DEDICATION
Lauren Oliver Wishes
to Dedicate this Book to
Extraordinary Children Everywhere.
H. C. Chester Wishes
to Dedicate this Book to
His Best Friend, Trudy.
CONTENTS
Dedication
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Epilogue
Books by Lauren Oliver
Copyright
About the Publisher
Ladies and gentlemen, boys and girls: step right up and don’t be shy. You must not—you absolutely cannot!—put this book down.
Yes, I’m speaking to you—you, with the chewing gum and the smudgy fingers. Don’t try to pretend your fingers aren’t smudgy. They are leaving marks even now. It’s okay. Smudgy fingers are quite allowed in the museum.
What museum, you ask? But surely you’ve heard already. You see, within these pages is a museum, and within the museum is a story of wondrous weirdness, of magic and monsters . . . and of four of the most extraordinary children in the world.
Ladies and gentlemen, please don’t push! The doors will open soon enough; the page will turn. I assure you, there is room enough for everybody.
And now, for the rules:
All grown-ups must be accompanied by a child, and disbelievers will be clobbered on the head with an umbrella. Gaping and gawking are strictly encouraged, although pointing is, as always, considered rude. Coat check is on the left, popcorn on the right. Please do not litter, and do not feed the alligator boy.
And now, ladies and gentlemen, boys and girls, children of all ages: welcome to Dumfrey’s Dime Museum of Freaks, Oddities, and Wonders.
COME IN, PLEASE. ST P OUT O THE RAIN.
It had been raining for three straight days, and even the regular customers were staying away. On Thursday, Thomas had the idea of posting a sign on the doors of the museum. By Friday, several letters had blurred away, and the others were running toward the bottom of the page as though attempting a getaway. By Saturday afternoon, the note had turned to a sodden piece of pulp and, driven by the winds into the gutter, was carted away on the underside of a busy man’s leather-soled shoe.
Thomas was bored.
It was only April 20, and he had already read all the books Mr. Dumfrey had bought him for his birthday on April 2, including The Probability of Everything, which was nearly a thousand pages long, and A Short History of Math, which was even longer. So he spent the morning in the attic, playing DeathTrap, a game of his own invention. It was like chess, except that instead of using a checkerboard, it relied on the patterns of a threadbare Persian rug, and instead of pawns, bishops, and knights, the pieces were various things pilfered from the exhibits over the years: a baby kangaroo’s foot, which could only jump spaces; a dented Roman coin that could only be spun or flipped; an old shark’s jaw that didn’t move but conquered pieces that came too close by swallowing them; a scorpion tail that paralyzed other players so they lost a turn; an armadillo toe that could be used by any player, depending on who was in possession of the armadillo shell.
As usual, Thomas had no one to play with, so he had to do both sides.
He flipped the coin and sighed when it landed faceup. That meant he had to move the Egyptian scorpion tail back three swirls in the carpet.
“You should take the armadillo toe.”
Thomas looked up. Philippa, the mentalist, was sprawled across a daybed, watching him.
“What?” he asked. He and Philippa were both twelve, but her dark, almond-shaped eyes, her straight fringe of black bangs, and her sharply pointed chin made her appear much older.
Philippa sighed. “If you move the scorpion there”—she pointed—“you can take the armadillo. Tail takes toe, right?”
Thomas saw that she was right and felt annoyed. “I didn’t know you were playing,” he said. He had grown up with Philippa, but they had never been close.
Philippa shrugged and picked up her book—Mystics, Mind Readers, and Magic, which Thomas had also read and found exceedingly stupid—then rolled onto her back. When she wasn’t looking, Thomas swiped at the armadillo toe with the scorpion’s, sending it skittering off the rug.
He had won again. It would be more exciting if he hadn’t also lost.
He stood up, feeling restless. It was uncommonly quiet, the kind of day that made him feel lazy. Sam was sitting in one of several armchairs in the common area, his hair mostly concealing his face, as it had been ever since he’d discovered his first pimple. An issue of his favorite magazine, Pet World, was open in his lap.
Monsieur Cabillaud, the children’s tutor, was snoring. Having exhausted himself earlier that day in an argument with Philippa over who was to blame for the Thirty Years’ War, he had promptly taken a nap on the sofa with a textbook covering his tiny head.
Phoebe, the fat lady, had retreated to her bedroom. Smalls, the giant, was working on his latest poem and had spent the whole morning repeating “the swallows fly like shadows across the sky” and “like shadows the swallows fly across the sky” and “across the sky, like shadows, swallows fly” and shaking his head.
Danny, the dwarf, had gone next door for a drink. Hugo, the elephant man, was working on a crossword puzzle in the corner. Betty, the bearded lady, was carefully combing and braiding her beard. Goldini, the magician, had been puzzling all afternoon over a new trick but so far had succeeded only in vanishing three quarters somewhere under the sofa cushions. Rain lashed against the large windows, and the glass seemed to be slowly melting into liquid.
The radio was reporting news of another washed-out baseball game. Then the advertisements came on.
“Ladies and gentlemen, boys and girls . . . step right up and don’t be shy! Down at Dumfrey’s Dime Museum is a world of wonder, of wondrous weirdness . . .”
“Turn it down, please,” Philippa said primly. “I’m reading.”
Just to spite her, Thomas stood and turned the radio up a few notches, even though he’d heard the ad a million times at least.
“. . . our brand-new exhibit, guaranteed to knock your socks off and spin your head around in its socket! New York’s only shrunken head! Straight from the Amazon! Delivered only yesterday!”
“Pippa’s right, Thomas,” Betty trilled in her sweet voice. “I’ve had enough talk of that silly head. Uglier than sin, if you ask me!” She swept her long brown beard over one shoulder serenely, stood, and switched off the radio.
In quick succession, like an echo, bells on every floor of the museum began to ding. That meant someone was at the doors.
“I’ll get it!” Thomas said. He didn’t bother with the stairs but threw himself into the air duct, whose cover he kept loose for this reason.
Unlike some of the other performers—Danny, Betty, Andrew—Tho
mas looked completely normal. He was a little short for his age and a little skinny, too. He had a smattering of freckles across his nose, which was stubby, and straw-colored hair that never managed to lie flat. He had vivid green eyes that were, more often than not, trained on a book about mathematics, science, or engineering.
But he wasn’t normal—far from it. Thomas could bend his nose to his toes. He could flex his spine like an anaconda. He could squeeze himself into a space no larger than a child’s suitcase. His bones and joints seemed to be formed of putty.
Now Thomas shimmied down the narrow duct, counting the floors, and sprang free of the grate in the lobby, completely unconscious of the fact that he was sporting a small mass of lint on his head.
Mr. Dumfrey was already opening the doors, saying, “No need for all that fuss, Thomas. I have it.”
Just then, Thomas had the strangest sensation that reality had hit a snag, as though he were watching a play and one of the actors had skipped several lines. Afterward, he was to remember that moment for a very long time: the thin girl standing on the stoop in the rain, with the narrow face and wild curtain of dark hair, and the scar that stretched from her right eyebrow to her right ear, dressed in clothes three times too big for her and clutching a rucksack in one hand; and Mr. Dumfrey, his large, kind face so pale, it looked as though his head had been replaced with a pile of bread dough.
“It can’t be,” he gasped.
The girl frowned. “I heard an ad on the radio. You got a head here, don’t you?”
Dumfrey recovered somewhat. He swallowed loudly. “We have the only shrunken head in all of New York City,” he said grandly. “And the finest collection of freaks, wonders, and curiosities in the world.”
The girl sniffed and looked around the dingy lobby, where Andrew, the alligator boy (who was actually pushing seventy-five and walked with a cane), was playing solitaire behind the admissions desk, and several buckets had been set up to catch the rain where it was dribbling through a leaky window. “You looking for another act?”
“That depends,” Dumfrey said. Thomas noticed he was still gripping the doors, as though worried he might fall over. “What sort of act?”
Thomas did not see the girl reach into her pocket. He saw only the glint of metal in her hand, before, with quick, fluid grace, she rounded on him. He felt a wind whip past him, heard the thud of something on the plaster wall behind him.
Two high points of color had appeared in Dumfrey’s cheeks. He stood, eyes glittering, staring at a spot directly behind Thomas’s head.
Thomas turned.
Embedded in the wall, practically to its hilt, was an evil-looking knife, staked directly in the middle of a small ball of lint.
“You’re hired,” Mr. Dumfrey rasped.
The girl smiled.
The new girl’s name was Mackenzie but she insisted everybody call her Max.
Initially, when Philippa heard a new girl had been hired, she was excited. She wasn’t the only female resident of the museum. There was Betty; Phoebe the fat lady; and the albino twins, Quinn and Caroline (who despised each other). There was also the cook, Mrs. Cobble, and Miss Fitch, the costume maker and general manager, whom nobody liked.
But none of the others really counted, because they were old. She thought maybe she’d at last have someone to talk to.
But one minute with Max changed her mind.
“Humfrey seems nuttier than a box of peanuts,” was the first thing Max said. “He looked at me like he’d just swallowed a toad.”
“His name is Dumfrey,” Pippa said. “And he isn’t nutty. He’s a genius.”
“Oh yeah?” Max dumped her rucksack (dirty, Pippa noticed) on top of the narrow bed next to Pippa’s, which had until this day remained empty. All the performers lived together in the portion of the attic not dedicated to the common room or the washrooms, of which there were two. A mazelike formation of old furniture, folding screens, and clothing racks had been arranged to subdivide the space and give each performer privacy, although many of the residents nonetheless had to share their sleeping quarters to accommodate all the beds. “Then how’d he end up saddled with this dump?”
Already, Pippa was regretting her new roommate. “This dump,” she said, “is one of the very last remaining dime museums in the world. It’s a wonderful and historical place.” Pippa was losing patience. “Why did you come, anyway?”
Max flopped down on her back, seeming not to care at all that she was dirty and the bed was, or had been, clean. “I heard an ad on the radio,” she said. “I’ve been looking for somewhere I can get comfy.” She kicked off her boots and wiggled her toes. There were several large holes in her socks. She sat up on an elbow, sniffing. “What’s that smell?”
“Your feet,” Pippa responded.
“Not that smell.” Max rolled her eyes. “The other one. Like—like—like cat boxes and meatballs.”
Pippa stiffened. “That smell” was the candle Pippa liked to burn before each performance.
“Sandalwood,” she said. “Brings luck.”
“What do you need luck for?” Max said.
Pippa smoothed a wrinkle from her coverlet. She didn’t like the way Max was looking at her. She didn’t like the way Max spoke, either—like one of the street kids who tried to sneak in and try to steal coins from the cashbox, when there were any. “I get stage fright,” she said carefully.
“Stage fright?” Max repeated, as though she’d never heard the words. She propped herself up on one elbow. “For real? What’s your act, anyway?”
Pippa lifted her chin. “I’m a mentalist,” she said stiffly.
“A menta-what?”
“A mentalist,” she repeated. “I know things. About people. I can . . . sense them.”
Max stared at her. “Like . . . you can tell what people are thinking?” She looked suddenly afraid. “Can you tell what I’m thinking?”
Heat crept up Pippa’s neck. “It doesn’t work like that,” she said quickly.
She couldn’t possibly tell Max the truth. That her gift was real—not like the tricks that street performers did, with their setups and sleight of hand, their fake volunteers and their cheap frauds. She really was a mentalist—she just couldn’t control it. Although sometimes she could feel other minds, pushing like alien blobs against her own, the only thing she had ever consistently been able to decipher was what a person was carrying in his coat pockets or in her handbag or—occasionally!—what kind of undershirt a person was wearing. And even that was blocked sometimes—like when Pippa was scared or angry. Or when she had stage fright.
That’s why she needed the candle.
Max was obviously unconvinced. She crossed her arms. “How does it work, then?”
Fortunately, Pippa was prevented from replying by Potts, the janitor. He lumbered past the Japanese screens, hat pulled low over his eyes, without bothering to tap or even cough.
“Downstairs with you,” he said. As usual, he spat out the words, as though they carried their own particular bad taste and he had to get rid of them as quickly as possible. “It’s six o’clock already. Almost showtime.”
Dumfrey’s Dime Museum was, from the outside, easy to miss. The four-story brick building, originally a combination art school and gallery called the New York Cultural Academy, was sandwiched between Eli’s Barbershop and the St. Edna Hotel, like an awkward middle child getting squeezed to death by its two prettier, more impressive siblings.
Inside, however, the museum was unlike any other in all the world—at least, that’s what was written on the illustrated guide to the museum available for purchase at the ticket desk. (Welcome to Dumfrey’s Dime Museum, the guide said, a Museum Unlike Any Other in All the World, Featuring the Largest Collection of Oddities, the Strangest Assortment of Freaks, and Novel and Astounding Exhibitions Comprising More Than One Thousand Curiosities from Every Portion of the Globe!!! And for those who still doubted it, an enormous banner stretched above the lobby repeated the information.)
br /> In addition to the coat check and refreshment stand—which sold gumdrops, caramel-coated popcorn, and root beer—the first floor housed two exhibition spaces. One was the Odditorium, where the live performances took place. The other was the Hall of Worldwide Wonders, which contained more than one hundred items hand-selected by Mr. Dumfrey, including an Eskimo seal-hunting spear, the headdress of a pygmy witch doctor, and a carved wooden platter used by Polynesian cannibals; and a large, open gallery of glassed-in exhibit cases, containing everything from a tiny doll-like figure floating in a jar of alcohol, said to be a genuine changeling baby from the British Isles, to a mummified cat found in King Tut’s tomb.
Tucked next to the Hall of Worldwide Wonders was a smaller room dedicated to special exhibits; inside it was the staircase that led down to the kitchen in the basement, and a bedroom concealed away behind a false bookshelf where the cook, Mrs. Cobble, slept.
On the second floor was the Gallery of Historical and Scientific Rarities as well as the Hall of Wax, which Pippa tried to avoid. She had never been able to stomach the curious blank look of the modeled faces, all of them fashioned by the famous sculptor Siegfried “Freckles” Eckleberger, whom Pippa had known since she was a baby. She loved Freckles but hated his wax figures; they were too real, and she could never shake the idea that they might come to life at any second and reach for her. In particular, she despised the chamber of horrors, where visitors could see famous crimes reconstructed in wax. Max, on the other hand, immediately declared that the statue of Lizzie Borden clutching an ax was her favorite.
In the tableau of Adam and Eve was a small door concealed behind the Tree of Knowledge; this led to the costume room and Miss Fitch’s quarters, dominated by ancient sewing machines, heaps of fabric, and racks of costumes for performances both past and future.
On the third floor was the Grand Salon of Living Curiosities. Beyond the Authentic Preserved Two-Headed Calf!, whose second head was constantly having to be reattached with adhesive, a small door marked Private gave access to the performers’ staircase and to Mr. Dumfrey’s office. This last room was cluttered with various items removed from or rotating out of the exhibits. It was not uncommon to see Mr. Dumfrey scribbling off a note with the pen that Thomas Jefferson had once used to sign the Declaration of Independence. Then came the attic on the fourth floor, crowded with box springs and wardrobes, creaky beds and overstuffed armchairs, where the performers lived happily among dozens of pieces of stump-legged furniture and cast-off oddities, including, in one corner, a moth-eaten stuffed grizzly bear rearing up on its hind legs.