Page 22 of Phantom Prey


  "We think there was something going on there. The Dakota County cops came up with her purse—a guy found it and turned it in. There was a letter . . ." He took the folded print out of his pocket and handed it to her.

  She looked at it for a long time, more than a minute, then shook her head and said, "Well. Not much here."

  "But it looks to me—"

  "Me, too. It's her handwriting, no doubt about it," Austin said.

  "Do you have any idea when the relationship might have started?"

  "It would have to be after he and I broke it off."

  "Why? Why afterwards."

  She looked at him, blankly, for a moment, then half-smiled: "Because he would not have had the energy to be sleeping with her, too. I, uh, needed a lot of attention."

  "Okay. So when did you break off?"

  "April, the middle of April, right around tax time," Austin said. "I had a lot to do, he started getting a little testy when I put him off . . . and finally I told him that we should end it. And I did. We did. Agreed to."

  "Sounds like you did," Lucas said.

  "Maybe," she conceded.

  "And he would have gotten to know Frances through you?" Lucas asked.

  "Well, through the spa in Minneapolis, Riverwood. It's right over in St. Anthony Main."

  "By the A1," Lucas suggested.

  "Oh, God! I never thought of that. I mean, it's several blocks, but it's an easy walk." She turned her face away from him for a moment, thinking, and then back: "But so what? I mean, what would that mean?"

  "I don't know. But tell me about how they probably met," Lucas said.

  "Well. She was going to the university, off and on, had an apartment over there, and the Riverwood location was the closest one, so she took a locker and would work out over there," Austin said. "Frank works at several of the sites, usually one morning or one afternoon a week, doing tai chi, yoga, Pilates, meditation, whatever the members want."

  "Did she know that you were seeing Frank?"

  "Not as far as I know. But I'm sure a couple of members could have figured it out and let her know. I wouldn't be surprised if something like that precipitated this letter."

  "She apparently hadn't sent it," Lucas said. "It was still in her purse. So they were going on at the time."

  "You think that he might have come here?"

  "What if she thought you were still sleeping with him? When she was? He denies it, she comes here to confront you, they argue . . . I mean, his job is at stake," Lucas said. "Another thing—that fifty thousand dollars? You may not have noticed it, but your employee is driving a Land Rover. Do you pay him that well?"

  Now she blushed, the pale pink tint creeping up her neck to her cheeks. "Actually . . . Look, I wasn't paying him to sleep with me. But I have lots of money, and he was driving around in this old Jeep Cherokee with holes in the floor. I was afraid he was going to gas himself."

  "You bought him the Land Rover?"

  "I helped him with it, yes," she said.

  "Shit. I thought it could be the fifty thousand. That would have tied things up just perfectly," Lucas said.

  She looked out at the lake, her eyes narrowing, her lips tightening, and she said, "I cannot believe that asshole."

  "And he was gone, your affair was done, before Hunter was killed?"

  Her face jerked back toward him. "You don't think . . . ?"

  "There's nothing to suggest it. But there are a lot of dead people."

  She shook her head. "I'll tell you something: Frank knows nothing about mechanical things. I don't see him sabotaging an airplane in such a complicated way that Hunter could fly it all over the place, and then up to Canada, and then have it fail at that one moment when it couldn't, without crashing."

  "If it failed anytime up in the air . . ." Lucas began.

  "No. If it had failed at five thousand feet, he could have landed it anywhere with water. They even used to practice it—coming in without using the engine."

  Lucas shuddered: he did not like airplanes. "You mean, just turn it off?"

  "No, it was on, but they'd land without using it, just gliding in. From five thousand feet, in a Beaver, you can glide for miles."

  "Huh."

  She ticked a finger at him: "The fifty thousand. If he was a drug dealer in California, even if he was small-time—especially if he was small-time—fifty thousand dollars might have meant a lot to him. I mean, what if she just wanted her money back? Found out about him?"

  Lucas nodded: "That's something. I'll look into it. Now, the Land Rover: he's had it for at least a year?"

  She thought, then nodded. "Maybe thirteen months now."

  "So he would have been driving it when Frances was murdered," Lucas said.

  "Yes."

  "Okay . . . Okay, that's another thing we can check on."

  "So what are you going to do?" she asked.

  "I'll nail down everything I can, then I'm going to pick him up on the California warrant, and I'm going to squeeze him."

  "You want me to wait until then, before I fire his ass?"

  A smile flickered on his face. "If you don't mind."

  SOME OF THE AIR had gone out of the tire, but Willett still looked good, Lucas thought, as he headed back downtown. Anytime a young woman was murdered, with some indication of passion around it, a boyfriend would be a prime suspect.

  If the boyfriend had slept first with the mother, then with the daughter, if he looked to lose the possibility of a marriage to a lot of money, if he was a hustler as Willett apparently was, if he was keeping it all a secret, and kept it a secret even after his girlfriend was murdered . . . and that Francis/Frances coincidence might have given him the idea of pulling Frances's money out of the bank. They must have talked about their name similarity.

  There was even a possibility that the old movie cliche, the mistaken identity, had been at work—that Willett had come to the house intending to kill Alyssa Austin, and killed Frances instead.

  Willett was just too good: half the cops that Lucas knew would simply say, "He did it."

  Just a matter of finding the proof.

  LUCAS AND DEL sat watching Heather Toms until she packed it up and went to bed.

  "I feel like a slimeball," Lucas said.

  "So don't watch," Del said. Across the street, Heather, with her back turned, popped her brassiere, took it off, then turned to the window to pull her sleeping T-shirt over her head.

  "Has it ever occurred to you that a lot of what we do for a living would be against the law, if we weren't cops?" Lucas asked.

  "You mean like stalking people, being Peeping Toms, doing dope deals with them?"

  "Yeah."

  "Maybe we just don't have the guts to be crooks," Del suggested. "Don't have the instinct for the big score; we like life insurance and health insurance and pensions too much." Heather kissed the baby good night and turned off the bedroom lights, and Del put the glasses down.

  "That's not it," Lucas said. "There's lots of ways we're not like crooks. For one thing, we got better hours and make more money. Still . . ."

  "Stop worrying," Del said.

  "Okay."

  "You ready?" Del asked.

  "Let's do it."

  WILLETT LIVED in a small house in St. Louis Park, an inner-ring suburb west of Minneapolis. There was an attached garage, which meant they wouldn't be able to get at the car. But he also had an evening tai chi class at the Maplewood location; they cruised it, spotted the Land Rover in the back parking lot, with a half-dozen other cars scattered around. The class was twenty minutes under way when they took the first look.

  "You're sure this is going to work?" Lucas asked.

  "The guy who programmed the key says it'll work perfect," Del said.

  "If the car alarm goes off . . ."

  "Not a chance," Del said.

  They found the closest parking space, left the borrowed BCA Mustang, and walked on down the street, checking windows, porches, side streets. The night was cold and close,
with a touch of sleet in the air; not many people outside.

  They cut across the spa's parking lot and came up to the Land Rover. Del punched the remote key, the truck lights flashed, and Del said, "Should be open."

  Lucas tried the back door; locked. "Punch it twice, maybe . . ."

  Del punched it again and the lights flashed twice and Lucas felt and heard the lock pop. Lucas took a flashlight out of his pocket, took a last look around, and turned it on. The back of the truck was neat as a pin, with a long plastic storage box on one side, and a couple of plastic milk crates on the other. No trace of oil, of any kind, on the carpeted floor, no painter's plastic sheets or any painting equipment.

  Lucas leaned inside and pulled the latch of the storage box, looked inside. Camping equipment: sleeping bag in a stuff sack, stove kit, nylon pop-up bivy bag, pots and pans in a nylon bag, a bundle of socks, a big Ziploc bag stuffed with fabric, with the word "thermal" written on the outside of the bag with a Sharpie—long underwear. One of the plastic crates held a variety of rubber-soled shoes that might have been climbing shoes; the other held two pairs of hiking boots.

  Del had gone in the side door, to look through the various front-end storage bins: "Anything?"

  "Nothing that shouldn't be here," Del said. "He's tidy. He's organized."

  Lucas took a long look around, said, "Let's go," and they shut the doors quietly and walked away.

  "Got to give it to you—the key worked perfectly," Lucas said.

  "Except for the fact that we got nothing," Del said.

  "Except for that."

  ALYSSA AUSTIN SAT barefoot in a big black-leather easy chair with her feet pulled up under her, her legs folded to the right, thinking about Frank Willett. Davenport knew that the four murders were linked, but didn't know that they were linked through Alyssa.

  If Frank had killed Frances, she thought, he had essentially killed the other three as well, by destabilizing her mind. If he were convicted of one, or of all four, it'd make no difference under Minnesota law. There was no death penalty, but there was a minimum sentence for first-degree murder, of thirty years. He wouldn't get out, in any case. Not until he was almost seventy.

  The car, Loren whispered.

  "Go away," Alyssa said.

  Loren had been flickering in the mirrors around the house, like a weak over-the-air signal on an old television. She'd fought it at first, but had then grown tired of fighting. Let him—or whatever brain cells were misfiring to produce him—do as he wished. At times, he acted as an effective foil for her thoughts.

  "I can't go away. You're my only chance," he said. His voice became louder, clearer, whenever she acknowledged him. "I'm having trouble holding myself together—but you need me. You need me to talk to. To plan. You need the Fairy, too."

  They'd begun referring to Alyssa's shadow aspect as the Fairy, because that's what Davenport called her. "Why would I need her?" Alyssa asked.

  "Because she does some things better than you do," Loren said. "She kills better than you—you can't kill at all. She does it quite easily. She comprises aspects of your real personality that you've repressed over the years. She was there when you were swimming, and winning, but all that mushy New Age shit pushed her under."

  "We're all done with the killing," Alyssa said.

  Loren was fully formed now, a man all in black, speaking from the mirror above the antique chest where they kept the board games and playing cards. "Maybe, but maybe not," Loren said. "You made a big mistake when you brought Davenport into the picture. Fairy and I had it under control."

  "You had nothing under control," Alyssa snapped. "You murdered those people; as far as I know, they had nothing to do with Frances."

  "Of course they did," Loren shot back. "A spirit on this side pointed at the photograph, and now, I have to assume, I know, that it must have been her spirit. Who else would care? Willett may have killed her, but the others were involved. It was all part of a conspiracy. If only you could let go completely, we might be able to set up a line with Frances, if she's not already gone on the boat."

  "Oh, God, go away." She waved him off with the back of her hand.

  "Wait, wait, wait. We need to talk about Fairy. You need to talk about Fairy," he said. "You are Fairy. You can let her out. You can free her and then put her back; but she's more than you are, and you need her. Especially now, with the police sniffing around. You've got that car to deal with. You can't forget about the car, you can't let it go. And you've still got Frank Willett to deal with—what are you going to do about him? Fairy can work that out."

  "You want her out, because she'll let you out of the mirror," Alys-sa said.

  "That's true. She will—you will. If you let her out, if you relate to her, then, I think after a time, you'd integrate. You'd be both Alyssa and Fairy, with no conflict—s he'd almost be like a strong mood," Loren said. "Alyssa: you need her."

  Alyssa rolled off the chair and walked into the kitchen, got a single-serving can of V8 out of the refrigerator, poured it into a wineglass, added a sprinkling of black pepper. Loren was there, in the kitchen, but only in fragments, in wisps of movements seen in the reflective parts of cabinet knobs and chrome sink fixtures. She looked out the kitchen window at the lake: late afternoon, the sun in the west, and the ice was like a slab of lead. She carried the glasss of juice back to the black chair and closed her eyes and sipped it, and thought:

  She had to get rid of the car.

  She had to help Davenport get at Willett.

  "Let her out," Loren said. "Let Fairy out."

  "How?"

  No real problem: sit in the big chair, legs crossed, eyes closed, relax. Fairy flowed into her.

  "There you are," Loren said.

  "Not entirely," Fairy said. "Alyssa's here, too." Fairy reached out to the surface of the mirror, pulled him through. He was wearing black slacks, a black silk shirt with a dark sport coat, and pointed black Itali-anate shoes. He followed her to the easy chairs and took one, opposite her, as she curled into the chair.

  "Ideas?" he asked.

  "The car's a problem because it's soaked in blood," Fairy said. "We can't sell it, we can't abandon it—they could find a few of my hairs in there, or something, along with the blood. If they do the DNA, they'll connect us."

  "So we have to burn it," Loren said.

  "That's my feeling. We've got gas out in the garage. If we splashed five or ten gallons of gas inside it, it would burn right down to the wheels. Alyssa looked it up on Google."

  Alyssa flowed back. "As soon as I read about burning it, I tried to figure out ways to do it. But there are all these stupid problems. Like, how do I get home without witnesses?"

  How to get home without catching a ride, without a cabdriver? She could, she thought, drop the car someplace where it could sit for a day or two, without being noticed, then drive in, set it on fire, and drive away. Maybe that would obscure a taxi connection. But then, what about surveillance cameras wherever she left it? What if somebody noticed it had been parked for a long time, and then checked it. What if she bumped into somebody she knew?

  "That sounds like Alyssa talking," Loren said.

  "It is," Alyssa said.

  Fairy came back, speaking to Alyssa: "You know, honey, there aren't any guarantees—and you're making this way too complicated. You think we've got to get the car far away from here, but we don't. If something happens with the car and they can match us to it, then we're finished, no matter where it is. If we burn it completely, and they can't make an ID, then it doesn't make any difference if we do it right down the street."

  Alyssa thought about that for a moment, then nodded, sipped the V8. "Okay. But I'd rather not burn it right down the street."

  "Of course not—but it doesn't have to be in North Dakota, either. I say we move the car out of the hangar during the night, drive it onto one of the construction sites down by the river bridge—that'd mean we'd actually be in the car for only a couple of miles, which would reduce our chances of ge
tting stopped for some reason. We park it, we set it on fire, right then, in the dark, and then we run. Simple, effective. Black jogging suit, scout the way in and out ahead of time, burn it."

  "In the dark?" Loren asked. "You don't see a lot of women jogging down there. There are some rough people around there."

  "I'll take Hunter's switchblade. It's still there in his bedstand, and I know how to use it," Fairy said.

  "Of course," Alyssa said, and she actually smiled.

  "If the police get there too fast . . ." Loren began.

  "We use a fuse. Soak it in fuel oil and gas, ten feet long, under the car, light it and run," Fairy said. "We'd be a hundred feet away before it got to the car. In a minute, we'd be three blocks, jogging. The police aren't going to get there in a minute. From there, it's probably three or four miles—we can jog home in half an hour."

  "A risk."

  Alyssa snarled at them: "If you morons hadn't gotten us into this, we wouldn't have to take any risks. If some guy thinks he'd like to sneak a peek at Hunter's hangar, sees that car, looks inside . . . we go to jail. My prints and Patty's blood are all over it. Maybe blood from some of the others, now that I think about it. You weren't all that careful."

  "We were a little carried away," Loren said. "The revenge was so . . . tasty."

  Fairy: "So we have to do something. We can't not do something. I'm in favor of the straight-ahead, burn it and run. No point fucking around with something subtle, that'd leave a trail."

  Alyssa: "You may be right."

  Fairy: "Of course I'm right."

  Loren: "What about Frank Willett?"

  "I've got an idea on that," Alyssa said. "The car not only has blood in it, it's got the knife you used on Patty. We lift the knife out of there, clean off the handle so there are no fingerprints, but leave a little blood down where the blade goes into the handle. A few specks, stains. Then we put the knife in Frank's house."

  "How do we get in?" Loren asked.

  Alyssa said, "I've still got a key to his house, if he hasn't changed the locks since we were dating. I can't believe he's organized enough to do that," she said. "We jog again. Watch until he's out, I go in, I leave the knife, and then we figure out something that triggers Davenport to make a search."