Cardona, Santiago, 68
Cardona Furró, Josép, 50
Cardona Lladós, Joan, 50
Carlists, 429
Carpentier, Alejo, 289
Carrière, Eugène, 76
Casagemas, Carlos, 67, 75, 76, 82, 84, 86, 89, 90; his suicide, 91; its effect on P, 92, 95, 100, 101, 128, 235, 271; and “La Vie,” 116, 121-22, 291. See also “Burial of Casagemas”
Casanova, Laurent, 362, 413
Casanovas, Enrique, 145
Casas, Ramón, 66, 67, 73, 74, 76, 77, 87, 92, 96
Cassou, Jean, 47, 372, 374, 393
Catalan anarchists, 65, 70-71
Catalan Gothic revival, 108
Catalan Romanesque sculpture, influence of, on P, 148, 155
Catalonia, 43 ff.; history of, 43-44; language, 44-45, 64, 65; literature, 44-45; art, 47
Catalunya Artística, 74
Catholicism, 14, 27-28
Cavaliers d’ombre (Laporte), 435; P’s illustrations for, 426
“Celestine, La, ” 117
Cendrars, Blaise, 215, 240
Centaure picador, El (Reventos), 388
Cercle Artístic de Sant Lluc, 70, 118
Cérel, 184-86, 201-3, 414, 428-29
Cervantes, Miguel, Saavedra de, 44, 47
Cézanne, Paul, 54, 85, 86, 97, 101, 102, 103, 132, 139, 141, 147, 155, 164, 170, 174, 178, 197, 210-11, 261, 275, 395, 441, 442; his influence on P, 138, 149-50, 155-56, 164-65, 179; his death, 149; P on, 168
Chagall, Marc, 210, 352
“Chandail jaune, Le, ” 346
Chanel, Coco, 239, 256, 270
Chant des Morts, Les (Reverdy), P’s illustrations for, 391
Chant du Rossignol (ballet), 264
Chapel of the Rosary (Vence), 407
Chardin, Jean-Baptiste, 442
Charivari, Le, 161
“Charles I” (van Dyck), 138
Charles V, Emperor, 44, 422
Charles-Roux, Edmonde, 367-68, 424
“Charnier, Le, ” 379
Chat Noir (café), 65, 66
Chef d’oeuvre inconnu (Balzac), 317,461; P’s etchings for, 271
Chelsea Arts Club, 197
Chéret. Jules, 83
Chesterton, G. K., 197
“Chèvre, La, ” 397, 398, 428
Chiara, Baldomero (P’s uncle), 53; P’s portrait of, 37
“Chien et coq, ”252
Chirico, Giorgio de, 210, 262, 263, 267
Cirlot, Juan-Eduardo, 36, 50
Clam de les Verges, El (Oliva), P’s illustration of, 73-74
Clapiers family, 440
“Clarinette, La, ” 184-85
Clavé, Antoíi, 429
Closerie des Lilas, 132
Clouzot, Georges, 429-31
Cocteau, Jean, 217, 218-20, 222, 223, 225, 226, 228, 230, 231, 237, 238, 240, 253, 254, 255, 270, 279, 292, 341, 366, 367, 368, 383, 401, 428, 431-32, 434; P’s jealousy of, 400; his illustrations for Laporte’s poems, 431; his death, 457
“Coiffure, La,” 258
Coletta, Benedetta, P’s portrait of, 133
Collages, 191, 194-95, 214, 255, 276
Colle, Pierre, 368
College of Architects (Barcelona), P’s concrete panel designs for, 452-53
Collioure, 413-14, 420-22
Colossal style, 237, 244-45, 255, 281
“Combat du Bien et du Mai,” 438-39
Communist Party, 356, 372, 373-74, 394-95, 396, 401, 402, 405, 412, 413; Paris peace conference (1949), 396; Twentieth Congress (Moscow), 434
Completa y verídica historia de Picasso y el Cubismo (Gomez de la Serna), 230
“Composition,” 147, 197
“Concert Champetre,” (Giorgione), 445
Congress of Intellectuals for Peace (Wroclav), 394
Connoisseur, 197
Conversations avec Maillot (Frére), 315
Conversations avec Picasso (Brassaï), 292
Cooper, Douglas, 440, 448
Coq et l’arlequin, Le (Cocteau), P’s illustrations for, 240
Coquiot, Gustave, 98, 100, 227
Cornet à dís, Le (Jacob), P’s illustrations for, 240
Corot. J. B. Camille, 84, 178, 197, 442
“Corsage rayé, ” 365-66
Cossio del Pomar, Felipe, 166
Costales, Raimundo Perez, 35, 39, 40; P’s portrait of, 37
Courbet, Gustave, 84, 427
“Couronne de fleurs, ” 258
Cranach, Lucas, 451
Cranach Venus, the, P’s lithographic versions of, 397
Crespelle, Jean-Paul, 192, 215, 275, 401
Crommelynck brothers, 471
Crucifixion drawings, 29
Crucifixion picture, 286-87, 291
Cuadro Flamenco (ballet), 245-46
Cubism, 86-87, 129, 134, 136, 141, 147, 151, 160, 166-73, 176-85, 205-6, 218, 236, 240-41, 253, 254-55, 260, 266, 270, 280, 358, 478; Braque and, 156-57, 165, 167, 177-78, 179, 181, 182, 185, 191, 194-95, 203; birth of, 164-65; Apollinaire and, 166, 182, 183; early critical response to, 166-67, 181-82, 196, 197-98; precursors of, 168; development of, 166-73; analytic, 177-78, 191, 194, 202, 237; Derain and, 180; theories of, 182-83; hermetic aspect of, 185; synthetic, 191, 194, 202-3,237, 251, 278, 291; exhibitions of, 196-99; pa-pier-collés, 199-200; Armory Show, 200-1; rococo, 209, 291; and ballet, 220, 223, 224, 242; the Kahnweiler-Uhde auctions, 247-48; zebra manner, 254; late, 273, 291; curvilinear, 287-88; high, 291, 328; proto-, 291; neo-, 376
Cubism, Picasso and, 155, 160, 166-73, 176-85, 205-6, 220, 221, 236-37, 242, 253, 254-55, 266, 270, 277, 340, 358, 363; “Demoiselles d’Avi-gnon, ” as first direct statement of, 151, 152, 153; his Proto-Cubist period, 164-65, 291; and birth of Cubism, 165; his remarks on, 166-67; in his early works, 167; Cubist portraits, 168, 172, 178-79, 291; landscapes, 171-72; full development of Cubism, 171-72, 182; analytic, 177-78, 191, 194, 202, 237, 260, 437: synthetic, 191, 194, 202-3, 237, 251, 278, 291; papier-collés, 199-201, 203, 269-70; rococo, 209, 291; red and black pictures, 227; zebra manner, 254; still-lives, 260, 269, 270, 273, 287-88; late, 273, 291; sculpture, 280-81; curvilinear, 287-88; high, 291, 328; neo-, 376
“Cuisine, La,” two versions of, 396
Curved graphism, 288
Cuttoli, Madame, 380-81, 386, 393-94
Cuttoli, Monsieur, 393-94
Dadaism, Dadaists, 236, 262-63
Daix, Pierre, 358, 412, 440, 458, 462
Dalí, Salvador, 180, 275, 304; P and, 293-94
Dalmau, Luis, 47
Dalmau gallery (Barcelona), 293
“Dancer, The,” 155
“Danse, La,” 235, 272-73, 287
Da Silva, Vieira, 463
Daumier, Honoré, 84
David, Jacques-Louis, 84, 297, 458
David, Sylvette, 411, 425; P’s portraits and studies of, 419; P’s sculpture of, 433
“Death of Marat, ” 297
Debussy, Claude, 218
De David a Degas (Blanche), 254
Defense de Tartufe (Jacob), P’s illustrations for, 240
Degas. Edgar, 86, 98, 133, 205, 442
De Gaulle. Charles, 439
Deharme, Lise, 311
“Déjeuner sur I’herbe” (Manet), P’s variations of, 445-52, 455, 456, 457
Delacroix, Ferdinand, 84, 98, 458; P’s admiration for, 427
Delaunay, Robert, 165, 183, 201, 209, 275
Delgado, José (Pepe Illo), 55, 432-33, 435
“Demoiselles d’Avignon, ” 56, 102, 136, 155, 162, 164, 171, 176, 177, 179, 183, 189, 197, 217, 245, 261, 263, 272, 273, 329, 346, 383; as P’s first direct statement of Cubism, 150, 151, 152; preliminary studies for, 150; reaction of P’s friends to, 151, 152, 156; as reflection of P’s feeling for women, 203
“Demoiselles des bords de la Seine, ” 397
Denis, Maurice, 70, 84, 174
Derain, Alice, 180, 230-31, 247
Derain, Andre, 104, 130, 132, 149, 153, 162, 163, 165, 175, 180-81, 182, 184, 206, 212, 225, 236, 239, 240, 264, 292, 293, 341, 352, 414, 442; and Cub
ism, 180; goes to war, 207; his death, 424
Dermée, Paul, 240
Désir attrape par la queue, Le (Picasso), 353-54
Desnos, Robert, 262, 268, 279, 289, 293, 364, 366, 378, 379; his arrest by Gestapo, 368
De Sucre, J. M., 67
Deux Magots (café), 309
Diaghilev, Sergei, 219, 220, 222, 223, 225, 226, 237, 241, 242, 245, 246, 255,256, 270, 271
Dieu bleu,Le (ballet), 219
Dinard, 254-55, 278, 279
Divisionism, 78
Domergue, Jean-Gabriel, 434-44, 457
Dominguín, Luis Miguel, 443-44, 457
D’Ors, Eugenio, 67, 109, 111
Dos Contes (Reventós), P’s illustrations for, 388-89
Doucet, Jacques, 152
“Douzet toiles en une, une toile en douze, ”467
Drawings, P’s: Crucifixion, 29; of Max Jacob, 115-16, 133, 213; Gósol, 146-47; realistic pencil, 213-14, 216, 237; religious, 214-15; Biarritz, 232; of Renoir, 243; realistic line, 244; dot, 273-74, 280; Verne suite, 417-18, 430, 459; “Ivanhoe, ” 418; bullfight and Christ figure, 443, 444; “pornographic, ” 471-72, 474-76
“Dream and Lie of Franco, The” (poem). See “ Sueòo y mentira de Franco,”
Dreyfus. Alfred, 131
Duchamp, Marcel, 183, 186, 196, 201,209, 263, 293
Duchamp-Villon, Raymond, 183
Dufy,Raoul, 183, 240, 275
Duncan, David, 142
Duncan, Douglas, 435
Durand-Ruel, 85, 98, ! 13, 133
Durio,Paco, 106, 107, 124, 125
“Dwarf Dancing-Girl, ” 95, 100
Ecole romane, 132
Ehrenburg, Ilya, 468
El Greco, 29, 40, 50, 54, 66, 78, 101, 147, 392, 397, 421, 427; P’s copies of, 55; his influence on P, 67, 117
“El Greco’s Bride, ” 79
Eluard, Dominique Laure (third wife), 403, 404, 410
Eluard, Madame (first wife), 293
Eluard, Nusch (second wife), 309, 311, 330, 332, 366, 386; P’s portraits of, 304, 332, 333, 358; her death, 388
Eluard, Paul, 73, 253, 262, 268, 279, 292, 293, 295, 303, 309, 311, 313, 330, 332-33, 340, 352, 357, 361, 362, 366, 374, 378, 386, 387, 394, 395, 397, 399, 401, 477; on “La Femme en chemise, ” 204; P’s portraits of, 304, 332-33; and death of Nusch, 388; his marriage to Dominique Laure, 403; his death, 410,411
“Embrace, The,” 117
Enchanteur pourrissant, L’ (Apollinaire), 184
“Enlévement d’Europe, ” 384
Entierro del Conde de Orgaz, P’s etchings for, 467
“Entrée des croisés à Constantinople” (Delacroix), 458
Ernst, Max, 262, 263, 352
Errazuriz, Eugenia, 213, 217, 230, 231, 232, 233, 268, 302
Escuela de Artes y Oficios de San Telmo (Málaga), 17
Escuela Provincial de Bellas Artes (La Coroña), 30, 34-35
Espagne noire (Verhaeren), 93
Esprit nouveau, 236, 241
Etchings and engravings, 81, 240, 258, 276-77, 285-86, 294, 307-8, 318, 340,471-72,474-76
“Evocation, ” 101. See also “Burial of Casagemas”
Excelsior (Maragall), 73
“Execution of Maximilian” (Manet), 446
Exposition Universlle (1900), 81, 82, 84, 89, 468
Expressionism, 78, 340
Fabiani (publisher), 364
Fagus, Felicien, 98, 115
Falla, Manuel de, 237, 243, 245, 246
“Family of Saltimbanques,” 138-39, 206
Farge, Adrien, 113
“Fauteuil rouge,” 285
Fauves, Fauvism, 51, 140, 141, 149, 156, 165,266,414
Fels, Florent, 157, 167
“Femme à lacafeticre, ” 164
“Femme à la montre, ” 307
“Femme assise, ” 278
“Femme assise au bord de la mer, ” 281-83, 285
“Femme au chien, 412
“Femme au jardin, ” 281
“Femme au pot de moutarde, ” 198, 200
“Femme couchée lisant, ” 339
“Femme couchée sur un canape, ” 339-40
“Femme dans un fauteuil” (1927), 281
“ Femme dans un fauteuil” (1929), 281
“Femme en chemise, assise dans un fauteuil, ” 203-4, 248, 266
“Femme en corset, ” 232
“Femme endormie dans un fauteuil, ” 276
“Femme en rouge dans la forêt” (Rousseau), 248
“Femme fleur, ” 384
“Femme morte à I’hôpital, ” 476
“Femme nue se coiffant, ” 346
“Femmes à leur toilette, ” Gobelin tapestry version of, 472
“Femmes d’Alger” (Delacroix), P’s versions of, 426-27
Fenelosa,E. F., 463
Férat, Serge, 210, 216
Ferdinand V, King of Spain, 44
Ferrÿndiz, Bernardo, 18, 40
Festin d’Esope, Le, 131
Feu d’Artifice (ballet), 220
Fiestas Modernistas (Sitges), 50, 66
Figaro, Le 74
Filassier.Sylvette,213
“Fillette à la eorbeille fieurie,” 137, 197
“First Communion,” 29
First Spanish Republic, 35
Fitzgerald, Scott, 242
“Flight into Egypt,” 29
Fokine. Michel, 219
Fontbana, Emili, 87, 111, 121
Fontbana. Josep, 111
Forain, Jean Louis, 74, 83, 98
Ford, Richard, 16
Forma, P’s exclusion from, 118, 119
Fort, Louis, 382, 386, 389
Fort, Paul, 132, 162, 217
Fort Saint-Elme, 422
Fortuny y Carbó. Mariano, 47
Foujita, Youki, 368
Fournier, Gabriel, 215
France: and declaration of WW II, 344; German occupation of, 350 ff.; the Resistance, 350-51; deportation of Jews from, 359; Liberation of, 371, 372; Communist Party, 374
Franco, Francisco, 310, 317, 318, 321, 326, 328, 331, 334, 348, 374,473
Frédé, 106, 130, 135, 160
Frére, Henri, 315
Freud, Sigmund, 20, 267
Friesz,Othon, 127, 183
Fry, Roger, 197-98, 383
Fuseli, Henry, 267
Futurists, Futurism, 191-92, 248; their disapproval of Cubism, 197
Gaillard, Pol, 373
Galerias Dalmau, 275
Galérie del I’Art Nouveau, 85
Galérie Georges Petit, P’s retrospective exhibition at, 290, 293
Galérie La Boëtie, 196
Galéries Renou et Colle, 305
Galrie Serrurier, 124
Galérie Vollard, 98
Galicia, 31 ff.
Gallimard (publishing house), 421
Galloise, La, 392, 397, 407, 411, 417, 463; Gilot claims, 426,427
Gargallo, Magalí, 226
Gargallo, Pablo, 125, 127, 226, 413; his portrait-head of P, 210
Gargallo, Pierrette, 413
Gaspars, the, 429
Gastrebzoff, Serge, 212
Gaudi, Antoni, 47, 66, 70, 108
Gauguin, Paul, 84, 85, 86, 93, 98, 108, 125,138, 139, 197
Gay-Lussac, rue, P’s studio and flat in, 404, 405, 410, 426, 428
Gener, Pompeu, 93
“Generation of ’98, ” 92
Germany, and WW II, 347, 369. See also Hitler; France, occupied
Giacometti, Alberto, 397
Gibbon, Edward, 15
Gil Bias illustrç, 74
Gili, Gustau, 432-33, 443,467
Gili, Madame, 467
Gilot, Françoise, 21, 29, 107, 122, 237, 247, 250, 274, 285, 289, 315-16, 342, 367, 372, 376, 377, 378, 387, 389, 392, 401, 403, 407, 413, 424, 425, 435, 456 n., 465; meets P, 364; P’s portraits of, 381, 384, 396, 398, 412; lives with P, 382, 384-85; her memoirs, 383-84, 400, 462 ff., 466, 467, 468; first pregnancy, 385; birth of Claude, 389; her discontent, 392, 393-94, 399, 402, 406; second pregnancy, 394, 396; birth of
Paloma, 396; her own painting, 405; leaves P first time, 410-11; final separation, 414-15; continuing quarrels, 426, 427
“Gioconda” theft, 186-87, 189, 206
Giorgione, 445, 446
Giotto, 198, 410
Gischia, Léon, 463
Gleizes, Albert, 165, 166, 182, 186, 201
Gobelins tapestry factory, 472
Goethe, Johann Wolfgang von, 20, 69
Golfe Juan, 392
Gómez de la Sema, Ramón. See Sema
Góngora, Luis de, P’s illustrations for his poems, 391-92
González, Juli, 121, 210, 272, 280, 358
Gósol, 145-47
Goya, Francisco, 14, 40, 53, 54, 55, 136, 198, 352; P’s copies of, 55
Grafton Gallery (London), 197-98
Grand Air (Eluard), P’s collaboration on, 340
“Grand nu” (Braque), 157
Grand Palais, P’s retrospective exhibition at (1967), 468-69
Grands-Augustins studio, 317, 320, 329, 339, 351-52, 366, 415, 428, 451
Graphic, 249
Greenawaym, Kate, 66
Grimaldi Palace museum (Antibes), 393, 422; P’s paintings in, 385-87
Gris, Josétte, 472
Gris, Juan, 129, 161, 165, 196, 200, 202, 209, 211-12, 213, 215, 220, 240, 250, 264, 414, 472; his relationship with P, 201-2, 211; and Matisse, 211-12; his death, 278
Groupe de Puteaux, 183
Grünewald, Mathias, 287
Guayaba, the, 110-11, 118, 144
Güell, Hortensi, 56, 108
“Guenon el son petit, ” 405
“Guernica, ” 29, 56, 227, 310, 321-28, 334, 339, 340, 359, 379, 383, 391, 402, 409, 410, 429, 458, 468; studies for, 321-22, 323-24; description of, 322-23; Dora Maar’s photographs of, 322, 324; as allegory, 325-27; symbolism in, 326-27; P’s postscripts to, 329; P’s testament concerning, 473
“Guerre et la Paix, La, ” 406-10; critical reception, 408, 409; description of, 408-9; studies for, 418
Guillaume, Paul, 233
“Guitar, ” P’s presentation of, to MOMA, 473
“Guitare, La” (Braque), 248
“Guitare et verre, ” 200
Hahn, Reynaldo, 219
Harlequins, 100, 138, 167, 202, 209, 214, 227, 269, 471; Jung on symbolism of, 491
Hartung, Hans, 463
Havilland, Frank, 202, 429
Hegel, Friedrich, 66
Herbin, Augusta, 165, 183, 209
Hiroshige, Ando, 66
Histoire naturelle (Vollard), P’s illustrations for, 308
Hitler, Adolf, 317, 333, 343, 348, 356
“Homaje a Gertrude, ” 173
“Hommage à Picasso” 196
“Homme à la mandoline, ” 191
“Homme à I’enfant, ” 466-67
“Homme au mouton, ” 360-61, 362-63, 377, 397-98, 407, 428; as symbol of the Resistance, 371-72