By the time he entered university, Saeed’s parents prayed more often than they had when he was younger, maybe because they had lost a great many loved ones by that age, or maybe because the transient natures of their own lives were gradually becoming less hidden from them, or maybe because they worried for their son in a country that seemed to worship money above all, no matter how much other forms of worship were given lip service, or maybe simply because their personal relationships with prayer had deepened and become more meaningful over the years. Saeed too prayed more often in this period, at the very least once a day, and he valued the discipline of it, the fact that it was a code, a promise he had made, and that he stood by.
Now, though, in Marin, Saeed prayed even more, several times a day, and he prayed fundamentally as a gesture of love for what had gone and would go and could be loved in no other way. When he prayed he touched his parents, who could not otherwise be touched, and he touched a feeling that we are all children who lose our parents, all of us, every man and woman and boy and girl, and we too will all be lost by those who come after us and love us, and this loss unites humanity, unites every human being, the temporary nature of our being-ness, and our shared sorrow, the heartache we each carry and yet too often refuse to acknowledge in one another, and out of this Saeed felt it might be possible, in the face of death, to believe in humanity’s potential for building a better world, and so he prayed as a lament, as a consolation, and as a hope, but he felt that he could not express this to Nadia, that he did not know how to express this to Nadia, this mystery that prayer linked him to, and it was so important to express it, and somehow he was able to express it to the preacher’s daughter, the first time they had a proper conversation, at a small ceremony he happened upon after work, which turned out to be a remembrance for her mother, who had been from Saeed’s country, and was prayed for communally on each anniversary of her death, and her daughter, who was also the preacher’s daughter, said to Saeed, who was standing near her, so tell me about my mother’s country, and when Saeed spoke he did not mean to but he spoke of his own mother, and he spoke for a long time, and the preacher’s daughter spoke for a long time, and when they finished speaking it was already late at night.
• • •
SAEED AND NADIA WERE LOYAL, and whatever name they gave their bond they each in their own way believed it required them to protect the other, and so neither talked much of drifting apart, not wanting to inflict a fear of abandonment, while also themselves quietly feeling that fear, the fear of the severing of their tie, the end of the world they had built together, a world of shared experiences in which no one else would share, and a shared intimate language that was unique to them, and a sense that what they might break was special and likely irreplaceable. But while fear was part of what kept them together for those first few months in Marin, more powerful than fear was the desire that each see the other find firmer footing before they let go, and thus in the end their relationship did in some senses come to resemble that of siblings, in that friendship was its strongest element, and unlike many passions, theirs managed to cool slowly, without curdling into its reverse, anger, except intermittently. Of this, in later years, both were glad, and both would also wonder if this meant that they had made a mistake, that if they had but waited and watched their relationship would have flowered again, and so their memories took on potential, which is of course how our greatest nostalgias are born.
Jealousy did rear itself in their shanty from time to time, and the couple that was uncoupling did argue, but mostly they granted each other more space, a process that had been ongoing for quite a while, and if there was sorrow and alarm in this, there was relief too, and the relief was stronger.
There was also closeness, for the end of a couple is like a death, and the notion of death, of temporariness, can remind us of the value of things, which it did for Saeed and Nadia, and so even though they spoke less and did less together, they saw each other more, although not more often.
One night one of the tiny drones that kept a watch on their district, part of a swarm, and not larger than a hummingbird, crashed into the transparent plastic flap that served as both door and window of their shanty, and Saeed gathered its motionless iridescent body and showed it to Nadia, and she smiled and said they ought to give it a burial, and they dug a small hole right there, in the hilly soil where it had fallen, using a spade, and then covered this grave again, pressed it flat, and Nadia asked if Saeed was planning on offering a prayer for the departed automaton, and he laughed and said maybe he would.
• • •
SOMETIMES THEY LIKED to sit outside their shanty in the open air, where they could hear all the sounds of the new settlement, sounds like a festival, music and voices and a motorcycle and the wind, and they wondered what Marin had been like before. People said it had been beautiful, but in a different way, and empty.
The winter that year was a season that had splashes of autumn and spring mixed up in it, even an occasional day of summer. Once as they sat it was so warm that they did not need sweaters, and they watched as the sunlight poured down in angled bursts through gaps in the bright, roiling clouds, and lit up bits of San Francisco and Oakland and the otherwise dark waters of the bay.
“What’s that?” Nadia asked Saeed, pointing to a flat and geometric shape.
“They call it Treasure Island,” Saeed said.
She smiled. “What an interesting name.”
“Yes.”
“The one behind it should be called Treasure Island. It’s more mysterious.”
Saeed nodded. “And that bridge, Treasure Bridge.”
Someone was cooking over an open fire nearby, beyond the next ridge of shanties. They could see a thin trail of smoke and smell something. Not meat. Sweet potatoes maybe. Or maybe plantains.
Saeed hesitated, then took Nadia’s hand, his palm covering her knuckles. She curved her fingers, furling the tips of his around hers. She thought she felt his pulse. They sat like that for a long while.
“I’m hungry,” she said.
“So am I.”
She almost kissed him on his prickly cheek. “Well, somewhere down there is everything in the world anyone could want to eat.”
• • •
NOT FAR TO THE SOUTH, in the town of Palo Alto, lived an old woman who had lived in the same house her entire life. Her parents had brought her to this house when she was born, and her mother had passed on there when she was a teenager, and her father when she was in her twenties, and her husband had joined her there, and her two children had grown up in this house, and she had lived alone with them when she divorced, and later with her second husband, their stepfather, and her children had moved off to college and not returned, and her second husband had died two years ago, and throughout this time she had never moved, traveled, yes, but never moved, and yet it seemed the world had moved, and she barely recognized the town that existed outside her property.
The old woman had become a rich woman on paper, the house now worth a fortune, and her children were always pestering her to sell it, saying she didn’t need all that space. But she told them to be patient, it would be theirs when she died, which wouldn’t be long now, and she said this kindly, to sharpen the bite of it, and to remind them how much they were motivated by money, money they spent without having, which she had never done, always saving for a rainy day, even if only a little.
One of her granddaughters went to the great university nearby, a university that had gone from being a local secret to among the world’s most famous in the space of the old woman’s lifetime. This granddaughter came to see her, often as much as once a week. She was the only one of the old woman’s descendants who did this, and the old woman adored her, and also sometimes felt baffled by her: looking at her granddaughter she thought she saw what she would have looked like had she been born in China, for the granddaughter had features of the old woman, and yet looked to the
old woman, overall, more or less, but mostly more, Chinese.
There was a rise that led up to the old woman’s street, and when she was a little girl the old woman used to push her bike up and then get on and zoom back down without pedaling, bikes being heavy in those days and hard to take uphill, especially when you were small, as she was then, and your bike too big, as hers had been. She had liked to see how far she could glide without stopping, flashing through the intersections, ready to brake, but not overly ready, because there had been a lot less traffic, at least as far as she could remember.
She had always had carp in a mossy pond in the back of her house, carp that her granddaughter called goldfish, and she had known the names of almost everyone on her street, and most had been there a long time, they were old California, from families that were California families, but over the years they had changed more and more rapidly, and now she knew none of them, and saw no reason to make the effort, for people bought and sold houses the way they bought and sold stocks, and every year someone was moving out and someone was moving in, and now all these doors from who knows where were opening, and all sorts of strange people were around, people who looked more at home than she was, even the homeless ones who spoke no English, more at home maybe because they were younger, and when she went out it seemed to her that she too had migrated, that everyone migrates, even if we stay in the same houses our whole lives, because we can’t help it.
We are all migrants through time.
ELEVEN
ALL OVER THE WORLD people were slipping away from where they had been, from once fertile plains cracking with dryness, from seaside villages gasping beneath tidal surges, from overcrowded cities and murderous battlefields, and slipping away from other people too, people they had in some cases loved, as Nadia was slipping away from Saeed, and Saeed from Nadia.
It was Nadia who first brought up the topic of her moving out of the shanty, said in passing as she sipped on a joint, taking the slenderest of puffs, held in her lungs even as the idea of what she had said scented the air. Saeed did not say anything in response, he merely took a hit himself, contained it tightly, exhaling later into her exhale. In the morning when she woke he was looking at her, and he stroked the hair from her face, as he had not done for months, and he said if anyone should leave the home they had built it was him. But as he said this he felt he was acting, or if not acting then so confused as to be incapable of gauging his own sincerity. He did think that he ought to be the one to go, that he had reparations to make for becoming close to the preacher’s daughter. So it was not his words that felt to him like an act, but rather his stroking of Nadia’s hair, which, it seemed to him in that moment, he might never have permission to stroke again. Nadia too felt both comforted and discomforted by this physical intimacy, and she said that no, she wanted to be the one to leave if one of them left, and she likewise detected an untruth in her words, for she knew the matter was one not of if, but of when, and that when would be soon.
A spoilage had begun to manifest itself in their relationship, and each recognized it would be better to part now, ere worse came, but days passed before they discussed it again, and as they discussed it Nadia was already packing her things into a backpack and a satchel, and so their discussion of her departure was not, as it pretended to be, a discussion of her departure, but a navigation, through words that said otherwise, of their fear of what would come next, and when Saeed insisted he would carry her bags for her, she insisted he not do so, and they did not embrace or kiss then, they stood facing each other at the threshold of the shanty that had been theirs, and they did not shake hands either, they looked each at the other, for a long, long time, any gesture seeming inadequate, and in silence Nadia turned and walked away into the misty drizzle, and her raw face was wet and alive.
• • •
AT THE FOOD COOPERATIVE where Nadia worked there were rooms available, storerooms upstairs, in the back. These rooms had cots, and workers in good standing at the cooperative could use them, stay there, seemingly indefinitely, provided one’s colleagues thought the need to stay was valid, and one put in enough extra hours to cover the occupancy, and while this practice was likely in violation of some code or other, regulations were not much in force anymore, even here near Sausalito.
Nadia knew people stayed at the cooperative, but she did not know how the policy worked, and no one had told her. For although she was a woman, and the cooperative was run and staffed predominantly by women, her black robe was thought by many to be off-putting, or self-segregating, or in any case vaguely menacing, and so few of her colleagues had really reached out to her until the day that a pale-skinned tattooed man had come in while she was working the till and had placed a pistol on the counter and said to her, “So what the fuck do you think of that?”
Nadia did not know what to say and so she said nothing, not challenging his gaze but not looking away either. Her eyes focused on a spot around his chin, and they stood like this, in silence, for a moment, and the man repeated himself, a bit less steadily the second time, and then, without robbing the cooperative, or shooting Nadia, he left, taking his gun and cursing and kicking over a bushel of lumpy apples as he went.
Whether it was because they were impressed by her mettle in the face of danger or because they recalibrated their sense of who was threat and who was threatened or because they now simply had something to talk about, several people on her shifts began chatting with her a lot more after that. She felt she was beginning to belong, and when one told her about the option of living at the cooperative, and that she could avail herself of it if her family was oppressing her, or, another added quickly, even if she just felt like a change, the possibility struck Nadia with a shock of recognition, as though a door was opening up, a door in this case shaped like a room.
It was into this room that Nadia moved when she separated from Saeed. The room smelled of potatoes and thyme and mint and the cot smelled a little of people, even though it was reasonably clean, and there was no record player, and no scope to decorate either, the room continuing to be used as a storeroom. But Nadia was nonetheless reminded of her apartment in the city of her birth, which she had loved, reminded of what it was like to live there alone, and while the first night she slept not at all, and the second only fitfully, as the days passed she slept better and better, and this room came to feel to her like home.
The locality around Marin seemed to be rousing itself from a profound and collective low in those days. It has been said that depression is a failure to imagine a plausible desirable future for oneself, and, not just in Marin, but in the whole region, in the Bay Area, and in many other places too, places both near and far, the apocalypse appeared to have arrived and yet it was not apocalyptic, which is to say that while the changes were jarring they were not the end, and life went on, and people found things to do and ways to be and people to be with, and plausible desirable futures began to emerge, unimaginable previously, but not unimaginable now, and the result was something not unlike relief.
Indeed there was a great creative flowering in the region, especially in music. Some were calling this a new jazz age, and one could walk around Marin and see all kinds of ensembles, humans with humans, humans with electronics, dark skin with light skin with gleaming metal with matte plastic, computerized music and unamplified music and even people who wore masks or hid themselves from view. Different types of music gathered different tribes of people, tribes that had not existed before, as is always the case, and at one such gathering, Nadia saw the head cook from the cooperative, a handsome woman with strong arms, and this woman saw Nadia seeing her and nodded in recognition. Later they wound up standing beside one another and talking, not much, and just in between the songs, but when the set ended they did not leave, they continued to listen and talk during the set that followed.
The cook had eyes that seemed an almost inhuman blue, or rather a blue that Nadia had not previously thought of as human, so pale a
s to suggest, if you looked at them when the cook was looking away, that these eyes might be blind. But when they looked at you there was no doubt that they saw, for this woman gazed so powerfully, she was such a watcher, that her watching hit you like a physical force, and Nadia felt a thrill being seen by her, and seeing her in turn.
The cook was, of course, an expert in food, and over the coming weeks and months she introduced Nadia to all sorts of old cuisines, and to new cuisines that were being born, for many of the world’s foods were coming together and being reformed in Marin, and the place was a taster’s paradise, and the rationing that was under way meant you were always a little hungry, and therefore primed to savor what you got, and Nadia had never before delighted in tasting as she did in the company of the cook, who reminded her a bit of a cowboy, and who made love, when they made love, with a steady hand and a sure eye and a mouth that did little but did it so very well.
• • •
SAEED AND THE PREACHER’S DAUGHTER likewise drew close, and while there was some resistance by others to this, Saeed’s ancestors not having undergone the experience of slavery and its aftermath on this continent, the effects of the preacher’s particular brand of religion diminished this resistance, and with time camaraderie did too, the work Saeed did alongside his fellow volunteers, and then there was the fact that the preacher had married a woman from Saeed’s country, and also that the preacher’s daughter was born of a woman from Saeed’s country, and so the pair’s closeness, even if it prompted unease in some quarters, was tolerated, and for the pair themselves their closeness carried both a spark of the exotic and the comfort of familiarity, as many couplings do, when they first begin.