“I thought I had obsessions. You know what your problem is? You’re like those biblical fundamentalists. They believe if one part of the Bible is not literally correct, the rest of it is no good, either. Except with you, it’s people. You got to prove everybody is on the square, or the whole human race is no good.”
“Pretty sharp thinking, Clete. Except it’s not me who couldn’t keep his johnson in his pants when he met Jamie Sue Wellstone.”
He laughed, looking at me sideways, the Caddy dipping into a huge hole, shuddering the frame, throwing both of us against our seat straps. “What was I supposed to do? Hurt her feelings?”
“Don’t ever go into analysis,” I said.
“Why not?”
“Your psychiatrist will shoot himself.”
But he was smiling at me, not listening, not caring what I said one way or another, indifferent to all the minutiae that had gone into the ebb and flow of our lives, remembering only the bond we had shared over the decades, the wounds we had suffered and survived together, the flags under which we had fought and the causes we had served, many of which were no longer considered of import by others.
“We painted our names on the wall, didn’t we?” he said.
“You’d better believe it, Cletus,” I replied.
I looked through the back window and thought I saw headlights glimmering in the trees. Then they disappeared. The rain swept westward across the timber, bending the canopy, channeling serpentine rivulets in the road.
We were high enough that I could make out lights on the far side of Swan Lake, like beacons inside ocean fog. I suspected the lights came from the nightclub on the shore, but I couldn’t be sure. I thought of the photograph of Bugsy Siegel and Virginia Hill mounted on the wall behind the club’s bar, and I wondered why such criminals beckoned to us from the past, why they were able to lay such a strong romantic claim upon us. Was it because secretly we wanted to emulate them, to possess their power, to burn that brightly inside the mist, incandescent as they pursued all the trappings of the American dream, just as we did? Was it because the art deco world of 1940s Hollywood and the sweet sewer it represented were as much a part of our culture as the graves of Shiloh?
Clete rolled down his window halfway, and the rain blew inside. “Listen,” he said.
“What?” I said, waking from my reverie.
“I thought I heard a piece of heavy equipment working. You hear it?”
“No,” I replied.
“Maybe I’m going nuts. I still hear that motherfucker who tried to set fire to me.”
I rolled down my window and looked at our headlight beams bouncing off the tree trunks, but I could not see anything unusual or hear any sound except the wind sharking through the canopy and a solitary peal of thunder across the sky.
JAMIE SUE COULD not understand her own thoughts. She had stayed in the barn, her cell phone in her jeans, grooming the horses, listening to the rip of thunder across the skies and the rain mixed with hail that was clattering on the barn’s metal roof. Leslie or one of the servants carrying out his orders had removed all the vehicle keys from the hooks in the mudroom. His and Ridley’s security personnel had tripled in number in the last week, men who dressed neatly and were barbered and clean-shaved and were deferential but, she guessed, also more professionally criminal than either Quince Whitley or Lyle Hobbs. In retrospect, Lyle seemed like an amateur, perhaps another Judas for sale, blowing the compound with whiskey on his breath and a tic in his eyes like that of a crystal addict, but by comparison, a bumbling amateur.
Jamie Sue had never understood why Leslie had hired Lyle. It seemed to have something to do with their common experience in Vegas or Reno, or other marginal enterprises the Wellstones dabbled in as part of the price they paid for doing business in what they considered a corrupt culture.
She had taken little Dale into the barn with her and unrolled a plastic tarp on the floor for him to play on. But the two of them were trapped, with no means of escape, and she had no idea where Jimmy Dale was or the fate that might be awaiting him if he had been abducted by Ridley and Leslie’s goons. She felt a terrible sense of urgency, as though she were drowning in full view of others and no one on the bank could hear her voice. Or was that just her melodramatic daytime-television mentality kicking into gear?
No, time was running out, and not simply on this situation on this particular Saturday in the summer of 2007, she thought.
The choices she had made over the years all had a consequence and a cost, and the bills were coming due. She should have toughed it out by herself when Jimmy Dale went to jail, staying loyal to him and accepting privation as her lot, just as her blind mother and disabled father had. What would have been the worst thing to happen if she had gone it on her own? Second-class-celebrity status as an aging honky-tonk performer? Living in a trailer? Putting up with over-the-hill, drunk truck drivers who wanted her to sing “Dim Lights, Thick Smoke (And Loud, Loud Music)”?
The list of things she should not have done was long. She shouldn’t have married her community-college English professor and used his alcoholism to sue him in divorce court for almost everything he owned. She shouldn’t have posed as a religious woman and deceived the crowds who flocked to Sonny Click’s revivals. She shouldn’t have used her sexuality to manipulate uneducated family men who trusted her. She shouldn’t have used Leslie, and she shouldn’t have pretended she had married him in order to care for Dale.
It was the last thought that bothered her most. Everything she’d done had been a justification for her own agenda. She had even used her little boy as an excuse, when in reality, she had loved all the benefits of marriage to a man like Leslie Wellstone — the limos and luxury cars and private planes, the palatial estates, the servants who attended her every need, the awe and respect and diffidence she created with her presence wherever she went. In the meantime, she had lost her music, the one element in her life she had treated as a votive gift and had not compromised for the sake of either celebrity or commercial success. In her earlier career, she had continued to sing in the traditions of Skeeter Davis and Kitty Wells while everybody else in Nashville was going uptown, then somewhere along the way, she had forgotten who she was and what she was and had taken the gift for granted and used it to manipulate people into voting against their own interests.
She remembered a statement that Keith Richards once made regarding a famous R&B musician whose hostility to his own audience hid just beneath his skin: “Chuck’s tragedy is he doesn’t realize how much joy he brings to other people.”
Her head was dizzy, her hands dry and hard to close.
She began brushing a mahogany-black gelding in his stall, raking burrs out of his mane and forelock, rubbing him under the jaw, touching the graceful line and smoothness of his neck, talking in a reassuring voice in his ear. The gelding was four now but still hot-wired and subject to spooking and rearing in dry mustard weed, and neither Ridley nor Leslie would ride him. But Jamie Sue could and did, sometimes without a saddle, using only a hackamore to rein him.
Ownership of a fine horse came with ability, not legal title, Jimmy Dale always said. He said no one owned the sunrise or the rain, or mesas and mountains, or the bluebonnets of South Texas. Your claim to ownership of the earth was based on the six feet of dirt that went into your face. The rest of it was a grand playground that God had given to all His children. At least that was what Jimmy Dale and his peyote-soaked friends said.
She wondered if her thoughts amounted to what a theologian would call contrition. She decided they probably did not. But perhaps they were a start.
She picked up Dale from the tarp and set him like a clothespin on the gelding’s back, keeping her arm around his waist to steady him. “I’m going to get you your own pony one day,” she said. “Maybe back in Texas, where your grandma and granddaddy used to live and your mama grew up.”
“Just when do you plan on doing that, Jamie Sue?” a voice said behind her.
She turned an
d looked into her husband’s face. “What have you done with Jimmy Dale?” she asked.
“I haven’t done anything with him. I’ve never even had the pleasure of meeting him. But tell me, why is it you think I might have harmed him? You weren’t planning on going somewhere with him today, were you? You haven’t been screwing him in the bushes, have you?”
She had stepped into his trap. “I’ve never understood your mean-spiritedness, Leslie. Your brother orders things done to his enemies, but only when he’s forced to. You enjoy offending and hurting people just for the sake of hurting them. Maybe the war did that to you. Maybe it’s because you married someone who doesn’t love you. But you’re a sad man and an object of pity. Not because of your deformity, either. You’re pitied by others because of what you are, and that’s what you’ve never understood about yourself.”
She lifted Dale off the horse and set his weight on her hip, momentarily shifting her attention away from Leslie. When she looked at him again, his head was tilted sideways, the shriveled skin alongside one cheek and his neck stretched free of wrinkles, like a large piece of smooth rubber.
“I have the sense you’re at a point of decision in your life,” he said. “Standing at the crossroads, wading across the Jordan, that kind of thing. You know, Scarlett O’Hara gazing out upon the wastes?”
“What decision? How can I make decisions? You’ve fixed it so I can’t go anywhere.”
“Would you like to go for a late dinner tonight? I’ll have Harold drive us in the limo to Bigfork or Yellow Bay.”
“Who lives inside you, Leslie? Who are you?”
“Not interested in dinner tonight? The lake is lovely when the rain is falling on it. Last chance, Jamie Sue. I wouldn’t ignore the importance of the choice you’re about to make. There are maybe three or four choices we make in our lives that determine our fate. A random turn off a freeway into the wrong neighborhood, buying a burnt-out sweet-potato patch that sits on top of an oil pool, taking off the night chain because we trust the Fuller Brush man. You took a chance and married a man who is physically repellent to you. Want to back out? I don’t mind. Want to roll the dice and see what happens? Tell me. Tell me now.”
“What do you mean?” she asked, her voice dropping in register, a cold hand squeezing at her heart.
“It’s all a matter of choice. You want to believe you can walk away with half of our wealth. You also want to believe you can walk away with all your knowledge about how things really work, how we jerk around others, how our enterprises are nothing like they seem. Pick up the dice and drop them in the cup. Everyone should have a second chance. It’s easy enough. You’re a brave girl. Shake the cup and rattle them out on the felt.”
She looked into the moral vacuity of his eyes and for the first time felt genuine mortal fear of the man she had married. She started to speak, but her words caught in her throat.
“A country-and-western band should be entertaining the folk at Yellow Bay,” Leslie said. “We can watch the folk at work and play in the fields of the Lord. It’s Saturday night for the folk, and their messianic songstress will be there to brighten their lives.”
“I think you’re going to hell,” she said.
“We already live there, my dear. You just haven’t realized it.”
He reached out with his mutilated hand and touched little Dale’s cheek.
CHAPTER 28
AFTER THE CARGO van stopped, someone slid open the side door, and Candace felt a rush of cool air and mist in her face. Through the loose space in the tape, she saw a framed-up two-story building, half of it walled with logs. A yellow backhoe was parked in the trees, its lights on, a pile of dirt glistening by the steel bucket. A work-booted man in a rumpled black suit walked heavily across the clearing and grabbed Jimmy Dale Greenwood by the shirt and the back of his belt and dragged him across the ground to the edge of a pit. Then he used one foot to shove him over the edge.
The three men who had kidnapped and bound Candace were still inside the vehicle, smoking cigarettes, uncomfortable with what they were becoming witness to, trying to figure out a way to extricate themselves and still get paid by their employer.
“Put her in the house,” the driver said.
“What for?” Layne, the blond man, said.
“We don’t know what for. That’s the point,” the driver said. “Let’s put her in the house and get out of here. We delivered the Indian. That was our job. We didn’t see the rest of it. The girl brought herself here. It’s not on us.”
“What about el geeko?” Layne said.
“What about him?” the driver asked.
“We just gonna drive off?” Layne said.
Candace could hear the men in front turning around in their seats to visually confirm the naked fear they had heard in Layne’s question. The man in the front passenger seat said, “Yeah, just drive off. What, you worried about our friend’s feelings out there?”
“I’m for it if you guys are,” Layne said. “I was just saying…”
“Saying what?” the driver asked.
“That guy has got a long memory.”
Candace could hear no sound in the van except the drumming of the rain on the roof.
“Put her in the house, Layne,” the driver said.
“Me?” Layne said. “Put her in there yourself. I ain’t touching her.”
But their argument was moot. The man in the rumpled suit returned to the van and lifted Candace up like a bale of hay by the twine. He carried her to the edge of the pit and swung her out into space, where for a moment she saw the sheen of the fir and pine trees in the lights of the backhoe, just before she plummeted into the pit.
She thudded on top of another body, her bones jarring inside her. She thought she had landed on Jimmy Dale Greenwood, but he was lying against the wall of the pit, his face turned from her, his hands jerking furiously against the tape that was still cinched around his wrists. Then she realized a third person, someone she didn’t know, was in the pit with them.
The mist was drifting down into the excavation in the lights of the backhoe. The person she had landed on was a man. His face was staring straight into hers, and neither his eyes nor his mouth were taped. His hair was brown and shaggy, like dark straw piled on a scarecrow’s head. She was perhaps six inches from him, and she kept expecting him to blink, to send her a signal of some kind, to show recognition of their common humanity and plight, maybe even to give her a glimmer of hope.
Then she saw the dark hole in his hairline, and she realized his eyes hadn’t blinked, that his slack jaw and his parted mouth were not those of a man preparing to whisper a secret to her. Below one of his eyes was a chain of scar tissue, the socket recessed, mashed back into the skull. Where had she seen him?
At the Wellstones’ front gate, she told herself. They had killed their own security guard.
“We figure we’ll head on out,” she heard Layne say.
“No, you won’t,” the black-suited figure standing by the lip of the pit replied.
“Our work is done, bub,” Layne said.
“What’d you call me?”
“Nothing.”
“You’re saying I’m nothing?”
“No, I didn’t say that.”
“Then what did you say?”
“I called you ‘bub.’ It’s just a word.”
“Then you won’t mind taking it back.”
“So I take it back. It’s just a word. No offense meant.”
“Where’s that leave you now?”
“Say again?”
“It leaves you back where you started when you were telling me you’re about to head out. Is that where you are? You’re heading out?”
“Not necessarily.”
“That’s what I thought. What’s my name?”
“I don’t know your name.”
“So you thought that gave you the right to call me ‘bub’?… Don’t turn your back on me. What’s my name?”
“It’s ‘sir,’ if that’s
what you want.”
“No, what’s my name?”
“It’s ‘sir.’”
“You’d better get out of the rain. You’re going to catch cold. Your nose is already running.”
The dirt under the dark-suited man’s boots sifted down on top of Candace’s head. She stared helplessly at Jimmy Dale Greenwood’s back. He had stretched the tape on his wrists to the point where he could get an index finger under the adhesive and start working it down over one thumb. High above her, she saw lightning flare inside the thunderheads, like a match igniting a pool of white gasoline.
CLETE AND I should have taken my pickup truck and not the Caddy. Most hillside roads in Montana were cut years ago by logging companies and left unseeded and at the mercy of the elements. With the passage of time, they had become potholed, eroded, strewn with rocks and boulders and sometimes fire-blackened trees that had washed out of the slopes. The Caddy bounced into a hole and went down on the transmission. When Clete tried to shift into reverse, we heard a sound like Coca-Cola bottles clanking and breaking inside a steel box. The Caddy would not budge in reverse and was high-centered and couldn’t get out of the hole by going forward.
Clete looked glumly through the windshield. The road wound higher and higher through the trees, with water rilling down the incline. We saw no sign of a structure of any kind, much less a lodge under construction.
“What a mess,” he said. “Maybe this isn’t even the right road.”
“When we first turned off, I thought I saw headlights behind us. Maybe it was Troyce Nix,” I said.
“If it’s Nix, he’s coming up the road on the braille system. There’re no headlights behind us.”
“I saw them, Clete.”
“Okay, you saw them. We shouldn’t have listened to Jamie Sue. This is three monkeys fucking a football.”
“Why don’t you get out of your bad mood?” I said.
“My bad mood? Look at my car. It’s probably impaled. The transmission is frozen in low. My paint job probably looks like a herd of cats used it for a scratching post.”
“We’ll get the jack out and bounce the car out of the hole. We’ll just keep bouncing it in a circle until we can point it back down the road.”