“The entire summer,” I repeat uncomfortably, focusing on the oddity that represents. All summer is a long time for a working girl to leave her job behind. And Mark’s comment about the “rich guy” hit me just as wrong for some reason, though it could have been merely his frustration over Rebecca’s extended leave. Or maybe . . . could he be jealous over this rich man? My brows dip. “Leaving you high and dry like this—that doesn’t sound like the responsible Rebecca my sister described.”
“People aren’t always what they seem,” he says and motions toward Chris Merit’s displayed art. “The art does not always mimic the artist. You never know the real person until you slide beneath their surface.”
Or look in their dresser drawer, I think guiltily. But Rebecca didn’t seem like someone to run out on her job to me. She loved her job. Then again, I might be wrong. As seduced as Rebecca had been by this world she’d created, she’d been scared, too. And I want to know why more than ever. What created such obsession, such fear?
A sudden burn for answers, a need to leave here tonight with something more than I came with overcomes me, and before I can stop myself, I blurt, “I can cover Rebecca for the rest of the summer. I’m a teacher, so I’m on break. I have a masters of arts from the Art Institute and a bachelors in business. I interned for three years at the Museum of Modern Art, and I know art. All art. Test me if you like.”
His eyes narrow a fraction, the silence crackling between us for several long seconds. “You’re hired, Sara McMillan. You can start on Monday. I’ll let you enjoy the rest of your evening.” He lowers his voice. “Then you’ll be all mine.” He turns and walks away.
I blink, stunned. He’d just hired me, but he hadn’t even asked me one single question. I hadn’t asked about hours or pay. I inhale a sharp breath. I’d come here to find Rebecca, to make sure she is alive and well. Instead, I am about to be Rebecca, or rather, be the marketing director for the gallery. So I can find Rebecca, I tell myself. Something has happened to Rebecca, and I have to prove it. That’s why I’m here. No other reason.
Also by Lisa Renee Jones
If I Were You
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This book is a work of fiction. Names, characters, places, and incidents either are products of the author’s imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.
Copyright © 2013 by Lisa Renee Jones
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First Pocket Star Books ebook edition January 2013.
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ISBN: 978-1-4767-3794-2
Lisa Renee Jones, Rebecca's Lost Journals, Volume 1: The Seduction
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