Rufo looked around. “Better stay down, Boss.” He rolled to Star, opened her medic’s kit at his own belt, and put a rough and hasty compress on her arm.
Then he turned to me. “How bad are you hurt, Boss?”
“Me? Not a scratch.”
“What’s that on your tunic? Ketchup? Someday somebody is going to offer you a pinch of snuff. Let’s see it.”
I let him open my jacket. Somebody, using a saw-tooth edge, had opened a hole in me on my left side below the ribs. I had not noticed it and hadn’t felt it—until I saw it and then it hurt and I felt queasy. I strongly disapprove of violence done to me. While Rufo dressed it, I looked around to avoid looking at it.
We had killed about a dozen of them right around us, plus maybe half that many who had fled—and had shot all who fled, I think. How? How can a 60-lb. dog armed only with teeth take on, knock down, and hold prisoner an armed man? Ans: By all-out attack.
I think we arrived as they were changing the guard at that spot known to be a Gate—and had we arrived even with swords sheathed we would have been cut down. As it was, we killed a slew before most of them knew a fight was on. They were routed, demoralized, and we slaughtered the rest, including those who tried to bug out. Karate and many serious forms of combat (boxing isn’t serious, nor anything with rules)—all these work that same way: go-for-broke, all-out attack with no wind up. These are not so much skills as an attitude.
I had time to examine our late foes; one was faced toward me with his belly open. “Iglis” I would call them, but of the economy model. No beauty and no belly buttons and not much brain—presumably constructed to do one thing: fight, and try to stay alive. Which describes us, too—but we did it faster.
Looking at them upset my stomach, so I looked at the sky. No improvement—it wasn’t decent sky and wouldn’t come into focus. It crawled and the colors were wrong, as jarring as some abstract paintings. I looked back at our victims, who seemed almost wholesome compared with that “sky.”
While Rufo was doctoring me, Star squirmed into her tights and put on her buskins. “Is it all right for me to sit up to get into my jacket?” she asked.
“No,” I said. “Maybe they’ll think we’re dead.” Rufo and I helped her finish dressing without any of us rising up above the barricade of flesh. I’m sure we hurt her arm but all she said was, “Sling my sword left-handed. What now, Oscar?”
“Where are the garters?”
“Got ’em. But I’m not sure they will work. This is a very odd place.”
“Confidence,” I told her. “That’s what you told me a few minutes ago. Put your little mind to work believing you can do it.” We ranged ourselves and our plunder, now enhanced by three “rifles” plus side arms of the same sort, then laid out the oaken arrow for the top of the Mile-High Tower. It dominated one whole side of the scene, more a mountain than a building, black and monstrous.
“Ready?” asked Star. “Now you two believe, too!” She scrawled with her finger in the sand. “Go!”
We went. Once in the air, I realized what a naked target we were—but we were a target on the ground, too, for anyone up on that tower, and worse if we had hoofed it. “Faster!” I yelled in Stars ear. “Make us go faster!”
We did. Air shrilled past our ears and we bucked and dipped and side-slipped as we passed over those gravitational changes Star had warned me about—and perhaps that saved us; we made an evasive target. However, if we got all of that guard party, it was possible that no one in the Tower knew we had arrived.
The ground below was gray-black desert surrounded by a mountain ringwall like a lunar crater and the Tower filled the place of a central peak. I risked another look at the sky and tried to figure it out. No sun. No stars. No black sky nor blue—light came from all over and the “sky” was ribbons and boiling shapes and shadow holes of all colors.
“What in God’s name land of planet is this?” I demanded.
“It’s not a planet,” she yelled back. “It’s a place, in a different sort of universe. It’s not fit to live in.”
“Somebody lives here.” I indicated the Tower.
“No, no, nobody lives here. That was built just to guard the Egg.”
The monstrousness of that idea didn’t soak in right then. I suddenly recalled that we didn’t dare eat or drink here—and started wondering how we could breathe the air if the chemistry was that poisonous. My chest felt tight and started to burn. So I asked Star and Rufo moaned. (He rated a moan or two; he hadn’t thrown up. I don’t think he had.)
“Oh, at least twelve hours,” she said. “Forget it. No importance.”
Whereupon my chest really hurt and I moaned, too.
We were dumped on top of the Tower right after that; Star barely got out “Amech!” in time to keep us from zooming past.
The top was flat, seemed to be black glass, was about two hundred yards square—and there wasn’t a fiddlewinking thing to fasten a line to. I had counted on at least a ventilator stack.
The Egg of the Phoenix was about a hundred yards straight down. I had had two plans in mind if we ever reached the Tower. There were three openings (out of hundreds) which led to true paths to the Egg—and to the Never-Born, the Eater of Souls, the M.P. guarding it. One was at ground level and I never considered it. A second was a couple of hundred feet off the ground and I had given that serious thought: loose an arrow with a messenger line so that the line passed over any projection above that hole; use that to get the strong line up, then go up the line—no trick for any crack Alpinist, which I wasn’t but Rufo was.
But the great Tower turned out to have no projections, real modern simplicity of design—carried too far.
The third plan was, if we could reach the top, to let ourselves down by a line to the third non-fake entrance, almost on level with the Egg. So here we were, all set—and no place to hitch.
Second thoughts are wonderful thoughts—why hadn’t I had Star drive us straight into that hole in the wall?
Well, it would take very fine sighting of that silly arrow; we might hit the wrong pigeonhole. But the important reason was that I hadn’t thought of it.
Star was sitting and nursing her wounded arm. I said, “Honey, can you fly us, slow and easy, down a couple of setbacks and into that hole we want?”
She looked up with drawn face. “No.”
“Well. Too bad.”
“I hate to tell you—but I burned out the garters on that speed run. They won’t be any good until I can recharge them. Not things I can get here. Green mugwort, blood of a hare—things like that.”
“Boss,” said Rufo, “how about using the whole top of the Tower as a hitching post?”
“How do you mean?”
“We’ve got lots of line.”
It was a workable notion—walk the line around the top while somebody else held the bitter end, then tie it and go down what hung over. We did it—and finished up with only a hundred feet too little of line out of a thousand yards.
Star watched us. When I was forced to admit that a hundred feet short was as bad as no line at all, she said thoughtfully, “I wonder if Aaron’s Rod would help?”
“Sure, if it was stuck in the top of this overgrown ping-pong table. What’s Aaron’s Rod?”
“It makes stiff things limp and limp things stiff. No, no, not that. Well, that, too, but what I mean is to lay this line across the roof with about ten feet hanging over the far side. Then make that end and the crossing part of the line steel hard—sort of a hook.”
“Can you do it?”
“I don’t know. It’s from The Key of Solomon and it’s an incantation. It depends on whether I can remember it—and on whether such things work in this universe.”
“Confidence, confidence! Of course you can.”
“I can’t even think how it starts. Darling, can you hypnotize? Rufo can’t—or at least not me.”
“I don’t know a thing about it.”
“Do just the way I do with you for a language le
sson. Look me in the eye, talk softly, and tell me to remember the words. Perhaps you had better lay out the line first.”
We did so and I used a hundred feet instead of ten for the bill of the hook, on the more-is-better principle. Star lay back and I started talking to her, softly (and without conviction) but over and over again.
Star closed her eyes and appeared to sleep. Suddenly she started to mumble in tongues.
“Hey, Boss! Damn thing is hard as rock and stiff as a life sentence!”
I told Star to wake up and we slid down to the setback below as fast as we could, praying that it wouldn’t go limp on us. We didn’t shift the line; I simply had Star cause more of it to starch up, then I went on down, made certain that I had the right opening, three rows down and fourteen over, then Star slid down and I caught her in my arms; Rufo lowered the baggage, weapons mostly, and followed. We were in the Tower and had been on the planet—correction: the “place”—we had been in the place called Karth-Hokesh not more than forty minutes.
I stopped, got the building matched in my mind with the sketch block map, fixed the direction and location of the Egg, and the “red line” route to it, the true path.
Okay, go on in a few hundred yards, snag the Egg of the Phoenix and go! My chest stopped hurting.
FIFTEEN
“Boss,” said Rufo, “Look out over the plain.”
“At what?”
“At nothing,” he answered. “Those bodies are gone. You sure as hell ought to be able to see them, against black sand and not even a bush to break the view.”
I didn’t look. “That’s the moose’s problem, damn it! We’ve got work to do. Star, can you shoot left-handed? One of these pistol things?”
“Certainly, milord.”
“You stay ten feet behind me and shoot anything that moves. Rufo, you follow Star, bow ready and an arrow nocked. Try for anything you see. Sling one of those guns—make a sling out of a bit of line.” I frowned. “We’ll have to abandon most of this. Star, you can’t bend a bow, so leave it behind, pretty as it is, and your quiver. Rufo can sling my quiver with his; we use the same arrows. I hate to abandon my bow, it suits me so. But I must. Damn.”
“I’ll carry it, my Hero.”
“No, any clutter we can’t use must be junked.” I unhooked my canteen, drank deeply, passed it over. “You two finish it and throw it away.” While Rufo drank, Star slung my bow. “Milord husband? It weighs nothing this way and doesn’t hamper my shooting arm. So?”
“Well—If it gets in your way, cut the string and forget it. Now drink your fill and we go.” I peered down the corridor we were in—fifteen feet wide and the same high, lighted from nowhere and curving away to the right, which matched the picture in my mind. “Ready? Stay closed up. If we can’t slice it, shoot it, or shaft it, we’ll salute it.” I drew sword and we set out, quick march.
Why my sword, rather than one of those “death ray” guns? Star was carrying one of those and knew more about one than I did. I didn’t even know how to tell if one was charged, nor had I judgment in how long to press the button. She could shoot, her bowmanship proved that, and she was at least as cool in a fight as Rufo or myself.
I had disposed weapons and troops as well as I knew how. Rufo, behind with a stock of arrows, could use them if needed and his position gave him time to shift to either sword or Buck Rogers “rifle” if his judgment said to—and I didn’t need to advise him; he would.
So I was backed up by long-range weapons ancient and ultramodern in the hands of people who knew how to use them and temperament to match—the latter being the more important. (Do you know how many men in a platoon actually shoot in combat? Maybe six. More likely three. The rest freeze up.)
Still, why didn’t I sheathe my sword and carry one of those wonder weapons?
A properly balanced sword is the most versatile weapon for close quarters ever devised. Pistols and guns are all offense, no defense; close on him fast and a man with a gun can’t shoot, he has to stop you before you reach him. Close on a man carrying a blade and you’ll be spitted like a roast pigeon—unless you have a blade and can use it better than he can.
A sword never jams, never has to be reloaded, is always ready. Its worst shortcoming is that it takes great skill and patient, loving practice to gain that skill; it can’t be taught to raw recruits in weeks, nor even months.
But most of all (and this was the real reason) to grasp the Lady Vivamus and feel her eagerness to bite gave me courage in a spot where I was scared spitless.
They (whoever “they” were) could shoot us from ambush, gas us, booby-trap us, many things. But they could do those things even if I carried one of those strange guns. Sword in hand, I was relaxed and unafraid—and that made my tiny “command” more nearly safe. If a C.O. needs to carry a rabbit’s foot, he should—and the grip of that sweet sword was bigger medicine than all the rabbits’ feet in Kansas.
The corridor stretched ahead, no break, no sound, no threat. Soon the opening to the outside could no longer be seen. The great Tower felt empty but not dead; it was alive the way a museum is alive at night, with crowding presence and ancient evil. I gripped my sword tightly, then consciously relaxed and flexed my fingers.
We came to a sharp left turn. I stopped short. “Star, this wasn’t on your sketch.”
She didn’t answer. I persisted, “Well, it wasn’t. Was it?”
“I am not sure, milord.”
“Well, I am. Hmm—”
“Boss,” said Rufo, “are you dead sure we entered by the right pigeonhole?”
“I’m certain. I may be wrong but I’m not uncertain—and if I’m wrong, we’re dead pigeons anyhow. Mmm—Rufo, take your bow, put your hat on it, stick it out where a man would look around that corner if he were standing—and time it as I do look out, but lower down.” I got on my belly.
“Ready…now!” I sneaked a look six inches above the floor while Rufo tried to draw fire higher up.
Nothing in sight, just bare corridor, straight now.
“Okay, follow me!” We hurried around the corner.
I stopped after a few paces. “What the hell?”
“Something wrong Boss?”
“Plenty.” I turned and sniffed. “Wrong as can be. The Egg is up that way,” I said, pointing, “maybe two hundred yards—by the sketch block map.”
“Is that bad?”
“I’m not sure. Because it was that same direction and angle, off on the left, before we turned that corner. So now it ought to be on the right.”
Rufo said, “Look, Boss, why don’t we just follow the passageways you memorized? You may not remember every little—”
“Shut up. Watch ahead, down the corridor. Star, stand there in the corner and watch me. I’m going to try something.”
They placed themselves, Rufo “eyes ahead” and Star where she could see both ways, at the right-angle bend. I went back into the first reach of corridor, then returned. Just short of the bend I closed my eyes and kept on.
I stopped after another dozen steps and opened my eyes. “That proves it,” I said to Rufo.
“Proves what?”
“There isn’t any bend in the corridor.” I pointed to the bend.
Rufo looked worried. “Boss, how do you feel?” He tried to touch my cheek.
I pulled back. “I’m not feverish. Come with me, both of you.” I led them back around that right angle some fifty feet and stopped. “Rufo, loose an arrow at that wall ahead of us at the bend. Lob it so that it hits the wall about ten feet up.”
Rufo sighed but did so. The arrow rose true, disappeared in the wall. Rufo shrugged. “Must be pretty soft up there. You’ve lost us an arrow. Boss.”
“Maybe. Places and follow me.” We took that corner again and here was the spent arrow on the floor somewhat farther along than the distance from loosing to bend. I let Rufo pick it up; he looked closely at the Doral chop by the fletching, returned it to quiver. He said nothing. We kept going.
We came to a pl
ace where steps led downward—but where the sketch in my head called for steps leading up. “Mind the first step,” I called back. “Feel for it and don’t fall.”
The steps felt normal, for steps leading downward—with the exception that my bump of direction told me that we were climbing, and our destination changed angle and distance accordingly. I closed my eyes for a quick test and found that I was indeed climbing, only my eyes were deceived. It was like one of those “crooked houses” in amusement parks, in which a “level” floor is anything but level—like that but cubed.
I quit questioning the accuracy of Star’s sketch and tracked its trace in my head regardless of what my eyes told me. When the passageway branched four ways while my memory showed only a simple branching, one being a dead end, I unhesitatingly closed my eyes and followed my nose—and the Egg stayed where it should stay, in my mind.
But the Egg did not necessarily get closer with each twist and turn save in the sense that a straight line is not the shortest distance between two points—is it ever? The path was as twisted as guts in a belly; the architect had used a pretzel for a straight edge. Worse yet, another time when we were climbing “up” stairs—at a piece level by the sketch—a gravitational anomaly caught us with a full turn and we were suddenly sliding down the ceiling.
No harm done save that it twisted again as we hit bottom and dumped us from ceiling to floor. With both eyes peeled I helped Rufo gather up arrows and off we set again. We were getting close to the lair of the Never-Born—and the Egg.
Passageways began to be narrow and rocky, the false twists tight and hard to negotiate—and the light began to fail.
That wasn’t the worst. I’m not afraid of dark nor of tight places; it takes a department store elevator on Dollar Day to give me claustrophobia. But I began to hear rats.
Rats, lots of rats, running and squeaking in the walls around us, under us, over us. I started to sweat and was sorry I had taken that big drink of water. Darkness and closeness got worse, until we were crawling through a rough tunnel in rock, then inching along on our bellies in total darkness as if tunneling out of Château d’If…and rats brushed past us now, squeaking and chittering.