. However, MI6 had been tipped off that he was coming. They had been waiting for him to land. The passport official was one of their agents. They were following him now.
“Heading west on the A13 Commercial Road toward Whitechapel. Car three, take over at the next intersection.”
“Car three moving into position.”
“Okay. Dropping back.”
The disembodied voices bounced across the airwaves on a channel so secret that anyone trying to tune in without the necessary filters would have heard only the hiss of static. It would have been easier to have arrested Kurst at the airport. He could have been made to disappear in five seconds, bundled out in a crate and never seen again. But it had been decided, at the very highest level, to follow him and see where he went. For the head of Scorpia to be in England at all was remarkable. For him to be on his own, and on his way to a meeting, was beyond belief.
Zeljan Kurst was not aware that he was surrounded. He had no idea that his flight plan had been leaked by one of his own people in return for a complete change of identity and a new life in Panama. But even so, he was uneasy. Everything had told him that he shouldn’t be here. When the invitation had first arrived on his desk, delivered by a series of middlemen and traveling halfway around the world and back again, he had thought about refusing. He was not an errand boy. He couldn’t be summoned like a waiter in a restaurant. But then he had reconsidered.
When the fourth-richest man in the world asks you to meet him, and pays you one million dollars just to turn up, it might be worth it to hear what he has to say.
“We’re on High Holborn. Car four moving to intercept.”
“Wait a minute. Wait a minute. He’s turning off.”
The limousine had crossed the main road and entered a narrow street full of old-fashioned shops and cafés. The move had taken the MI6 men by surprise, and for a moment there was panic as they struggled to catch up. Two of their cars swerved across the traffic—to a blast of horns—and plunged in after it. They were just in time to see the limousine stop and Zeljan Kurst get out.
“Car four, where are you?” The voice was suddenly urgent. “Where is the target?”
A pause. Then—“He’s entering the British Museum.”
It was true. Kurst had passed through the gates and was crossing the open area in front of the famous building that rose up ahead of him, its huge pillars stretching from one side to the oth
er. He was carrying an ebony walking stick that measured out his progress, rapping against the concrete. The MI6 men were already piling out of their own cars, but they were too late. Even as they watched from the other side of the gates, Kurst disappeared into the building, and they knew that if they didn’t act swiftly, they would lose him for good. There was more than one way out. It was unlikely that the Scorpia man would have traveled all the way to England just to look at an exhibit. He might have gone inside deliberately to lose them.
“He’s inside the museum. Cars one, two, and three, surround the building. Watch all possible exits. We need immediate backup.”
Someone had taken charge. But whoever it was, his voice sounded high-pitched and uncertain. It was eleven o’clock on a bright February morning. The museum would be crowded with tourists and schoolchildren. If there was going to be any action, if they were going to arrest Zeljan Kurst, this was the last place they would have wanted to do it.
In fact, Kurst was still unaware of his pursuers as he crossed the Great Court, a gleaming white space with a spectacular glass roof sweeping in a huge curve overhead. He skirted around the gift shops and information booths, making for the first galleries. As he went, he noticed a Japanese couple, tiny and almost identical, taking photographs of each other against a twisting staircase. A bearded student with a backpack stood next to the postcards, pulling them out one at a time and studying them as if trying to find hidden codes. Tap, tap, tap. The end of the walking stick beat out its rhythm as he continued on his way. He knew exactly where he was going and would arrive at the exact minute that had been agreed upon.
Zeljan Kurst was a large man with heavy, broad shoulders that formed a straight line on either side of an unnaturally thick neck. He was bald by choice. His head had been shaved and there was a dark gray shadow beneath the skin. His eyes, a muddy brown, showed little intelligence, and he had the thick lips and small, squashed nose of a wrestler, or perhaps a bouncer at a shady nightclub. Many people had underestimated him and occasionally Kurst had found it necessary to correct them. This usually involved killing them. He walked past the statue of a naked, crouching goddess. An elderly woman with a deerstalker hat, sitting on a stool with brushes and oil paints, was making a bad copy of it on a large white canvas. Ahead of Kurst were two stone animals—strangely shaped lions—and to one side an entire temple, more than two thousand years old, brought from southwest Turkey and reconstructed piece by piece. He barely glanced at them. He didn’t like museums, although his house was furnished with rare objects that had been stolen from several of them. But that was the point. Why should something that might be worth hundreds of thousands of dollars be left to molder in a dark room, stared at by idiot members of the general public who had little or no idea of its true value? Kurst had a simple rule of life. To enjoy something fully, you had to own it. And if you couldn’t buy it, then you would have to steal it.
Ahead of him, two modern glass doors led into a final gallery. He watched as a tall, well-built black man carrying a notebook and pen walked through, then went in himself. The gallery was huge, stretching out in both directions, like an airport runway. Although there were more than a hundred people there, it wasn’t even half full. Everything was gray: the walls, the floor, the very air. But spotlights shining down from the ceiling, ten times higher than the visitors who stood beneath it, picked out the treasures that the room contained and these shone, soft and gold.
They ran along both walls, from one end to the other, a series of marble tablets with a crowd of figures that had been brought together to form a single line. They were men and women, ancient Greeks, some sitting, some standing, some talking, some riding on horseback. Some carried musical instruments, others bundles of linen or plates and glasses for a feast. Many of them were incomplete. Two and a half millennia had worn away their faces, broken off arms and legs. But there was something remarkable about the details that remained. It was easy to see that these had been real people, that they had once lived ordinary lives until they had been frozen in this waking dream, an entire world captured in stone.
Zeljan Kurst barely glanced at them. The gallery had two raised platforms, one at each end, reached by a short flight of steps or an elevator—which must have been used by the man he had come to see. He was on the far right, sitting on his own in a wheelchair, with a blanket over his knees. Kurst walked over to him.
“Mr. Kurst?” The voice was dry and strangled. It came from a lizard neck.
Kurst nodded. He was a careful man and had made it a rule never to speak unless there was a particular need.
“I am Ariston.”
“I know who you are.”
“Thank you for coming.”
Yannis Ariston Xenopolos was said to be worth about thirty-five billion dollars. He had made this money from a huge shipping empire, which he controlled from his offices in Athens. To this he had added an airline, Ariston Air, and a chain of hotels. And now he was dying. Kurst would have known it even without reading stories in the newspapers. It was obvious from the sunken cheeks, the dreadful white of the man’s skin, the way he sat like a hunched-up Egyptian mummy, his body disappearing into itself. But most of all it was in his eyes. Kurst had once been the head of the Yugoslav police force, and he had always been interested in the way the prisoners had looked at him just before he executed them. He could see the same thing right here. The Greek had accepted death. All hope had gone.
“I took a considerable risk coming here.” Kurst spoke with a heavy Eastern European accent which somehow dragged his words down. “What is it you want?”
“I would have thought the answer would be obvious to you.”
“The Elgin marbles . . .”
“Exactly. I wanted you to come here so that you would understand.”
Ariston reached out with a hand that was more like a claw, gripping a lever on the arm of his wheelchair. The whole thing was battery operated, and with a soft whir, it spun him around so that he faced the room.
“This is one of the greatest pieces of art that the world has ever produced,” he began. “Take a look at the figures, Mr. Kurst. They are so beautiful that it is almost impossible to find the words to describe them. They once decorated a temple in the heart of Athens—the Parthenon, dedicated to Athena, the goddess of wisdom. The frieze that you are examining depicts the summer festival that took place every year in honor of the goddess . . .”
Again the claw pressed down, turning him so that he faced a group of statues that stood inside the chamber, behind him. First there was a horse rising as if out of water, with only its head showing. Then came a naked man, lying on his back. Then three women, all missing their heads. From the way they were arranged, it was clear that these figures had once stood in the triangles at each end of the Parthenon.
“The horse belonged to Helios, the sun god,” Ariston explained. “Next comes Dionysus, the god of wine. The figures to his right are the goddess Demeter and her daughter—”
“I am familiar with the Elgin marbles,” Kurst interrupted. It didn’t matter how much he had been paid. He hadn’t come here for a lecture.
“Then you will also be aware that they were all plundered. Stolen! Two hundred years ago, a British aristocrat called Lord Elgin came to Athens. He tore them off the temple and transported them back to London. Since then my country has asked many times for them to be returned. We have even built a new museum in Athens to house them. They are the glory of Greece, Mr. Kurst. They are part of our heritage. They should come home.”
The old man fumbled in his blanket and produced an oxygen mask, which he pressed against his face. There was the hiss of compressed air and he sucked greedily. At last, he began again.
“But the British government has refused. They insist on keeping this stolen property. They will not listen to the voice of the Greek people. And so I have decided that, although it is the last thing I will do in my life, I will make them listen. That is why I have contacted you and your organization. I want you t
o steal the sculptures and return them to Greece.”
On the street outside, four more cars had pulled up next to the British Museum, spilling out fifteen more agents. That made twenty-three in total with the ones who had followed Kurst from City Airport. They were fairly confident that their man was still inside the building. But with ninety-four galleries covering a floor space of two and a half square miles, it was going to be almost impossible to find him. And already the order had gone out. Do not, under any circumstances, approach him while he is in a public area. This man is extremely dangerous. If he feels that he’s trapped, there’s no saying what he will do. The result could be a bloodbath.
Zeljan Kurst was quite unaware of the approaching MI6 men as he considered what the Greek billionaire had just said.
“Stealing the Elgin marbles won’t help you,” Kurst said. “The British government will simply demand them back. It would be better to threaten them. To blackmail them, perhaps.”
“Do whatever it takes. I don’t care. You can kill half the population of this loathsome country if it will achieve what I want . . .” Ariston broke into a fit of coughing. Pearls of white saliva appeared at his lips.
Kurst waited for him to recover. Then he nodded slowly. “It can be done,” he said. “But it will take time. And it will be expensive.”
Ariston nodded. “This work is my legacy to the Greek people. If you will agree to do it for me, I will pay you five million dollars immediately with a further fifteen million when you succeed.”
“It’s not enough,” Kurst said.
Ariston looked at him slyly. “There was a time when you might have said that and I would have been forced to agree,” he said. “But Scorpia is not what it was. There have been two failures in the space of a single year. The operation called Invisible Sword and, more recently, the business in northwest Australia.” He smiled, showing gray teeth. “The very fact that you are here today shows how weak you have become.”