“ ‘Think of the children,’ papa said.
“ ‘Think?’ Ellen said. ‘What else do I do? What else do I lie awake at night and do but think of them?’ Neither papa nor Ellen said Come back home. No: This occurred before it became fashionable to repair your mistakes by turning your back on them and running. It was just the two quiet voices beyond that blank door which might have been discussing something printed in a magazine; and I, a child standing close beside that door because I was afraid to be there but more afraid to leave it, standing motionless beside that door as though trying to make myself blend with the dark wood and become invisible, like a chameleon, listening to the living spirit, presence, of that house, since some of Ellen’s life and breath had now gone into it as well as his, breathing away in a long neutral sound of victory and despair, of triumph and terror too.
“ ‘Do you love this——–’ papa said.
“ ‘Papa,’ Ellen said. That was all. But I could see her face then as clearly as papa could have, with that same expression which it had worn in the carriage on that first Sunday and the others. Then a servant came and said our buggy was ready.
“Yes. From themselves. Not from him, not from anybody, just as nobody could have saved them, even himself. Because he now showed us why that triumph had been beneath his notice. He showed Ellen, that is: not I. I was not there; it was six years now, during which I had scarcely seen him. Our aunt was gone now and I was keeping house for papa. Perhaps once a year papa and I would go out there and have dinner, and maybe four times a year Ellen and the children would come in and spend the day with us. Not he; that I know of, he never entered this house again after he and Ellen married. I was young then; I was even young enough to believe that this was due to some stubborn coal of conscience, if not remorse, even in him. But I know better now. I know now that it was simply because since papa had given him respectability through a wife there was nothing else he could want from papa and so not even sheer gratitude, let alone appearances, could force him to forego his own pleasure to the extent of taking a family meal with his wife’s people. So I saw little of them. I did not have time now to play, even if I had ever had any inclination. I had never learned how and I saw no reason to try to learn now even if I had had the time.
“So it was six years now, though it was actually no secret to Ellen since it had apparently been going on ever since he drove the last nail in the house, the only difference between now and the time of his bachelorhood being that now they would hitch the teams and saddle horses and mules in the grove beyond the stable and so come up across the pasture unseen from the house. Because there were plenty of them still; it was as if God or the devil had taken advantage of his very vices in order to supply witnesses to the discharge of our curse not only from among gentlefolks, our own kind, but from the very scum and riffraff who could not have approached the house itself under any other circumstances, not even from the rear. Yes, Ellen and those two children alone in that house twelve miles from town, and down there in the stable a hollow square of faces in the lantern light, the white faces on three sides, the black ones on the fourth, and in the center two of his wild negroes fighting, naked, fighting not like white men fight, with rules and weapons, but like negroes fight to hurt one another quick and bad. Ellen knew that, or thought she did; that was not it. She accepted that—not reconciled: accepted—as though there is a breathing-point in outrage where you can accept it almost with gratitude since you can say to yourself, Thank God this is all; at least I now know all of it—thinking that, clinging still to that when she ran into the stable that night while the very men who had stolen into it from the rear fell back away from her with at least some grain of decency, and Ellen seeing not the two black beasts she had expected to see but instead a white one and a black one, both naked to the waist and gouging at one another’s eyes as if their skins should not only have been the same color but should have been covered with fur too. Yes. It seems that on certain occasions, perhaps at the end of the evening, the spectacle, as a grand finale or perhaps as a matter of sheer deadly forethought toward the retention of supremacy, domination, he would enter the ring with one of the negroes himself. Yes. That is what Ellen saw: her husband and the father of her children standing there naked and panting and bloody to the waist and the negro just fallen evidently, lying at his feet and bloody too save that on the negro it merely looked like grease or sweat—Ellen running down the hill from the house, bareheaded, in time to hear the sound, the screaming, hearing it while she still ran in the darkness and before the spectators knew that she was there, hearing it even before it occurred to one spectator to say, ‘It’s a horse’ then ‘It’s a woman’ then ‘My God, it’s a child’—ran in, and the spectators falling back to permit her to see Henry plunge out from among the negroes who had been holding him, screaming and vomiting—not pausing, not even looking at the faces which shrank back away from her as she knelt in the stable filth to raise Henry and not looking at Henry either but up at him as he stood there with even his teeth showing beneath his beard now and another negro wiping the blood from his body with a towsack. ‘I know you will excuse us, gentlemen,’ Ellen said. But they were already departing, nigger and white, slinking out again as they had slunk in, and Ellen not watching them now either but kneeling in the dirt while Henry clung to her, crying, and he standing there yet while a third nigger prodded his shirt or coat at him as though the coat were a stick and he a caged snake. ‘Where is Judith, Thomas?’ Ellen said.
“ ‘Judith?’ he said. Oh, he was not lying; his own triumph had outrun him; he had builded even better in evil than even he could have hoped. ‘Judith? Isn’t she in bed?’
“ ‘Dont lie to me, Thomas,’ Ellen said. ‘I can understand your bringing Henry here to see this, wanting Henry to see this; I will try to understand it; yes, I will make myself try to understand it. But not Judith, Thomas. Not my baby girl, Thomas.’
“ ‘I dont expect you to understand it,’ he said. ‘Because you are a woman. But I didn’t bring Judith down here. I would not bring her down here. I dont expect you to believe that. But I swear to it.’
“ ‘I wish I could believe you,’ Ellen said. ‘I want to believe you.’ Then she began to call. ‘Judith!’ she called in a voice calm and sweet and filled with despair: ‘Judith honey! Time to come to bed.’
“But I was not there. I was not there to see the two Sutpen faces this time—once on Judith and once on the negro girl beside her—looking down through the square entrance to the loft.”
2
It was a summer of wistaria. The twilight was full of it and of the smell of his father’s cigar as they sat on the front gallery after supper until it would be time for Quentin to start, while in the deep shaggy lawn below the veranda the fireflies blew and drifted in soft random—the odor, the scent, which five months later Mr Compson’s letter would carry up from Mississippi and over the long iron New England snow and into Quentin’s sitting-room at Harvard. It was a day of listening too—the listening, the hearing in 1909 even yet mostly that which he already knew since he had been born in and still breathed the same air in which the church bells had rung on that Sunday morning in 1833 (and, on Sundays, heard even one of the original three bells in the same steeple where descendants of the same pigeons strutted and crooned or wheeled in short courses resembling soft fluid paint-smears on the soft summer sky);—a Sunday morning in June with the bells ringing peaceful and peremptory and a little cacophonous—the denominations in concord though not in tune—and the ladies and children, and house negroes to carry the parasols and flywhisks, and even a few men (the ladies moving in hoops among the miniature broadcloth of little boys and the pantalettes of little girls, in the skirts of the time when ladies did not walk but floated) when the other men sitting with their feet on the railing of the Holston House gallery looked up, and there the stranger was. He was already halfway across the square when they saw him, on a big hard-ridden roan horse, man and beast looking as though they had been crea
ted out of thin air and set down in the bright summer sabbath sunshine in the middle of a tired foxtrot—face and horse that none of them had ever seen before, name that none of them had ever heard, and origin and purpose which some of them were never to learn. So that in the next four weeks (Jefferson was a village then: the Holston House, the courthouse, six stores, a blacksmith and livery stable, a saloon frequented by drovers and peddlers, three churches and perhaps thirty residences) the stranger’s name went back and forth among the places of business and of idleness and among the residences in steady strophe and antistrophe: Sutpen. Sutpen. Sutpen. Sutpen.
That was all that the town was to know about him for almost a month. He had apparently come into town from the south—a man of about twenty-five as the town learned later, because at the time his age could not have been guessed because at that time he looked like a man who had been sick. Not like a man who had been peacefully ill in bed and had recovered to move with a sort of diffident and tentative amazement in a world which he had believed himself on the point of surrendering, but like a man who had been through some solitary furnace experience which was more than just fever, like an explorer say, who not only had to face the normal hardship of the pursuit which he chose but was overtaken by the added and unforeseen handicap of the fever also and fought through it at enormous cost not so much physical as mental, alone and unaided and not through blind instinctive will to endure and survive but to gain and keep to enjoy it the material prize for which he accepted the original gambit. A man with a big frame but gaunt now almost to emaciation, with a short reddish beard which resembled a disguise and above which his pale eyes had a quality at once visionary and alert, ruthless and reposed in a face whose flesh had the appearance of pottery, of having been colored by that oven’s fever either of soul or environment, deeper than sun alone beneath a dead impervious surface as of glazed clay. That was what they saw, though it was years before the town learned that that was all which he possessed at the time—the strong spent horse and the clothes on his back and a small saddlebag scarcely large enough to contain the spare linen and the razors, and the two pistols of which Miss Coldfield told Quentin, with the butts worn smooth as pickhandles and which he used with the precision of knitting needles; later Quentin’s grandfather saw him ride at a canter around a sapling at twenty feet and put both bullets into a playing card fastened to the tree. He had a room in the Holston House but he carried the key with him and each morning he fed and saddled the horse and rode away before daylight, where to the town likewise failed to learn, probably due to the fact that he gave the pistol demonstration on the third day after his arrival. So they had to depend on inquiry to find out what they could about him, which would of necessity be at night, at the supper table in the Holston House dining room or in the lounge which he would have to cross to gain his room and lock the door again, which he would do as soon as he finished eating. The bar opened into the lounge too, and that would or should have been the place to accost him and even inquire, except for the fact that he did not use the bar. He did not drink at all, he told them. He did not say that he used to drink and had quit, nor that he had never used alcohol. He just said that he would not care for a drink; it was years later before even Quentin’s grandfather (he was a young man too then; it would be years yet before he would become General Compson) learned that the reason Sutpen did not drink was that he did not have the money with which to pay his share or return the courtesy; it was General Compson who first realised that at this time Sutpen lacked not only the money to spend for drink and conviviality, but the time and inclination as well: that he was at this time completely the slave of his secret and furious impatience, his conviction gained from whatever that recent experience had been—that fever mental or physical—of a need for haste, of time fleeing beneath him, which was to drive him for the next five years—as General Compson computed it, roughly until about nine months before his son was born.
So they would catch him, run him to earth, in the lounge between the supper table and his locked door to give him the opportunity to tell them who he was and where he came from and what he was up to, whereupon he would move gradually and steadily until his back came in contact with something—a post or a wall—and then stand there and tell them nothing whatever as pleasantly and courteously as a hotel clerk. It was the Chickasaw Indian agent with or through whom he dealt and so it was not until he waked the County Recorder that Saturday night with the deed, patent, to the land and the gold Spanish coin, that the town learned that he now owned a hundred square miles of some of the best virgin bottom land in the country, though even that knowledge came too late because Sutpen himself was gone, where to again they did not know. But he owned land among them now and some of them began to suspect what General Compson apparently knew: that the Spanish coin with which he had paid to have his patent recorded was the last one of any kind which he possessed. So they were certain now that he had departed to get more; there were several who even anticipated in believing (and even in saying aloud, now that he was not present) what Sutpen’s future and then unborn sister-in-law was to tell Quentin almost eighty years later: that he had found some unique and practical way of hiding loot and that he had returned to the cache to replenish his pockets, even if he had not actually ridden with the two pistols back to the River and the steamboats full of gamblers and cotton- and slavedealers to replenish the cache. At least some of them were telling one another that when two months later he returned, again without warning and accompanied this time by the covered wagon with a negro driving it and on the seat with the negro a small, alertly resigned man with a grim, harried Latin face, in a frock coat and a flowered waistcoat and a hat which would have created no furore on a Paris boulevard, all of which he was to wear constantly for the next two years—the sombrely theatric clothing and the expression of fatalistic and amazed determination—while his white client and the negro crew which he was to advise though not direct went stark naked save for a coating of dried mud. This was the French architect. Years later the town learned that he had come all the way from Martinique on Sutpen’s bare promise and lived for two years on venison cooked over a camp fire, in an unfloored tent made of the wagon hood, before he so much as saw any color or shape of pay. And until he passed through town on his way back to New Orleans two years later, he was not even to see Jefferson again; he would not come, or Sutpen would not bring him, to town even on the few occasions when Sutpen would be seen there, and he did not have much chance to look at Jefferson on that first day because the wagon did not stop. Apparently it was only by sheer geographical hap that Sutpen passed through town at all, pausing only long enough for someone (not General Compson) to look beneath the wagon hood and into a black tunnel filled with still eyeballs and smelling like a wolfden.
But the legend of Sutpen’s wild negroes was not to begin at once, because the wagon went on as though even the wood and iron which composed it, as well as the mules which drew it, had become imbued by sheer association with him with that quality of gaunt and tireless driving, that conviction for haste and of fleeing time; later Sutpen told Quentin’s grandfather that on that afternoon when the wagon passed through Jefferson they had been without food since the previous night and that he was trying to reach Sutpen’s Hundred and the river bottom to try to kill a deer before dark, so he and the architect and the negroes would not have to spend another night without food. So the legend of the wild men came gradually back to town, brought by the men who would ride out to watch what was going on, who began to tell how Sutpen would take stand beside a game trail with the pistols and send the negroes in to drive the swamp like a pack of hounds; it was they who told how during that first summer and fall the negroes did not even have (or did not use) blankets to sleep in, even before the coon-hunter Akers claimed to have walked one of them out of the absolute mud like a sleeping alligator and screamed just in time. The negroes could speak no English yet and doubtless there were more than Akers who did not know that the language in which they and
Sutpen communicated was a sort of French and not some dark and fatal tongue of their own.