“No,” Shreve said; “you wait. Let me play a while now. Now, Wash. Him (the demon) standing there with the horse, the saddled charger, the sheathed sabre, the gray waiting to be laid peaceful away among the moths and all lost save dishonor: then the voice of the faithful grave-digger who opened the play and would close it, coming out of the wings like Shakespeare’s very self: ‘Well, Kernel, they mought have whupped us but they aint kilt us yit, air they?’——” This was not flippancy either. It too was just that protective coloring of levity behind which the youthful shame of being moved hid itself, out of which Quentin also spoke, the reason for Quentin’s sullen bemusement, the (on both their parts) flipness, the strained clowning: the two of them, whether they knew it or not, in the cold room (it was quite cold now) dedicated to that best of ratiocination which after all was a good deal like Sutpen’s morality and Miss Coldfield’s demonising—this room not only dedicated to it but set aside for it and suitably so since it would be here above any other place that it (the logic and the morality) could do the least amount of harm;—the two of them back to back as though at the last ditch, saying No to Quentin’s Mississippi shade who in life had acted and reacted to the minimum of logic and morality, who dying had escaped it completely, who dead remained not only indifferent but impervious to it, somehow a thousand times more potent and alive. There was no harm intended by Shreve and no harm taken, since Quentin did not even stop. He did not even falter, taking Shreve up in stride without comma or colon or paragraph:
“——no reserve to risk a spotting shot with now so he started this one like you start a rabbit out of a brier patch, with a little chunk of dried mud thrown by hand. Maybe it was the first string of beads out of his and Wash’s little store where he would get mad at his customers, the niggers and the trash and the haggling, and turn them out and lock the door and drink himself blind. And maybe Wash delivered the beads himself, Father said, that was down at the gate when he rode back from the war that day, that after he went away with the regiment would tell folks that he (Wash) was looking after Kernel’s place and niggers until after a while maybe he even believed it. Father’s mother said how when the Sutpen niggers first heard about what he was saying, they would stop him in the road that came up out of the bottom where the old fishing camp was that Sutpen let him and the granddaughter (she was about eight then) live in. There would be too many of them for him to whip them all, to even try to, risk trying to: and they would ask him why he wasn’t at the war and he would say, ‘Git outen my road, niggers!’ and then it would be the outright laughing, asking one another (except it was not one another but him): ‘Who him, calling us niggers?’ and he would rush at them with a stick and them avoiding him just enough, not mad at all, just laughing. And he was still carrying fish and animals he killed (or maybe stole) and vegetables up to the house when that was about all Mrs Sutpen and Judith (and Clytie too) had to live on, and Clytie would not let him come into the kitchen with the basket even, saying, ‘Stop right there, white man. Stop right where you is. You aint never crossed this door while Colonel was here and you aint going to cross it now.’ Which was true, only Father said there was a kind of pride in it: that he had never tried to enter the house, even though he believed that if he had tried, Sutpen would not have let them repulse him; like (Father said) he might have said to himself The reason I wont try it aint that I refuse to give any black nigger the chance to tell me I cant but because I aint going to force Mister Tom to have to cuss a nigger or take a cussing from his wife on my account But they would drink together under the scuppernong arbor on the Sunday afternoons, and on the week days he would see Sutpen (the fine figure of the man as he called it) on the black stallion, galloping about the plantation, and Father said how for that moment Wash’s heart would be quiet and proud both and that maybe it would seem to him that this world where niggers, that the Bible said had been created and cursed by God to be brute and vassal to all men of white skin, were better found and housed and even clothed than he and his granddaughter—that this world where he walked always in mocking and jeering echoes of nigger laughter, was just a dream and an illusion and that the actual world was the one where his own lonely apotheosis (Father said) galloped on the black thoroughbred, thinking maybe, Father said, how the Book said that all men were created in the image of God and so all men were the same in God’s eyes anyway, looked the same to God at least, and so he would look at Sutpen and think A fine proud man. If God Himself was to come down and ride the natural earth, that’s what He would aim to look like. Maybe he even delivered the first string of beads himself, and Father said maybe each of the ribbons afterward during the next three years while the girl matured fast like girls of that kind do; or anyway he would know and recognise each and every ribbon when he saw it on her even when she lied to him about where and how she got it, which she probably did not, since she would be bound to know that he had been seeing the ribbons in the showcase every day for three years and would have known them as well as he knew his own shoes. And not only he knew them, but all the other men, the customers and the loungers, the white and the black that would be sitting and squatting about the store’s gallery to watch her pass, not quite defiant and not quite cringing and not quite flaunting the ribbons and the beads, but almost; not quite any of them but a little of all: bold sullen and fearful. But Father said how Wash’s heart was probably still quiet even after he saw the dress and spoke about it, probably only a little grave now and watching her secret defiant frightened face while she told him (before he had asked, maybe too insistent, too quick to volunteer it) that Miss Judith had given it to her, helped her to make it: and Father said maybe he realised all of a sudden and without warning that when he passed the men on the gallery they would look after him too and that they already knew that which he had just thought they were probably thinking. But Father said his heart was still quiet, even now, and that he answered, if he answered at all, stopped the protestations and disclaimers at all: ‘Sho, now. Ef Kernel and Miss Judith wanted to give hit to you, I hope you minded to thank them.’—Not alarmed, Father said: just thoughtful, just grave; and Father said how that afternoon Grandfather rode out to see Sutpen about something and there was nobody in the front of the store and he was about to go out and go up to the house when he heard the voices from the back and he walked on toward them and so he overheard them before he could begin to not listen and before he could make them hear him calling Sutpen’s name. Grandfather couldn’t see them yet, he hadn’t even got to where they could hear him yet, but he said he knew exactly how they would be: Sutpen having already told Wash to get the jug out and then Wash spoke and Sutpen beginning to turn, realising that Wash wasn’t getting the jug before he comprehended the import of what Wash was saying, then comprehending that and still half turned and then all of a sudden kind of reared back and flinging his head up, looking at Wash and Wash standing there, not cringing either, in that attitude dogged and quiet and not cringing, and Sutpen said, ‘What about the dress?’ and Grandfather said it was Sutpen’s voice that was short and sharp: not Wash’s; that Wash’s voice was just flat and quiet, not abject: just patient and slow: ‘I have knowed you for going on twenty years now. I aint never denied yit to do what you told me to do. And I’m a man past sixty. And she aint nothing but a fifteen-year-old gal.’ and Sutpen said, ‘Meaning that I’d harm the girl? I, a man as old as you are?’ and Wash: ‘If you was arra other man, I’d say you was as old as me. And old or no old, I wouldn’t let her keep that dress nor nothing else that come from your hand. But you are different.’ and Sutpen: ‘How different?’ and Grandfather said how Wash did not answer and that he called again now and neither of them heard him; and then Sutpen said: ‘So that’s why you are afraid of me?’ and Wash said, ‘I aint afraid. Because you are brave. It aint that you were a brave man at one second or minute or hour of your life and got a paper to show hit from General Lee. But you are brave, the same as you are alive and breathing. That’s where it’s different. Hit dont need no ticket
from nobody to tell me that. And I know that whatever your hands tech, whether hit’s a regiment of men or a ignorant gal or just a hound dog, that you will make hit right.’ Then Grandfather heard Sutpen move, sudden and sharp, and Grandfather said he reckoned, thought just about what he imagined Wash was thinking. But all Sutpen said was, ‘Get the jug.’—‘sho, Kernel,’ Wash said.
“So that Sunday came, a year after that day and three years after he had suggested to Miss Rosa that they try it first and if it was a boy and lived, they would be married. It was before daylight and he was expecting his mare to foal to the black stallion, so when he left the house before day that morning Judith thought he was going to the stable, who knew what and how much about her father and Wash’s granddaughter nobody knew, how much she could not have helped but know from what Clytie must have known (may have or may not have told her, whether or no) since everybody else white or black in the neighborhood knew who had ever seen the girl pass in the ribbons and beads which they all recognised, how much she may have refused to discover during the fitting and sewing of that dress (Father said Judith actually did this; this was no lie that the girl told Wash: the two of them alone all day long for about a week in the house: and what they must have talked about, what Judith must have talked about while the girl stood around in what she possessed to call under clothes, with her sullen defiant secret watchful face, answering what, telling what that Judith may or may not have tried to shut her eyes to, nobody knew). So it was not until he failed to return at dinner time that she went or sent Clytie to the stable and found that the mare had foaled in the night but that her father was not there. And it was not until midafternoon that she found a halfgrown boy and paid him a nickel to go down to the old fish camp and ask Wash where Sutpen was, and the boy walked whistling around the corner of the rotting cabin and saw maybe the scythe first, maybe the body first lying in the weeds which Wash had not yet cut, and as he screamed he looked up and saw Wash in the window, watching him. Then about a week later they caught the nigger, the midwife, and she told how she didn’t know that Wash was there at all that dawn when she heard the horse and then Sutpen’s feet and he came in and stood over the pallet where the girl and the baby were and said, ‘Penelope—(“that was the mare”)—foaled this morning. A damned fine colt. Going to be the spit and image of his daddy when I rode him North in ’61. Do you remember?’ and the old nigger said she said, ‘Yes, Marster’ and that he jerked the riding whip toward the pallet and said, ‘Well? Damn your black hide: horse or mare?’ and that she told him and that he stood there for a minute and he didn’t move at all, with the riding whip against his leg and the lattices of sunlight from the unchinked wall falling upon him, across his white hair and his beard that hadn’t turned at all yet, and she said she saw his eyes and then his teeth inside his beard and that she would have run then only she couldn’t, couldn’t seem to make her legs bear to get up and run: and then he looked at the girl on the pallet again and said, ‘Well, Milly; too bad you’re not a mare too. Then I could give you a decent stall in the stable’ and turned and went out. Only she could not move even yet, and she didn’t even know that Wash was outside there; she just heard Sutpen say, ‘Stand back, Wash. Dont you touch me’: and then Wash, his voice soft and hardly loud enough to reach her: ‘I’m going to tech you, Kernel’: and Sutpen again: ‘Stand back, Wash!’ sharp now, and then she heard the whip on Wash’s face but she didn’t know if she heard the scythe or not because now she found out that she could move, get up, run out of the cabin and into the weeds, running——”
“Wait,” Shreve said; “wait. You mean that he had got the son at last that he wanted, yet still he——”
“——walked the three miles and back before midnight to fetch the old nigger, then sat on the sagging gallery until daylight came and the granddaughter stopped screaming inside the cabin and he even heard the baby once, waiting for Sutpen. And Father said his heart was quiet then too, even though he knew what they would be saying in every cabin about the land by nightfall, just as he had known what they were saying during the last four or five months while his granddaughter’s condition (which he had never tried to conceal) could no longer be mistaken: Wash Jones has fixed old Sutpen at last. It taken him twenty years to do it, but he has got a holt of old Sutpen at last where Sutpen will either have to tear meat or squeal That’s what Father said he was thinking while he waited outside on the gallery where the old nigger had sent him, ordered him out, standing there maybe by the very post where the scythe had leaned rusting for two years, while the granddaughter’s screams came steady as a clock now but his own heart quiet, not at all concerned nor alarmed; and Father said that maybe while he stood befogged in his fumbling and groping (that morality of his that was a good deal like Sutpen’s, that told him he was right in the face of all fact and usage and everything else) which had always been somehow mixed up and involved with galloping hooves even during the old peace that nobody remembered, and in which during the four years of the war which he had not attended the galloping had been only the more gallant and proud and thunderous;—Father said that maybe he got his answer; that maybe there broke free and plain in midgallop against the yellow sky of dawn the fine proud image of the man on the fine proud image of the stallion and that the fumbling and the groping broke clear and free too, not in justification or explanation or extenuation or excuse, Father said, but as the apotheosis lonely, explicable, beyond all human fouling: He is bigger than all them Yankees that killed us and ourn, that killed his wife and widowed his daughter and druv his son from home, that stole his niggers and ruined his land; bigger than this whole county that he fit for and in payment for which has brung him to keeping a little country store for his bread and meat; bigger than the scorn and denial which hit helt to his lips like the bitter cup in the Book. And how could I have lived nigh to him for twenty years without being touched and changed by him? Maybe I am not as big as he is and maybe I did not do any of the galloping. But at least I was drug along where he went. And me and him can still do hit and will ever so, if so be he will show me what he aims for me to do; and maybe still standing there and holding the stallion’s reins after Sutpen had entered the cabin, still hearing the galloping, watching the proud galloping image merge and pass, galloping through avatars which marked the accumulation of years, time, to the fine climax where it galloped without weariness or progress, forever and forever immortal beneath the brandished sabre and the shot-torn flags rushing down a sky in color like thunder; stood there and heard Sutpen inside the house speak his single sentence of salutation inquiry and farewell to the granddaughter, and Father said that for a second Wash must not have felt the very earth under his feet while he watched Sutpen emerge from the house, the riding whip in his hand, thinking quietly, like in a dream: I kaint have heard what I know I heard. I just know I kaint thinking That was what got him up. It was that colt. It aint me or mine either. It wasn’t even his own that got him out of bed maybe feeling no earth, no stability, even yet, maybe not even hearing his own voice when Sutpen saw his face (the face of the man who in twenty years he had no more known to make any move save at command than he had the stallion which he rode) and stopped: ‘You said if she was a mare you could give her a decent stall in the stable’, maybe not even hearing Sutpen when he said, sudden and sharp: ‘Stand back. Dont you touch me’ only he must have heard that because he answered it: ‘I’m going to tech you, Kernel’ and Sutpen said ‘Stand back, Wash’ again before the old woman heard the whip. Only there were two blows with the whip; they found the two welts on Wash’s face that night. Maybe the two blows even knocked him down; maybe it was while he was getting up that he put his hand on the scythe——”