Now the period began which ended in the catastrophe which caused a reversal so complete in Miss Rosa as to permit her to agree to marry the man whom she had grown up to look upon as an ogre. It was not a volte face of character: that did not change. Even her behavior did not change to any extent. Even if Charles Bon had not died, she would in all probability have gone out to Sutpen’s Hundred to live after her father’s death sooner or later, and once she had done so she would have probably passed the remainder of her life there, as she doubtless expected to do when she did go out. But if Bon had lived and he and Judith married and Henry had remained in the known world, she would have moved (if she had moved) out there only when she was ready to, and she would have lived (if she had lived) in her dead sister’s family only as the aunt which she actually was. It was not her character: despite the probably six years since she had actually seen him and certainly the four years which she had spent feeding her father secretly at night while he hid from Confederate provost marshals in the attic and at the same time writing heroic poetry about the very men from whom her father was hiding and who would have shot him or hung him without trial if they had found him—and incidentally of whom the ogre of her childhood made one and (he brought home with him a citation for valor in Lee’s own hand) a good one—the face which she carried out there to live for the rest of her life was the same face which had watched him across the dinner table and which he likewise could not have said how many times he had seen it nor when and where, not for the reason that he was unable to forget it but because he could probably not have remembered it enough to have described it ten minutes after looking away, and from behind which the same woman who had been that child now watched him with that same grim and cold intensity.
Although she was not to see Sutpen again for years, she now saw her sister and niece more often than ever. Ellen was now at the full peak of what the aunt would have called her renegadery. She seemed not only to acquiesce, to be reconciled to her life and marriage, but to be actually proud of it. She had bloomed, as if Fate were crowding the normal Indian summer which should have bloomed gradually and faded gracefully through six or eight years, into three or four, either for compensation for what was to come or to clear the books, pay the check to which his wife, Nature, had signed his name. She was in her late thirties, plump, her face unblemished still. It was as though whatever marks being in the world had left upon it up to the time the aunt vanished had been removed, eradicated at least, from between the skeleton and the skin, between the sum of experience and the envelope in which it resides, by the intervening years of annealing and untroubled flesh. Her carriage, air, now was a little regal—she and Judith made frequent trips to town now, calling upon the same ladies, some of whom were now grandmothers, whom the aunt had tried to force to attend the wedding twenty years ago, and, to the meagre possibilities which the town offered, shopping—as though she had succeeded at last in evacuating not only the puritan heritage but reality itself; had immolated outrageous husband and incomprehensible children into shades; escaped at last into a world of pure illusion in which, safe from any harm, she moved, lived, from attitude to attitude against her background of chatelaine to the largest, wife to the wealthiest, mother of the most fortunate. When she shopped (there were twenty stores in Jefferson now) she unbent without even getting out of the carriage, gracious and assured and talking the most complete nonsense, voluble, speaking her bright set meaningless phrases out of the part which she had written for herself, of the duchess peripatetic with property soups and medicines among a soilless and uncompelled peasantry—a woman who, if she had had the fortitude to bear sorrow and trouble, might have risen to actual stardom in the role of the matriarch arbitrating from the fireside corner of a crone the pride and destiny of her family, instead of turning at the last to the youngest member of it and asking her to protect the others.
Often twice and sometimes three times a week the two of them came to town and into the house—the foolish unreal voluble preserved woman now six years absent from the world—the woman who had quitted home and kin on a flood of tears and in a shadowy miasmic region something like the bitter purlieus of Styx had produced two children and then rose like the swamp-hatched butterfly, unimpeded by weight of stomach and all the heavy organs of suffering and experience, into a perennial bright vacuum of arrested sun—and the young girl dreaming, not living, in her complete detachment and imperviousness to actuality almost like physical deafness. To them, Miss Rosa must not have been anything at all now: not the child who had been the object and victim of the vanished aunt’s vindictive unflagging care and attention, and not even the woman which her office as housekeeper would indicate, and certainly not the factual aunt herself. And it would be hard to say which of the two, sister or niece, was the most unreal to Miss Rosa in turn—the adult who had escaped reality into a bland region peopled by dolls, or the young girl who slept waking in some suspension so completely physical as to resemble the state before birth and as far removed from reality’s other extreme as Ellen was from hers, driving up to the house twice and three times a week, and one time, in the summer when Judith was seventeen, stopping in on their way overland to Memphis to buy Judith clothes; yes: trousseau. That was the summer following Henry’s first year at the University, after he had brought Charles Bon home with him for Christmas and then again to spend a week or so of the summer vacation before Bon rode on to the River to take the steamboat home to New Orleans; the summer in which Sutpen himself went away, on business, Ellen said, told, doubtless unaware, such was her existence then, that she did not know where her husband had gone and not even conscious that she was not curious, and no one but your grandfather and perhaps Clytie ever to know that Sutpen had gone to New Orleans too. They would enter that dim grim tight little house where even yet, after four years, the aunt still seemed to be just beyond any door with her hand already on the knob and which Ellen would fill with ten or fifteen minutes of shrill uproar and then depart, taking with her the dreamy and volitionless daughter who had not spoken one word; and Miss Rosa who in actual fact was the girl’s aunt and who by actual years should have been her sister and who in actual experience and hope and opportunity should have been the niece, ignoring the mother to follow the departing and inaccessible daughter with myopic and inarticulate yearning and not one whit of jealousy, projecting upon Judith all the abortive dreams and delusions of her own doomed and frustrated youth, offering Judith the only gift (it of necessity offered to the bride’s equipment and not the bride; it was Ellen who told this, with shrieks of amusement, more than once) in her power: she offered to teach Judith how to keep house and plan meals and count laundry, receiving for the offer the blank fathomless stare, the unhearing “What? What did you say?” while even now Ellen was shrieking with astonished appreciation. Then they were gone—carriage, bundles, Ellen’s peacock amusement, the niece’s impenetrable dreaming. When they came to town next and the carriage stopped before Mr Coldfield’s house, one of the negresses came out and said that Miss Rosa was not at home.
That summer she saw Henry again too. She had not seen him since the summer before although he had been home Christmas with his friend from the University, and she had heard about the balls and parties at Sutpen’s Hundred during the holidays but she and her father had not gone out. And when Henry stopped with Bon on the way back to school the day after New Year’s to speak to his aunt, she actually was not at home. So she did not see him until the following summer, after a full year. She was downtown, shopping; she was standing on the street talking to your grandmother when he rode past. He didn’t see her; he passed on a new mare which his father had given him, in the coat and hat of a man now; your grandmother said he was as tall as his father now and that he sat the mare with the same swagger although lighter in the bone than Sutpen, as if his bones were capable of bearing the swagger but were still too light and quick to support the pomposity. Because Sutpen was acting his role too. He had corrupted Ellen in more ways than one. He was the big
gest single landowner and cotton-planter in the county now, which state he had attained by the same tactics with which he had built his house—the same singleminded unflagging effort and utter disregard of how his actions which the town could see might look and how the indicated ones which the town could not see must appear to it. That is, there were some among his fellow citizens who believed even yet that there was a nigger in the woodpile somewhere, ranging from the ones who believed that the plantation was just a blind to his actual dark avocation, through the ones who believed that he had found some way to juggle the cotton market itself and so get more per bale for his cotton than honest men could, to the ones who believed apparently that the wild niggers which he had brought there had the power to actually conjure more cotton per acre from the soil than any tame ones had ever done. He was not liked (which he evidently did not want, anyway) but feared, which seemed to amuse, if not actually please, him. But he was accepted; he obviously had too much money now to be rejected or even seriously annoyed any more. He accomplished this—got his plantation to running smoothly (he had an overseer now; it was the son of that same sheriff who had arrested him at his bride-to-be’s gate on the day of the betrothal) within ten years of the wedding, and now he acted his role too—a role of arrogant ease and leisure which, as the leisure and ease put flesh on him, became a little pompous. Yes, he had corrupted Ellen to more than renegadery, though, like her, unaware that his flowering was a forced blooming too and that while he was still playing the scene to the audience, behind him fate, destiny, retribution, irony—the stage manager, call him what you will—was already striking the set and dragging on the synthetic and spurious shadows and shape of the next one.—“There goes————” your grandmother said. But Miss Rosa had already seen him, standing there beside your grandmother, her head hardly reaching your grandmother’s shoulder, thin, in one of the dresses which the aunt had left in the house and which Miss Rosa had cut down to fit herself who had never been taught to sew either, just as she had assumed the housekeeping and offered to teach Judith to do the same, who had never been taught to cook nor taught to do anything save listen through closed doors, standing there with a shawl over her head like she might have been fifty instead of fifteen, looking after her nephew and saying, “Why … he’s shaved.”
Then she stopped seeing Ellen even. That is, Ellen also stopped coming to the house, stopped breaking the carriage’s weekly ritual of store to store where, without getting out, Ellen bade merchant and clerk fetch out to her the cloth and the meagre fripperies and baubles which they carried and which they knew even better than she that she would not buy but instead would merely finger and handle and disarrange and then reject, all in that flow of bright pettish volubility. Not contemptuous, not even patronising exactly, but with a bland and even childlike imposition upon the sufferance or good manners or sheer helplessness of the men, the merchants and clerks; then to come to the house and fill it too with that meaningless uproar of vanity, of impossible and foundationless advice about Miss Rosa and her father and the house, about Miss Rosa’s clothes and the arrangement of the furniture and the food and how prepared and even the hours at which eaten. Because the time now approached (it was 1860, even Mr Coldfield probably admitted that war was unavoidable) when the destiny of Sutpen’s family which for twenty years now had been like a lake welling from quiet springs into a quiet valley and spreading, rising almost imperceptibly and in which the four members of it floated in sunny suspension, felt the first subterranean movement toward the outlet, the gorge which would be the land’s catastrophe too, and the four peaceful swimmers turning suddenly to face one another, not yet with alarm or distrust but just alert, feeling the dark set, none of them yet at that point where man looks about at his companions in disaster and thinks When will I stop trying to save them and save only myself? and not even aware that that point was approaching. So Miss Rosa did not see any of them, who had never seen (and was never to see alive) Charles Bon at all; Charles Bon of New Orleans, Henry’s friend who was not only some few years older than Henry but actually a little old to be still in college and certainly a little out of place in that one where he was—a small new college in the Mississippi hinterland and even wilderness, three hundred miles from that worldly and even foreign city which was his home—a young man of a worldly elegance and assurance beyond his years, handsome, apparently wealthy and with for background the shadowy figure of a legal guardian rather than any parents—a personage who in the remote Mississippi of that time must have appeared almost phoenix-like, fullsprung from no childhood, born of no woman and impervious to time and, vanished, leaving no bones nor dust anywhere—a man with an ease of manner and a swaggering gallant air in comparison with which Sutpen’s pompous arrogance was clumsy bluff and Henry actually a hobble-de-hoy. Miss Rosa never saw him; this was a picture, an image. It was not what Ellen told her: Ellen at the absolute halcyon of her butterfly’s summer and now with the added charm of gracious and graceful voluntary surrendering of youth to her blood’s and sex’s successor, that concurrent attitude and behavior with the engagement’s span with which mothers who want to can almost make themselves the brides of their daughters’ weddings. Listening to Ellen, a stranger would have almost believed that the marriage, which subsequent events would indicate had not even been mentioned between the young people and the parents, had been actually performed. Ellen did not once mention love between Judith and Bon. She did not hint around it. Love, with reference to them, was just a finished and perfectly dead subject like the matter of virginity would be after the birth of the first grandchild. She spoke of Bon as if he were three inanimate objects in one or perhaps one inanimate object for which she and her family would find three concordant uses: a garment which Judith might wear as she would a riding habit or a ball gown, a piece of furniture which would complement and complete the furnishing of her house and position, and a mentor and example to correct Henry’s provincial manners and speech and clothing. She seemed to have encompassed time. She postulated the elapsed years during which no honeymoon nor any change had taken place, out of which the (now) five faces looked with a sort of lifeless and perennial bloom like painted portraits hung in a vacuum, each taken at its forewarned peak and smoothed of all thought and experience, the originals of which had lived and died so long ago that their joys and griefs must now be forgotten even by the very boards on which they had strutted and postured and laughed and wept. This, while Miss Rosa, not listening, who had got the picture from the first word, perhaps from the name, Charles Bon; the spinster doomed for life at sixteen, sitting beneath this bright glitter of delusion like it was one of those colored electric beams in cabarets and she there for the first time in her life and the beam filled with a substanceless glitter of tinsel motes darting suddenly upon her, halting for a moment then going on. She wasn’t jealous of Judith. It was not selfpity either, sitting there in one of those botched-over house dresses (the clothes, castoff sometimes but usually new, which Ellen gave her from time to time were always silk, of course) which the aunt had abandoned when she eloped with the horse- and mule-trader, perhaps in the hope or even the firm intention of never wearing such again, blinking steadily at her sister while Ellen talked. It was probably just peaceful despair and relief at final and complete abnegation, now that Judith was about to immolate the frustration’s vicarious recompense into the living fairy tale. It sounded like a fairy tale when Ellen told it later to your grandmother, only it was a fairy tale written for and acted by a fashionable ladies’ club. But to Miss Rosa it must have been authentic, not only plausible but justified: hence the remark which sent Ellen again (she told this too, for the childish joke it was) into shrieks of amused and fretted astonishment. “We deserve him,” Miss Rosa said. “Deserve? Him?” Ellen said, probably shrieked too. “Of course we deserve him—if you want to put it that way. I certainly hope and expect you to feel that the Coldfields are qualified to reciprocate whatever particularly signal honor marriage with anyone might confer upon them.
”
Naturally there is no known rejoinder to this. At least, as far as Ellen ever told, Miss Rosa did not try to make one. She just saw Ellen depart and then set about to make Judith the second only gift in her power. She possessed two now, this one likewise bequeathed to her by the aunt who taught her both to keep house and how to fit clothes by climbing out a window one night, though this second gift developed late (you might say, repercussed) due to the fact that when the aunt left, Miss Rosa was not yet large enough to be able to use the discarded clothing even by cutting the garments down. She set about secretly making garments for Judith’s trousseau. She got the cloth from her father’s store. She could not have got it anywhere else. Your grandmother told me that at that time Miss Rosa actually could not count money, change, that she knew the progression of the coins in theory but that apparently she had never had the actual cash to see, touch, experiment and prove with; that on certain days of the week she would go down town with a basket and shop at certain stores which Mr Coldfield had already designated, with no coin nor sum of money changing lip or hand, and that later in the day Mr Coldfield would trace her course by the debits scratched on paper or on walls and counters, and pay them. So she would have to get the material from him. And as he had brought his entire business to Jefferson in one wagon, and this at a time when he had mother sister wife and children to support out of it as against now when he had but one child to support out of it, and weighed along with this that profound disinterest in material accumulation which had permitted conscience to cause him to withdraw from that old affair in which his son-in-law had involved him not only at the cost of his just profits but at the sacrifice of his original investment, his stock which had begun as a collection of the crudest necessities and which apparently could not even feed himself and his daughter from its own shelves, had not increased, let alone diversified. Yet this was where she had to go to get the material to make those intimate young girl garments which were to be for her own vicarious bridal—and you can imagine too what Miss Rosa’s notion of such garments would be, let alone what her notion of them would look like when she had finished them unassisted. Nobody knows how she managed to get the material from her father’s store. He didn’t give it to her. He would have felt it incumbent on him to supply his granddaughter with clothes if she were indecently clad or if she were ragged or cold, but not to marry in. So I believe she stole it. She must have. She must have taken it almost from under her father’s nose (it was a small store and he was his own clerk and from any point in it he could see any other point) with that amoral boldness, that affinity for brigandage of women, but more likely, or so I would like to think, by some subterfuge of such bald and desperate transparence concocted by innocence that its very simplicity fooled him.