Maurice, who was working in a sugar importing agency in France, where Valmorain had placed him to learn that aspect of the family business, took the first available ship when he learned of his father's illness and reached New Orleans at the end of October. He found Valmorain transformed into a voluminous sea lion in a large chair beside the hearth, with a knit cap on his head, a shawl over his legs, and a wood cross and a rag gris-gris around his neck, vastly deteriorated in comparison to the haughty, extravagant man who had wanted to introduce his son to the dissolute life in Paris. Maurice knelt beside his father, who clasped him in a trembling embrace. "My son, at last you have come, now I can die in peace," he murmured. "Don't be foolish, Toulouse!" Hortense Guizot interrupted, watching them with disgust. And it was on the tip of her tongue to add that he wasn't going to die yet, unfortunately, but she caught herself in time. She had been looking after her husband for three months and had run out of patience. Valmorain irritated her all day and woke her at night with repeated nightmares about some Lacroix, who came to him in raw flesh, dragging his skin along the ground like a bleeding shirt.
The stepmother welcomed Maurice curtly, and his sisters greeted him with learned curtsies, keeping their distance because they had no idea who this brother was, he was mentioned very rarely in the family. The eldest of the five girls, the one Maurice had known before she could walk, was eight, and the youngest was in the arms of a wet nurse. As the house had become crowded with the family and servants, Maurice took lodging at his uncle Sancho's apartment, an ideal solution for everyone except Toulouse Valmorain, who meant to keep his son by his side to shower him with advice and pass on to him how to manage his wealth. That was the last thing Maurice wanted, but it wasn't the moment to contradict his father.
The night of the ball, Sancho and Maurice did not dine at the Valmorain residence, as they did almost daily, more as obligation than pleasure. Neither of the two was comfortable with Hortense Guizot, who never had wanted the stepson and grudgingly tolerated Sancho, with his dashing mustache, his Spanish accent, and his shamelessness; he had to be brazen to parade around town with that Cuban woman, a mixed-blood vixen directly to blame for the much talked about Cordon Bleu ball. Only her impeccable upbringing kept Hortense from bursting out with insults when she thought about that: no lady ever alluded to the fascination those mulatta courtesans exercised over white men or to the immoral practice of offering them their daughters. She knew that uncle and son were making preparations to attend the ball, but not even in the clutch of death would she mention it to them. Neither could she talk about it with her husband; that would be to admit she spied on their private conversations, just as she went through his correspondence and looked into the secret compartments in his desk where he hid his money. That was how she learned that Sancho had received two invitations from Violette Boisier because Maurice wanted to go to the ball. Sancho had to consult Valmorain because his nephew's inopportune interest in placage required financial support.
Hortense, who was listening with her ear glued to a hole she had drilled in the wall, heard her husband immediately approve the idea and assumed that Maurice's eagerness had dispelled his doubts regarding his son's virility. She herself had contributed to those doubts, using the word effeminate in more than one conversation about her stepson. To Valmorain, placage seemed appropriate, seeing that Maurice had never shown any appetite for brothels or the family slaves. He was young, and had at least ten years to think about marriage, and in the meantime he needed to unburden himself of his masculine impulses, as Sancho called them. A young girl of color, clean, virtuous, faithful, offered many advantages. Sancho explained to Valmorain the financial considerations, which previously had been left to the protector's goodwill but now, since Violette Boisier had taken charge of things, were stipulated in an oral contract, which if it lacked legal value was nonetheless inviolable. Valmorain had not objected to the cost: Maurice deserved it. On the other side of the wall, Hortense Guizot was close to screaming.
Ball of the Sirens
Jean-Martin confessed to Isidor Morisset, with tears of shame, what Valmorain had said, and his mother not denied it, simply refused to speak of it. Morisset listened to what he said with a mocking laugh--What the devil does that matter, son!--but immediately he was moved and pulled him to his ample chest to console him. He was not sentimental and was himself surprised at the emotion the youth aroused in him, desires to protect him and kiss him. He pushed him away gently, picked up his hat, and went to take a long walk along the dike until he cleared his mind. Two days later they sailed for France. Jean-Martin bid his small family farewell with his usual public rigidity, but at the last minute he threw his arms around Violette and whispered that he would write her.
The Cordon Bleu ball turned out to be as magnificent as Violette Boisier had conceived it and others had anticipated. The men arrived in full dress, punctual and correct, and scattered into groups beneath the crystal chandeliers alight with hundreds of candles as an orchestra played and the servants passed light drinks and champagne, no strong liquors. The banquet tables were waiting in the next room, but it would be considered impolite to assault them ahead of time. Violette Boisier, soberly dressed, welcomed the men; soon the mothers and chaperones arrived and took their seats. The orchestra attacked a fanfare, a theater curtain opened at one end of the hall, and the girls made their appearance on the walkway, slowly advancing in single file. There were a few dark mulattas, several sang-meles who passed as European, including two or three with blue eyes, and a vast array of quadroons of diverse shades, all attractive, reserved, docile, elegant, and educated in the Catholic faith. Some were so timid that they did not lift their gaze from the carpet, but others, more daring, cast sidelong glances at the gallants lined up against the walls. Only one came stiff, serious, wearing a defiant, almost hostile, expression. That was Rosette. The floating dresses in pastel colors had been ordered from France or copied to perfection by Adele, the simple hairdos emphasized lustrous manes, arms and necks were bare, and faces seemed clean of paint. Only the women knew how much effort and art each innocent face had cost.
A respectful silence welcomed the first girls, but after a few minutes there was spontaneous applause. Never had such a notable collection of sirens been seen, those fortunate enough to have been present reported the next day in cafes and taverns. The candidates for placage glided like swans around the hall, the orchestra abandoned the trumpet salute to play danceable music, and the white youths began their advances with unusual etiquette, none of the bold familiarity that erupted at the quadroons' parties. After exchanging a few words of courtesy to test the terrain, the young men requested a dance. They were allowed to dance with all the girls, but they had been instructed that the second or third dance with the same girl meant they had a decision to make. The chaperones watched everything with eagle eyes. Not one of those arrogant youths, accustomed to doing whatever they pleased, dared violate the rules. They were intimidated for the first time in their lives.
Maurice did not look at anyone. The mere idea that these girls were being offered to benefit the white men made him ill. He was sweating, and felt a pounding at his temples. He was interested only in Rosette. Ever since he got off the ship in New Orleans several days before, he had looked forward to the ball as the way to meet her, a plan they had agreed to in their secret correspondence; however, since he had not even caught sight of her earlier, he was afraid he wouldn't recognize her. The instinct and nostalgia nourished within the stone walls of the school in Boston nevertheless allowed Maurice to deduce at first glance that the haughty girl dressed in white, the prettiest of all, was his Rosette. By the time he was able to pry his feet from the floor, she was already surrounded by three or four interested young men; she scrutinized each one, trying to discover the person she wanted to see. She, too, had anxiously awaited that moment. From childhood she had protected her love for Maurice with duplicity, disguising it as love for a sibling, but she did not plan to do that any longer. This was
the night of truth.
Maurice approached, elbowing his way, tight, rigid, and stopped in front of Rosette with bedazzled eyes. They gazed at each other, searching for the person they remembered: she the crybaby with green eyes who had followed her like a shadow in her childhood, and he the bossy little girl who came at night and slipped into his bed. They met in the embers of memory, and in an instant were again the ones they had been: Maurice, unable to speak, and trembling, waited, and Rosette, tossing aside norms, took his hand and led him to the floor.
Through her white gloves the girl felt the heat of Maurice's skin, which traveled down her spine to her feet, as if she had come close to a fireplace. She felt her knees buckling; she stumbled and had to hold on to him to keep from dropping to her knees. The first waltz went by without their knowing it; they could not say anything, only touch and sum each other up, completely indifferent to the other couples. The music ended, and they went on dancing, engrossed in themselves, moving with the awkwardness of the blind, until the orchestra began again and they picked up the rhythm. By then several persons were watching sneeringly, and Violette Boisier had realized that something was threatening the strict etiquette of the ball.
With the last chord, a youth more daring than the others stepped up to dance with Rosette. She didn't notice the interruption, she was clinging to Maurice's arm with her eyes locked on his, but the man insisted. Then Maurice seemed to wake from a sleepwalker's trance; he turned abruptly and shoved away the intruder with a push so unexpected that his rival stumbled and fell to the floor. A collective Oooooh! paralyzed the musicians. Maurice stammered an apology and held out his hand to the fallen rival to help him to his feet, but the insult had been too evident. Two of the youth's friends had already rushed to the floor and confronted Maurice. Before anyone could call for a duel, as happened all too frequently, Violette Boisier intervened, trying to ease the tension with jokes and little taps of her fan, and Sancho Garcia del Solar took a firm grip on his nephew and led him to the dining room, where the older men were already savoring the delicious plates of the best cuisine creole.
"What are you doing, Maurice! Don't you know who that girl is?" Sancho asked.
"Rosette--who else would it be? I've waited nine years to see her."
"You can't dance with her. Dance with the other girls, several are very beautiful, and once you choose, I will take care of the rest."
"I came only for Rosette, Uncle."
Sancho took a deep breath, filling his chest with a mouthful of air redolent of cigars and the sweetish fragrance of flowers. He was not prepared for this; he had never imagined that it would be up to him to open Maurice's eyes, and even less that such a melodramatic revelation would happen in this place, and so quickly. He had perceived that passion ever since he first saw Maurice with Rosette in Cuba, in 1793, when they were escaping from Le Cap with torn clothing and the ash from the fire on their skin. At that time they were little children walking along holding hands, frightened by the horror of what they had seen, and it was obvious they were united by a strong and possessive love. Sancho could not understand how the others couldn't help but notice.
"Forget Rosette. She is your father's daughter. Rosette is your sister, Maurice." Sancho sighed, his eyes focused on the tip of his boots.
"I know that, Uncle," the youth replied serenely. "We've always known, but that will not prevent us from marrying."
"You must be demented, son. That's impossible."
"We'll see about that, Uncle."
Hortense Guizot had never dared hope that heaven would rid her of Maurice without direct intervention on her part. She satisfied her rancor by conceiving ways to eliminate her stepson, the one dream that practical woman allowed herself, though she had nothing to confess to because those hypothetical crimes were only dreams, and to dream is not a sin. She had tried so hard to separate him from his father and replace him with the son she had not been able to conceive that when Maurice sank himself, leaving the way open for her to manage her husband's estate in her own way, she felt vaguely defrauded. She had spent the night of the ball in her queenly bed beneath the canopy of angels that was transported between the city house and the plantation every season, tossing and turning without being able to sleep, thinking that at that very moment Maurice was selecting a concubine, the definitive sign that he had left adolescence behind and fully entered adult life. Her stepson was a man now, and naturally he would begin to take over the family businesses, at which time her own power would be badly diminished because she did not have the influence over him she did over her husband. The last thing she wanted was to see Maurice digging into the accounts or putting limits on her spending.
Hortense could not sleep until finally at dawn she took a few drops of laudanum and was able to fall into a restless state peopled with disturbing visions. She waked near midday, cross from the bad night and bad omens, and pulled the cord to summon Denise and ask her to bring a clean chamber pot and her cup of chocolate. She thought she heard a muffled conversation that seemed to come from the library on the floor below. She knew that the conduit for the cord to call the slaves, which ran through two floors and the mansard, served to help her hear what was going on in the rest of the house. She put her ear to the hole and heard irate voices, but as she could not distinguish the words, she sneaked out of her room. On the stairway she ran into her slave, who, seeing her slipping along like a thief, barefoot and in her nightclothes, pressed against the wall, invisible and mute.
Sancho had come ahead to explain to Toulouse Valmorain what had happened at the Cordon Bleu ball and to prepare him for what was coming, but had not found a tactful way to tell him about Maurice's mad intention to marry Rosette, so he poured out the news in one sentence. "Marry?" Valmorain repeated, incredulous. It seemed hugely comic to him, and he bellowed with laughter, but as Sancho kept telling him more about his son's determination, his laughter turned into violent indignation. He poured himself a cognac, the third of the morning, despite Parmentier's prohibition, and quaffed it in one swallow, which left him coughing.
Shortly afterward, Maurice arrived. Valmorain met him, gesticulating and beating the table, the same old song but this time yelling: he was Valmorain's only heir, destined to carry the title of chevalier with pride and to increase the family's power and fortune, which had been earned with great effort; he was the last male who could perpetuate the dynasty, that was what Valmorain had trained him for, he had imbued him with his principles and sense of honor, he had offered him everything a father can give a son, he would not permit him to stain the illustrious name of the Valmorains with a youthful impulse. No, no, he corrected, it wasn't an impulse it was a vice, a perversion, it was nothing less than incest. He collapsed into his armchair, breathless. On the other side of the wall, glued to her spy hole, Hortense Guizot choked back an exclamation. She had not expected her husband to admit to his son his paternity of Rosette, which he had so carefully hidden from her.
"Incest, monsieur? You forced me to swallow soap when I called Rosette sister," Maurice argued.
"You know very well what I am referring to!"
"I will marry Rosette even though you are her father," said Maurice, attempting to keep a respectful tone.
"But how can you marry a quadroon!" roared Valmorain.
"Apparently, monsieur, you are bothered more by Rosette's color than by our being related. But if you engender a daughter with a woman of color, you should not be surprised that I love another."
"Insolent pup!"
Sancho tried to pacify them with conciliatory gestures. Valmorain understood that he was not getting anywhere down that path and forced himself to appear calm and reasonable.
"You are a good boy, Maurice, but overly sensitive and dreamy," he said. "It was a mistake to send you to that American school. I don't know what ideas they put in your head, but it seems that you do not know who you are, what your position is, or the responsibilities you have to your family and society."
"The school has give
n me a broader vision of the world, monsieur, but that has nothing to do with Rosette. My feelings for her are the same now as they were fifteen years ago."
"These impulses are normal at your age, son. There's nothing original about your case," Valmorain assured him. "No one marries at eighteen, Maurice. Choose a lover like any other boy of your position. That will calm you down. If there is anything we have a lot of in this city, it's beautiful women of color--"
"No!" his son interrupted. "Rosette is the only woman for me."
"Incest is very serious, Maurice."
"Much more serious is slavery."
"What does one have to do with the other!"
"A great deal, monsieur. Without slavery, which allowed you to abuse your slave, Rosette would not be my sister," Maurice explained.
"How dare you speak that way to your father!"
"Forgive me, monsieur," Maurice replied with irony. "In truth, the mistakes you have made cannot serve as an excuse for mine."
"What you have, son, is lust," said Valmorain with a theatrical sigh. "Nothing easier to understand. You must do what we all do in such cases."
"What is that, monsieur?"
"I thought I did not have to explain these things to you, Maurice. Bed your girl once and for all, and then forget her. That's how it's done. What else can you do with a Negress?"
"That is what you want for your daughter?" Maurice asked, pale, clenching his teeth. Drops of sweat were streaming down his face, and his shirt was damp.
"She is the daughter of a slave! My children are white!" Valmorain shouted.
A frigid silence fell over the library. Sancho backed away, rubbing the back of his neck, with the sensation that all was lost. His brother-in-law's clumsiness seemed irreparable.
"I shall marry her," Maurice said finally, and strode out of the room, ignoring his father's string of threats.