Other books by Roald Dahl

  THE BFG

  BOY: TALES OF CHILDHOOD

  BOY and GOING SOLO

  CHARLIE AND THE CHOCOLATE FACTORY

  CHARLIE AND THE GREAT GLASS ELEVATOR

  THE COMPLETE ADVENTURES OF CHARLIE AND MR WILLY WONKA DANNY THE CHAMPION OF THE WORLD

  GEORGE'S MARVELLOUS MEDICINE

  GOING SOLO

  JAMES AND THE GIANT PEACH

  MATILDA

  THE WITCHES

  For younger readers

  THE ENORMOUS CROCODILE

  ESIO TROT

  FANTASTIC MR FOX

  THE GIRAFFE AND THE PELLY AND ME

  THE MAGIC FINGER

  THE TWITS

  Picture books

  DIRTY BEASTS (with Quentin Blake) THE ENORMOUS CROCODILE (with Quentin Blake) THE GIRAFFE AND THE PELLY AND ME (with Quentin Blake) THE MINPINS (with Patrick Benson) REVOLTING RHYMES (with Quentin Blake)

  Plays

  THE BFG: PLAYS FOR CHILDREN (Adapted by David Wood) CHARLIE AND THE CHOCOLATE FACTORY: A PLAY (Adapted by Richard George) FANTASTIC MR FOX: A PLAY (Adapted by Sally Reid) JAMES AND THE GIANT PEACH: A PLAY (Adapted by Richard George) THE TWITS: PLAYS FOR CHILDREN (Adapted by David Wood) THE WITCHES: PLAYS FOR CHILDREN (Adapted by David Wood)

  Teenage fiction

  THE GREAT AUTOMATIC GRAMMATIZATOR AND OTHER STORIES

  RHYME STEW

  SKIN AND OTHER STORIES

  THE VICAR OF NIBBLESWICKE

  THE WONDERFUL STORY OF HENRY SUGAR AND SIX MORE

  Roald Dahl

  Danny the Champion of the World

  illustrated by

  Quentin Blake

  PUFFIN

  PUFFIN BOOKS

  Published by the Penguin Group

  Penguin Books Ltd, 80 Strand, London WC2R 0RL, England Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, USA Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario, Canada M4P 2Y3

  (a division of Pearson Penguin Canada Inc.)

  Penguin Ireland, 25 St Stephen's Green, Dublin 2, Ireland (a division of Penguin Books Ltd) Penguin Group (Australia), 250 Camberwell Road, Camberweii, Victoria 3124, Australia (a division of Pearson Australia Group Pty Ltd) Penguin Books India Pvt Ltd, 11 Community Centre, Panchsheel Park, New Delhi - 110 017, India Penguin Group (NZ), 67 Apollo Drive, Rosedale, North Shore 0632, New Zealand (a division of Pearson New Zealand Ltd)

  Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa

  Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England

  puffinbooks.com

  First published by Jonathan Cape Ltd 1975

  Published in Puffin Books 1977

  Reissued with new illustrations 1994 This edition published 2007

  2

  Text copyright (c) Roald Dahl Nominee Ltd, 1975

  Illustrations copyright (c) Quentin Blake, 1994

  All rights reserved

  The moral right of the author and illustrator has been asserted

  Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher's prior consent in any form of binding or cover other than that init is published and without a similar condition including thiscondition being which imposed on the subsequent purchaser

  British Library Cataloguing in Publication Data A CIP catalogue record for this book is available from the British Library

  ISBN: 978-0-14-193021-3

  This book is for the whole family

  PAT

  TESSA

  THEO

  OPHELIA

  LUCY

  Contents

  1 The Filling-station

  2 The Big Friendly Giant

  3 Cars and Kites and Fire-balloons

  4 My Father's Deep Dark Secret

  5 The Secret Methods

  6 Mr Victor Hazell

  7 The Baby Austin

  8 The Pit

  9 Doc Spencer

  10 The Great Shooting Party

  11 The Sleeping Beauty

  12 Thursday and School

  13 Friday

  14 Into the Wood

  15 The Keeper

  16 The Champion of the World

  17 The Taxi

  18 Home

  19 Rockabye Baby

  20 Goodbye, Mr Hazell

  21 Doc Spencer's Surprise

  22 My Father

  1

  The Filling-station

  When I was four months old, my mother died suddenly and my father was left to look after me all by himself. This is how I looked at the time.

  I had no brothers or sisters.

  So all through my boyhood, from the age of four months onward, there were just the two of us, my father and me.

  We lived in an old gipsy caravan behind a filling-station. My father owned the filling-station and the caravan and a small field behind, but that was about all he owned in the world. It was a very small filling-station on a small country road surrounded by fields and woody hills.

  While I was still a baby, my father washed me and fed me and changed my nappies and did all the millions of other things a mother normally does for her child. That is not an easy task for a man, especially when he has to earn his living at the same time by repairing motor-car engines and serving customers with petrol.

  But my father didn't seem to mind. I think that all the love he had felt for my mother when she was alive he now lavished upon me. During my early years, I never had a moment's unhappiness or illness and here I am on my fifth birthday.

  I was now a scruffy little boy as you can see, with grease and oil all over me, but that was because I spent all day in the workshop helping my father with the cars.

  The filling-station itself had only two pumps. There was a wooden shed behind the pumps that served as an office. There was nothing in the office except an old table and a cash register to put the money into. It was one of those where you pressed a button and a bell rang and the drawer shot out with a terrific bang. I used to love that.

  The square brick building to the right of the office was the workshop. My father built that himself with loving care, and it was the only really solid thing in the place. 'We are engineers, you and I,' he used to say to me. 'We earn our living by repairing engines and we can't do good work in a rotten workshop.' It was a fine workshop, big enough to take one car comfortably and leave plenty of room round the sides for working. It had a telephone so that customers could arrange to bring their cars in for repair.

  The caravan was our house and our home. It was a real old gipsy wagon with big wheels and fine patterns painted all over it in yellow and red and blue. My father said it was at least a hundred and fifty years old. Many gipsy children, he said, had been born in it and had grown up within its wooden walls. With a horse to pull it, the old caravan must have wandered for thousands of miles along the roads and lanes of England. But now its wanderings were over, and because the wooden spokes in the wheels were beginning to rot, my father had propped it up underneath with bricks.

  There was only one room in the caravan and it wasn't much bigger than a fair-sized modern bathroom. It was a narrow room, the shape of the caravan itself, and against the back wall were two bunk beds, one above the other. The top one was my father's, the bottom one mine.

  Although we had electric lights in the workshop, we were not allowed to have them in the caravan. The electricity people said it was unsafe to put wires into something as old and rickety as that. So we got our heat and light in much the same way as the gipsies had
done years ago. There was a wood-burning stove with a chimney that went up through the roof, and this kept us warm in winter. There was a paraffin burner on which to boil a kettle or cook a stew, and there was a paraffin lamp hanging from the ceiling.

  When I needed a bath, my father would heat a kettle of water and pour it into a basin. Then he would strip me naked and scrub me all over, standing up. This, I think, got me just as clean as if I were washed in a bath - probably cleaner because I didn't finish up sitting in my own dirty water.

  For furniture, we had two chairs and a small table, and those, apart from a tiny chest of drawers, were all the home comforts we possessed. They were all we needed.

  The lavatory was a funny little wooden hut standing in the field some way behind the caravan. It was fine in summertime, but I can tell you that sitting out there on a snowy day in winter was like sitting in a fridge.

  Immediately behind the caravan was an old apple tree. It bore lovely apples that ripened in the middle of September and you could go on picking them for the next four or five weeks. Some of the boughs of the tree hung right over the caravan and when the wind blew the apples down in the night they often landed on our roof. I would hear them going thump... thump... thump... above my head as I lay in my bunk, but those noises never frightened me because I knew exactly what was making them.

  I really loved living in that gipsy caravan. I loved it especially in the evenings when I was tucked up in my bunk and my father was telling me stories. The paraffin lamp was turned low, and I could see lumps of wood glowing red-hot in the old stove and wonderful it was to be lying there snug and warm in my bunk in that little room. Most wonderful of all was the feeling that when I went to sleep, my father would still be there, very close to me, sitting in his chair by the fire, or lying in the bunk above my own.

  2

  The Big Friendly Giant

  My father, without the slightest doubt, was the most marvellous and exciting father any boy ever had. Here is a picture of him.

  You might think, if you didn't know him well, that he was a stern and serious man. He wasn't. He was actually a wildly funny person. What made him appear so serious was the fact that he never smiled with his mouth. He did it all with his eyes. He had brilliant blue eyes and when he thought of something funny, his eyes would flash and if you looked carefully, you could actually see a tiny little golden spark dancing in the middle of each eye. But the mouth never moved.

  I was glad my father was an eye-smiler. It meant he never gave me a fake smile, because it's impossible to make your eyes twinkle if you aren't feeling twinkly yourself. A mouth-smile is different. You can fake a mouth-smile any time you want, simply by moving your lips. I've also learned that a real mouth-smile always has an eye-smile to go with it, so watch out, I say, when someone smiles at you with his mouth but the eyes stay the same. It's sure to be bogus.

  My father was not what you would call an educated man and I doubt if he had read twenty books in his life. But he was a marvellous story-teller. He used to make up a bedtime story for me every single night, and the best ones were turned into serials and went on for many nights running.

  One of them, which must have gone on for at least fifty nights, was about an enormous fellow called The Big Friendly Giant, or The BFG for short. The BFG was three times as tall as an ordinary man and his hands were as big as wheelbarrows. He lived in a vast underground cavern not far from our filling-station and he only came out into the open when it was dark. Inside the cavern he had a powder-factory where he made more than a hundred different kinds of magic powder.

  Occasionally, as he told his stories, my father would stride up and down waving his arms and waggling his fingers. But mostly he would sit close to me on the edge of my bunk and speak very softly.

  'The Big Friendly Giant makes his magic powders out of the dreams that children dream when they are asleep,' he said.

  'How?' I asked. 'Tell me how, Dad.'

  'Dreams, my love, are very mysterious things. They float around in the night air like little clouds, searching for sleeping people.'

  'Can you see them?' I asked.

  'Nobody can see them.'

  'Then how does The Big Friendly Giant catch them?'

  'Ah,' my father said. 'That is the interesting part. A dream, you see, as it goes drifting through the night air, makes a tiny little buzzing-humming sound, a sound so soft and low it is impossible for ordinary people to hear it. But The BFG can hear it easily. His sense of hearing is absolutely fantastic'

  I loved the far intent look on my father's face when he was telling a story. His face was pale and still and distant, unconscious of everything around him.

  'The BFG', he said, 'can hear the tread of a ladybird's footsteps as she walks across a leaf. He can hear the whisperings of ants as they scurry around in the soil talking to one another. He can hear the sudden shrill cry of pain a tree gives out when a woodman cuts into it with an axe. Ah yes, my darling, there is a whole world of sound around us that we cannot hear because our ears are simply not sensitive enough.'

  'What happens when he catches the dreams?' I asked.

  'He imprisons them in glass bottles and screws the tops down tight,' my father said. 'He has thousands of these bottles in his cave.'

  'Does he catch bad dreams as well as good ones?'

  'Yes,' my father said. 'He catches both. But he only uses the good ones in his powders.'

  'What does he do with the bad ones?'

  'He explodes them.'

  It is impossible to tell you how much I loved my father. When he was sitting close to me on my bunk I would reach out and slide my hand into his, and then he would fold his long fingers around my fist, holding it tight.

  'What does The BFG do with his powders after he has made them?' I asked.

  'In the dead of night,' my father said, 'he goes prowling through the villages searching for houses where children are asleep. Because of his great height he can reach windows that are one and even two flights up, and when he finds a room with a sleeping child, he opens his suitcase...'

  'His suitcase?' I said.

  'The BFG always carries a suitcase and a blowpipe,' my father said. 'The blowpipe is as long as a lamp-post. The suitcase is for the powders. So he opens the suitcase and selects exactly the right powder... and he puts it into the blowpipe... and he slides the blowpipe in through the open window... and poof... he blows in the powder... and the powder floats around the room... and the child breathes it in...'

  'And then what?' I asked.

  'And then, Danny, the child begins to dream a marvellous and fantastic dream... and when the dream reaches its most marvellous and fantastic moment... then the magic powder really takes over... and suddenly the dream is not a dream any longer but a real happening... and the child is not asleep in bed... he is fully awake and is actually in the place of the dream and is taking part... in the whole thing... I mean really taking part... in real life. More about that tomorrow. It's getting late. Good-night, Danny. Go to sleep.'

  My father kissed me and then he turned down the wick of the little paraffin lamp until the flame went out. He seated himself in front of the wood stove, which now made a lovely red glow in the dark room.

  'Dad,' I whispered.

  'What is it?'

  'Have you ever actually seen The Big Friendly Giant?'

  'Once,' my father said. 'Only once.'

  'You did! Where?'

  'I was out behind the caravan,' my father said, 'and it was a clear moonlit night, and I happened to look up and suddenly I saw this tremendous tall person running along the crest of the hill. He had a queer long-striding lolloping gait and his black cloak was streaming out behind him like the wings of a bird. There was a big suitcase in one hand and a blowpipe in the other, and when he came to the high hawthorn hedge at the end of the field, he just strode over it as though it wasn't there.'

  'Were you frightened, Dad?'

  'No,' my father said. 'It was thrilling to see him, and a little eerie,
but I wasn't frightened. Go to sleep now. Good-night.'

  3

  Cars and Kites and Fire-balloons

  My father was a fine mechanic. People who lived miles away used to bring their cars to him for repair rather than take them to their nearest garage. He loved engines. 'A petrol engine is sheer magic,' he said to me once. 'Just imagine being able to take a thousand different bits of metal... and if you fit them all together in a certain way... and then if you feed them a little oil and petrol... and if you press a little switch... suddenly those bits of metal will all come to life... and they will purr and hum and roar... they will make the wheels of a motor-car go whizzing round at fantastic speeds...'

  It was inevitable that I, too, should fall in love with engines and cars. Don't forget that even before I could walk, the workshop had been my play-room, for where else could my father have put me so that he could keep an eye on me all day long? My toys were the greasy cogs and springs and pistons that lay around all over the place, and these, I can promise you, were far more fun to play with than most of the plastic stuff children are given these days.

  So almost from birth, I began training to be a mechanic.

  But now that I was five years old, there was the problem of school to think about. It was the law that parents must send their children to school at the age of five, and my father knew about this.

  We were in the workshop, I remember, on my fifth birthday, when the talk about school started. I was helping my father to fit new brake linings to the rear wheel of a big Ford when suddenly he said to me, 'You know something interesting, Danny? You must be easily the best five-year-old mechanic in the world.'