"Train scare you much, Vern?"
"No," Vern said. "I was gonna squat when we got acrosst, anyway, I hadda take a squat, you know?"
"Verrrrrrrn?" Chris and Teddy chorused.
"Come on, you guys, I did. Sincerely."
"Then you won't mind if we examine the seat of your Jockeys for Hershey-squirts, willya?" Teddy asked, and Vern laughed, finally understanding that he was getting ribbed.
"Go screw."
Chris turned to me. "That train scare you, Gordie?"
"Nope," I said, and sipped my Coke.
"Not much, you sucker." He punched my arm.
"Sincerely! I wasn't scared at all."
"Yeah? You wasn't scared?" Teddy was looking me over carefully.
"No. I was fuckin petrified."
This slew all of them, even Vern, and we laughed long and hard. Then we just lay back, not goofing anymore, just drinking our Cokes and being quiet. My body felt warm, exercised, at peace with itself. Nothing in it was working crossgrain to anything else. I was alive and glad to be. Everything seemed to stand out with a special dearness, and although I never could have said that out loud I didn't think it mattered--maybe that sense of dearness was something I wanted just for myself.
I think I began to understand a little bit that day what makes men become daredevils. I paid twenty dollars to watch Evel Kneivel attempt his jump over the Snake River Canyon a couple of years ago and my wife was horrified. She told me that if I'd been born a Roman I would have been right there in the Colosseum, munching grapes and watching as the lions disemboweled the Christians. She was wrong, although it was hard for me to explain why (and, really, I think she thought I was just jiving her). I didn't cough up that twenty to watch the man die on coast-to-coast closed-circuit TV, although I was quite sure that was exactly what was going to happen. I went because of the shadows that are always somewhere behind our eyes, because of what Bruce Springsteen calls the darkness on the edge of town in one of his songs, and at one time or another I think everyone wants to dare that darkness in spite of the jalopy bodies that some joker of a God gave us human beings. No ... not in spite of our jalopy bodies but because of them.
"Hey, tell that story," Chris said suddenly, sitting up.
"What story?" I asked, although I guess I knew.
I always felt uncomfortable when the talk turned to my stories, although all of them seemed to like them--wanting to tell stories, even wanting to write them down ... that was just peculiar enough to be sort of cool, like wanting to grow up to be a sewer inspector or a Grand Prix mechanic. Richie Jenner, a kid who hung around with us until his family moved to Nebraska in 1959, was the first one to find out that I wanted to be a writer when I grew up, that I wanted to do that for my full-time job. We were up in my room, just fooling around, and he found a bunch of handwritten pages under the comic books in a carton in my closet. What's this? Richie asks. Nothin, I say, and try to grab them back. Richie held the pages up out of reach ... and I must admit that I didn't try very hard to get them back. I wanted him to read them and at the same time I didn't--an uneasy mix of pride and shyness that has never changed in me very much when someone asks to look. The act of writing itself is done in secret, like masturbation--oh, I have one friend who has done things like write stories in the display windows of bookshops and department stores, but this is a man who is nearly crazy with courage, the kind of man you'd like to have with you if you just happened to fall down with a heart attack in a city where no one knew you. For me, it always wants to be sex and always falls short--it's always that adolescent handjob in the bathroom with the door locked.
Richie sat right there on the end of my bed for most of the afternoon reading his way through the stuff I had been doing, most of it influenced by the same sort of comic books as the ones that had given Vern nightmares. And when he was done, Richie looked at me in a strange new way that made me feel very peculiar, as if he had been forced to re-appraise my whole personality. He said: You're pretty good at this. Why don't you show these to Chris? I said no, I wanted it to be a secret, and Richie said: Why? It ain't pussy. You ain't no queer. I mean, it ain't poetry.
Still, I made him promise not to tell anybody about my stories and of course he did and it turned out most of them liked to read the stuff I wrote, which was mostly about getting burned alive or some crook coming back from the dead and slaughtering the jury that had condemned him in Twelve Interesting Ways or a maniac that went crazy and chopped a lot of people into veal cutlets before the hero, Curt Cannon, "cut the subhuman, screeching madman to pieces with round after round from his smoking .45 automatic."
In my stories, there were always rounds. Never bullets.
For a change of pace, there were the Le Dio stories. Le Dio was a town in France, and during 1942, a grim squad of tired American dogfaces were trying to retake it from the Nazis (this was two years before I discovered that the Allies didn't land in France until 1944). They went on trying to retake it, fighting their way from street to street, through about forty stories which I wrote between the ages of nine and fourteen. Teddy was absolutely mad for the Le Dio stories, and I think I wrote the last dozen or so just for him--by then I was heartily sick of Le Dio and writing things like Mon Dieu and Cherchez le Boche! and Fermez le porte! In Le Dio, French peasants were always hissing to GI dogfaces to Fermez le porte! But Teddy would hunch over the pages, his eyes big, his brow beaded with sweat, his face twisting. There were times when I could almost hear air-cooled Brownings and whistling 88s going off in his skull. The way he clamored for more Le Dio stories was both pleasing and frightening.
Nowadays writing is my work and the pleasure has diminished a little, and more and more often that guilty, masturbatory pleasure has become associated in my head with the coldly clinical images of artificial insemination: I come according to the rules and regs laid down in my publishing contract. And although no one is ever going to call me the Thomas Wolfe of my generation, I rarely feel like a cheat: I get it off as hard as I can every fucking time. Doing less would, in an odd way, be like going faggot--or what that meant to us back then. What scares me is how often it hurts these days. Back then I was sometimes disgusted by how damned good it felt to write. These days I sometimes look at this typewriter and wonder when it's going to run out of good words. I don't want that to happen. I guess I can stay cool as long as I don't run out of good words, you know?
"What's this story?" Vern asked uneasily. "It ain't a horror story, is it, Gordie? I don't think I want to hear no horror stories. I'm not up for that, man."
"No, it ain't a horror," Chris said. "It's really funny. Gross, but funny. Go on, Gordie. Hammer that fucker to us."
"Is it about Le Dio?" Teddy asked.
"No, it ain't about Le Dio, you psycho," Chris said, and rabbit-punched him. "It's about this pie-eatin contest."
"Hey, I didn't even write it down yet," I said.
"Yeah, but tell it."
"You guys want to hear it?"
"Sure," Teddy said. "Boss."
"Well, it's about this made-up town. Gretna, I call it. Gretna, Maine."
"Gretna?" Vern said, grinning. "What kind of name is that? There ain't no Gretna in Maine."
"Shut up, fool," Chris said. "He just toldja it was made-up, didn't he?"
"Yeah, but Gretna, that sounds pretty stupid--"
"Lots of real towns sound stupid," Chris said. "I mean, what about Alfred, Maine? Or Saco, Maine? Or Jerusalem's Lot? Or Castle-fuckin-Rock? There ain't no castle here. Most town names are stupid. You just don't think so because you're used to em. Right, Gordie?"
"Sure," I said, but privately I thought Vern was right--Gretna was a pretty stupid name for a town. I just hadn't been able to think of another one. "So anyway, they're having their annual Pioneer Days, just like in Castle Rock--"
"Yeah, Pioneer Days, that's a fuckin blast," Vern said earnestly.
"I put my whole family in that jail on wheels they have, even fuckin Billy. It was only for half an hour an
d it cost me my whole allowance but it was worth it just to know where that sonofawhore was--"
"Will you shut up and let him tell it?" Teddy hollered.
Vern blinked. "Sure. Yeah. Okay."
"Go on, Gordie," Chris said.
"It's not really much--"
"Naw, we don't expect much from a wet end like you," Teddy said, "but tell it anyway."
I cleared my throat. "So anyway. It's Pioneer Days, and on the last night they have these three big events. There's an egg-roll for the little kids and a sack-race for kids that are like eight or nine, and then there's the pie-eating contest. And the main guy of the story is this fat kid nobody likes named Davie Hogan."
"Like Charlie Hogan's brother if he had one," Vern said, and then shrank back as Chris rabbit-punched him again.
"This kid, he's our age, but he's fat. He weighs like one-eighty and he's always gettin beat up and ranked out. And all the kids, instead of callin him Davie, they call him Lard Ass Hogan and rank him out wherever they get the chance."
They nodded respectfully, showing the proper sympathy for Lard Ass, although if such a guy ever showed up in Castle Rock, we all would have been out teasing him and ranking him to the dogs and back.
"So he decides to take revenge because he's, like, fed up, you know? He's only in the pie-eating contest, but that's like the final event during Pioneer Days and everyone really digs it. The prize is five bucks--"
"So he wins it and gives the finger to everybody!" Teddy said. "Boss!"
"No, it's better than that," Chris said. "Just shut up and listen."
"Lard Ass figures to himself, five bucks, what's that? If anybody remembers anything at all in two weeks, it'll just be that fuckin pig Hogan out-ate everybody, well, it figures, let's go over his house and rank the shit out of him, only now we'll call him Pie Ass instead of Lard Ass."
They nodded some more, agreeing that Davie Hogan was a thinking cat. I began to warm to my own story.
"But everybody expects him to enter the contest, you know. Even his mom and dad. Hey, they practically got that five bucks spent for him already."
"Yeah, right," Chris said.
"So he's thinkin about it and hating the whole thing, because being fat isn't really his fault. See, he's got these weird fuckin glands, somethin, and--"
"My cousin's like that!" Vern said excitedly. "Sincerely! She weighs close to three hundred pounds! Supposed to be Hyboid Gland or somethin like that. I dunno about her Hyboid Gland, but what a fuckin blimp, no shit, she looks like a fuckin Thanksgiving turkey, and this one time--"
"Will you shut the fuck up, Vern?" Chris cried violently. "For the last time! Honest to God!" He had finished his Coke and now he turned the hourglass-shaped green bottle upside down and brandished it over Vern's head.
"Yeah, right, I'm sorry. Go on, Gordie. It's a swell story." I smiled. I didn't really mind Vern's interruptions, but of course I couldn't tell Chris that; he was the self-appointed Guardian of Art.
"So he's turnin it over in his mind, you know, the whole week before the contest. At school, kids keep comin up to him and sayin: Hey Lard Ass, how many pies ya gonna eat? Ya gonna eat ten? Twenty? Fuckin eighty? And Lard Ass, he says: How should I know. I don't even know what kind they are. And see, there's quite a bit of interest in the contest because the champ is this grownup whose name is, uh, Bill Traynor, I guess. And this guy Traynor, he ain't even fat. In fact, he's a real stringbean. But he can eat pies like a whiz, and the year before he ate six pies in five minutes."
"Whole pies?" Teddy asked, awe-struck.
"Right you are. And Lard Ass, he's the youngest guy to ever be in the contest."
"Go, Lard Ass!" Teddy cried excitedly. "Scoff up those fuckin pies!"
"Tell em about the other guys in it," Chris said.
"Okay. Besides Lard Ass Hogan and Bill Traynor, there was Calvin Spier, the fattest guy in town--he ran the jewelry store--"
"Gretna Jewels," Vern said, and snickered. Chris gave him a black look.
"And then there's this guy who's a disc jockey at a radio station up in Lewiston, he ain't exactly fat but he's sorta chubby, you know. And the last guy was Hubert Gretna the Third, who was the principal of Lard Ass Hogan's school."
"He was eatin against his own princibal?" Teddy asked.
Chris clutched his knees and rocked back and forth joyfully. "Ain't that great? Go on, Gordie!"
I had them now. They were all leaning forward. I felt an intoxicating sense of power. I tossed my empty Coke bottle into the woods and scrunched around a little bit to get comfortable. I remember hearing the chickadee again, off in the woods, farther away now, lifting its monotonous, endless call into the sky: dee-dee-dee-dee ...
"So he gets this idea," I said. "The greatest revenge idea a kid ever had. The big night comes--the end of Pioneer Days. The pie-eating contest comes just before the fireworks. The Main Street of Gretna has been closed off so people can walk around in it, and there's this big platform set up right in the street. There's bunting hanging down and a big crowd in front. There's also a photographer from the paper, to get a picture of the winner with blueberries all over his face, because it turned out to be blueberry pies that year. Also, I almost forgot to tell you this, they had to eat the pies with their hands tied behind their backs. So, dig it, they come up onto the platform ..."
16
From The Revenge of Lard Ass Hogan, by Gordon Lachance. Originally published in Cavalier magazine, March, 1975. Used by permission.
They came up onto the platform one by one and stood behind a long trestle table covered with a linen cloth. The table was stacked high with pies and stood at the edge of the platform. Above it were looped necklaces of bare 100-watt bulbs, moths and night-fliers banging softly against them and haloing them. Above the platform, bathed in spotlights, was a long sign which read: THE GREAT GRETNA PIE-EAT OF 1960! To either side of this sign hung battered loudspeakers, supplied by Chuck Day of the Great Day Appliance Shop. Bill Travis, the reigning champion, was Chuck's cousin.
As each contestant came up, his hands bound behind him and his shirtfront open, like Sydney Carton on his way to the guillotine, Mayor Charbonneau would announce his name over Chuck's PA system and tie a large white bib around his neck. Calvin Spier received token applause only; in spite of his belly, which was the size of a twenty-gallon waterbarrel, he was considered an underdog second only to the Hogan kid (most considered Lard Ass a comer, but too young and inexperienced to do much this year).
After Spier, Bob Cormier was introduced. Cormier was a disc jockey who did a popular afternoon program at WLAM in Lewiston. He got a bigger hand, accompanied by a few screams from the teenaged girls in the audience. The girls thought he was "cute." John Wiggins, principal of Gretna Elementary School, followed Cormier. He received a hearty cheer from the older section of the audience--and a few scattered boos from the fractious members of his student body. Wiggins managed to beam paternally and frown sternly down on the audience at the same time.
Next, Mayor Charbonneau introduced Lard Ass.
"A new participant in the annual Great Gretna Pie-Eat, but one we expect great things from in the future ... young Master David Hogan!" Lard Ass got a big round of applause as Mayor Charbonneau tied on his bib, and as it was dying away, a rehearsed Greek chorus just beyond the reach of the 100-watt bulbs cried out in wicked unison: "Go-get-'em-Lard-Ass!"
There were muffled shrieks of laughter, running footsteps, a few shadows that no one could (or would) identify, some nervous laughter, some judicial frowns (the largest from Hizzoner Charbonneau, the most visible figure of authority). Lard Ass himself appeared to not even notice. The small smile greasing his thick lips and creasing his thick chops did not change as the Mayor, still frowning largely, tied his bib around his neck and told him not to pay any attention to fools in the audience (as if the Mayor had even the faintest inkling of what monstrous fools Lard Ass Hogan had suffered and would continue to suffer as he rumbled through life like a Nazi Tiger tank). T
he Mayor's breath was warm and smelled of beer.
The last contestant to mount the bunting-decorated stage drew the loudest and most sustained applause; this was the legendary Bill Travis, six feet five inches tall, gangling, voracious. Travis was a mechanic at the local Amoco station down by the railyard, a likeable fellow if there ever was one.
It was common knowledge around town that there was more involved in the Great Gretna Pie-Eat than a mere five dollars--at least, for Bill Travis there was. There were two reasons for this. First, people always came by the station to congratulate Bill after he won the contest, and most everyone who came to congratulate stayed to get his gas-tank filled. And the two garage-bays were sometimes booked up for a solid month after the contest. Folks would come in to get a muffler replaced or their wheelbearings greased, and would sit in the theater chairs ranged along one wall (Jerry Maling, who owned the Amoco, had salvaged them from the old Gem Theater when it was torn down in 1957), drinking Cokes and Moxies from out of the machine and gassing with Bill about the contest as he changed sparkplugs or rolled around on a crawlie-wheelie under someone's international Harvester pickup, looking for holes in the exhaust system. Bill always seemed willing to talk, which was one of the reasons he was so well-liked in Gretna.
There was some dispute around town as to whether Jerry Maling gave Bill a flat bonus for the extra business his yearly feat (or yearly eat, if you prefer) brought in, or if he got an out-and-out raise. Whatever way it was, there could be no doubt that Travis did much better than most small-town wrench jockies. He had a nice-looking two-story ranch out on the Sabbatus Road, and certain snide people referred to it as "the house that pies built." That was probably an exaggeration, but Bill had it coming another way--which brings us to the second reason there was more in it for Travis than just five dollars.
The Pie-Eat was a hot wagering event in Gretna. Perhaps most people only came to laugh, but a goodly minority also came to lay their money down. Contestants were observed and discussed by these bettors as ardently as thoroughbreds are observed and discussed by racing touts. The wagerers accosted contestants' friends, relatives, even mere acquaintances. They pried out any and all details concerning the contestants' eating habits. There was always a lot of discussion about that year's official pie--apple was considered a "heavy" pie, apricot a "light" one (although a contestant had to resign himself to a day or two of the trots after downing three or four apricot pies). That year's official pie, blueberry, was considered a happy medium. Bettors, of course, were particularly interested in their man's stomach for blueberry dishes. How did he do on blueberry buckle? Did he favor blueberry jam over strawberry preserves? Had he been known to sprinkle blueberries on his breakfast cereal, or was he strictly a bananas-and-cream sort of fellow?